We found 66892 price guide item(s) matching your search

A leather bound canvas trunk and a small suitcase.

A 19TH CENTURY SCOTTISH MAHOGANY LONGCASE CLOCK, the circular dial with Roman numerals and subsidiary seconds dial, signed James Howden, Edinburgh, of eight day movement striking on a bell, the circular cushion moulded door with a gilt bezel, the trunk with canted corners, flanking a shallow arch door, on a deep plinth with bracket feet, 203cm high

A George 111 mahogany long case clock having a broken swan neck pediment, arched dial, eight-day, on a single trunk door

A Victorian rosewood large mercury wheel barometer with timepiece. Negretti and Zambra, London, late 19th century. The 12 inch circular rosette-centred silvered register calibrated in barometric inches and with the usual observations, the centre signed NEGRETTI & ZAMBRA, Ins’t Makers to her Majesty, London, with blued steel and brass recording pointers within bevel glazed cast brass bezel, beneath timepiece with eight day movement the backplate with vertical monometallic balance and stamped 1934, the 5.5 inch circular silvered Arabic numeral dial with blued steel spade hands and bevel glazed cast brass bezel, the trunk with rectangular mercury Fahrenheit and Centigrade scale thermometer beneath hygrometer to the swan neck pediment, the square base with foliate engraved spirit level, (case with some losses) 128cm (50.5ins) high. The firm of Negretti & Zambra are recorded in Edwin, Banfield BAROMETER MAKERS & RETAILERS 1680-1860 as being established in 1850 when a partnership betwee??n Enrico Negretti and Joseph Warren Zambra was formed. The firm became one of the most prolific makers of fine quality weather instruments and continued trading well into the 20th century.

A French Louis XVI carved giltwood and grey painted mercury wheel barometer. Bertrand, St. Denis, late 18th century. The 8 inch circular painted wood register with central rosette within scale calibrated 27-28-29 divided into twelfths and with observations in French to outer track, the lower margin signed Bertrand Opt’n, St. Denis, with blued steel pointer and moulded giltwood glazed bezel beneath spirit centigrade painted scale Thermometre with annotations in French and with leaf carved moulded surround, applied to the lyre shaped trunk with gilt ribbon crest, laurel swags and pendants, and acanthus side scrolls to waist, the register draped with foliate sprays to upper surface, the base terminating with a leaf carved panel, (with faults and losses), 94cm (37ins) high excluding detached/incomplete ribbon crest.

A George III mahogany bulb cistern tube mercury stick barometer. Bregazzi, Derby, circa 1810. The exposed tube with adjustable wire pointer flanked by twin glazed paper scales calibrated in barometric inches and with annotations for both summer and winter conditions, the upper margins with rococo scroll printed decoration, the lower signed Bregazzi, Derby, the case with convex pediment and cavetto cornice above turned pilasters flanking registers, the trunk with moulded angles above rectangular hinged cistern cover, 94cm (37ins) high.A Samuel Bregazzi is recorded in Banfield, Edwin BAROMETER MAKERS AND RETAILERS 1660-1900 as working in Derby circa 1816-45.

A Victorian mahogany mercury stick barometer. A. Abraham, Liverpool, circa 1840. With concave-sided upstand above glazed ivory vernier scale calibrated in barometric inches and with the usual observations beneath signature A. ABRAHAM, LIVERPOOL to right hand side opposing mercury Fahrenheit and Reaumur scale thermometer to the left, the trunk with ivory vernier adjustment screw to throat and fine caddy moulded angles over circular base with domed cistern cover and level adjustment square to underside, 95cm (37.5ins) high. Abraham Abraham & Co. are recorded in Banfield, Edwin BAROMETER MAKERS AND RETAILERS 1660-1900 as working from several addresses in Liverpool 1817-75. Banfield describes them as ‘important makers’ who exhibited at the Great Exhibition at the Crystal Palace in 1851.

