We found 53794 price guide item(s) matching your search

A modern grey upholstered sofa bed, 175cm

A modern grey and white check upholstered sofa, with a shaped back, 181cm

A cream upholstered chesterfield sofa, 181cm

A beige upholstered sofa, 156cm

A modern silver painted sofa, upholstered with a union jack design, 155cm

An Art Deco brown upholstered sofa, with a curved button back, 210cm

A beige upholstered sofa, 178cm

A French style gilt framed pink floral upholstered sofa, 122cm

A reproduction burr yew sofa table, 103cm

An Edwardian salon suite, comprising a sofa, 102cm, together with three

An Edwardian mahogany and inlaid salon suite, comprising a sofa, 101cm and four chairs

An Edwardian mahogany and green floral fabric upholstered two-piece parlour suite, comprising two-seater sofa and single armchair; together with a near-matching pair of Edwardian mahogany and chequer strung salon side chairs (4)

A huge and impressive collection of approximately x120+ assorted soft toy teddy bears and teddy bear furniture to include collectors bears, artist bears, limited edition bears and a variety of novelty bears. Makers such as Russ, Cottage Collectibles, Freedom Bears, Keel Toys, Barton Creek Bears and many more. The bears having a mixture of mohair and plush examples, accessories such as jumpers, hats, scarfs, waistcoats etc. Many pieces of small furniture included such as wooden arm chairs, rocking chairs and sofa chairs. A fantastic collection of teddy bears.

An elegant serpentine fronted two-seater Sofa, the show frame having carved details to the back and arms corners, standing on cabriole legs terminating in scroll feet, very nicely re-upholstered in cream ground fabric decorated with trailing stems with pink and blue flower blooms, 51 1/4'' wide x 35 1/4'' high x 30'' deep.

A Knoll type three seat Sofa by Harrod's having drop-ends adjustable for angle being supported by tasselled ropes, upholstered in dusky pink Dralon/velvet and in very good condition.

OXBLOOD LEATHER BUTTONED THREE SEAT SOFA

Mahogany Sofa Table, with fall flaps, two single and two faux drawers on lyre supports, 87cm wide with flaps down.

A Mahogany Sofa Style Table, having fall flaps, two short and one long drawer, on vase supports and splayed legs, 71 cm high.

A Multiyork two seater sofa with floral upholstery

A late 19th Century mahogany salon sofa with mint green button upholstery, 140cm long x 70cm tall

