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AN OAK AND MAHOGANY LONGCASE CLOCK, 19th Century, swan neck pediment, painted dial with rolling moon mechanism in the arch, subsidiary seconds dial and date aperture, indistinctly signed, the trunk door flanked by fluted pilasters, height 220cm, (two weights and pendulum)

Rupert Bear. A collection of 8 Royal Doulton figures from the Rupert series, 2003, comprising ‘Podgy Lands With a Bump’, Out For the Day’, ‘Finishing Arrows and Stringing His Bow’, ‘Banging on His Drum’, ‘Algy Pug Looking Like Robin Hood’, ‘We Meant to Put Them Back’, ‘Edward Trunk Pretending to Be an Outlaw’ and ‘Rupert Takes a Skiing Lesson’, all with certificates of authenticity, figures mint in boxes (last four figures missing polystyrene inserts), heights approx. 10cm and smaller (8)

A LOUIS VUITTON 1930`S CABIN TRUNK

A Mahogany Striking Trunk Dial Wall Clock, R.C.Marsh, Birmingham, circa 1870, circular top with side opening doors, trunk with front pendulum window and flanked by later added carved "ears", bottom opening door, 11-inch painted dial with Roman numerals, twin fusee movement with anchor escapement and rack striking on a bell, 74cm high see illustration

A Mahogany Eight Day Longcase Clock, the case with swan neck pediment, turned pillars, wavy shaped trunk door with inset plain pilasters, plain rectangular plinth upon bracket shaped feet, 14-inch arched painted dial with Roman and Arabic numerals bearing inscription Willm Barlow, Ashton, date aperture, arch with moonphase (not functioning), four pillar movement with anchor escapement and rack striking on a bell, 236cm high (dial and movement later associated to the case)

A Mahogany Eight Day Longcase Clock, signed Blair Flight, Kenross, circa 1800, the swan neck pediment with blind fret work, fluted columns, nicely figured and inlaid trunk door flanked by inset pilasters, rectangular plinth raised upon later bracket feet, 14-inch painted arched dial with Roman and Arabic chapter, date aperture and subsidiary seconds, floral spandrels, rolling moon in the arch and signed above (minute hand broken), four pillar movement with attached falseplate stamped Osborne, anchor escapement and rack striking (bell missing), 226cm high see illustration

A Mahogany Eight Day Longcase Clock, circa 1820, the nicely figured case with swan neck pediment, gilt painted glazed images of lions and central Prince of Wales feathers, fluted square shaped columns, arched trunk door with acorn finial, flanked by fluted pilasters and inlaid ebony stringing, rectangular plinth with boxwood inlaid stringing and canted corners, 14-inch painted arched dial with Arabic chapter, Prince of Wales feather spandrels, two subsidiary dials for seconds and date, arch with rolling moon, four pillar movement with attached falseplate stamped Owen, anchor escapement and rack striking on a bell, 234cm high see illustration

An Oak Chiming Longcase Clock, the pagoda top pediment with fluted columns, case later carved throughout, arched trunk door flanked by canted corners, plinth raised upon later bracket feet, 12-inch painted arched dial with Roman and Arabic numerals and inscribed LVR, floral spandrels and the arch depicting birds, triple weight driven movement with attached falseplate stamped Wilson, quarter striking with two hammers onto two bells and a further hammer striking a bell for the hours, 240cm high See illustration

An Oak Eight Day Longcase Clock, signed A Crawford, Scarbro, circa 1810, the case with a swan neck pediment, turned columns, arched trunk door, rectangular plinth raised upon bracket feet, 12-inch painted arched dial with Arabic numerals, dial centre with subsidiary seconds and date aperture, spandrels and the arch with painted floral decoration, four pillar movement with anchor escapement and rack striking on a bell, 225cm high see illustration

A Scottish Mahogany Eight Day Longcase Clock, signed K.Murdoch, Ayr, circa 1820, the nicely coloured case with swan neck pediment and fluted columns, pierced side sound frets, rectangular trunk door, crossbanded plinth raised upon later bracket feet, 14-inch arched painted dial with Roman numerals, dial centre with subsidiary seconds, date and signed, spandrels depicting figural poets, the arch depicting a figural lake scene, four pillar movement with anchor escapement and rack striking on a bell, 218cm high see illustration

