We found 66892 price guide item(s) matching your search
There are 66892 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
66892 item(s)/page
A SWISS 'BLACK FOREST' CARVED AND STAINED LIMEWOOD MUSICAL CLOCK IN THE FORM OF AN OWL PERCHED ON A RUSTIC TREE TRUNK, FLANKED BY OAK BOUGHS ON A HIGH MOUND OF LOGS WITH TOADSTOOLS AND VEGETATION, THE GILT DIAL WITH FENESTRATED MASK, THE GERMAN MOVEMENT WITH SQUARE BRASS PLATES AND STRIKING ON COILED WIRE GONG, A SEPARATE CYLINDER MUSICAL MOVEMENT WITH STOP / PLAY LEVER AT ONE END AND WINDING ARBOUR AT THE OTHER, THE FLAT BOARDED CASE BACK WITH HINGED DROP DOWN DOOR TO REVEAL THE CLOCK MECHANISM, 65CM H, LATE 19TH C One or two minor old losses and much encrusted with dust. Vivid yellow glass eyes in our opinion original. The movement oily / dirty. Wire gong rusty but working. Musical movement unexamined but in apparently good working order
A CONTINENTAL BOARDED WOOD TRUNK COVERED IN CONTEMPORARY BRASS NAILED WOOLWORK, IRON HINGES, CARTOUCHE SHAPED LOCK PLATE, ENGRAVED HASP AND CARRYING HANDLES, 58CM H; 56 X 37CM, 19TH C INCORPORATING EARLIER ELEMENTS, ON LATER ASSOCIATED OAK STAND Two old repairs to corner joints on base, woolwork on trunk fraying in places. Overall condition consistent with age and use
Miniature items probably for dolls, comprising three leather shoes, 6, 5.5 and 3cm., two wire mesh bags, 5.5 and 6cm., two miniature bonnets, two smallest doll eggs one only with doll, another miniature doll, four ceramic miniatures, three booklets, miniature apron, bonnet and pair of socks, spinning top, a glass top box, and a trunk style box containing three miniature soft toys. (qty) From a connoisseur's collection
An early Victorian flame mahogany tavern type drop dial wall clock, with circular bezel and moulded insert hood, full length trunk door, crossbanded and arch topped, the 36cm diameter circular painted dial having Roman hour numerals, subsidiary second ring and marked C J Thelwall, 97 Oxford Street, Manchester, eight day movement striking a bell, 149cm high.
A George III mahogany eight-day longcase clock, the arched brass face with a lunar phase and ship aperture, the dial with the label of S Nixon, Newcastle, 244cm high/see illustration CONDITION REPORT: The case: painted frieze scratched and decoration lifting in places, both pillars with damages, legs to trunk and front plinth missing.The movement: moon phase working chapter ring and dial rather dull and grubby, Not in working order.
An 18th century crossbanded oak longcase clock, the hood with swan neck pediment and turned side columns, arched full length door to the trunk, arched brass dial with mock winding holes and 30 hour movement, the centre dial lettered Thos Wallace Brompton, the arch lettered Thirlall Isaac & Dorothy, 87"
Sale Item: PAINTED TRUNK (AF) Vat Status: No Vat Buyers Premium: This lot is subject to a Buyers Premium of 15% + Vat @ 20% Additional Info : Lots purchased online with the-saleroom.com will attract an additional charge for this service in the sum of 4.95% of the hammer price plus VAT @ 20%
Joseph Dudds, London a mid-18th Century walnut longcase clock: the eight-day duration, five-pillar movement striking the hours on a bell with the twelve-inch break-arch brass dial having a raised silvered chapter ring engraved with black Roman numerals and outer five-minute markings, the matted dial centre having a subsidiary seconds dial and date aperture with cast-brass corner spandrels and decorative blued steel hands, the arch having a round convex boss engraved with the maker's name Joseph Dudds, London with cast-brass dolphin spandrels to either side, the walnut case having a burr walnut veneer to the trunk door with castellated inlaid stringing, the hood having a break-arch top with a deep concave moulding, cast brass capitals to the fluted pillars, arched wood frets to the sides and with matching stringing inlaid to the trunk door, the base with a shaped and raised panel set to the front and standing on bracket feet, height 228cms.*Biography Joseph Dudds is recorded as working in London having been apprenticed to Richard Haughtin on the 15th of January 1723 for 7 years becoming free on the 6th of July 1730 when he was admitted as a Freeman of The Clockmakers' Company and is recorded as still working in 1770.*Notes Reference The Company of Clockmakers' Register of Apprentices 1631-1931, pub. Privately for the Clockmakers' Company 1931.