SALVADOR DALÍ (1904-1989)Couple aux têtes pleines de nuages signed, inscribed and dated 'Gala Salvador Dalí 1937' (lower right on the left panel); signed, inscribed and dated 'Gala Salvador Dalí 1937' (lower right on the right panel)oil on two panels within the artist's frames94.5 x 74.5cm (37 3/16 x 29 5/16in) (left panel, including the artist's frame) 87.7 x 65.8cm (34 1/2 x 25 7/8in) (right panel, including the artist's frame)Painted in 1937Footnotes:Please note that online bidding is not available for lot 14. If you wish to bid on this lot, please contact the department to arrange a room paddle, telephone bid or an absentee bid by emailing impressionists@bonhams.com or on +44 (0) 20 7468 8328, or our Client Service Office by emailing bids@bonhams.com or on +44 (0) 20 7447 7447.Provenance(Possibly) Paul Éluard Collection, Paris.Giacinto Scelsi Collection, Rome.Fondazione Isabella Scelsi Collection, Rome (bequeathed by the above in 1987).ExhibitedVenice, Palazzo Grassi, Dalí, The Centenary Retrospective, 12 September 2004 – 16 January 2005, no. 155 (later travelled to Philadelphia).Rovereto, Museo di Arte Moderna e Contemporanea di Trento e Rovereto, Cent'anni 1900 - 1950. Opere dalla collezione permanente del MART, 2008 - 2009.Rovereto, Museo di Arte Moderna e Contemporanea di Trento e Rovereto, Tra avanguardia e tradizione 1912 - 1945 e oltre. Opere dalla collezione permanente del MART, 2009 - 2010.Stockholm, Moderna Museet, Dalí Dalí featuring Francesco Vezzoli, 19 September 2009 - 17 January 2010, no. 18.Milan, Palazzo Reale, Salvador Dalí, il sogno si avvicina, 22 September 2010 – 30 January 2011.Vienna, Kunsthalle, Le Surréalisme, c'est moi! Hommage an Salvador Dalí, 22 June - 23 October 2011.Rome, Complesso Monumentale del Vittoriano, Dalí, un artista un genio, 9 March - 1 July 2012, no. 25.Dublin, Irish Museum of Modern Art, What We Call Love, From Surrealism to Now, 12 September 2015 - 14 February 2016.London, Royal Academy of Arts, Dalí/Duchamp, 7 October 2017 - 3 January 2018, no. 137.Barcelona, Museu Nacional d'Art de Catalunya, Gala Salvador Dalí, A Room of One's Own at Púbol, 7 July - 14 October 2018.LiteratureL. Martinis, 'A proposito di un dittico di Dalí', in I suoni, le onde. Rivista della Fondazione Isabella Scelsi, no. 9, Rome, April - June 2002 (illustrated on the front and back covers). Fundació Gala-Salvador Dalí (eds.), Catalogue Raisonné of Paintings by Salvador Dalí, online catalogue, 2004, no. P 508 (illustrated).R. Descharnes & G. Néret, Salvador Dalí 1904 - 1989, The Paintings, Vol. I, 1904 – 1946, Cologne, 2007, no. 612 (illustrated p. 272; dated '1936').M. Draguet, W. Jeffett & D. M. Johnson, Dalí & Magritte, exh. cat., Brussels, 2019 (illustrated p. 69).'How can one forget that constant play between the interior and exterior worlds created by the large windows facing out on the ruins of the Imperial Forum; the palm in front of the French windows; the American vine on the facade, its fiery red colour in autumn ... The exterior creeping in, regularly interspersed with musical instruments, the creative disorder of the scores and books on the piano and on the tables, the drawers overflowing with recording tapes, the ancient objects, the portraits of the Yoga Masters and the Ascetics – a corner of mysterious Icons - the discreet tapestries, the worn rugs and, on the sofa in a visual axis with the palm, under two golden silhouettes, Giacinto Scelsi' -Luciano Martinis (translated from 'A proposito di un dittico di Dalí', in I suoni, le onde. Rivista della Fondazione Isabella Scelsi, no. 9, Rome, April - June 2002).For the fortunate visitor to Giacinto Scelsi's home in the historic centre of Rome, the sight of Salvador Dalí's Surrealist masterpiece Couple aux têtes pleines de nuages would have been an unforgettable one. In the midst of the composer's many scattered instruments, notes, recording tapes and antiquities, hung these exceptional panels in hand-carved shaped gilt frames: a couple, leaning contemplatively towards each other, their torsos filled with the unmistakable dreamscapes of the Spanish painter's finest work. The enigmatic and revolutionary composer Giacinto Scelsi Conte d'Ayala Valva (1905-1988) dedicated his life to writing innovative music, only achieving critical acclaim a few years prior to his death. Scelsi was born into a noble family in the South of Italy, and started playing the piano at the early age of three. After studying composition and harmony in Rome, Scelsi travelled abroad extensively and moved within Europe's avant-garde elite. Whilst living in Paris in the 1920s he encountered the Surrealists. Notable among these artists, writers and poets was Paul Éluard, the first husband of Gala Dalí and to whom, according to Scelsi, Dalí's stunning diptych Couple aux têtes pleines de nuages first belonged. He recounted to his biographer Luciano Martinis that the work had been gifted to Éluard by Dalí as a wedding present, and that he had in turn acquired the diptych from the French poet. Scelsi keenly followed the currents of Surrealism, and wrote Surrealist poetry in French – he often declared his love of Éluard's poetry to close friends and maintained links to the group, spending time with Salvador Dalí and Gala during their travels in Italy during the Spanish Civil War.Scelsi was a true innovator, and developed an idea of a 'spherical' sound which he translated through microtonal elements in his music. Much like the Surrealists before him, Scelsi was fascinated by the concept of automatic and intuitive improvisation, which he used to create works such as La nascita del Verbo (1948), Quattro pezzi su una nota sole (1959) and String Quartet No. 4 (1963), recorded séance-like on a tape recorder. He collaborated with American composers such as John Cage, Morton Feldman and Earle Brown, and became a source of inspiration for Ennio Morricone's Gruppo di Improvvisazione di Nuova Consonanza. However, Scelsi remained largely unknown for most of his career and he stopped composing in the late 1970s. The Parisian group Itinéraire declared Giacinto Scelsi the father of the avant-garde in 1982, and a series of concerts in the late 1980s debuted many of his pieces to great acclaim shortly before the composer's death. The impact caused by the late discovery of Scelsi's works was described by Belgian musicologist Harry Halbreich: 'A whole chapter of recent musical history must be rewritten: the second half of this century is now unthinkable without Scelsi [...] He has inaugurated a completely new way of making music, hitherto unknown in the West' (Halbreich quoted in P. A. Castanet, Giacinto Scelsi aujourd'hui: actes des journées européennes d'études musicales consacrées à Giacinto Scelsi (1905-1988), Paris, 2005, p. 191). In 1987, Scelsi founded the Isabella Scelsi Foundation and presided over it until his death in 1988. He named the Foundation after his sister Isabella, to whom he had remained close throughout his life. The Foundation is dedicated to the study and dissemination of his work, and the support of new music. Issuing from the height of his Surrealist period, Couple aux têtes pleines de nuages foregrounds some of the most iconographic elements of Salvador Dalí's best-known works. Painted at a time of huge personal and political change, the innovative format of the present work and the fascinating provenance place it as one of the most important works by this extraordinary artist ever to appear at auction.The Catalan artist's involvement with the Surrealist movement and his passionate relationship with his future wife Gala both began in the same year, and from then on, his romantic life and his practice would forever ... This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Edwardian mahogany framed double cane sofa with upholstered back, and sprung seat with green and cream regency stripe fabric, all standing on four cabriole legs with animal paw feet.width 150cm (59"), 71cm (28"), height 94cm (37")Qty: 1Condition report: Re-upholstered caning in good order.

