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Click here to subscribeA mahogany sofa table, in George III style, 20th century, the rectangular top with rounded corner enclosing two hinged flaps, above two drawers and two opposing false drawers, on shaped trestle supports, each issuing two down swept legs with brass lion paw caps and castors, 76cm high, the top 53cm x 150cm (repair)
A Regency mahogany and ebony strung sofa table/gentleman's dressing table, circa 1815, the rectangular top hinged to reveal a fitted interior with central ratchet adjustable mirror flanked by divisions and lidded compartments, the top incorporating two hinged flaps, above two opposing false drawers, on rectangular trestle ends issuing two down swept legs, brass caps and castors, 72cm high, the top 56cm x 122cm
A matched Reproduction mahogany dining suite, comprising of a twin pedestal dining table, one leaf, eight pierced splat back dining chairs, two drawer serving table, glazed corner cabinet, nest of three tables, low leather top sofa table, hexagonal wine table and a large sideboard, 'Shaw of London', (15).
Charles James McCall ROI NEAL (1907-1989) Female Portrait Head, pencil sketch, 28x18cm Female Nude on a Sofa, Seated Figure, Fleur with Flowers, 1969, 22.5x14cm and Mitsi in an interior, Studies of Old Jane, pencil sketches, 1948, 17x12cm, Horse Rider in a Park, three Street Scenes and a Female Nude and Dog study
A mahogany bergere sofa, late 19th - early 20th century, in Regency style, the back carved with ribbon-tied swags and drapery above three axehead canework panels, the panelled downswept double caned arms with baluster supports above panelled tapering square legs, carved with rosettes, fruits and acanthus, stuffed-over seat and loose cushions in natural ground tapestry of chinoiserie design, 184cm wide, 88cm deep
Francis Bacon, a paint spattered canvas from his Studio, 24" x 20", the front with notes in Bacon's hand, "Figure upside down on sofa; seen from distance as in crouching figure” The reverse with further notes "April 12 standing figure, seated figure, lying (?) figure from Muybridge". This is a Rowney G quality canvas which has been mounted in the "correct" way so that the rough surface is at the back. Bacon is known to have always used the back side of canvases for his paintings except for his early works and it is possible that this canvas was discarded and became a note pad because in fact it was the "wrong way round for him". Bacon's use of notes on new compositions is now widely recognised as being one of his ways of recording important composition details. There are numerous examples of notes which were found at Reece Mews after his death, some of which were even written on the walls and on the pages of books. Provenance: The Robertson Collection
An early 19th Century and later mahogany Sofa Table of rectangular form, fitted at each end with a drop leaf, with rounded corners, inlaid throughout with brass stringing and the frieze with cut brass panels, and also with a frieze fitted on one side with two drawers, raised on later tapering square supports (requires restoration) 37” wide
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