Thos Udell, London, a George III mahogany longcase clock: the eight-day duration movement striking the hours on a bell, the twelve-inch brass break-arch dial having a raised silvered chapter ring engraved with black Roman hour numerals and Arabic five-minute outer numerals, the matted dial centre with an inset silvered seconds dial, date aperture and a raised plaque engraved with the maker's name Thos. Udall, London, with a strike/silent dial within the arch and cast-brass gilded c-scroll corner spandrels and decorative blued steel hands, the mahogany case having fluted quarter columns with brass stops and cast-brass capitals, with a break-arch top to the trunk door, the hood having matching fluted columns and surmounted with a pagoda top with brass ball finials and inset fretwork to the front, the base having a shaped raised moulding and standing on a double-plinth, height 232cm.*Biography Thomas Udall is recorded as working in Shoe Lane, London being a member of The Clockmakers' Company from 1789 until 1814.*Notes Reference Brian Loomes Watchmakers and Clockmakers of the World, Pub. NAG Press 1988.
A mahogany moonphase longcase clock: the eight-day duration movement striking the hours on a bell, the thirteen-inch break-arch painted dial having black Roman hour numerals, a subsidiary seconds dial, date aperture, decorative gilded-brass hands, painted cottage scenes to the four corners and phases of the moon disc within the arch, the mahogany case with barley-twist columns to the trunk, a short door with inlaid decoration and crossbanding above and below, the hood having barley-twist pillars and whales-tooth cresting surmounted with brass finials, the base with further inlaid crossbanding and stringing and standing on bracket feet, height 230cm.
William Lancaster, Plymouth Dock a mahogany moonphase longcase clock: the eight-day duration movement striking the hours on a bell, the twelve-inch brass break-arch dial having a raised silvered chapter ring engraved with black Roman hour numerals and Arabic five-minute outer numerals, the centre having a subsidiary seconds dial, silvered date aperture and engraved with a scene depicting ships leaving a harbour and signed Willm. Lancaster, Plymo. Dock, with decorative blued steel hands, with cast-brass female-head spandrels to the four corners, the arch having a well-painted moonphase disc depicting a sailing boat within a rough sea, the moon appearing from behind two engraved brass discs engraved with further maritime scenes, with a silvered arch above showing both the moon phase dates and time and engraved with High Water at Plymo. Dock, the mahogany case having fluted canted corners to the trunk and a break-arch moulding to the door, the hood having full fluted columns with cast-brass capitals, all standing on bracket feet, height 210cm. *Biography William Lancaster is recorded as working in Queen Street, Plymouth Dock (now Devonport) having married Mary Pinhey at Stoke Damerel parish church in November 1771. Interestingly the watchmaker Richard Pinhey was both a witness to the marriage and to Lancaster's will dated Feb 1815 prior to his death in February 1820 in which he left an estate valued at under £800 including his workshop tools which he left to his son Thomas Lancaster. William Lancaster's name is to be found on many good quality clocks and watches and it is known he was supplied with movements by a number of top London makers including Thwaites. *Notes Reference Clive N. Ponsford Devon Clocks and Clockmakers Pub. David & Charles 1985.
John Sweeby London, a mulberry, walnut and seaweed marquetry longcase clock: the eight-day duration movement having finned pillars and striking the hours on a bell with an inside countwheel, the twelve-inch square brass dial having a raised silvered chapter ring engraved with black Roman hour numerals, Arabic five-minute numerals and decorative half-hour markings, the matted dial centre having ringed winding holes, a raised silvered seconds dial and a date aperture with engraved surround, with blued steel hands and cherub-head cast-brass corner spandrels, engraved either side of VI o'clock with the maker's name John Sweeby Londini fecit, the flat-top walnut case inlaid having shaped marquetry panels to the trunk door and a round lenticle glass and inlaid marquetry to the trunk, base, hood and convex throat moulding, with the tapered hood pillars having cast brass capitals, with ebonised mouldings, complete with brass bund weights, height 211cm.*Biography John Sweeby (Sweby) is recorded as having been apprenticed to William Speakman in 1663 and a member of The Clockmakers' Company from 1671 until 1690.*Notes Reference Brian Loomes Watchmakers and Clockmakers of the World, Pub. NAG Press 1988.
A shallow Victorian mahogany table-top four drawer stand with moulded outline and inset milk glass top, 36 cm square approx, together with a mahogany sewing cabinet with hinged lid over two doors enclosing three drawers, stoneware flagon with impressed merchants mark DS Oliver, Bristol, domed top tin trunk, a ceramic Worcester style vase with floral detail, 3 small 19th century work boxes with inlaid mother-of-pearl detail and a 19th century woolwork picture in the form of a cockerel in landscape setting within a mahogany frame (9)

-
66892 item(s)/page