A Mahogany Eight Day Longcase Clock, signed Tho Green, Liverpool, circa 1790, the nicely figured case with swan neck pediment, four fluted columns to the hood, wavy shaped trunk door with plain inset pilasters, raised quatre form panel to the plinth and brick work design to the corners, upon bracket feet, 14-inch white painted dial with Arabic and Roman numerals, inner date ring (central corresponding date hand missing), rolling moon phase in the arch, later minute hand, four pillar movement with attached falseplate unsigned, anchor escapement with rack striking on a bell, 231cm high see illustration

A Longcase Regulator, the satinwood and burr walnut veneered case with arched pediment and applied gilt metal mounts to the plinth, trunk door with a bevelled glass, 12-3/4-inch silvered dial with Roman numerals and inscribed R.Chrystie, Dumfries, subsidiary seconds, single weight driven four pillar movement with deadbeat escapement, 211cm high (dial and movement later associated to the case) see illustration

An Oak Chiming Longcase Clock, signed W Potts & Sons Ltd, Leeds, circa 1910, the case with flat top pediment, twisted columns, pierced side sound frets, rectangular trunk door with carved moulding, plinth with quatre form carved moulding, 11-inch square brass dial with silvered chapter ring, matted dial centre with subsidiary seconds, ringed winding holes and a silvered plaque signed, silent/chime lever positioned above 12, twin weight driven movement with deadbeat escapement and quarter chiming with five hammers striking on to five gong rods, 213cm high see illustration

A Small Mahogany Chiming Longcase Clock, retailed by Armstrong, Manchester, circa 1910, plain mahogany veneered arched case, pierced side sound frets and canted corners, recessed rectangular trunk door, plinth raised upon bracket feet, 10-1/2-inch arched brass dial with silvered chapter ring signed, chime/silent lever positioned at 3, strike/silent lever positioned at 9, the arch with silvered Tempus Fugit disc, triple weight driven movement with anchor escapement, chiming four hammers onto four gong rods and striking the hours with three hammers onto three gong rods, 194cm high (pendulum missing) see illustration

A Mahogany Chiming Longcase Clock, the case with swan neck pediment, wavy shaped trunk door flanked by inset fluted pilasters, plinth with raised quatre form panel and canted corners, upon stepped skirting, 13-inch arched brass dial with Roman and Arabic chapter ring and inner date ring with corresponding central date hand, textured dial centre with plaque bearing inscription Simcock, Liverpool, subsidiary seconds, arch with rolling moonphase, four pillar movement with anchor escapement and extra attached chiming movement to the side, quarter striking with eight hammers striking onto a nest of eight bells and a further bell for the hours, later seatboard, 244cm high (dial later associated to the movement and both are associated to the case, one weight missing) see illustration

A Mahogany Eight Day Longcase Clock, swan neck pediment with glazed front apertures, fluted columns, trunk with blind fretwork, nicely figured trunk door flanked by inset fluted pilasters, plinth with raised quatre form panel, later bracket feet, 13-inch arched brass dial with Arabic and Roman chapter ring with inner date ring and corresponding central date hand, textured dial centre with subsidiary seconds (hand missing), plaque bearing inscription Monks, Prescot, later added arch with printed scene, four pillar movement with anchor escapement and rack striking on a bell, (dial later associated to movement and both are associated to the case), 241cm high see illustration

An Edwardian Inlaid Mahogany Chiming Longcase Clock, swan neck pediment with inlaid canted corners, pierced side sound frets, case inlaid throughout with satinwood, boxwood and ebony stringing, arched trunk door with bevelled glass, recessed moulded plinth raised upon bracket shaped feet, 13-1/4-inch arched brass dial with silvered Roman chapter ring, matted dial centre with subsidiary seconds, three subsidiary dials in the arch for strike/silent, chime/silent and Westminster/Whittington, massive triple weight driven movement with deadbeat escapement, quarter chiming with eight hammers striking a nest of eight bells and striking a large gong for the hours, 240cm high see illustration

A Mahogany Eight Day Longcase Clock, signed Obadiah Brandreth, Middlewich, circa 1790, the case with swan neck pediment, turned pillars, wavy shaped trunk door flanked by fluted pilasters, rectangular plinth with later feet, 13-inch arched brass dial with Roman and Arabic chapter ring with inner date ring (central date hand missing), dial centre with engraved scroll work and subsidiary seconds, rolling moon arch signed above, four pillar movement with anchor escapement and rack striking on a bell, 218cm high (one weight missing) see illustration

