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20th century - Pine cased month going Granddaughter clock in an oak case, with a glazed trunk door, visible gridiron pendulum and two dummy brass weights, sheet brass break arch dial with Roman numerals and steel hands, two train spring driven striking movement with key. Dimensions: Height: 190cm Length/Width: 40cm Depth/Diameter: 22cm
H Jones of Oswestry - Early19th century oak and mahogany eight-day longcase clock, with a swans neck pediment and central brass ball and spire finial, break arch door beneath with detached reeded pilasters, trunk with recessed pilasters and a full-length wavy topped door with inlay, square plinth with a raised crossbanded panel on padded feet, early Wilson painted dial with Roman numerals, matching steel hands, five minute Arabic's, seconds dial and date aperture, floral spandrels with gesso borders and an oval to the arch depicting a country girl gathering kindling, dial pinned via a Wilson falseplate to a rack striking weight driven movement, sounding the hours on a bell. With weights, pendulum and key. Dimensions: Height: 220cm Length/Width: 45cm Depth/Diameter: 25cm
J C Elliot & Sons of Leeds- Late-19th century 8-day mahogany longcase clock c1880, with a swan necked pediment and break arch hood door beneath, ring turned pilasters and curved backsplats, trunk with cushion moulding and small wavy topped door, on a broad plinth with a circular recessed panel, Fully painted dial with Roman numerals, seconds and date dials and stamped brass hands, mirror images of rural cottages to the spandrels and a rural scene to the arch, dial pinned via a cast falseplate to a rack striking movement, sounding the hours on a ball. With pendulum, weights and key.Dimensions: Height: 225cm Length/Width: 65cm Depth/Diameter: 27cm
Campaign / captain's metal bound twin handled secretaire on cupboard, with screw fittings to fix them together or tether them, male and female fitting lugs to top and base, fall flap to top trunk, fitted trays within the base, a twin door cupboard with fitted interior, plaque with 'Gieves Matthews and Seagrove', the whole W106 x D55 x H114cm
A GEORGE III LEATHER COVERED DOCUMENTS TRAVEL TRUNK. embossed with gilt crowns and foliate scroll decoration, the domed lid stamped GR with a crown and brass carrying handle, opening to reveal a vacant paper marbled interior, original lock with key and remnant of wax seal, height 24cm, width 50cm, depth 29cm. *CR Large repairs to leather covering, losses and general wear commensurate with age and use.
AN 18TH CENTURY WALNUT EIGHT DAY LONGCASE CLOCKthe 12" moonphase dial signed Daniel Catlin, Lynn (King's), with silvered chapter ring, subsidiary seconds dial and date aperture, to an eight day movement striking to a bell, the hood case with fretwork panel and column supports to an arched trunk door, with pendulum, two lead weights and winder, 225cm high.
COMITTI, LONDON; THE EMPIRE FLOOR CLOCK, NO. 40, A MAHOGANY QUARTER TUBE CHIMING EIGHT-DAY LONGCASE CLOCK52cm wide; 230cm highThe case with a pierced swan neck pediment, above hinged bevelled glazed door, flanked to each side by fluted uprights and with a bevelled glazed panel to each side, above an arched glazed panel inset trunk door, flanked by fluted quarter columns and with a bevelled glazed panel to each side, on a rectangular base with carved outline, with stepped plinth, on ogee bracket feet; the 28cm arched dial detailed Comitti, London, with moon phase in the arch, above silvered chapter ring and Arabic chapters, seconds subsidiary below the 12, the German three train movement chiming each quarter and with tune selector for Whittington, St. Michael or Westminster, and with a secondary selector for chime/silent/silent at night, the movement with deadbeat escapement; three brass cased weights and pendulum, with crank key
These two turtledoves are crafted from clear crystal with frosted crystal beaks, perched together on a frosted crystal tree trunk. They are part of the Swarovski Crystal Society Membership Program. Certificate of Authenticity included. Swarovski backstamp. This item has its original box. Dimensions of box: 7.75"H x 7.25" dia. Issued: 1989Dimensions: 4"L x 3.5"W x 2.5"HManufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.
A clear crystal figure of Dumbo with his ears and trunk raised a bit. Blue crystals are used for the eyes. Swarovski backstamp. This item has its original box. Dimensions of the original box: 6"H x 5" dia. Artist: TeamIssued: 1990Dimensions: 2.5"L x 3.25"W x 2.25"HManufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.