A fine Scottish George III mahogany slender bowfronted mercury stick barometer. Alexander Adie, Edinburgh, early 19th century. With gadrooned dome surmount and slender silvered vernier scale calibrated in barometric inches and annotated Stormy, RAIN, Change, FAIR and Very Dry beneath signature A. Adie, Edinburgh to upper margin, behind bowed glass within reeded surround above trunk with the same bowed profile and moulded border over vase shaped cistern cover with gadroon carved waist and underside applied with a foliate bud finial with level adjustment square beneath, 99cm (39ins) high. Alexander Adie is recorded in Goodison, Nicholas English Barometers 1680-1860 as born 1774 and apprenticed to his uncle the eminent Scottish instrument maker John Miller in 1789. In 1804 his uncle took him into partnership under the name of Miller and Adie, the business continued until after Miller’s death in 1815. Adie was particularly interested in meteorological instruments and is perhaps best known as the inventor of the Sympiesometer in 1818. In recognition of his work he was elected a Fellow of the Royal Society of Edinburgh in 1819. He was appointed optician to William IV and later Queen Victoria and took one of his sons, John, into partnership in 1835. Two of his other sons set up businesses; Robert in Liverpool and Patrick in London. Unfortunately John Adie was prone to ‘Fits of Despondency’ which resulted in him shooting himself in 1857, Alexander Adie died the following year -no doubt expediated by the stress of his son’s demise. The current lot is an earlier example of perhaps Adie’s most attractive design of domestic barometer. The classic elegant simplicity of this model endured as subsequent versions were supplied by his sons. The instrument has survived in good original, unrestored condition however needs some attention in order to bring it back to working condition.

A rare Viennese mahogany ‘Lanternl-uhr’ spring-driven wall timepiece. Unsigned, circa 1830-40. The four pillar movement with canted upper angles to plates enclosing five-wheel train with large spring barrel with wind up ratchet mounted on the backplate, five-spoke wheel crossings and recoil escapement with wood rod pendulum, the 8.25 inch circular silvered brass Roman numeral dial with blued steel hands and outer minute track within engine-turned bezel, the boxwood strung nine-panel case with triangular pediment above glazed pin-hinged front door with slender surround and conforming side windows to hood, the inset trunk with concave throat mouldings above arch glazed lift-out front panel and further apertures to sides, the square base section also glazed to front and sides and with tapered concave-sided foot beneath, 120cm (47ins) high.

A monumental oak eight-day quarter chiming longcase regulator with moonphase. Unsigned, circa 1900. The substantial four pillar triple train movement with Harrison’s maintaining power, deadbeat escapement and mercury jar compensated pendulum, chiming a choice of three melodies on either eight bells or four gongs and striking the hour on a further larger gong, the 14 inch silvered brass break-arch dial with subsidiary seconds dial within applied chapter ring with raised gilt Arabic numerals, the angles with cast brass bird and urn pattern spandrels incorporating subsidiary CHIME/SILENT and WHITTINGTON/CAMBRIDGE/ WESTMINSTER selection dials to the upper pair, the arch with rolling moonphase calibrated for the age of the moon to upper edge and with pair of globe lunettes beneath the upper border with scroll engraved infill, the Art Nouveau influence break-arch case with leafy scroll carved crest above moulded cornice and line-incised border to the glazed dial aperture flanked by foliate carved baluster pillars to hood, the trunk with inverted breakfront ogee moulded throat above rectangular glazed door flanked by triform half-pilasters with globular capitals and foliate bases, the plinth centred with an inverted break-arch panel flanked by swollen acanthus carved uprights to front and sides terminating with a shaped skirt, 259cm (99ins) high.

A Victorian mahogany domestic wall regulator. Unsigned, late 19th century. The four pillar movement with deadbeat escapement, Harrison’s maintaining power and invar rod pendulum with cylindrical tall alloy bob incorporating brass compensation tube, the 14 inch circular cream painted Roman numeral dial with subsidiary seconds dial and bearing inscription QUEENS COLLEGE, CAMBRIDGE to centre, with steel spade hands and cast brass bevel-glazed bezel with canted inner edge, the case with circular moulded dial surround to hood above concave moulding with plain frieze to throat and bevel-glazed rectangular caddy moulded door flanked by canted angles to trunk, the chisel-shaped foot with applied rectangular panel decoration, 173cm (68ins) high.