A Mahogany Eight Day Longcase Clock, case with swan neck pediment, later inlay throughout with boxwood stringing and shell inlay, wavy shaped trunk door with acorn finial, inlaid rectangular plinth upon bracket feet, 14-inch arched brass dial with Arabic chapter ring, dial centre bearing inscription Jaques, Wakefield, arch with Tempus Fugit disc, four pillar movement with anchor escapement and rack striking on a bell, 237cm high (dial associated to movement and both are associated to the case) See illustration

A Mahogany Eight Day Longcase Clock, swan neck pediment with carved wooden petals, turned columns, mahogany crossbanded trunk door flanked by fluted inset pilasters, rectangular plinth with canted corners and upon bracket shaped feet, 12-inch arched brass dial with silvered chapter ring bearing inscription Barwise, Cockermouth, painted scene in the arch, movement with anchor escapement and outside countwheel striking on a bell, 225cm high (dial is later associated to the movement and both are associated to the case) See illustration

A Mahogany Eight Day Longcase Clock, flat top pediment with fluted columns, arched trunk door flanked by canted inlaid corners, 13-inch arched brass dial with two subsidiary dial for seconds and date, the arch with rolling moon and bearing inscription above Thomas Arlot, Sunderland, four pillar movement with anchor escapement and rack striking on a bell, 214cm high (dial later associated to the movement and both are associated to the case) see illustration

An Oak and Mahogany Eight Day Longcase Clock, swan neck pediment with later columns, mahogany crossbanded trunk door flanked by fluted corners, plinth with raised panel and upon later bracket feet, 12-inch arched brass dial with silvered chapter ring, dial centre with engraved scrollwork, date aperture and subsidiary seconds, arch with engraved circular disc and (above with an arched plaque now missing), four pillar movement with anchor escapement and rack striking on a bell, later seatboard, 231cm high (dial and movement circa 1770, possibly associated to the case circa 1770) see illustration

An Oak Thirty Hour Longcase Clock, the case later carved throughout, pediment with mask and scroll work, carved masks to the sides, rectangular trunk door with moulded borders, plinth with skirting missing, 11-1/4-inch square brass dial with Roman and Arabic chapter ring signed Barber, Winster, matted dial centre with date aperture, later minute hand, four pillar movement with anchor escapement and outside countwheel striking on a bell, movement frontplate numbered 532 (dial and movement circa 1761are later associated to the oak carved case), 250cm high see illustration

An Oak Thirty Hour Longcase Clock, signed Kidd, Malton, circa 1770, the case with a caddied top, turned columns, wavy shaped trunk door, rectangular plinth raised upon later bracket feet, 11-inch square brass dial with silvered chapter ring, dial centre with scroll and bird engraving and signed, subsidiary seconds, four pillar movement and anchor escapement, outside countwheel striking on a bell, 213cm high see illustration

A Japanned Eight Day Longcase Clock, signed John Simpson, London, circa 1750, the case with caddied pediment, side viewing windows, case with Oriental decoration throughout, arched moulded trunk door, 12-inch arched brass dial with Roman and Arabic chapter ring, matted dial centre with subsidiary seconds, date aperture, engraved borders, arch with engraved circular silvered plaque and signed, four pillar movement with anchor escapement and rack striking on a bell, 247cm high see illustration

A Scottish Mahogany Eight Day Longcase Clock, signed A Cockburn, Haddington, circa 1820, the case with drum shaped pediment with a single eagle finial, rectangular trunk door, recessed moulded plinth raised upon bracket feet, 13-inch circular silvered dial with Roman numerals, two subsidiary dials for seconds and date (no date drive at present), dial centre signed, four pillar movement with anchor escapement and rack striking on a bell, 228cm high see illustration

A Walnut Eight Day Longcase Clock, signed John Willats, London, circa 1760, the arched top pediment with fluted Corinthian capped columns, arched moulded trunk door, re-built plinth raised upon a wavy shaped skirting, 12-inch arched brass dial with silvered chapter ring signed, strike/silent in the arch, matted dial centre with date aperture and subsidiary seconds, six pillar movement with anchor escapement and rack striking now on a later gong positioned to the backboard and converted from a bell, (case with restorations), 243 cm high see illustration

A COLLECTION OF VICTORIAN BOXES including a walnut tea caddy, domed miniature trunk, a work box and a collection of wooden artefacts, various.

AN 18TH CENTURY FRENCH BRONZE CLOCK STAND in the form of an elephant with upraised trunk and on a naturalistic rococo base, 9 1/2" high x 13" wide (see illustration).

A METAL TRUNK containing a collection of old deeds.

A metal bound silver trunk, initalled WRSS, with lift-out fitted compartments and green baize lining, 75cm x 47cm x 48cm.

