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Click here to subscribeA collection of mixed ceramics to include; mostly Hornsea pottery animal and tree trunk designed posy holders, a stoneware late 19th/early 20th century jelly mould, a large stoneware jug, two modern Midwinter "Stylecraft" tableware jugs, and one small 20th Century ruby glass small jug. (1 box).
A good Vienna wall clock with 6½" two pence dial, two-train weight-driven movement striking on a gong contained in a walnut-style case with half turned and reeded pillars to the trunk door, lady's mask pediment and finials to the base. The back board is quarter veneered walnut with good patina. Winding key, weights and pendulum are present. Dimensions: 55" x 16½" x 7". Condition: Good condition. The case has lovely patina. Movement not fully tested. All appears present.
A mixed collection of ceramics and glass to include; a pair of Italian style blue glass hanging baubles, a Royal Worcester white shell shaped dish, marked no. G971 to base, a small white Royal Crown Derby posy holder, tree trunk shaped, a Royal Worcester small shell shaped vase, no. 3212, Wedgwood tray, a small quantity of Denby stoneware dark green banded plates, a small quantity of Royal Worcester "Wild Harvest" pieces, Murano style blue glass bowl, a boxed Denby pottery various pieced set of modern manufacture plates etc, a boxed Queens fine bone china mug and plate, modern glass lamp. (2 boxes)
Nottingham 30 hour Longcase clock with 13' still arch dial, Arabic numerals, sad mouth calendar. The brass hour hand is particularly nice depicting a Phoenix . There is also a Phoenix in the arch of the dial and between the swan neck pediment. Contained in an oak and mahogany case Plain pillars to the hood. Chamfered sides to the trunk. Weight and pendulum present. NOTE George Ordoyno is recorded as working in Nottingham between 1811 to 1864 George Samuel Ordoyno is recorded as working in Nottingham between 1864 to 1877 Dimensions - 83" x 19" x 9" Condition report - All appears to be present Movement not fully tested
"Louis Vuitton Travel Trunk",Paris, um 1913 Serien-Nr. 507613Lederbezug mit Louis-Vuitton-Prägung. Messingbeschläge. Holzleiste mit Messingnieten. Ledergurte mit Metallecken. Seitlich Metallgriffe. Deckel mit Seidenbespannung. Zwei herausnehmbare Kästen unterschiedlicher Größe, Seidenbezug. Gurte mit Messingschließen bez. Louis Vuitton Breveté. Drei Schlösser bez. L.V., Mittelschloss bez. Bté S.G.D.G. Patent, 1 Rue Scribe, Paris, Louis Vuitton, London, 49. New Bond Street. Im Deckel logo: 1.Rue Scribe, Paris, Louis Vuitton, Lille 34. Rue Faidherbe, Nice 4, Jardin Public. /149, New Bond St. London. Serien-Nr. 507613 x Aussen seitlich rot bez. Toledo, Ohio, U.S.A. Großes P. -Verschiedene Aufkleber u.a. Rapallo, Nice, Cannes, Zürich, Amsterdam, Grand Hotel Louvre....Cunard line. Altersspuren x 110 x 55 x 33 cm.Lt. Auskunft Louis Vuitton-Archiv, Paris, dürfte der Koffer 1913 in der Londoner Louis Vuitton-Filiale erworben worden sein. Die Auskunft diesbezüglich vom 28.7.2023 liegt vor.
A Small Quantity of Militaria, including a post-1953 officer's No.1 dress cap to the Royal Corps of Transport, a similar stable belt, another stable belt, a No.2 service dress cap to the Royal Army Service Corps, a Second World War leather waist belt set with a white metal pouch badge to 8th Battalion P.W.O. West Yorkshire Regiment and fourteen various glengarry, cap and collar badges, a small box of various rank pips and buttons, a binoculars case, a black tin trunk stamped MINE A.T. MK.V. 1943, a folding campaign chair, a billy can, books including The Story of the Royal Army Service Corps 1939-1945, a winter service sheepskin hat, a pre-1953 scout shirt, whistle and lanyard etc
A Papua New Guinea Kundu Drum, made from a hollowed out tree trunk with a central integral carved handle, snakeskin resonator, the base carved with bands of chevrons, 75cm; a Pitcairn Islands Carved Wood Figure of a Shark, signed by the carver Christy Warren, 85cm; a Balinese Large Carved Wood Figure of a Man, standing naked and wearing a udeng type headress, 65cm; a Late 20th Century Maori Feast Bowl, of oval form, the flange rim carved with scalework type decoration and inset with two "fish-eye" shells, 58cm by 40cm; two Small Carved Wood Figures, one of a shabti, the other a male fertility figure (6)
A mixed lot to include a Victorian mahogany mantle clock A/F together with a wall hanging barometer and two brushes together with treen items, a large canvas trunk, an early 20th dustpan and brushes, a mincer, together with a cast metal horse and man model, along with a shoe lastLocation:A3F
Matchbox Superfast 4 x 73c Ford Model A - all are tan body, chocolate brown chassis without spare wheel carrier, black plastic base (1) light amber windows, Lesney England base with model number cast; (2) clear windows, Lesney England base without model number cast; (3) clear windows, transitional Macau base without model number cast (front bumper bent out of shape) - Good Plus to Near Mint in Good to Good Plus type L boxes one of which has hole punched to one end flap; (4) dark amber windows, Lesney England base without model number cast - Excellent Plus (factory tampo print marks to trunk which also has a small paint chip) in Excellent factory sealed 1980 copyright blister pack. (4)
Matchbox Superfast 55d Ford Cortina - metallic champagne gold body with black stripe tampo print to hood, roof & trunk only, without side tampo print (both sides), clear windows, white interior, bare metal base - overall Near Mint with tarnishing to base in Fair damaged & split but still factory sealed 1980 copyright US issue blister pack. RARE TAMPO PRINT VARIATION.