A Scottish Regency mahogany eight-day longcase clock. G. Lumsden, Edinburgh, circa 1825. The four pillar rack and bell striking movement with 13 inch circular white painted Roman numeral dial with subsidiary seconds and calendar dials and signed G. LUMSDEN, EDINBURGH to centre, the drum-head case with giltwood canted fillet to the glazed hinged dial surround above waisted section and raised throat mouldings, the trunk with shallow-arch top caddy moulded door flanked by canted angles, on shaped panel outline fronted plinth base with moulded skirt, 201cm (79ins) high. A George Lumsden is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in Pittenweem, 1818-49.

A rare George I oak eight-day musical longcase clock. Benjamin Rodgers, Chesterfield, circa 1730. The substantial five-pillar triple train inside countwheel bell striking movement playing a choice of two tunes via eight bells with fifteen hammers every four hours, with original anchor escapement and outside fly with adjustable vanes for the music train, the 12 inch square brass dial with subsidiary second dial and foliate engraved calendar aperture to the matted centre within applied silvered Roman numeral chapter ring with foliate half hour markers, Arabic five minutes to outer track and signed Benjamin Rodgers to lower edge, the angles with applied female mask and scroll spandrels, with tune selection lever at 9 o’clock and pierced steel hands, the case with elaborate stepped and moulded caddy surmount above ogee cornice, plain frieze and three quarter columns to the glazed hood door, the trunk with complex mouldings to throat above rectangular door with canted upper angles, decorative brass hinges and centred with a gilt lenticle, on plain plinth base with moulded skirt, 242cm (95.5ins) high. Benjamin Rodgers is recorded in Hughes, Roy G. and Craven, Maxwell Clockmakers & Watchmakers of DERBYSHIRE as working in Chesterfield circa 1729-40. The current lot formerly belonged to the collection of the late John Hooper and was purchased by the current owner in these rooms from the sale of the Library & Workshop of John Hooper 10th February 2009 lot 99 for £3,800 hammer.

A mahogany domestic longcase regulator. Barraud, London, early 19th century and later, the case circa 1760. The five pillar movement now with deadbeat escapement, Harrison’s maintaining power, wood-rod pendulum and striking the hours on a gong, the 12 inch cream painted Roman numeral break-arch dial with subsidiary seconds dial to centre, STRIKE/ONE/SILENT selection lever at 12 o’clock and with gilt floral spray painted decoration to spandrels beneath arch signed BARRAUD, London, now in a break-arch case with foliate scroll pierced blind fret to frieze and brass stop-fluted Corinthian pilasters to hood above break-arch door to trunk, on plinth base with moulded double skirt, 230cm (90.5ins) high. Paul Philip Barraud is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as becoming a Liveryman of the Clockmakers’ Company in 1796 and appointed Master in 1810. He is listed as a fine watch and chronometer maker who worked in partnership with W. Howells and G. Jamisen for making Mudge’s timepkeepers. He had two sons; Frederick Joseph (worked 1806-25) and John (worked from 1813), with whom he formed a partnership in 1811 which lasted until his death in 1820. The firm was continued by his son taking John Richard Lund into partnership in 1838. The business was finally wound up in 1925. The going train of the current lot was upgraded from a relatively standard eight-day longcase movement to regulator specification and the strike train converted from bell striking to gong striking during the mid to late 19th century. The dial has been expertly re-touched however images of the dial prior to restoration are included with the clock, and serve to suggest that the Barraud name is original to the dial. The case is a good early George III London-made mahogany example in sound condition.