Robert Fletcher, Chester an oak longcase clock the eight-day duration movement striking the hours on a bell with the thirteen-inch break-arch painted dial having black Roman numerals, painted floral decoration to the four corners, a subsidiary seconds dial, date aperture and signed Rt. Fletcher, Chester, the oak case having mahogany crossbanding, fluted quarter columns to the trunk, fluted columns to the hood and surmounted by a swan-neck pediment, height 223cm.Notes: There are two clockmakers recorded named Robert Fletcher being father and son, with the younger Robert working in Chester from circa 1800 when he took over the business from his father who was first recorded in Linenhall Street in 1782 and then Higher Bridge Street and Foregate Street. Robert Jnr. died in 1841.Reference: Clockmakers of Chester, Keith Appleby, Farmhouse Antiques 1999.
Joseph Hill, Bristol, an oak rocking ship automata longcase clock the eight-day duration movement striking the hours on a bell with the thirteen-inch arched painted dial with a rocking ship automata within the arch and having black Roman numerals, a subsidiary seconds dial, date aperture, with cottage and castle scenes to the four corners and signed Joseph Hill, Bristol, the oak case having canted corners to the base, fluted quarter-columns to the trunk, cast-brass capitals to the hood pillars and surmounted by a swan-neck pediment with a brass eagle-and ball finial, height 230cm.Note: Joseph Hill was a member of the well-known Hill clockmaking family and is recorded as working at 7, The Parade, Bristol as a watch and clockmaker in the late 18th century/early 19th century. Ref: The Clockmakers of Bristol, A.J.Moore, Pub. The Author 1999.
Benjamin James, London an oak longcase clock the eight-day duration, five-pillar movement striking the hours on a bell with the twelve-inch brass break-arch dial having a raised silvered chapter ring engraved with black Roman numerals, fleur-de-lys half-hour markings and Arabic five-minute outer numerals, the matted centre with ringed winding holes, subsidiary seconds dial and decorative engraving to the date aperture, with cast-brass crown and cherub spandrels to the four corners, the arch with a silvered boss engraved with the maker's name Benjamin James, London, the oak case with break-arch top to the trunk door and fluted pillars to the hood, height 220cm.Notes: Benjamin James is recorded as working in London in circa 1730.Reference: Watch and Clockmakers of the World, Brian Loomes, N.A.G. Press 1988.
John Waters, London a late-17th-century longcase clock the month duration, six-pillar movement (sixth pillar removed) having latched dial pillars and striking the hours on a bell with an outside countwheel, the eleven-inch square brass dial having a raised chapter ring with engraved black Roman numerals and meeting-arrowhead half-hour markings, the matted centre with engraved decoration to the date aperture and subsidiary seconds dial, with cast-brass cherub-head spandrels to the four corners, with engraved decoration to the dial edge and later blued-steel hands, signed below the chapter ring John Waters, London, the later flat-top oak case with shaped door, quarter columns to the trunk and standing on a double plinth, height 189cm.Notes: John Waters was apprenticed to John North in July 1674 but being passed over to Nicholas Beck after a few months. He became a Freeman of the Worshipful Company of Clockmakers in 1682. Amongst the apprentices he took on in his working life was John Ellicott senior, being the father of John Ellicott junior who was to become a famed and eminent maker. In 1705 John Waters was made an Assistant to the Court of the Clockmakers Company but there is no record of him recorded after 1706.
An oak moonphase longcase clock the eight-day duration movement striking the hours on a bell with the twelve-inch break-arch dial having black Roman hour numerals, Arabic five-minute numerals, a subsidiary seconds dial, date aperture, blued-steel hands, decorative floral corner spandrels with the arch showing the phases of the moon, the iron false-plate to the rear embossed with the dialmaker's name Wilson, Birmingham,the oak case having fan inlay to the door, hood and raised panel to the base, with canted corners to the trunk, full pillars to the hood and surmounted by a swan-neck pediment, height 222cm inc. centre finial.
