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66892 item(s)/page
Lot 1
A pair of Sitzendorf figural candelabra, early 20th century, each with a maiden and cherub against a florally encrusted tree trunk column and raised on a conforming encrusted and gilt scroll base, each three branch candelabrum with central raised nozzle, damage and repair, underglaze blue marks and impressed Germany, 20.5" high (2)
Lot 1
A Samson Paris porcelain figure group, late 19th century, as an 18th century lady in crinoline skirts rejecting the advances of a dandy as they sit on a gilded park bench beneath a tree trunk in the branches of which sits a cherubic looking on, raised on a flower strewn gilt scroll base, in subtle pastel shades, underglaze blue pseudo crossed swords and S mark, chips, 12.5" high
Lot 1
An oak and mahogany crossbanded cottage longcase clock, early 19th century, the broken scroll pediment surmounted by three eagle and ball brass finials and with flowerhead terminals over a square glazed trunk door flanked by fluted brass capped pilasters enclosing a 12" painted enamel dial with date aperture and marked William Walker, Shrewsbury, Roman numerals and painted with an exotic bird to the centre and floral corners, 30 hour movement striking on a bell above a three quarter length pointed arch trunk door centred by a lozenge motif and flanked by fluted brass capped quarter pilasters over a panel and bevelled moulding and conforming base board, feet lacking, 77" high.
Lot 1
A George III oak mahogany crossbanded and inlaid longcase clock, circa 1800, the broken scroll pediment with flowerhead gilt brass terminals over an arched glazed chequer strung door, flanked by fluted brass capped pilasters enclosing a 13" painted enamel dial with Arabic numerals, subsidiary seconds dial and date aperture and marked J A Shipley, Derby, rolling moon phase in the arch, eight day movement striking on a bell, above a lozenge bordered mahogany frieze, crossbanded shaped top, three quarter length trunk door centred by a boxwood and harewood conch shell motif, flanked by fluted quarter pilasters, over an ebony strung panel, ogive moulding and raised base board between canted angles and raised on ogee bracket feet, 89" high
Lot 1
A Victorian mahogany crossbanded longcase clock, mid 19th century, the broken scroll pediment above an arched glazed door applied with wrythen reeded half columns and flanked by wrythen columns enclosing 14" white painted arched enamel dial with subsidiary seconds dial and date aperture and marked indistinctly Richard Owen? Holyhead, painted with rustic housing to the corners and a shepherd and his dog in the arch, 8 day movement striking on a bell above a short trunk door flanked by wrythen reeded half pilasters over a tablet, ogive moulding and base board between canted angles, distressed, 89" high
Lot 1
A George III oak longcase clock, circa 1790, the broken scroll pediment above a vert eglemise foliate painted frieze and glazed square trunk door flanked by turned pilasters enclosing a 13" brass dial with Roman numerals, moon phase aperture and date aperture and marked Standring, Bolton, foliate cast spandrels, 8 day movement striking on a bell, over a shaped top, full length trunk door, flanked by, quarter pilasters, above an ogive moulding and plain base board with canted sides and raised on bracket feet, distressed, 85" high
Lot 1
A George III oak longcase clock, circa 1770, the ogive cornice above a square glazed door, flanked by turned pilasters and enclosing a 12" square brass dial with silvered chapter ring and Roman numerals, date aperture below a circular aperture engraved James Monkhouse, Carlisle, foliate cast pierced spandrels, 30 hour movement striking on a bell, a shaped top full length trunk door flanked by fluted quarter pilasters over an ogive moulding and plain base board with canted angles and raised on shaped bracket feet, 83" high
Lot 1
A stripped pine clock housekeepers cupboard, first half 19th century, the stepped ogive cornice above a glazed oval dial door enclosing a 17" painted oval enamel dial with Arabic numerals, subsidiary seconds dial and date aperture and marked indistinctly, W Evans, Shrewsbury, within gilt and coloured florally painted borders, 8 day movement striking on a bell over a ribbed trunk door and flanked by double panel cupboard doors enclosing a painted interior of shelves, above two pull-out slides, the lower section centred by a panel cupboard door flanked by eight drawers and between fluted canted angles, distressed, 86" wide, 20" deep, 96" high
Lot 1
An Early 19th Century Mahogany Long Case Clock with thirty hour movement, the square painted dial with roman numerals and calendar aperture, the square hood with swan neck pediment and fret cut door framing reeded angle pillars, the stringing inlaid trunk with short rectangular door and canted angles, the plain base also with stringing inlay, on bracket feet. Dial Width 12". Width 13". Height 80".