A George III mahogany eight-day longcase clock. Thomas Ogden, Halifax, circa 1760. The five finned pillar rack and bell striking movement with 13 inch brass break-arch dial with recessed subsidiary seconds dial, ringed winding holes and calendar aperture to the foliate scroll engraved matted centre within applied silvered Roman numeral chapter ring with foliate half hour markers, Arabic five minutes to outer track and signed Thos. Ogden, Halifax to lower edge, the angles applied with female mask and scroll cast spandrels beneath arch with circular aperture with rocking Chronos figure within silvered ring engraved TEMPUS FUGIT flanked by dolphin cast mounts, in a pagoda top case with break-arch cavetto cornice and foliate carved fret to frieze above brass stop-fluted columns flanking door to hood, the trunk with geometric break-arch door flanked by conforming quarter columns to angles, on shaped raised-panel fronted plinth base with shallow moulded skirt, 249cm (98ins) high. Thomas Ogden is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in Halifax as born in 1692 and dying in 1769. As with many leading makers of the period Ogden was a Quaker and is thought to have also supplied other makers; his work tended to be distinctive, of high quality and often incorporating complications such as spherical moons or astronomical features.

A walnut and floral marquetry eight-day longcase clock. The dial bearing signature for David Lestourgeon, London, early 18th century and later. The later century four pillar rack and bell striking movement fitted to the original 12 inch square brass dial with ringed winding holes, subsidiary seconds dial and herringbone border engraved calendar aperture to the matted centre within applied silvered Roman numeral chapter ring with cruciform half hour markers Arabic five minutes to outer track and bearing signature D. Lestourgeon, London to lower edge, the angles applied with twin cherub and crown cast spandrels, in a case with later inlaid ogee shaped caddy upstand above moulded cornice with plain frieze and three-quarter columns applied to the foliate trail decorated hood door, the trunk with conforming concave throat above elaborate brass lenticle centred door decorated with intense bird inhabited foliage on an ebonised ground and with decorative repeating border to surround, the sides with twin triple-line bordered crossbanded panels, on later line panel inlaid plinth base with moulded skirt (with alterations), 250cm (98.5ins) high.

A rare William III ebonised thirty-hour longcase clock. William Kenyon, Liverpool circa 1690-95. The four finned pillar countwheel bell striking two-handed movement with anchor escapement and 9.75inch square brass dial with circular calendar aperture to the symmetrical tulip decorated foliate engraved centre incorporating unusual ‘basket of bread’ motif to upper margin and with ring turned centre aperture, within applied silvered Roman numeral chapter ring with stylised sword hilt half hour markers, Arabic five minutes to outer track and signed W’m Kenyon, Leverpoole to lower edge, with pierced steel hands and applied winged cherub head and scroll cast spandrels to angles, the case with ogee cornice and swollen frieze above three-quarter pilasters to the glazed hood door above convex throat and slender trunk with rectangular door, on conforming plinth base with moulded skirt, 203cm (80ins) high. William Kenyon is recorded in Loomes, Brian LANCASHIRE CLOCKS and CLOCKMAKERS as believed born in 1667, Loomes further notes that various children, fathered by a William Kenyon, were born between the dates 1708-20. A James Kenyon is also recorded as working at Redcross Street in 1715 then Newmarket in 1725 and was declared insolvent in 1743. The delicate light symmetrical arrangement of engraved foliate scrolls with large tulip blooms issuing from a central element towards the lower margin of the dial centre of the current lot is very similar in style and feel to the engraving to the dial centre of a lantern clock by John Barton of Aughton/Ormskirk illustrated in Loomes, Brian LANTERN CLOCKS & Their Makers page 303. As Loomes suggests that the lantern clock by Barton dates to the 1690’s it would, on stylistic grounds, be reasonable to suggest that the current lot would date to the same decade. This date for the clock is perhaps further supported by the fact that Kenyon would have been of active working age at the start of the decade. As the cataloguer does not know of any other Liverpool-made clocks dating to before 1700 it would perhaps be reasonable to suggest that the current lot is possibly the earliest surviving clock to have been made in the city.