A collection of Beswick Beatrix Potter ceramic figures, including: 'Foxy Whiskered Gentleman'; 'Mrs Tiggy Winkle Takes Tea'; 'Timmy Tiptoes'; and others; together with other ceramic figures, comprising: a Royal Albert Beatrix Potter figure; a Beswick tree trunk form stand; and a selection of Wade whimsies.
A late 19th Century brass bound burr walnut work box, of trunk form, 25.5cms wide; together with other items, including: an early 20th Century trunk pattern stationary box, opening to reveal interior fitted with four letter rack compartments; an Edwardian style miniature mantle clock; a Mauchline ware style 'Ford Castle' pattern case; and a snuff box.
A NOTTINGHAMSHIRE OAK LONGCASE CLOCKBY JOHN GLAZEBROOK, MANSFIELDthe brass movement with four knopped pillars, anchor escapement and striking on a bell, with a 11 1/4 inch brass dial inscribed 'Jon. Glazebrook Mansfield', with black Roman and Arabic numerals around a matted dial with a ringed date aperture and engraved scrolling foliage, surrounded by spandrels with cherubs supporting crowns, the hood with turned columns on a trunk with a rectangular door199.5cm high
A SCOTTISH GOTHIC OAK LONGCASE CLOCKEARLY 19TH CENTURYthe brass eight day movement with four knopped pillars, an anchor escapement and striking on a bell, the 14 inch painted dial with black Roman numerals and subsidiary seconds and date dials, the circular hood with a waisted support above a trunk with a lancet door flanked by slender panels and on a panelled base, with two weights and a pendulum212cm high
A MAHOGANY AND OAK LONGCASE CLOCKBY JOHN MAY, SOUTHAMPTON, LATE 18TH CENTURYthe brass thirty hour movement with four knopped pillars, an anchor escapement, an outside countwheel and striking on a bell, with a 12 inch brass dial inscribed 'John May SOUTHAMPTON', the chapter ring with black Roman and Arabic numerals around a matted centre with a subsidary date aperture, the hood with turned columns on a trunk with a rectangular door and stepped base196cm highOFFERED WITHOUT RESERVE
A DERBYSHIRE OAK LONGCASE CLOCKBY JAMES ASHTON, TIDESWELLthe brass eight day movement with four knopped pillars, anchor escapement and striking on a bell, on a brass 12 inch dial inscribed 'JAMS. ASHTON TIDEWELL', with black Roman and Arabic numerals around a centre with a subsidiary second and date dials and engraved with scrolling foliage, surrounded by spandrels enblematic of the seasons, the trunk with an arched door190cm high
AN OAK LONGCASE CLOCKBY JOSEPH WILLS, SOUTH MOLTON, 18TH CENTURYthe brass thirty hour movement with four knopped pillars, an anchor escapement, an outside countwheel and striking on a bell, with a 10 inch brass dial with black Roman numerals and inscribed 'Jos Wills So Molton', interspersed with fleur-de-lys around a centre with four rondels and inside female mask spandrels, the hood with turned columns on a trunk with a rectangular door and plinth base, with a weight and pendulum196.5cm high
λ A TORTOISESHELL LONGCASE CLOCKBY JOHN MILLER, LONDON, LATE 17TH / EARLY18TH CENTURY AND LATERthe brass eight day movement with six knopped pillars, with an outside countwheel and an anchor escapement, striking on a bell, the backplate with an anchor-shaped cut-out, the 10 inch brass dial with a silvered chapter ring with black Roman hours and fleurs-de-lys half hour markers and a narrow minute chapter ring with Arabic five minutes, the matted centre with a subsidiary seconds dial and date aperture, inside winged cherub head spandrels and an engraved border, the lower edge inscribed 'John Miller Londini Fecit', the hood with a square glazed door flanked by barley twist columns, the trunk with a rectangular door with a circular lenticle, on a panelled base with shaped feet, with two weights and a pendulum, the movement and case possibly associated210cm highCatalogue NoteJohn Miller was apprenticed to Samuel Knibb in 1667 and, on Knibb's death, to Knibb's cousin Joseph being declared Free of the Clockmakers' Company in 1674. The present movement shows a number of similarities to movements by Joseph Knibb including the thin plates, form of the turned pillars and the anchor escapement cut-out in the back plate.See Sotheby's London, 17th May 2022, Furniture, Silver, Clocks and Ceramics, lot 13 for a related longcase clock by John Miller with a similar dial and movement features including the numerals and markers and anchor escapement cut-out in the backplate.