Lot 1
An Early 19th Century Welsh Oak Long Case Clock with thirty hour movement, the square painted dial with roman numerals and calendar aperture, inscribed "Polak, Pontypool", the square hood with swan neck pediment and turned angle pillars, the trunk with rectangular door, the plain base on a plinth. Dial Width 12". Width 13". Height 83". (Samuel Polak).
Lot 1
A Georgian stained pine 30 hour longcase clock the 12" brass engraved dial having roman and arabic numerals and calendar date, signed Richardson, Hexham the hood having column supports above a dentil moulding and a shaped trunk door flanked by fluted columns all raised on bracket feet height 6'8"
Lot 1
A Fine Empire Figural Gilt Bronze Mantel Clock. The dial set into the base of a brown patinated tree trunk entwined with ivy with one branch bent over a gilded rivelet and a wrythen fluted crystal spout of water swivelling via the movement of the clock to emulate a spring flowing from a rocky outcrop encrusted with gilded rushes and leaves. The central figure of winged boy in windswept drapes leaping over the water. The gilt plinth ornamented with a scallop shell mount flanked by dolphins, tridents and bull rushes with a band of anthemion motifs. Standing on unusual winged ball feet 19 ins (48 cms) in height.
Lot 1
A MID 19TH CENTURY WELSH TUNBRIDGEWARE INLAID MAHOGANY LONGCASE CLOCK with two train, eight day movement, the painted dial with revolving phases of the moon within the arch, the spandrels with architectural paintings, with roman numerals, seconds dial and calendar aperture, inscribed "I M Moses & Son, Swansea", the hood with swan neck pediment and baluster turned angle pillars, the trunk with short shaped door and angle pillars, the base on bracket feet. Dial Width 14". Width 19"
Lot 1
An Early 19th Century Oak Longcase Clock, the thirty hour movement having a square painted dial with arabic numerals, seconds dial and calendar aperture, inscribed with illegible makers name ".......Porth", the hood with swan neck pediment and fluted angle pillars, the trunk with long rectangular door and canted angles, the base plain. Dial Width 11.5". Width 13.5". Height 83". Lacking feet
Lot 1
A Late 19th Century American Ansonia Clock Co. Walnut Wall Clock with eight day, hour striking movement, the case with octagonal moulded and ebonized dial surround, the tapered trunk having a glazed door with "Kattenbach Llanelly" in gold capitals, the interior with Ansonia trade labels. Height 32". Diameter 12"
Lot 1
A George III mahogany and boxwood inlaid and crossbanded longcase clock, late 18th century, the broken scroll swan neck pediment applied with stamped brass urn terminals, over foliate gilt painted glass panels, above an arched glazed door flanked by fluted gilt brass capped pilasters, enclosing a white painted 13" enamel dial with roman numerals, subsidiary seconds dial and date aperture and marked R. Webster, Salop, gilded foliate corners and rolling moon phase with galleon and pastoral scene in the arch, 8 day movement striking on a bell above a fluted frieze centred by a boxwood oval patera over a shaped top crossbanded trunk door flanked by fluted quarter columns above an ogive moulding and crossbanded base board between canted angles, lacking feet, distressed, 86" high
Lot 1
A walnut and boxwood inlaid longcase clock, the case 20th century, the movement 18th century, with pierced gallery caddy top boxwood inlaid with flowers above an arched glazed door applied with half round gilded columns, enclosing a 12" arched brass dial with roman numeral chapter ring, subsidiary seconds dial and calendar dial and moon phase in the arch, crown and cherub pierced spandrels, dolphin spandrels in the arch, three train musical movement playing on a carillion of eight graduated bells and a striking bell, above a rectangular cockbeaded trunk door inlaid with shell urn and foliate motifs, over a cushion moulding, the base board inlaid with a boxwood conch shell motif and raised on a plinth and bracket feet, 93" high
Lot 1
A Regency oak cottage longcase clock, early 19th century, the arched hood and glazed door flanked by two brass capped pilasters enclosing a 12" white painted enamel dial marked I. Bright with roman numerals, subsidiary seconds dial and date aperture painted with flowers to the corners and a rose spray in the arch, 8 day movement striking on a bell, with glazed side windows above an arched top trunk door, concave moulding and plain baseboard and plinth, restorations, 81" high
Lot 1