A fine and rare Charles II key-wound thirty hour longcase clock. Unsigned, circa 1675-80. The two train outside countwheel bell striking single-handed movement with five finned pillars latched to the backplate and with visible motionwork below the countwheel, the early form of anchor escapement with offset pallets pivoted at the rear via a separate single footed cock beneath pendulum suspended from a forged steel arm, the 9.25 inch square brass dial with winding holes to the fine boldly engraved foliate decorated centre incorporating tulip blooms, with heavy gauge blued-steel hand within applied narrow silvered Roman numeral chapter ring with stylised wheatear half hour markers and quarter hour inner track, the spandrels decorated with further flowerheads within a line engraved border, with brass wire rod pendulum with effective length of 43 inches and fat lenticular bob, the 4.5 lb going driving weight with relief lettering IOSEPH IACKEMAN to upper surface, in an oak case of later date with ogee cornice and foliate scroll carved and pierced frieze above glazed door to hood and projecting concave mouldings to throat, the trunk with slender twin geometric panel fronted door, on plinth base with shallow moulded skirt, 212cm (83.5ins) high. The current lot is illustrated and discussed in Darken, Jeff and Hooper, John English 30 Hour Clocks, Origin & Development 1600-1800 pages 63-6. The movement has many unusual features including the placing of the movement pillar latches and the motionwork on the backplate (rather than the frontplate). This inventive approach to construction and layout perhaps served to assist in the disassembly of the movement. The engraving to the dial is also of particularly fine quality and can be directly compared to a keywound clock (originally made with verge escapement) by Thomas Tompion illustrated in Robinson, Tom THE LONGCASE CLOCK pages 62-3. It is perhaps surprising that this relatively sophisticated, high quality clock is not signed, however a clue to this apparent lack of signature may lie in the inscription IOSEPH IACKEMAN cast in relief to the upper surface of the driving weight. Joseph Jackman is recorded in Loomes, Brian The Early CLOCKMAKERS of Great Britain as promising the Clockmakers’ Company in September 1682 that he would join at the next quarter court, but did not. This suggests that he working as a clockmaker outside the control of the Clockmakers’ Company, hence would be liable to a fine/prosecution if he was seen to be trading. With this in mind it is also interesting to note that Loomes also records a maker with the surname Jackson of Newington in Surrey having a watch confiscated by the Clockmakers’ Company in 1677. The fact that this 4.5lb driving weight would be of little use for any other clock made at this time (either eight-day or thirty hour with Huygens endless rope drive) adds to the possibility that it is original to the movement hence the probability that the movement and dial were made by Joseph Jackman.

A vintage wooden and metal bound travelling trunk with embossed crocodile skin effect

An early 20th century metal bound cabin trunk with fully fitted interior manufactured by "Lamontagne Ltd, 338 Notre Dame St, W Montreal, Canada"

A Victorian grained pine trunk with iron handles

A Colonial hardwood and ebony banded trunk, 18th / 19th century, with pierced brass strap hinges and elaborate engraved lock plate, bosses to each corner, the interior with a candle drawer , two carrying handles, 67cm high, 185cm wide, 74cm deep

An Arts & Crafts plated goblet, the bowl with three oval green enamelled cabochons over a moulded Celtic band, the stem in the form of a tree trunk inset with green glass cabochons, 26cm high

A George III feathered mahogany cased striking eight day longcase clock, the arched brass dial with moonphase to the arch above the silvered chapter ring, engraved subsidiary seconds dial, twin winding holes and date aperture, the trunk flanked by fluted quartered pilasters and terminating on ogee bracket feet, with twin weights and pendulum, approx height 7ft 8in (234cm) (illustrated)

An early 19th century feathered mahogany cased striking eight day longcase clock, the painted arched dial featuring a moonphase to the arch, the dial painted with foxes, goats and dogs, and featuring painted subsidiary dial and date aperture, the Gothic trunk door flanked by bobbin turned pilasters, terminating on outswept bracket feet, with pendulum, two weights and winder, approx height 7ft 8in (234cm) (illustrated)

An 18th century chinoiserie decorated black lacquered eight day longcase clock by Anthony Harrison of London, the trunk door featuring a lentical, the square brass dial applied with mask and scrolling foliate spandrels, decorated with central engraving, featuring a silvered chapter ring, silvered subsidiary dial ring, date aperture and twin winding holes, with twin weights, pendulum and winder, height approx. 222cm (illustrated)

A 20th century period style Anglo Indian brass inlaid hardwood domed trunk, the hinged lid enclosing a lined tray, flanked on either side by twin brass carrying handles, width 61cm

A Chinese miniature trunk containing a miniature coral fish, miniature ceramic figure, miniature carved elephant and miniature jade cockerel, a silver gilt swivel ring set with Egyptian turquoise scarab beetle an Egyptian faience model of a seated cat 3.5 cm approx and an Egyptian turquoise winged scarab with holes for attachment to a mummy. (Ring and winged scarab AF) Winged scarab length 12cm approx, height 5.5 cm approx.