A GEORGE I LEATHER AND BRASS STUDDED DOMED TRUNK IN THE MANNER OF PIGGE, EARLY 18TH CENTURY With a domed top and carrying handles 21 in. (53 cm.) high; 39 in. (99 cm.) wide; 20 in. (51 cm.) deep View on Christie's.com

A travel trunk with applied GWR tickets and war savings and war weapons tickets.

A travel trunk with a quantity of assorted items to include a bayonet.

A travel trunk with assorted contents to include slate mantle clock, leather animals etc.

A tin trunk with assorted contents, scales, sherry barrels and a brass fender etc.

A late Victorian canvas dome topped trunk.

A Georgian studded blue leather trunk with carrying handles.

A wooden bound domed top trunk with decoration to the exterior

A large collection of modern issues and first day covers Viewing by appointment only loose stamps and albums, etc. contained within a trunk (qty) PLEASE NOTE: This lot is sold as found and is not subject to return. Personal Viewing is recommended.

Two Georgian carriage trunks By James & Playfair, Trunk & Plate Casemakers, No. 15 Corner of Clifford Street, New Bond Street, London each of rectangular form, the brass cartouche inscribed `Viscount Arbuthnott`, fitted interiors 38cm wide, 36cm high, 26cm deep

Indian inlaid teak circular table on three elephant trunk supports

Vintage dome topped wooden and canvas trunk

Victorian painted pine trunk

A camphorwood and brass bound trunk, late 19th/early 20th century, the top opening to a plain interior, 51.5cm high, 105cm wide, 52cm deep

A Victorian mahogany rosewood banded eight day longcase clock, the 14 inch arch painted dial signed `Groome, Wellington`, with centred date aperture and subsidiary seconds dial within a ring of Roman numerals, the stylised deer painted corner spandrels under a rolling moon (face repainted), the hood with swan-neck pediment over wrythen moulded front corner hood pilasters, above a short arched trunk door, between wrythen moulded short front corner trunk pilasters, on a crossbanded box base and short bracket feet, 235cm high

A Victorian mahogany crossbanded eight day longcase clock, the 13 inch arched painted dial signed `David Caler, Merthrn`, the face with centred date aperture and subsidiary seconds dial within a ring of Roman numerals, the architectural ruin painted spandrels, under a cottage painted arch, the hood with swan-neck pediment over wrythen moulded front corner hood pilasters, over a short Gothic arch trunk door, between front corner wrythen moulded short trunk pilasters, on a box base and later skirting plinth, 238cm high

An oak eight day longcase clock, mid 18th century, the 10 inch square dial signed `Gillbert Bullock, Bp Castle` (Bishops Castle) to the centre, the two later winding holes within a chapter ring of Roman numerals and leaf moulded corner spandrels, the associated eight day movement striking on a single bell, the plain hood over a long trunk door, on a planked box base and cut-out plinth, 201cm high

A George III oak and mahogany eight day longcase clock, the brass and silvered dial signed `Moses Evans, Llanrwst` to the centre, along with a date aperture and subsidiary seconds dial within a chapter ring of Roman and Arabic numerals, under an attached brass arch with disc engraved `Tempus Fugit` (movement and dial associated to the case), the hood with swan-neck pediment over an arched hood door flanked by reeded front corner hood pilasters, over a conch shell inlaid short trunk door flanked by quarter fluted pilasters, on a crossbanded box base and short bracket feet, 206cm high Note: Brian Loomes notes a Moses Evans, Llanrwst as circa mid 18th century in `Watchmakers and Clockmakers of the World, Volume 2`.

A late George III oak crossbanded mahogany eight day longcase clock, the 13 inch arched brass dial with engraved centre, the silvered chapter ring signed `Coates, Wigan`, with outer ring of Arabic numerals and inner ring of Roman numerals within urn moulded brass corner spandrels under a rolling moon, the eight day movement with false plate stamped Walker and Hughes, the hood with swan-neck pediment over an arched hood door flanked by turned front corner hood pilasters, over a long trunk door between quarter turned pilasters, on a box base with canted front corners, raised on a cut-out plinth, 220cm high NOTE: Brian Loomes `Watchmakers and Clockmakers of the World, Volume 2` notes Archibald Coates , Wigan, circa 1795-1810, also there are listings of other Coates working circa 1800 in Wigan.