A George III mahogany satinwood, boxwood and harewood inlaid longcase clock, late 18th century, the caddy top surmounted by three brass eagle and ball finials, the frieze incised with a pen work leaf motif above boxwood and harewood foliate corners over a glazed door flanked by square boxwood strung tapering columns and enclosing a 13" brass dial with silvered chapter ring, roman numerals and subsidiary seconds dial and marked Martin, Crosby with an engraved diaper centre and foliate pierced spandrels with a painted rolling moon phase in the arch, 8 day movement striking on a bell above a cockbeaded and chequer strung trunk door centred by a boxwood and harewood conch shell motif between satinwood canted angles over an ogive and cushion moulding and conforming base board with fan bracket corners and raised on later ogee bracket feet, restorations, 84 high
Lot 1
A mahogany longcase clock, second quarter 19th century, the brokem scroll pediment above an arched glazed door flanked by turned mirrored baluster columns enclosing a 13" white painted enamel dial with roman numerals, subsidiary seconds dial and date aperture and gilt painted flowers in the corners and eagle in the arch with the Latin motto 'Tempus fugit', eight day movement striking on a bell above a crossbanded frieze and shaped top crossbanded three quarter length trunk door flanked by canted half baluster columns over a cushion moulding and crossbanded base board and on bracket feet, some damage and restoration, 90" high
Lot 1
A George III oak and mahogany crossbanded and inlaid longcase clock, late 18th century, the broken scroll swan neck pediment centred by a gilt brass eagle and ball finial and with stamped brass terminals, above an arched glazed door with tapering square side columns enclosing a 12" white painted enamel dial with roman numerals, subsidiary seconds dial and date aperture and marked W Edwards, Bishop's Castle, florally painted corners and rolling moon phase in the arch, eight day movement striking on a bell above an ogive moulding and ogee arched top, trunk door centred by a boxwood and harewood conch shell motif over a further moulding and crossbanded base board, distressed, 85" high
Lot 1
A George III mahogany longcase clock, late 18th century, the blind fret carved and arched hood with broken scroll swan neck pediment and floral terminals above an arched cushion moulded glazed door flanked by simulated bamboo pilasters enclosing a white painted 14" enamel dial with roman numerals, subsidiary seconds dial and marked F Wood, Bollington, the corners painted with rustic housing, rolling moon phase in the arch, eight day movement striking on a bell, above a Greek key moulding and blind fret carved frieze and triple ogee arch top trunk door flanked by fluted quarter pilasters on blind fret carved half columns over an ogive moulding and raised base board between reeded angles, lacking feet, the case possibly Gillows, 94" high
Lot 1
A 19th century mahogany longcase clock with moulded swan neck cornice, the arched glazed door enclosing a painted face with scenes of the four continents, the eight day movement with subsidiary second dial, painted spandrels, the trunk with cross banded door, the base similarly inlaid, raised on bun feet.
Lot 1
Late George III mahogany longcase clock with moulded swan neck cornice and arched glazed door flanked by inlaid tapered columns with brass capitals. The 8 day movement with a moon phase, the brass face with inlaid scroll decoration, subsidiary date dial and cast spandrels, the trunk with a cross banded door with paterae inlay, the base similarly inlaid with quarter paterae.
Lot 1
A Mid 18th Century Blue & Gilt Lacquered Longcase Clock, with eight day movement, the brass dial with painted circular plaque within arch and with baroque spandrels, with roman numerals and brass centre inscribed "John Westoby, Londini Fecit", the rectangular hood with integral angle pillars (lacking capitals and plinths) the trunk with long arched door decorated with chinoiserie, buildings, figures etc.. Lacking dome and plinth. Dial Width 11". Width 13". Height 79".
Lot 1
An Early 19th Century Mahogany Longcase Clock, with eight day movement, the arched painted dial with arabic numrals and calendar aperture inscribed "Wainwright, Nottingham", the arched hood with swan neck pediment and turned angle pillars, the trunk having a long shaped door with oval central panel between canted angles, the base with similar oval panel. Dial Width 12". Width 14". Height 93".