Matchbox Superfast 3 x 71d 1962 Corvette - all are white body, clear windows, 5-arch wheels (1) red side & trunk tampo print, blue interior, white Lesney England base; (2) red side & trunk tampo print, chrome interior, off-white Lesney England base (significantly darker shade than body); (3) without tampo print, chrome interior, white China base - all are overall Excellent with rub marks/scratches or chips to roof. (3)
Matchbox Superfast 3 x 71c 1962 Corvette - all are dark blue body with white side & trunk tampo print, clear windows, dark blue Lesney England base, 5-arch wheels (1) blue interior - Excellent Plus with factory tampo print flaws & scratch to rear of body above license plate in Good factory sealed 1980 copyright US issue blister pack with large surface tear to backing card where price label removed; (2) blue interior - Near Mint in Good to Good Plus 1983 copyright yellow graph paper all card box; (3) chrome interior - Excellent Plus unboxed with some paint loss to edges of roof. (3)
Matchbox Superfast 73c Ford Model A FACTORY PRE-PRODUCTION COLOUR TRIAL - cream body, dark green windows, BLUE PLASTIC RADIATOR GRILLE & FRONT BUMPER, dark green chassis with spare wheel carrier, black plastic base - Excellent Plus with a couple of tiny chips to roof & couple of minor factory casting/paint flaws around trunk area in Excellent to Excellent Plus "New" type L box with 2-line English/French text to striker side panel.
Matchbox Superfast 2 x 45b BMW 3.0 CSL German Market issue Police Cars - both are white body, without door braces, turquoise green windows with roof light support, bare metal base - (1) dark green hood & trunk tampo print, with hood & door labels, blue roof light - Good Plus Unboxed; (2) lighter green hood & trunk tampo print, without hood & door labels, amber roof light - Good to Good Plus in Good 1978 copyright Type J Box with 2-line English/French text to rectangular panel on one striker side. (2)
Matchbox Superfast 67b Ford Capri Hot Rocker MADE IN BRAZIL ISSUE - pink body, clear windows, ivory interior, bare metal base Lesney England base with Pat App number & thin axle braces - Excellent Plus with a couple of chips to trunk & chrome loss to engine air intake in Mint type J box. Stunning colour variation.
An 18k yellow gold and diamond 'elephant' necklace, the yellow gold cast elephant's head set with forty-two round brilliant-cut diamonds to eyes, trunk and ears, each diamond approx 0.015ct, ten further diamonds approx 0.02ct each, total diamond weight approx 0.73ct, on a yellow gold flat close curb link necklace, approx 42cm long, total gross weight approx 24.9 grams (one diamond missing to right ear), the clasp stampe 'EB ITALY 750'
An Indian silver repoussé decorated tankard T.P.R. & Co, Bombay, cylindrical tapering form, having large band depicting lion, horse & rider with dog beside, buffalo and antelope in forest setting, cast elephant head, the trunk forming the handle, 3¼ in. (8.2cm.) high, weight 6.3 tr.oz. *Small nibbles around rim, overall good.
An English, late 19th century, elaborately carved oak musical three train long case clock the brass arched dial with a silvered chapter ring and Arabic numerals enclosing a subsidiary second dial below twelve, a strike dial in the arch, ‘Westminster Chime/Silent’ within pierced scrolling spandrels, the case having a carved hood and surmounted by a scallop shell and floral carving, the glazed trunk door flanked by carved fruit, nut and floral design and glazed sides, all raised on a plinth with a carved central panel of ribbons and flowers, 26 x 17¼ x 100in. high.
An 18th century longcase clock, Samual Roberts, Llanfair Caereinion The hood with cavetto cornice and turned full columns flanking the door, the trunk with shaped door above a plain base box, a gummed paper label inscribed in ink 'John Lloyd the maker No.59 - 1781', the brass dial signed 'Sam. Roberts Llanfair', Roman numerals to the chapter ring within moulded figural spandrels, the 30-hour movement striking on a bell, with pendulum and weight. Footnote:Samuel Roberts is a well documented clock maker of Llanfair Caereinion in the Montgomeryshire region, now Powys, active between 1750 and the 1780s. Records indicate that he crafted some six hundred pieces, roughly twenty per year, earning him an average of £35 per year. To serve the local community, Roberts established a 'clock club' with customers paying by installments and entering a lottery for each clock as it was completed. Some of the cases were made by Roberts' neighbour, the joiner John Lloyd who, unusually for the period, attached paper labels. The present lot is thus labelled.Two further Samuel Roberts clocks were sold in these rooms: 1 September 2021, lot 368 which sold for £2,600 (+fees); and 12 December 2018, lot 527 which sold for £2,800 (+fees). Condition:Hood: Cornice re-attached. Glass good. General signs of age and use. Case: Small losses to moulding at top of base box. Base box sides re-attached. Scuffing to plinth facia. Dial: Good. Movement: Intact. Running and striking. Ancillaries: Pendulum and weight.
