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BILLY'S PERSONAL TOUR FLIGHT CASE. Used on tour for all of Billy's personal effects. Measures 36.25 x 18.25 x 16.5". “This dates back to the early 1991 when I was literally living out of a (flight) case. When the Ceremony tour was booked we knew it was going to be a lengthy one and we'd be away from home for months at a time. So, we had this bright idea that we’d each get a luggage trunk that would stay on the tour bus and used as a place to store all our personal non stage stuff… change of clothes… spare boots etc. Unlike most of The Cult flight cases it doesn't have the band name stencilled on, just my initials and ‘105’ because it didn't travel with the musical equipment... it came with the band and was sized to fit under the tour bus. Basically, it was like an old-fashioned steamer trunk… but in an early 90s rock n roll fashion!”
Ambrosini Jerome (1810-1883), Farming family picking flowers, signed and dated 1871, oil on canvas, 47cm by 62.5cm Canvas is signed and dated 1871. Canvas has been given a heavy lining. Craquelure throughout with a possible area of repair to the tree trunk upper centre. Stretcher marks visible. UV examination reveals some evidence of over painting to upper left corner and three further areas to the upper right corner. Other minor scattered areas of UV flare.
An oak inlaid eight day longcase clock, signed Jno Redshaw, Newcastle, early 18th century, caddied pediment, inlaid case, trunk door with glass lenticle, 12-inch square brass dial with a silvered chapter ring signed, seconds dial, date aperture, four pillar movement with an anchor escapement and inside count wheel striking on a bell, possibly later case, 203cm high 22.08.19 Case with small scratches and small dents in parts, convex moulding is slightly loose, dial is discoloured, movement needs cleaning, later seatboard, both side cheeks with extra added wooden blocks under the seatboard, possibly later case, with pendulum and two weights.
Rare early walnut stick barometer in need of restoration, the paper scale indistinctly signed Manticha..., flanked by turned pillars over a flat trunk with rounded canted sides and inset tube above the spherical cistern cover, surmounted by a stepped cornice with three turned bone vase finials
A George III walnut longcase clock circa 1760, the break arch hood with three ball finials, 12inch (30.5cm) brass dial signed 'Thos Hemings, London', to a silvered plaque to the matted centre, silvered strike/silent dial to the arch, silvered chapter ring, date aperture and seconds dial, foliate mask spandrels, 5 pillar 8 day movement, the trunk with break arch door upon a rectangular plinth 233cm (91in) Hood structure rather loose and lacking all glass. A few sections missing. Movement untested. Later brass cased weights. Case repolished, plinth probably re-built.

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