Early 19th-century hall sofa, arched backs, scroll arms, swab seat, mahogany with five molded legs.width 226cm (79"), depth 67cm (26"), height 87cm (34")Condition report: The upholstery covered in faded modern fabric which is threadbare in places, mahogany frame sunbleached.

Early 19th-century rosewood veneered sofa table, rectangular top with two flaps with stylised string inlay, two true and two false frieze drawers with brass ring handles, all standing on single writhen column with four sabre legs terminating in brass lion head terminals with articulated castors.width 147cm (58"), depth 71cm (28"), height 71cm (28")Condition report: Top with sun stain, a certain amount of warping with more sections of stringing missing.

***OBJECT LOCATION BISHTON HALL*** A mid-20th Century three-piece lounge suite, comprising two armchairs and a three-seater sofa, upholstered in pale celadon velour with champagne brocade cushions. (3)

A miniature c19 sofa decorated with scroll work with import mark - 2.5" wide

Leather Button Back Chesterfield Three Seater Sofa

A Victorian sofa on turned legs and casters 170cm

Ercol pale beech wood 'Windsor' three piece lounge suite, comprising two seater sofa and a pair of open armchairs (cushions supplied for pattern only/re-upholstery).

Large Tan Brown Three Seater Buttoned Chesterfield Sofa with splayed out shaped rolling arms, terminating on turned bobbin feet. Width 100", Height 34", Depth 39".

