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Click here to subscribeBartley and Eggert of Bristol, A George III oak longcase clock, the dial with silvered chapter ring, secondary dial and date aperture within cast brass spandrels supporting a twin train striking movement under a square hood with swans neck pediment, the trunk with arched door and plain base, on a plinth foot
GEORGE III MAHOGANY LONGCASE CLOCK BY JAMES MCGREGOR, EDINBURGH, CIRCA 1810 the swan neck pediment with brass Ho Ho bird finial, over an arched enamelled dial, painted with shells, Roman numerals, subsiduary second and date dials, the twin train eight-day movement striking on a bell, the boxwood strung trunk door flanked by fluted quarter columns, on a plinth base with bracket feet 205cm high
An oak and mahogany eight day longcase clock, early 19th century, the 13 inch square painted dial signed `Robert Fletcher, Chester`, restored face with subsidiary seconds dial and centred date aperture, within a ring of Roman numerals and floral corner spandrels, the restored eight day movement striking on a single bell with replaced seat board, the hood with swan-neck pediment over a shaped short trunk door over a cross banded box base on short bracket feet, 226cm high
A Victorian mahogany rosewood crossbanded eight day longcase clock, the 14 inch arched painted dial signed `Bradley, Shelton`, with centred subsidiary seconds dial, ring of Arabic numerals, the painted spandrels depicting rural life under a rolling moon, the hood with swan-neck pediment over an arched hood door, flanked by octagonal front corner hood pilasters, over a short Gothic arched trunk door, on a box base and splay bracket feet, 238cm high
An oak crossbanded mahogany eight day longcase clock, the 14 inch square painted dial signed `Samuel Maddox, Winsford`, with centred phases of the moon and date aperture within a ring of Roman numerals and florally painted corner spandrels, the hood with swan-neck pediment over a square glazed hood door, flanked by half reeded square front corner hood pilasters, over a short ogee arched trunk door, on a crossbanded box base and ogee moulded short bracket feet, 218cm high
An 8 day oak longcase clock, striking on a bell with a 14 inch painted arch dial, with subsidiary seconds dial and pierced crescent date aperture, signed JNO. CHAMBLEY, W.HAMPTON, the arch with a rural landscape, the case mahogany banded with stringing and a swan neck pediment, the shaped top trunk door with a marquetry shell, flanked by quarter pilasters, to a panelled base on bracket plinth base, 87.5in (222cm) h.
A late Victorian oak stick barometer by Negretti & Zambra, with carved decoration and an architectural pediment above painted faceted dials inscribed `NEGRETTI & ZAMBRA, LONDON, SCIENTIFIC INSTRUMENT MAKERS,` with two vernier scales, the trunk previously with a thermometer, 42.5in (108cm) h. Losses.
An 8 day mahogany longcase clock, with moon phase and tidal dial, the 13 inch brass dial signed on the silvered chapter ring Benson, Whitehaven, the silvered centre engraved with dolphins containing an ebbing and flowing tidal aperture painted with boats, the arch containing a rolling moon, the four pillar movement in a substantial case, panelled plinth flanked by brick effect carving, the trunk with quarter veneered door and canted corners, the hood with swan neck pediment, 7ft 10in (239cm) h.
An early 19th century mahogany stick barometer, with chequer stringing, the broken architectural pediment with a later brass finial above a silvered dial with vernier scale and thermometer, inscribed F.Saltery Vechio & Co, N.94 Holborn Hill, LONDON, the trunk with a moulded edge and turned cistern cover, 38.75in (98.5cm) h.
A three train longcase clock, striking on 8 bells and a gong with a 12 inch arch brass dial with silvered chapter ring signed John Clark, with subsidiary seconds dial and moonphase with date disconnected, with 8/4 lever below the name plaque signed John Clark, Frome, in an oak case with a carved trunk door and recessed panel base, 88.5in (225cm) h.
An 8 day walnut marquetry longcase clock, the 11 inch brass dial signed beneath silvered chapter ring John Farwell, London, subsidiary seconds and date aperture in the matted centre, the spandrels divided by engraved foliage, the five pillar movement with latched plates and dial feet, in an arabesque marquetry case, the trunk door inhabited by birds, glass lenticle, panelled sides, the flat hood flanked by barley twist pilsters, 7ft (213cm).
An 8 day mahogany longcase clock, quarter striking on two bells with a 14 inch painted arch dial with subsidiary seconds dial and pierced crescent date aperture, signed Ifaac Court HENLEY, with a painted fly between IIII and V, the arch painted a rondel of Father Time, the hood with stop fluted columns with gilt brass corinthian capitols, the trunk door crossbanded and with chevron stringing, canted corners to a marquetry base on ogee bracket feet, 88.5in (225cm) h.
A late George III japanned tavern clock, with a painted wooden 22.5in (57cm) dia. dial with Roman and Arabic numerals to an applied moulded bezel, the straight trunk with applied scroll ears and inscribed `Wm Maurifs (sic) YARMOUTH,` above an inverted arched door decorated a figure within a palace landscape, to a tapering base, the movement with tapering plates united by five turned pillars and with an anchor escapement, 55in (140cm) h, pendulum, weight. A brass plaque to the trunk door reads `This PARLIAMENT CLOCK hung in THE STAR HOTEL, YARMOUTH, from LORD NELSON`S time. Was purchased by Mr. W. BROWN, of OULTON BROAD, SUFFOLK, who sold it to me, January 1932.` William Morris, King`s Lynn and Yarmouth, c.1733 - 1816.
