An early 19th century mahogany eight day longcase clock, the 13 inch arched brass dial signed 'John Hamilton, Glasgow' with centre subsidiary seconds dial and date aperture within a ring of Roman and Arabic numerals under phases of the moon to the arch, the hood with dentil cornice and pierced frieze, over spiral turned front corner hood pilasters, with a plain trunk door between spiral turned quarter trunk pilasters on a plain box base and short bracket feet, 207.5cm high
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A mid-19th century oak and mahogany eight day longcase clock, the 13 1/2 inch dial signed 'Jos Blackhurst Waverham', the crossbanded hood with square reeded front corner pilasters over an inverted arched short trunk door to a single panel box base, raised on ogee shaped short bracket feet (at fault) 207cm high
A early 20th century mahogany longcase clock, the 12 1/2 inch arched brass and silvered dial signed 'Mappin & Webb, London', with central subsidiary seconds dial within a ring of Roman numerals under subsidiary chime/silent and Whittington/Westminster subsidiary dials to the arch, the three train movement striking on nine rod gongs, the hood with mask pediment over a blind fret frieze and turned front corner hood pilasters with pierced open fret sides to the hood, over a long trunk door with bevelled glass between corner fluted quarter pilasters, on a blind fret carved base and ball and claw front feet, 55cm wide, 248cm high
A Victorian Staffordshire porcelain centrepiece, probably John Bevington, the oval reticulated basket supported on a florally encrusted trunk column, with a dandy and companion chasing each other, and raised on a gilt scroll spreading foot, underglaze blue crossed swords mark, 45cm high (restored)
An early 19th Century mahogany longcase clock with eight day brass four pillar movement striking on a bell, the painted square dial with Roman numerals, subsidiary date and seconds dials and inscribed `Parker, Ardingly`, cornered with painted buildings, the hood with moulded arch pediment above a glazed door and turned pillars, the trunk with rectangular door on a panelled base and plinth, height approx 201cm, together with a winder, two weights and a pendulum (some faults).
An early 19th Century oak longcase clock with eight day movement striking on a bell, the painted break arch dial with subsidiary seconds and date dial, Arabic and Roman numerals and inscribed `Bromley, Horsham`, beneath urn and birds to the arch and cornered with `C` scrolls, the hood with pagoda top and moulded pediment above a glazed door and fluted columns, the trunk with a rectangular arched door, on a plain base, height approx 194cm, together with pendulum and two weights (alterations, faults and reduced base).
A late 18th Century oak longcase clock with eight day movement striking on a bell, the square brass dial and chapter ring with Roman and Arabic numerals, engraved with an archway and foliate scrolls and inscribed `Jas Douglas, Chertsey`, cornered by pierced scroll spandrels, the hood with stepped pediment above a glazed door flanked by fluted and reeded pilasters, the trunk door carved with fleur-de-lis and flowers, on a plain base with bracket feet, height approx 208cm, together with a pendulum, two weights and a winder (alterations and restoration).
An early 19th Century oak and mahogany longcase clock with thirty hour movement striking on a bell, the painted break arch dial with Arabic numerals and inscribed `Stonehouse, Leeds`, beneath a scene of a seated classical maiden, lion and donkey to the arch, the hood with swan neck pediment, glazed door and fluted columns, the crossbanded trunk door with shaped fretwork surmount and inlaid shell paterae, on a plain base and bracket feet, height approx 235cm, together with pendulum and weight (alterations and restoration).
A late 18th Century oak longcase clock with eight day movement striking on a bell, the brass break arch dial with `strike/silent` indicator to the arch above a chapter ring with Roman numerals framing a matt centre with subsidiary seconds, date aperture and applied plaque inscribed `Nathl Cliff, Hull`, all cornered with cast and pierced scroll spandrels, the hood with pagoda top above carved decoration and columns, the trunk and base with carved foliate decoration, on bracket feet, height approx 213cm, together with pendulum and two weights (faults).
A Continental porcelain figure of a gardener, late 19th/early 20th Century, modelled wearing a black tricorn hat, underglaze blue `R` to base, height approx 8cm, together with a German porcelain snuff box and cover painted with a lady and gallant with gilt and pale blue borders, a Vienna style porcelain scent bottle modelled as a child and ram about a tree trunk with fruiting vine, blue shield mark and impressed `36` to base, and a Beswick Jack Russell terrier (some faults).