A 20thC Bergere Suite in the Georgian Style mahogany framed with gadrooned edge and ball and claw feet. With gold draylon upholstered loose cushions. Comprising of two arm chairs and a two seater sofa. Together with a matching stool.

An unusual Irish George III convertible camelback sofa with chinoiserie silk upholsterylate 18th centuryH: 36 1/2, W: 92, D: 28 in. (approx.)PROVENANCE:From the collection of Dr. Morris V. Shelanski of Wynnewood, PA.

Mogens KochUnique three-seater sofa, from a private commission, Copenhagen, designed 1936, produced 1937-1938Brazilian rosewood, leather. 80 x 185 x 80 cm Executed by cabinetmaker N. C. Jensen Kjær, Copenhagen, Denmark. Together with a copy of the original purchase order card.Footnotes:ProvenanceMerchant Hans Chr. Holm, Mitcheelsgade 23, Copenhagen, commissioned from the designer, 1937-1938Jørgen Olsen, Copenhagen, 1958Acquired from the above by the present owner, 2017Bonhams wishes to thank Mogens Koch Design I/S for their assistance cataloguing the present lot.This lot is subject to the following lot symbols: TP YTP Lots denoted with a 'TP' will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.Y Subject to CITES regulations when exporting items outside of the EU, see clause 13.For further information on this lot please visit Bonhams.com

OLE WANSCHERSofa, designed 1960Brazilian Rosewood, fabric upholstery.78 x 210 x 75 cm Executed by master cabinetmaker A.J. Iversen, Copenhagen, Denmark.CITES license no. 0000648-01Footnotes:LiteratureGrete Jalk, ed., Dansk Møbelkunst gennem 40 aar, Volume 4: 1957-1966, Copenhagen, 1987, p. 127The present model was exhibited at the 'Copenhagen Cabinetmakers' Guild', Kunstindustrimuseet, Copenhagen, 16 September–2 October 1960, Stand 7.This lot is subject to the following lot symbols: TP YTP Lots denoted with a 'TP' will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.Y Subject to CITES regulations when exporting items outside of the EU, see clause 13.For further information on this lot please visit Bonhams.com

Ico ParisiThree-seater sofa, model no. 875, designed 1960Fabric upholstery, painted metal. 63 x 202 x 81 cm Manufactured by Cassina, Milan, Italy. Footnotes:LiteratureGiuliana Gramigna, Repertorio del Design Italiano 1950-1980, vol. 1, Turin, 2003, p. 168Roberta Lietti, Ico Parisi Catalogue Raisonné, 1936-1960, Milan, 2017, pp. 544-545This lot is subject to the following lot symbols: TPTP Lots denoted with a 'TP' will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

Flemming LassenSofa, circa 1940Sheepskin upholstery, ash.75 x 154 x 82 cm Executed by master cabinetmaker Jacob Kjær, Denmark.Footnotes:ProvenancePrivate collection, CopenhagenAcquired from the above by the present ownerLiteratureHans Christian Hansen, 'Snedkerlaugets 14. Møbeludstilling', Nyt Tidsskrift For Kunstindustri, no. 11, November 1940, p. 171 for the armchair Grete Jalk, ed., Dansk Møbelkunst gennem 40 aar, Volume 2: 1937-1946, Copenhagen, 1987, p. 116 for the armchairThis lot is subject to the following lot symbols: TPTP Lots denoted with a 'TP' will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

ITALIANSofa, 1950sFabric upholstery, brass.85.5 x 137 x 68 cm Footnotes:ProvenanceGallery 25, LondonAcquired from the above by the present ownerThis lot is subject to the following lot symbols: TPTP Lots denoted with a 'TP' will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

Edwardian mahogany sofa with two armchairs to match in the Georgian style raised on cabriole supports with shell knees and ball and claw feet, pink damask upholstery. Sofa 168cm condition report:This is not a Georgian suite possibly 1920'sUpholstery ok, some fading, small black mark on one arm of a chair. Slight fraying to piping etc. There is a chip to one of the arms of the sofa, overall various knocks, dents etc. Rubbing to back legs particular on chairsHeight to top of seat excluding loose cushion 43cm