An oak eight day longcase clock, the 12 inch arched brass dial with silvered chapter ring under a rolling moon, the hood with swan-neck pediment over a square hood door, above a lozenge inlaid short trunk door, on a box base with skirting plinth (case and movement associated) (at fault), 196cm high

A Regency oak and mahogany eight day longcase clock, the 14 inch painted arched dial with centred date aperture and subsidiary seconds dial within a ring of Roman numerals, the spandrels and arch painted with hunting scenes, the hood with swan-neck pediment over an arched hood door with slender baluster ring turned and block front corner hood pilasters, over a wavy arch crossbanded short trunk door, under a brass line inlaid latise frieze, over turned front corner trunk pilasters, on a box base with proud front corner reeded rectangular pilasters (lacking feet), 224cm high

An early Victorian oak and mahogany eight day longcase clock, the 13½ inch arched painted dial indistinctly signed `R Green, ****`, with centred date aperture and subsidiary seconds dial within a ring of Roman numerals, the spandrels depicting lion, tiger, cheetah and panther under a lion to the arch, with rolling eyes, the hood with swan-neck pediment over an arched hood door with baluster front corner hood pilasters, over a lozenge inlaid short trunk door and box base on splay bracket feet, 228cm high

A George III oak crossbanded mahogany thirty hour longcase clock, the 12 inch square dial signed `Matthew Bushell` to the centre with date aperture below, within a chapter ring of Roman and Arabic numerals, the movement striking on a single bell, the hood with a scroll pediment over a square hood door with turned front corner hood pilasters, above an ogee moulded long trunk door, on a box base with canted front corner and later plinth support, 209cm high Note: Brian Loomes notes a Matthew Bushell active in Bold circa 1761, in `Watchmakers and Clockmakers of the World, Volume 2`.

A Japanese carved ivory okimono of a smiling peasant man leaning on a tree trunk, signed to inset red tablet to the base, standing on an ebonised shaped base, 18.5cm. high.

A late-Georgian Westcountry mahogany longcase clock, the eight-day duration movement striking the hours on a bell, with the twelve-inch painted arched dial having black Roman numerals, floral corner spandrels, a seconds dial, date aperture and decorated with a depiction of an angel at a window signalling to a bearded gentleman reading, with brass ‘thistle’ hands, the mahogany case having a short door with canted corners to the trunk and stringing to the base, the hood having wavy moulding to the door, barley twist columns with cast brass capitals, wavy cresting and eagle finials, height: 210cms.

Matthew Bushell, an oak & mahogany longcase clock, the thirty-hour movement striking the hours on a bell with an outside countwheel, the eleven-inch square brass dial having cast ‘female-head’ spandrels to the corners, an engraved matted centre with ringed date aperture and ‘false’ winding holes, a blued steel single hand and a raised, silvered chapter ring engraved with black Roman numerals, Arabic five-minute markings, ‘fleur-de-lys’ half-hour markings and signed on a silvered cartouche ‘Matthew Bushell’, the oak case having mahogany cross-banding to the shaped trunk door and base, with mahogany pillars to the hood, a blind-fret to the top freize, with scroll dentil moulding to the cornice and a shallow caddy to the top, height: 214cms. * Matthew Bushell is recorded as working at Aston by Budworth, Cheshire living in a house now called ‘The Clockhouse’ and repaired clocks in Arley Hall, 1760

James Glass, Bristol, a mahogany moon-phase longcase clock, the eight-day duration movement striking the hours on a bell, with the thirteen-inch painted arched dial having black Roman numerals, cottage scenes painted to the four corners, a seconds dial and date aperture, with boxwood and decorative brass hands, the arch having a moon-phase date disc, the mahogany case having a short door with barley-twist columns to the trunk and boxwood & ebony stringing and inlay to the base & trunk, the hood with wavy moulding to the frame, barley twist columns with cast brass capitals, wavy-top cresting and eagle finials, height: 220cms (inc. finial) * James Glass, is recorded as working at 31, Old Market Street, Bristol from at least 1825 until 1856 and married Ann Brooks on the 6th of March 1825 at St. Philip & Jacob Church. He was paying insurance premiums on six houses in Bristol & Somerset and was still renewing in 1856 obviously supplementing his clockmaking business by buying, selling and renting property.

A LARGE CHINESE BRONZE BULBOUS VASE the body decorated in relief with a bird seated on a branch, a tree trunk and almond blossom. 12.25ins high.

A GOOD LARGE 19TH CENTURY FRENCH METAL BOUND CANVAS COVERED TRAVELLING TRUNK domed top, the lock signed Paris Brevette W. Walcker. Some minor losses. 3ft wide.