A Moore Brothers porcelain centrepiece, late 19th Century, the leaf shaped bowl encrusted with orchids and leaves on a naturalistic trunk column encrusted with further orchids and issuing trumpets, on a pierced and rococo scroll moulded base, picked out in gilt, printed mark to base, height approx 39cm (faults).
A late 18th Century cross-banded oak long case clock, the square 12 inch brass dial with silvered chapter ring and subsidiary seconds dial, date aperture, inscribed Aston, Bilson, 30hr movement, the hood with moulded cornice and column supports, the case having long trunk door above a square box base, raised on bracket supports. 204cm high x 30cm wide
An 18th Century mahogany long case clock, the brass dial with Roman and Arabic numerals, subsidiary seconds on a silvered chapter ring, dial and date aperture, eight day movement striking on a bell, indistinctly inscribed ?Evitt, Bath, the arched hood crested by three brass orbs surmounted by eagles, supported by reeded pilasters the case with long shaped trunk door, box base raised on bracket feet, approx. 220cm high x 25cm wide
Joseph Bates, Londini fecit, a walnut longcase clock the later eight-day duration movement striking the hours on a bell, the 11 1/2-inch square brass dial having a raised silvered chapter ring engraved with black Roman numerals, Arabic five-minute numerals and meeting arrow-head half-hour decoration, the matted centre with ringed winding holes, a subsidiary seconds dial and engraved decoration surrounding the square date aperture, with cast brass cherub-head spandrels to the four corners and signed Joseph Bates, Londini fecit, with later blued steel hands, the walnut flat-topped case with blind fret to the hood, cushion moulding below the hood, beaded moulding to the trunk door with crossbanding and lenticle glass to the trunk door, with satinwood stringing to the case sides, the restored base with further crossbanding and stringing, height 210cm. * Biography Joseph Bates is recorded as having been apprenticed in 1679 to William Standish and free of the Clockmakers Company in 1687. He was married between 1683 and 1706, and worked in White Alley, Holborn.
Winterhalder & Hofmeier, Schwarzenbach, a chiming longcase clock the three-train, eight-day duration movement striking the hours on one tube and the quarters on a further four tubes, with brass bound weights and a steel rod pendulum with a brass bob, the eleven-inch brass break-arch dial having a raised chapter ring with raised brass Arabic numerals, with engraved filigree decoration to the dial centre and four corners, with a subsidiary seconds dial, blued steel hands, two subsidiary dials to the top corners for ‘strike/silent’ and ‘chime/silent’ and signed on a silvered cartouche W&H Sch, the mahogany case having a glazed trunk door, short panelled base with further inset panelling to the sides, castellated moulding to the hood with a pediment top, with turned three-quarter columns to the trunk and turned columns to the hood, standing on bracket feet, height 215cm. * Biography Anton Winterhalder, born 1838, founded the business in Schwarzenbach, Germany having married and taking Anton Hofmeier into partnership in 1850, with the company finally closing upon the death of Linus, last son of Winterhalder, in 1930. The movements and clocks made by this firm are often believed to be the among the best produced in Germany at this time.
John Pitt, Tetbury, an oak longcase clock the eight-day duration movement striking the hours on a bell, the thirteen-inch break-arch painted dial with Arabic hour numerals, floral corner spandrels, a date aperture to the centre, decorative brass hands and signed Jno Pitt, Tetbury, the oak case with fluted canted corners to the trunk, a break-arch trunk door inset with stringing, the hood having square fluted pillars with brass capitals and a swan-neck pediment, standing on bracket feet, height 217cm. *Biography John Pitt is recorded as working in Tetbury, Gloucestershire from the early 19th century. A prolific maker of longcase clocks it is known that he ‘looked after’ the clock at Tetbury Market House from 1816 until 1852 with a payment of 2-2-0 per annum.
A carved oak Victorian chiming longcase clock the eight-day duration movement striking the hours on a tubular gong and the quarters on eight further tubular gongs, with three brass bound weights, the fourteen-inch break-arch brass dial with moonphase aperture to the arch, a raised chapter ring with applied brass Arabic hour numerals, the dial centre engraved with c-scroll decoration and with a subsidiary seconds dial, with cast-brass female-head spandrels to the corners, with two subsidiary dials to the top corners for ‘chime/silent’ and ‘Westminster/Whittington’, with blued steel hands, the oak case with carved decoration, fluted pillars with brass Corinthian capitals to the break-arch hood, with a carved ‘green man’ mask to the centre of the top moulding, with a glazed trunk door, a panelled base and standing on bracket feet, height 250cm.

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66892 item(s)/page