Regency rosewood veneered sofa table of typical design, satinwood banding with sabre supports and brass paw feet. 69cm wide x 159cm long

Edwardian mahogany inlaid tub sofa the upholstered shield shaped back flanked by pierced panels, on slim cabriole supports 116 cm wide

A modern brown leather two seater sofa and a pair of matching armchairsLocation: C/LAM

A mixed lot to include Retro Coca Cola fridge fashioned as a can, without cable (did not meet PAT testing requirements when tested), a weaving loom, a three seater sofa and a Sharp the Searcher SC450E stereo and speakersLocation: G

A Kettler three piece conservatory suite consisting of two seater sofa and a pair of armchairs

A 1040's Danish three seater sofa, original striped upholstery, teak arm rests and raised on teak tapering legs. 168cm x 75cm x 75cm high

An Alan Turville circular sofa table in "Rosewood Bellamine", 50cm high x 51cm diameter

A 1950's Danish teak and rattan sofa daybed, Model 451, designed by Peter Hvidt and Orla Molgaard-Nielsen for France & Son.

A light oak square form sofa/corner table with curved top tier, raised on tapering legs 75cm x 75cm x 67cm

A 1940's Danish curved two seater sofa, original floral upholstery, raised on stained beech legs. 161cm x 88cm x 77cm

A 1940's Danish three seater sofa with curved front, original green embossed scroll upholstery. Raised on tapering oak legs. 174cm x 78cm x 80cm high

A 1940's Danish three seater sofa, original green velour upholstery, raised on dark oak stained legs 182cm x 85cm x 78cn high

Brown leather button back Chesterfield style three seater sofa. Not available for in-house P&P.

A George III mahogany sofa table, the rectangular dropflap top with rounded angles and tulipwood banding, over two frieze drawers and opposing faux-drawers with original brass handles, raised on boxwood lined end supports with swept legs with brass cap castors, 39½ x 27in. (100.5 x 68.5cm.), 27½in. (70cm.) high.. * Provenance: Stalham Antique Gallery, Nov. 1987

A 19th century mahogany sofa table, the plain top over two ebony strung drawers (dummies to the rear), on end supports conjoined by a turned stretcher, on sabre legs with block toes and brass castors, 57½ x 23¾in. (146 x 60.5cm.) open, 29in. (73.5cm.) high.

A Victorian two seater sofa, with low back and scroll arms, later upholstered in blue velvet, on later castors, 63¼in. (160.5cm.) long, 28in. (71cm.) high to back.

An early 19th century and later mahogany sofa table, the plain rectangular top over two frieze drawers with floral rosette brasses, raised on plain end supports with bar bases and ball feet, united by a turned stretcher, 39 x 21½in. (99 x 54.5cm.), 29in. (74cm.) high.

A Howard style sofa, late 20th century, in green damask upholstery, with beech wood frame and feet, 84in. (213.5cm.) long, upholstery a/f.

A three seater Howard Chairs Ltd. style three seater sofa, fourth quarter 20th century, with 'Howard Chairs Ltd.' label to the underside, no. 'S/12088 JL', raised on square tapered beech wood legs with brass castors (apparently not stamped), in very good condition, 80¾in. (205cm.) long, , 39¾in. (101cm.) high.* Good condition overall and upholstery clean. A few minor pulls to the cord edging to the cushions and there is some cat scratch damage to the edges of the back, mainly to the cord piping.

A pair of Som`Toile sofa beds, 95cm high x 135cm wide x 90cm deep with scatter cushions (6) Condition Report: Available upon request

A Brights of Nettlebed reproduction mahogany bergere three piece suite comprising three seater sofa, 87cm high x 176cm wide and two matching chairs (3) Condition Report: Available upon request

A brown buttoned leather upholstered Chesterfield sofa, length 2m