An impressive Vienna figured walnut chiming wall clock, the arched top above two piece white dial with three train gong striking movement, the glazed trunk door flanked by decorated twin columns175cm highSplits to back board. top cresting added later. Missing top corner finials. Curved base has veneer lifting. Not tested. Twin gong movement. Three brass weights. Sold as seen.
AMENDED CONDITION & PHOTO Art Deco owl and tree pendant, rectangular rose cut diamond set frame measuring 2.9cm x 4.8cm with central tree motif, with trunk set with old cut diamonds, and leaves set with cabochon cut emeralds, with a perched owl in yellow gold, with old cut diamond set eyes, with an articulated diamond bale, in white metal testing as 18 ct gold, on an 18 ct white gold paper clip chain, 40.3cm in lengthCondition Report: Gross weight 12.59 grams Overall good condition, evidence of small minor repair work visible to bottom of frame, and solder mark on the back and bottom of the owlOne diamond missing, a few of the smaller diamonds have small chips to surface clasp fastens securely
Barthelemy Prieur (Berzieux, 1536- Parigi 1611) Venus pulling a thorn from her foot Bronze, redish patina, traces of darker patina Fine neoclassical setting in mixed marble and gilded bronze Overall 28,5x10x10 cmBronze 19,7x9x6 cm The bronze is accompanied by the expertise of Dr. Charles Avery.Examination of the metal alloy carried out at the laboratories of the University of Engineering, Milan.The lot is accompanied by a certificate of free circulation indicating the name of the author and the appropriate valuation of € 100,000Known for his role as court sculptor to Henry IV and Marie de Medici, Barthelemy Prieur also travelled to Italy where he worked for the Savoy family. In addition to his monumental sculptures for the French royal family, he also produced enchanting bronze female figures in various poses (washing, drying or combing their hair) destined for a refined studio collection of a vaguely voyeuristic taste.The high quality of the material and the sensual elegance of the small-format castings appear to be in perfect harmony with the need for aesthetic gratification that characterises the collecting of bronzes.Provenance:Baron Hippolyte Boissel de Monville (1794-1873), collector and agent for the Rothschilds.The illustrious provenance is attested by the stamping BM (Baron de Monville) engraved in the trunk. BibliographyAnthony Radcliffe-Nicholas Penny, Renaissance Bronze, 1500-1650, The Robert H. Smith Collection, Philip Wilson Publishers, London, 2004, card 38, pp 220-21
Massimiliano Soldani Benzi (Montevarchi 1656-1740) (school of) 18th-19th century Bronze, redish patina, traces of dark bronze patina Overall 22x8,5x8 cm Bronze 19,5x8,5x7 cm The sculpture reproduces a famous marble from the 1st century AD that was part of the Medici collection (now in the Uffizi Museum in Florence). Soldani Benzi produced bronze copies of classical sculptures from the Medici collection. His sculpture of the satyr after Medici marble was made in almost life-size dimensions for the Liechtenstein princes and, although its attribution has been debated, it is still preserved in the princes' collection in Vaduz. Soldani's foundry also reproduced smaller copies that are now at the center of attribution disputes. The replicas are characterized by the absence of the trunk to which, in the original version, the satyr is leaning, and by a reddish transparent patina typical of the ancient Tuscan productions, the characteristics present also in this lot. Bibliography Die Bronzen der Furstlichen Sammlung Liechtenstein, Lieberghaus-Museum alter Plastik, Frankfurt a.m. 1986, pp. 228-29.
A MAHOGANY LONGCASE CLOCK COMPRISING GEORGE III ELEMENTS The eight-day bell striking movement with 12inch dial, with cow and cowpoke automaton to the arch, surmounted by JOHN ROWNING / NEWMARKET, and with silvered Roman numeral chapter ring, subsidiary seconds and date aperture, the mahogany case with columns to the hood angles above a trunk with canted and inlaid corners and quarter sawn plinth base 221cm high
Matchbox Superfast 2 x 10b Ford Mustang Piston Popper - both are yellow body with black & blue racing number 60 Tampo Print, dark amber windows, red interior, bare metal base without model number cast - (1) WITHOUT TRUNK TAMPO PRINT- Near Mint (tiny pin size chip to leading edge of roof & rear spoiler), in Fair worn but complete Generic US Issue 1982 Copyright Box; (2) with trunk Tampo Print - Excellent unboxed (2)
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