An eight day chiming longcase clock, early 20th century, mahogany crossbanded, amboyna, boxwood and ebony strung with marquetry decoration to the trunk door and box base, the 11” arched brass and silvered dial with centred subsidiary seconds dial within a ring of Arabic numerals under a subsidiary chime and silent dial to the arch with foliate pierced spandrels and centre, the three weight driven movement striking on a coiled gong and rods, the hood with pagoda top and arched hood door over a long trunk door on a box base and skirting plinth, 227cm high
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A Victorian eight day longcase clock, mahogany, rosewood crossbanded, the 14” arched painted dial with centred date aperture and subsidiary seconds dial within a ring of Roman numerals, the arch painted with a hunting scene over architectural studies to the spandrels, the hood with swan neck pediment over front corner turned baluster hood pilasters above an ogee arched short trunk door flanked by short baluster front corner pilasters on a box base and ogee moulded bracket front feet, 237cm high
A Regency mahogany eight day longcase clock, the 12” arched brass dial signed ‘John Robertson, Edinburgh’ to the arch with centred subsidiary seconds dial and date aperture, within an inner ring of Roman numerals, outer ring of Arabic numerals, the eight day movement striking on a single bell, the hood with swan neck pediment over pierced frieze, over an arched glazed hood door, over a long trunk door, between reeded quarter front corner pilasters on a box base and later plinth skirting, 216cm high
An eight day longcase clock, mid 18th century, oak, the 9.5” square brass dial signed ‘Hampson, Wrexham, 804’ with ring of Roman numerals and foliate pierced corner spandrels, the associated eight day movement striking on a single bell, the hood with ogee moulded corners over a honeysuckle pierced frieze and glazed square hood door, over a shaped trunk door with brass key escutcheon on a box base and cut out plinth, 198cm high (at fault)
A late George III thirty hour longcase clock, oak, crossbanded rosewood, the 12” arched painted dial signed ‘Jones, Newtown’ with a portrait study to the arch and florally painted spandrels over a ring of Roman numerals, the restored movement striking on a single bell, the hood with swan neck pediment over an arched hood door and turned and tapering front corner hood pilasters over a short trunk door with later Art Nouveau moulded central motif between quarter fluted front corner trunk pilasters on a box base (lacking feet) 195cm high,
A late George III eight day longcase clock, oak, the 12” arch painted dial signed ‘William Gardener, Brigg’ with centred subsidiary seconds dial and date aperture, with portrait of a seated young woman to the arch, the movement striking on a single bell, the hood with swan neck pediment over an arched glazed hood door flanked by turned and tapering front corner hood pilasters over an arched trunk door, on a box base and later skirting plinth, 205cm high
RICHARD STONEHOUSE, WHITBY (1715-1809), AN 18th CENTURY OAK AND CROSS-BANDED LONGCASE CLOCK, with long trunk door, the hood with swan neck pediment, complete with (original) 28cm arched brass dial, signed in the arch, with date crescent, now with eight-day two-train weight driven movement striking on a bell. 2.28m
An early 19th Century Mahogany and Boxwood inlaid and marquetry with further Rosewood crossbanding Eight Day “Norwich” Style Clock, John Burroughs of Ironbridge, the plain moulded surround to a single circular hinged and glazed door, to an overhanging cornice with ogee throat and panelled frieze to an arched short trunk door, flanked by half ring turned columns with further panelled lower section and quarter round base, to a 16” circular dial with painted Roman numerals and outside minute track, to black painted and pierced spade hands and sweep centre seconds, to a false plated signed “Finnemore” to plain plates united by four knopped pillars, with anchor escapement and rack strike on a bell, height 63”
A late 19th Century American Walnut and ebonised Wall Clock, Ansonia Clock Co, the octagonal surround to a drop trunk with chisel bottom, and single glazed door, to a spun brass bezel enclosing a two-part Roman dial with outside minute track and subsidiary seconds, with black painted hands, to a spring driven movement with anchor escapement and strike on a coiled gong, height 32”
A first half of the 19th Century Rosewood and Brass inlaid drop dial Wall Timepiece, Beha & Co of Norwich, the bevelled surround inset with Brass floral and foliate decoration, to a drop trunk with rounded base and glazed panel flanked by fruiting vines decoration, (losses to Brass), and spun Brass bezel enclosing an 11 ½” painted Roman dial with outside minute track and black painted pierced hands, to a single fuse movement with shouldered plates united by knopped pillars and anchor escapement, height 28”