Lot 1
A highly unusual pine table base, imaginatively carved as the gnarly trunk of an oak tree sprouting leaves and acorns, having two separately carved birds attached to branches, the exposed sinuous roots resting on an asymmetric rocky base, the upper branches and trunk, flattened evenly to support a top, possibly glass (now missing), 72cm. high.
Lot 1
EDW. GARTREX, BIRMINGHAM, A GEORGIAN OAK CASED LONGCASE CLOCK, the basket top hood with square door flanked by spiral twist integral pillars, shaped top trunk door above a stepped base, the 11 ins square brass dial with ringed winding holes and a silvered chapter ring, supporting an eight day movement, approximately 86 ins high.
Lot 1
A GEORGIAN OAK AND MAHOGANY CROSSBANDED LONGCASE CLOCK, the swan neck fret top hood, above a break arch door flanked by integral pillars with gilt metal corinthian capitals, long trunk door, raised on a plinth base with shaped bracket feet, fitted with a later three train spring driven movement and brass dial, approximately 83 1/2 ins high.
Lot 1
R. SUMMERHAYES, ILMINSTER, A GEORGIAN COUNTRY MADE OAK LONGCASE CLOCK, the shaped top hood with square door, flanked by turned pillars, long trunk door, stepped base and moulded surround, the cream enamel dial with gilt shell and leaf spandrel corners, supporting an eight day movement, approximately 77 1/2 ins high.
Lot 1
A George III oak and ebony strung cottage longcase clock, circa 1780, the broken scroll cornice foliate carved over an ogive moulding and square glazed door flanked by gilt brass capped pilasters enclosing an 11" brass dial with matted centre and silvered chapter ring, roman numerals, pierced cherub mask spandrels and date aperture, and marked Thos Reynolds, Oxon eight day movement striking on a bell over an ogive moulding and presentation plaque dated June 1898 and full-length foliate carved trunk door, ogive moulding, panel base and raised on a plinth 76" high
Lot 1
An oak cottage longcase clock, 18th century, the moulded ogive cornice above a glazed square door flanked by gilt brass capped pilasters enclosing a 10" brass dial with roman numerals and mask spandrels and marked Gilkes Adderbury, 30 hour movement striking on a bell above a rectangular three quarter length trunk door over a panel moulding and ogive border, planked base board raised on a shaped apron and bracket feet 78" high
Lot 1
An oak cottage longcase clock, 18th century, the ogive cornice above a square glazed door flanked by turned pilasters and enclosing a 12.5" square brass dial with roman numerals, date aperture, subsidiary seconds dial and matted centre marked Bullock, Ellesmere, cherub mask spandrels, eight day movement striking on a bell above a rectangular trunk door revealing a paper label inscribed 'John Lloyd no 20 anno 1768' over an ogive moulding and base board raised on a plinth, distressed, the door a conversion from a rising hood, 77" high
Lot 1
An oak and mahogany crossbanded and ebony strung longcase clock, second quarter 19th century, the broken scroll swan neck pediment above a chevron strung frieze over an arched glazed door flanked by turned split balusters enclosing a 14" white painted enamel dial with roman numerals, subsidiary seconds hand and date dial marked T Cox Tipton, moon phase in the arch, and painted with ladies representing the seasons, 8 day movement striking on a bell above a boxwood inlaid frieze and triple pointed arch top, three quarter length trunk door lozenge inlaid, flanked by split balusters over a short panel and ogive moulding and further inlaid base board raised on a plinth 96" high
Lot 1
An oak cottage longcase clock mid 18th century, with restorations, the ogive cornice above a crossbanded square glazed door enclosing a 12" square brass dial with roman numerals subsidiary seconds dial and date aperture and foliate engraved centre and inscribed Ratcliffe Welshpool, 8 day movement striking on a bell between gilt capped Doric turned pilasters above a shaped top, bevelled trunk door, ogive moulding and base board and raised on shaped bracket feet, new back 76.5" high
Lot 1
William Fenton, Newcastle, George III mahogany longcase clock with moulded dentil cornice, the arched face with moon phase and cast gilt foliate and c-scroll spandrels, silvered chapter ring, subsidiary seconds dial, silvered face, eight day movement, the arched door flanked by turned columns, the trunk with moulded edge arched door flanked by canted blind fret corners, the base raised on later ogee bracket feet.
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66892 item(s)/page