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A Parcel lot of twenty four Beatrix Potter Beswick and Royal Albert boxed figures to include Benjamin Bunny(2), Goody Tiptoes(2), Mrs Rabbit and Bunnies(2), Timmy Tiptoes(2), John Joiner(2), Jemmima Puddleduck(2) by Royal Albert, Jeremy Fisher Catches(2), Peter Water Can(2), Jemima Puddleduck gold(2), Tom Kitten Gold(2), Benjamin Bunny Gold(2), Peter Rabbit Gold(2),a tree trunk display base by Beswick.
English drop dial mahogany striking wall clock, mid 19th century, signed T. Middleton, Builth , the octagonal frame housing a white painted Roman dial, 28cm, on a trunk with pedulum window and leaf scroll brackets, the double fusee four pillar movement with an anchor escapement and cut corner plates strikinjg the hour on a top bell, overall length 70cm (ticks, winds, strikes; with pendulum and winding key).*See clocks and watches proviso.
An antique Asian carved and polychrome decorated food hutch/trunk, the triple panelled top over a carved frieze flanked by carved horse finials, the front centred with a carved figure and one panel as a sliding door, raised on carved stile front feet. 118 x 85 x 31 cm h. Condition Report areas of paint damage, some older repairs/scarfing in of timber to legs and frame
Chinese white metal goblet inscribed to Alfred Abraham, the bowl engraved with band of narrow leaves and slotting into the base, with the stem formed as tree trunk rising from interwoven roots moulded on the circular foot, branching into three stems of pointed leaves at top conforming to the bowl, stamped with initials IC and Chinese character to underside of base (height 19cm, total weight 210g)
A late 18th century Grandfather clock by Thomas Amyott of Norwich. The eight day striking movement has a silvered chapter ring with brass spandrels, a second dial and date aperture. The hood has two Doric pilasters and a shaped dome pediment. The oak trunk gives the appearance of being reduced in size
George III oak longcase clock, the swan neck pediment above a square dial flanked by reeded pilasters, the trunk with shaped panel door flanked by reeded quarter pilasters above a conforming plinth base, the brass dial with mask head spandrels, silvered chapter ring, Arabic and Roman numerals, signed T. Brown, Chester 251, the eight day movement with anchor escapement striking on a bell (dial and movement with alterations)
Craigie Aitchison Collection - A small 19th Century pine trunk with lift lid and stile feet, the whole later painted with three figural panels and wild flowers over a tonal turquoise ground. ILLUSTRATED. Ref - This trunk was formerly in Craigie`s home and can be seen on a number of archive images.
A late 18c eight day longcase clock, the 12" arched brass dial signed James Rule, Portsmouth in the arch. The dial has a strike/silent lever in the arch, seconds and date indications, a silvered engraved dial centre, scroll spandrels and unmatched steel hands. The four pillar movement has been converted to strike on a gong in the back of the case. The mahogany case has a pagoda top with sound fret on the front and a dentil moulding around the top hood moulding. Fluted columns flank the dial and the trunk is plain with an arched door, the base has a rectangular applied panel and bracket feet, 84" tall overall.
An eight day longcase clock circa 1700 by Thos. Pare of London, the 12" square brass dial having cherub head spandrels, ringed winding holes and engravings around the dial centre and date aperture. The movement has six ringed pillars and latchplates and inside countwheel striking. The weights are brass bound. The walnut case has a flat topped hood with sound fret and plain ebonised columns flanking the dial. The long rectangular trunk door has a brass ringed lenticle glass and three panels in marquetry depicting birds and foliage. The base has a similar panel and a solid skirting plinth, 86.5" tall overall.
A late 18c eight day longcase clock, the 12" arched brass dial signed John Grace, Tring and having a strike/silent lever in the arch (not connected), scrolls, spandrels and date and seconds indicators. It is contained in a plain oak case with full arch hood with vase finials and fluted columns flanking the dial. The long trunk door has an arched top and raised edge moulding and the plain base has a double plinth, 81" tall overall (John Grace is not listed as a maker in Tring and this clock bears resemblances to ones made by John Clement of Tring at this time. A John Grace was born in Tring in 1766 and it is possible that this may have been made for him by Clements in 1780/90`s).
An eight day longcase clock, the associated 11" square brass dial signed Arthur Mitchell, Dorchester and having female head spandrels, matted centre and date and seconds indicators. The early 19c movement is of standard construction and has a dial false plate from Osborne`s of Birmingham. It is contained in a late 18c oak and walnut case with flat top hood which has attached hood columns flanking the door. The trunk has a band of light and dark rope inlay down the front corners and the long door has walnut crossbanding and star inlay to the centre and fan inlays to the corners. The base has walnut crossbanded edges and similar inlays and a wavy plinth, 78.5" tall overall.
A mid 19c thirty hour clock, the 12" square painted dial signed D Read, Ipswich and having shell decorated corners, Arabic numerals, date ring and unusually for a thirty hour clock a seconds ring. It has a plated movement with rope drive and is countwheel striking on a bell. The oak case has flat swan neck pediment and reeded columns flanking the dial. The rectangular trunk door is plain, as is the base which has a wavy plinth, 75" tall overall.
An early 18c eight day longcase clock, the 12" arched brass dial signed Peter Collomby, London and having female head spandrels, date, seconds and strike/silent in the arch. The five pillar movement is rack striking on a bell and has anchor escapement. It is contained in a walnut case, the hood having full arch surmounted by a caddy which has a broken arch pediment with three finials over. The long trunk door is of well figured walnut with stringing and crossbanding around its edges and a raised edge moulding. The cut down base now has a plain plinth, the case is in need of extensive restoration with the trunk door detached and the hood needing replacement mouldings, 89" tall overall.
An early 19c eight day longcase clock, the 12" arched dial indistinctly signed and having floral corners and a vase of flowers in the arch. The dial has seconds and date indications and matched brass hands. The oak mahogany case has swan neck pediments to the hood with three pineapple finials and plain columns flanking the dial. The trunk has canted corners with boxwood line inlays and the door has mahogany crossbanded edges and a central applied oval. The base has mahogany crossbanding and no plinth, 77" tall overall.
An early 19c eight day longcase clock, the 12" arched brass dial signed John Isaacs, London and having vase spandrels and engraved floral dial centre and tempus fusee in the arch. It has seconds and date indicators and unmatched steel hands. The substantial three train movement quarter chimes on eight barrels and strikes on a ninth. It is contained in a mahogany case which has been extensively recarved, the hood has swan neck pediments with a central finial and plain columns flank the dial. The trunk has canted fluted corners and the pointed door has extensive floral carving. The base has large lunette carving with a central sheaf of corn and a deep bracket footed plinth also recarved, it stands 89" tall overall.
An early 19th Century longcase clock, the eight day movement with painted arched dial inscribed “Denton & Fox Hull” and depicting a seated female with a bird, floral spandrels, date aperture and seconds dial, in mahogany case with replaced brass ball finials on pagoda top with inlaid conch shell, fluted columns and arched trunk door, on panelled base and replaced stepped feet, 95” high.
A late 19th / early 20th century Japanese wall hanging of painted silver grey silk. framed, depicting the trunk of a cherry tree to the left side with small hanging branches of blossom, a bee gathering pollen from a flower and another approaching in flight, signed in black lower left and with red seal marks, 46¼ x 21½ in. (117.75 x 54.75cm.).

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66892 item(s)/page