A late 19th Century gold painted cast spelter Mantel Timepiece, modelled in the form of a Long Case Clock, with swan neck pediment, barley twist columns and heavily carved trunk door and plinth base, to a 2” Arabic enamel chapter ring, with outside minute track and matted centre and blued steel spade hands, to a spring driven movement, height 11 ½”
An Oak cased 8 Day Long Case Clock, signed Davey of Norwich, the arched hood surrounded by a globe and spike, and two globe and eagle brass finials, over freestanding columns, to an ogee throat and long trunk door, to a plinth base, to a 12” arched brass dial, with engraved foliate decoration, with Roman chapter ring and Arabic quarters, enclosing subsidiary seconds and date sector with pierced steel hands, to a signed false plate and movement with plates united by four knopped pillars, and anchor escapement, strike on a bell (associated), height 92”
A 2nd quarter of 19th Century Oak, Mahogany and Boxwood line inlaid 8 Day Long Case Clock, Pegler of Blandford, the hood with swan neck pediment over reeded freestanding columns to an ogee throat, and plain frieze with short trunk door flanked by quarter reeded columns, and raised on a plinth base, to a 12” square 3rd period painted dial, with floral spandrels to a Roman chapter ring, enclosing subsidiary seconds and date sector with black painted hands, to an unsigned false plate and movement with plates united by four knopped pillars, with anchor escapement, strike on a bell, height 76”
A late 18th Century Oak and Mahogany cross banded 8 Day Long Case Clock, Walter Mayers of Gloucester, the hood with overhanging cornice, to reeded freestanding columns, to an ogee throat and long trunk door with panelled base, and raised on bracket feet, to a 12” square brass dial with cast and applied foliate spandrels enclosing a Roman and Arabic chapter ring, to a polished centre engraved with floral and foliate decoration and insects, with subsidiary sections and date sector, with further pierced steel hands, to a movement with plates united by four knopped pillars and anchor escapement, strike on a bell, height 79”
A 3rd quarter of 18th Century Oak cased 30 Hour Long Case Clock, Leon Weatherad of K Lonsdale, the hood with overhanging cornice to a plain frieze, with inlaid initials TB, over freestanding baluster columns and ogee throat, to quarter round columns flanking a shaped long trunk door, and raised on a plinth base, to a 12” square brass dial with cast and applied mask and foliate spandrels, enclosing a Roman and Arabic chapter ring, with outside track and fleur-de-lys half hour markers, to a matted centre with engraved star and foliate decoration with date sector and pierced steel hands, to a movement with plates united by four knopped pillars and anchor escapement, strike on a bell, height 84”
A late 18th Century Oak cased 8 Day Long Case Clock, Wm Reid of Grantham, the hood with swan neck pediment over freestanding columns, to an ogee throat and long shaped trunk door, with plinth base, to a 12” 1st period painted dial, decorated to the arch with honeysuckle blossom and further gilt highlighted gesso spandrels, enclosing a Roman and Arabic chapter ring, enclosing subsidiary seconds and date sector, to a “Wilson” signed false plate, and movement with plates united by four knopped pillars and anchor escapement, strike on a bell, height 82”
A mid-18th Century Oak cased 30 Hour Long Case Clock, Tho Beeching of Rye, the hood with overhanging cornice, over a ¾ column to an ogee throat, and long shaped trunk drawer with reduced plinth base, to a 12” square brass dial with attached arch bearing named boss and further dolphin spandrels over mask and foliate spandrels, enclosing a Roman and Arabic chapter ring with inside and outside tracks, with fleur-de-lys half hour markers, to an engraved centre with subsidiary seconds and ringed date sector, with blued steel pierced hands, and movement with plates united by four knopped pillars and anchor escapement, strike on a bell, height 75 ½” (associated)
A 1st half of 19th Century Oak cased 8 Day Long Case Clock, name obscured, the arched hood with swan neck pediment and three gilt wood globe finials over free standing columns, to an ogee throat and long trunk doors, with reduced plinth base, to a 12” arched painted dial, decorated with the peace dove flanked by cornucopia and scythes, with rose and gilt highlighted spandrels, enclosing an Arabic chapter ring with subsidiaries for seconds and date, with pierced steel hands to an unsigned false plate, and movement with plates united by four knopped pillars with anchor escapement and strike on a bell, height 86”