An oak square stick stand a painted Victorian bidet (AF); a stained pine trunk with plinth base and metal carrying handles (AF) and a drop leaf table with barley twist legs. (4)

A modern pine trunk with four panelled front and panelled sides and on plinth base. 120 cm by 43 cm wide by 53 cm approx.

A stained pine trunk with metal carrying handles and on plinth base. 94 cm x 50 cm x 46 cm ; a pine slat bound travelling trunk with embossed floral covering and metal mounts and with leather carrying handles (1 AF) 77 cm x 48 cm x 56 cm approx and a tin travelling trunk (All AF) (3).

A Victorian domed topped leather and wicker coach trunk fitted with lift out tray and with label for Henry Vine and Son Terminus Road, Eastbourne. 91 cm x 60 cm x 69 cm approx.

A plain oak storage trunk on short legs with ball feet 100 cm x 56 cm x 60 cm approx.

An oak storage trunk with metal carrying handles 81 cm x 36 cm x 39 cm approx.

A stained pine storage trunk on plinth base with metal carrying handles, lock with key 78 cm x 56 cm x 56 cm approx.

A mahogany and inlaid mantle clock, the circular top over stone inlaid wasted trunk enclosing circular enamel dial with Arabic numerals, raised on ball feet, 15cm wide x 25cm high x 8cm deep

A 19th century mahogany drum head long case clock by J Adam, Lanark, the circular cream enamelled face with Roman numerals, subsidiary date and second dial, anchor escapement and striking bell, the moulded circular hood with scroll carved pediment and tapering trunk, shaped trunk door flanked by columns, panelled plinth base on turned feet, 204cm high

A late 18th / early 19th century mahogany long case clock by Hugh Miller, Stewarton, the painted face with the four seasons and the stolen kiss, Roman numerals, subsidiary date and second dials, the eight day movement with anchor escapement and striking bell, the scroll carved pediment with arched glazed door flanked by twist columns, Mason`s inlaid trunk door flanked by quarter columns, plinth base and bun feet, 210cm high

A large blanket chest, the domed lid with painted frieze plaques, tapering trunk raised on bracket feet, 119cm wide x 75cm high x 60cm deep

A cabin trunk, wooden bound with green canvas cover, labels `The Royal Scot to Edinburgh`, `Bibby Line, Carson & Co, Colombo`, 95cm wide x 36cm high x 58cm deep

A travelling trunk with reinforced edging and internal tray, 110 by 55 by 54cm.

A wooden and metal bound cabin trunk bearing labels for the Cunard ship Sylvana, 84 by 52 by 34cm high.

A Union blue and wooden bound trunk, 92 by 44 by 46cm high, and another similar silver coloured, 91 by 51 by 35cm high.

An oak cased grandmother clock, with circular silvered dial baring Arabic numerals, eight day movement, quarter striking, the trunk with bevelled glass panelling, 164cm high.

A set of six Royal Doulton Rupert Bear collection figures, Tempted To Trespass, Bingo`s Huge Firework, Ping-Pong Leading The Way, Edward Trunk Pretending to Lead The Way and two Looking Like Robin Hood, with original boxes

A travel trunk

A travel trunk

A large black painted pine trunk containing numerous vintage tennis rackets, presses, cricket pads, stumps, a three piece fishing rod, roller skates, tennis balls, etc

Large pine linen trunk

18th Century walnut veneer and pine longcase clock by John Thomas of Crewkerne, having an arch shaped hood with cylindrical split pillars, the trunk with long door and standing on a plinth base, arch shaped brass dial with silvered chapter ring having Roman and Arabic numerals, subsidiary seconds dial and calendar aperture, eight day striking movement, 221cm high