An XVIII Century Japanned Tavern Timepiece, the 62cms circular black painted dial with gold Roman numerals and Arabic five minutes and gold painted hands, the trunk with a concave topped door, decorated in iron red and gilt with a figure in an Oriental garden, over a canted ogee moulded apron, access doors to each side, 145cms high.
CLOCKS - "THOMAS WARNER, LONDON AN EARLY 19TH CENTURY OAK AND MAHOGANY LONGCASE CLOCK having swan neck pediment, flank columns, arched painted dial with moon phase subsidiary seconds and calendar spandrels, painted with roses, 8-day four pillar mechanism with" - anchor escapement and rack bell strike, fancy shaped trunk door with quarter pilasters and chamfered fronted box base on later feet, 2.25m high
A 19th century oak cased long case clock, the hood with broken arch pediment above a plain square door flanked by turned side pillars, the main trunk with plain door and canted corners above a plain base on bracket feet, the 30 hour movement with square enamelled dial and shell painted spandrels enclosing the chapter ring with Roman numerals, subsidiary seconds dial and date aperture inscribed "Pitt, Tetbury" (probably John Pitt circa 1830-56), 46 x 207 cm (ILLUSTRATED)
A William III long case clock, the eight day movement by Isaac Papavoine of London, the brass arch dial with circular medallion inscribed "Isaac Papavoine Duke Court London", flanked by dolphin and scrolling acanthus pierced spandrels, the circular chapter ring with Roman and Arabic numerals within pierced Classical mask and scrolling acanthus decorated spandrels enclosing a subsidiary seconds dial and date aperture, the blue lacquered and chinoiserie decorated case with caddy top flanked by silvered ball finials, over an arched glazed door flanked by turned pillars, the trunk with arched panelled door decorated with figure on horseback before a village scene with figures and pagodas, the base similarly decorated, 231 cm high x 51 cm wide (ILLUSTRATED)
A LONGCASE CLOCK, the 25 cm arched square brass dial with a silvered chapter ring having Roman numerals, the matt centre with subsidiary seconds dial, and with silent / strike to IX and chime / silent to III, the arch with St Michael / Whittington and Westminster dial, fitted an eight day movement striking on nine gongs, in a mahogany case, the trunk door having a bar glazed panel, 206 cm high See illustration
A mahogany cased eight-day longcase clock, the hood with brass eagle finial above an arch glazed panel door flanked by two free standing reeded columns, the canted trunk with inlaid rectangular door over bracket feet, the painted dial signed John Spurrier, Tewkesbury to the arch and with Roman numerals, the subsidiary seconds dial with Arabic numerals, fitted a four pillar movement, the dial 33cm (13") wide
Roberts, Bangor, an oak eight day longcase clock circa 1830, the arched hood with Prince of Wales` feathers motif to the swanneck, the 14 inch dial well painted with four figures to the spandrels emblematic of the Continents, a hunting scene to the centre, rolling moonphase dial above, the trunk with short ropetwist columns, the plinth with canted corners, 233cm high
An 19th century studded leather and metal bound dome top trunk with brass lock and clasp, brass name plate "Mrs Thos Barton" and wrought iron carrying handles, the interior with original paper lining and bearing the trade label for James Bowdon, Trunk and Leather Portmanteau Manufacturer, 259 High Street Borough (as viewed, some damage, 84cms wide) ,
A mahogany eight-day musical longcase clock, basically 19th century with modifications, arched dial with inset oil painted automaton, not connected, dial centre with subsidiary seconds, date aperture and engraved scrolls, three-train movement with five pillars, anchor escapement between thick brass pillars, striking on hour bell and eight musical bells, strike-silent and Cambridge chimes options, the hood with brass corinthian capitals, flame veneered trunk door, 7ft. 10in. SEE ILLUSTRATION
An early 19th Century oak and mahogany banded longcase clock by W. Hepton of Northallerton, the 13ins arched painted dial with Arabic numerals, subsidiary seconds dial and date aperture, the arch painted with a shepherdess and the spandrels with flowers to the eight day two train movement striking on a bell, contained in oak and mahogany banded case inlaid with ebony stringings, the upper part with moulded scroll pediment and plain turned pillars to hood, shaped trunk door flanked by half round quarter columns, on bracket feet, 90ins high Note : William Hepton (and Sons), Northallerton, recorded working 1822-1840
A mahogany longcase clock, the 18th Century movement with 12ins arched brass dial by Giles Coates of Chedworth, the wide silvered chapter ring with Roman and Arabic numerals, the matted dial centre with subsidiary seconds dial and date aperture, the arch with automaton "Father Time" and inscribed "Tempus Fugit" to the eight day two train movement striking on a bell, contained in figured mahogany case with moulded cornice and plain turned pillars to hood, the shaped trunk door inlaid with boxwood stringings and with cant corners, on bracket feet, 84ins high (case and movement associated)
An 18th Century stained pine cased longcase clock by Richard Rooker of London, the 12ins arched brass dial with wide silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture in matted and engraved dial centre to the eight day two train five pillar movement striking on a bell, contained in later stained pine case with moulded cornice and plain turned pillars to hood, the plain trunk door with circular brass framed lentical, 86ins high (movement and case associated) Note : A Richard Rooker recorded working London, apprentice 1685, clockmaker 1694-1735, and also his son clockmaker 1729-1759
A George III mahogany longcase clock by William Leadbetter of Portsmouth, the 12ins arched brass dial with silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture and strike/silent dial to arch to the eight day five pillar movement striking on a bell, contained in mahogany case with shaped pediment and arched and moulded cornice with key pattern frieze, turned and fluted columns to hood and shaped trunk door, 91ins high (cresting altered with later finials, plinth reduced in height and surface generally cleaned back)
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