A late 18th Century Mahogany cased 30 Hour Long Case Clock, H Kemp of Mayfield, the overhanging cornice to freestanding columns, with ogee throat, plain long trunk door, and plinth base (plinth A/F), to a 12” square painted 1st period dial with rose spandrels enclosing a Roman chapter ring, centred with a rural landscape to a posted movement with back mounted count wheel, and anchor escapement with strike on a bell, height 75”
An impressive late 19th Century electroplated Table Centrepiece, modelled in the form of an oak tree, centred with a cut glass bowl, within a branch and acorn frame, and flanked by three scrolling arms, each with further foliate formed sconces and drip pans, and naturalistic trunk, to a rocky outcrop formed base, set with a ram and ewe, to a vacant cartouche (apparently unmarked), height 22”
A George IV mahogany and oak 30 hour longcase clock the foliate and rose painted arch dial with a minute aperture and marked JAS AULT, Belper, inlaid with stringing throughout, the hood with broken arch pediment and fluted column supports, the oak and mahogany banded trunk with fluted quarter corner columns, on low bracket feet 220cm high
A painted pine travel trunk of Warrant Office 1802864 Langley, 77 Waterloe Road, Dunstable Beds, containing RAF jacket, casuals, flying jacket, leather gloves, silk glove inserts, flying helmet with goggles, uniform hat with badge, regiment wrist straps, fabric map of Sumatra/Java, braces, badges, paperback books etc.
A George III oak and flamed mahogany veneered long case clock with swan neck pillared hood, three quarter length trunk door with canted sides on bracket feet, the painted dial having cows under a bridge to the arch, shells to the spandrels, Roman hour numerals, seconds ring and date crescent and marked D. Gugeri, Boston, eight day movement striking a bell, 85" high.
A fine flamed mahogany long case clock with domed hood, full length arched and ebonised slip trunk door with canted sides on plinth base with block feet, the 10½" circular silvered dial having Roman hour numerals, seconds ring and marked Barrauds' Cornhill LONDON 1299, eight day movement striking a bell, 76" high. Estimate on request. All enquiries to Colin Young.
A Victorian mahogan eight day longcase clock, maker J. Young of Dalry, the arched Roman numeral dial painted with scene titled 'Prince Charles Edward receiving his adherents at Holyrood', and subsidiary seconds and date dials, the hood C-scroll crest on a trunk with convex door and demi columns on bun feet, 223cm high x 50cm wide
A George III mahogany eight-day longcase clock, maker Josiah Thompson (1748-1768) of Whitehaven, the brass Roman and Arabic numeral dial with subsidiary seconds dial, date aperture and pierced gilt spandrels, the hood with fret cut frieze on a trunk with rectangular door having window aperture, the base on bracket feet
A Dublin Longcase Clock Movement circa 1770 with Eight Day Movement, the 12½ inch (31.5 cm) brass dial inscribed "Alex Gordon", having decorative brass spandrels with a subsidiary seconds ring and calendar aperture in the matted centre. Housed in a later oak case having a caddy top hood with carved finials and applied edge moulding to the trunk door with lenticle.
A Tall Chippendale Style Carved Mahogany Musical Longcase Clock. The 12 inch (31 cms) brass dial having a roundel plaque to the arch inscribed with maker's name; Thos. Henderson Hull, decorated with scrolling mounts & spandrels, and framed by a blind-fret carved dome-topped door with stop fluted columns either side; the gilt Corinthian style capitals bearing a heavy swan-neck pediment ornamented with carved sprays of foliage and surmounted by a foliate crest. The arch topped trunk door edged in moulding and adorned with interlaced C-scrolls and foliage flanked by canted blind-fret carved corners. The base with further applied foliate carving raised on bracket feet, 102 ins (60 cms) in height.
A Miniature Mahogany Longcase Clock. The 7 inch (18 cms) brass dial having a silvered chapter ring encircling a matted centre with winged cherub head spandrels and scrolling mounts flanking a convex plaque to the arch inscribed Tempus Fugit. The hood surmounted by a gadrooned swan-neck pediment with carved rosettes to the terminals and lavish scrolls with undulating acanthus above fluted side columns. The trunk enhanced with a carved band of foliate scrolls with recessed reeded quarter columns flanking the shaped edge-moulded door and leading down to a brick-work base, 57 ins (145 cms) high.

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66887 item(s)/page