A GEORGE III MAHOGANY LONGCASE CLOCKBY THOMAS NEVITT, BRISTOL, LATE 18TH CENTURYthe brass eight day movement with four knopped pillars, an anchor escapement and striking on a bell, the brass 12 inch dial with a silvered chapter ring with black Roman and Arabic numerals around a matted centre with floral decoration, the silvered seconds dial inscribed 'THOS. NEVITT BRISTOL' and a date aperture, inside scrolling foliate spandrels and beneath an arch with a moonphase and inscribed 'HIGH WATER AT BRISTOL KEY', the case with an arched door with blind fretwork columns and frieze panel on a trunk with a serpentine door, blind fretwork returns and panelled base, with a pair of brass-cased weights and a pendulum225.5cm high
A GEORGE III JAPANNED LONGCASE CLOCKMID-18TH CENTURYthe brass eight day movement with four knopped pillars, anchor escapement and striking on a bell, on a 13 inch painted dial, the chapter ring with Arabic numerals surrounding a centre with chinoiserie actors on a stage, a subsidiary seconds dial and date aperture, inside shell painted spandrels and beneath an arch with a gilt building in a landscape and beneath a foliate border, the case with an arched door and turned and gilt columns on a trunk with a rectangular door with chinoiserie scenes in low relief and a circular lenticle and a pedestal base, the whole with gilt chinoiserie decoration on a faux tortoiseshell ground, with two weights and a pendulum226.5cm high
A WALNUT AND INLAID LONGCASE CLOCKBY THOMAS DAVIS, LONDON, LATE 17TH CENTURY AND LATERthe brass eight day movement with four knopped pillars, an anchor escapement and striking on a bell, the 11 inch brass dial with a silvered chapter ring with black Roman and Arabic numerals and inscribed 'Tho Davis London' around a matted centre with ringed winding holes, a subsidiary seconds dial and date aperture framed by engraved fruit and swags, inside cherub mask spandrels and scrolling foliate decoration, the hood with an ebonised fretwork panel and barleytwist columns, the crossbanded trunk with a rectangular door with a circular lenticle and ebonised frame, the plinth base inlaid with a star208.8cm highOFFERED WITHOUT RESERVE
A George III oak longcase clock, by Wilkins Wigton, the brass broken arch dial with ship automaton movement, the shaped trunk door flanked with fluted corners, complete with weights and pendulum, 214cm highProvenance: Lime House, Earls Colne, Essex Condition ReportThe clock cannot be tested and therefore the working condition is unknown.
An early 20th century Kestner bisque-headed doll With weighted eyes and "real" eyebrows, an articulated body, and marked to the back 'E 1/2 Made in Germany 9 1/2 and 196'. 52cm high overall Qty: 1 A note from the vendor:"I first was given it as a gift, as a child in the 1950’s in Anchorage, Alaska. (My parents had gone to Alaska after WWII as my father was designing air traffic control equipment). The story was that the doll was found in an old trunk and an elderly friend of my mother’s (perhaps born in about 1890) had sewn by hand a new set of silk clothes for the doll in the fashion of colonial America circa 1776. My mother then got the doll for my birthday, as I was interested in history and most girls then loved dolls. I was very impressed with this doll with pearly teeth, which was fully jointed, and had “real” eyebrows! How did this German doll get all the way to Alaska during the course of about 50 years? Possibly the doll travelled with various owners from the East Coast of the States, where it may have first been imported from Germany to the West Coast, and from there on the long journey up to Alaska. I never knew the exact story. When my family moved to California in 1968, the doll was taken there, then my parents moved to Maine in New England taking the doll, and after that the doll was sent to me after I had moved to England." The wig possibly original, but shortened. The eyes working. Eyelashes worn. Eyebrows worn. The clothing almost certainly associated.
A GEORGIAN OAK THIRTY HOUR LONGCASE CLOCK, the twin swan neck pediment, flanking a central finial, the square glass door enclosing a 12 inch enamel dial, signed Bell, Uttoxeter, above a single trunk door, on a box plinth, height 217cm, condition report: one weight, one pendulum, untested, historical marks, scuffs, splits, repairs, alterations, other wear and usage

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66889 item(s)/page