Collection of Mauchline ware comprising miniature dome top trunk with rope handles `Rothesay Castle`, 8.5cm; tapered cylindrical glass case `Royal Exchange - Glasgow`, 7.5cm high; oblong needle case, `Mossgiel and Poetry, 9cm long; cylindrical thimble case `High Street - Berwick`, 3.5cm high and miniature Christmas candle with treen cover and base, 3cm high. (5)

A Chinese carved jade model of an elephant with trunk aloft and ears pointing backwards, raised on a carved hardwood stand, 13cm high including stand

Trunk and Container & Co. hatbox

A Russian style silver and cloisonne enamel box Second half 20th century, with spurious maker`s mark ``AK``, marked 84 standard, in the form of a rectangular trunk with swing handles applied to the arched, hinged cover and each end, raised on stepped feet, decorated overall with floral sprays, 2.5`` H x 3.75`` W x 2.5`` DCondition: Overall good condition. General light marks, scratches and tarnishing commensurate with age. No apparent losses to enamel.Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES FINAL

Adrien-Etienne Gaudez, `Acteon`, patinated bronze Late 19th century, signed ``A. Gaudez.`` (Adrien-Etienne Gaudez, 1845-1902, French) and bearing title plaque inscribed ``Acteon par A. Gaudez / Hors Concours``, the marble plinth bearing an applied label inscribed ``By Gaudez``, depicting the male figure holding aloft a game bird with right hand, a hunting horn in his lowered left hand, standing beside a tree trunk on an integral circular base, mounted on a bronze socle, on a circular marble plinth, overall: 47`` H x 13`` Dia.Condition: The bronze alone, without marble plinth: 45.5`` H. Overall good condition. General marks, scratches and rubbing commensurate with age.Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES FINAL

PAIR CARVED FILIPINO CHAIRS - Pair of 1930s Vintage Ifugao Carved Teak Chairs, Banaue, Philippines, in the form of a seated man in loincloth resting his arms on his knees and the heads of smaller figures, the seat supported by three semi-nude women on a platform, all carved from a single trunk of wood, 19 1/2" (49.5 cm) & 20" (50.8 cm) tall seats, 32 1/2" (82.6 cm) & 37" (94.0 cm) arms, 46" (116.8 cm) back, roughly 20" (50.8 cm) x 18" (45.7 cm), inletted repair to seat of one.

ECCLESIASTICAL STATUE - 19th c Italian Holy Family Group in exotic hardwood, carved from a single section of trunk, a lively representation with the child on the mother`s shoulder, reaching for the father, 20 3/4" tall, 14" x 15", old inletted repair to the front edge.

DICKENS TRAVEL TRUNK - Iron Bound Wooden Coach Trunk that belonged to the great author Charles Dickens, with his brass name plate mounted on top, having bail handles on sides and with wallpaper lined interior and brass lock marked `Taylor Improved Lever Lock`, butt hinges (now detached so lid is loose), 23 1/2" tall, 19 1/2" x 30 1/2", quite worn from years of travel.

CHINESE EXPORT TRUNK FOR MEXICAN TRADE - Leather Covered Camphorwood Trunk painted red and having the Shield of the Republic of Mexico as it was between 1823 and 1864, floral banding, with brass plate edging and tacked edge, drop handles on sides, unfinished interior, 15" (38.1 cm) tall, 32 1/2" (82.5 cm) x 18" (45.7 cm), good condition.

IRON BOUND TIBETAN TRUNK - 17th c Iron Bound Tibetan Wooden Trunk with ornate gold gauffrage on cinnabar red lacquer decoration of a writhing dragon in panel surrounded by vine trelliswork and banding, oversized ornate wrought iron handle center front with large reticulated and engraved lockplate above, loose snipe hinges, 24 1/2" (62.2 cm) tall, 52" (132.1 cm) x 17" (43.2 cm), quite worn, nearly all finish gone from top, great age patina.