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Lot 584
An early 19th century mahogany sofa table, with drop end sections, fitted two frieze drawers the trestle ends being twin ring turned columns on out swept supports with ebony string detail, cast brass paw casters, the stretcher shaped & terminating with turned roundels at the trestle ends, with flaps down top is 100cm x 69cm, with leaves up, 155cm
Lot 78
A REGENCY MAHOGANY SOFA TABLE Early 19th century, in the manner of John McLean, the rounded rectangular twin-flap top with a central slide enclosing a removable leather-lined games-tray with a backgammon board on one side and a chess board on the other, with four mahogany-lined drawers below, on reeded x-frame end-supports with inward facing bronze paw feet, repairs to feet; 73 cm high; 136.5 cm wide, open; 64.5 cm deep.A games table of c.1800 with removable slide and reeded x-frame legs, by John McLean (fl. 1770-1814) at Saltram, Devon (NT 071334) and a writing table at Berrington Hall, Herefordshire (NT 617708).Provenance: Purchased from Duke's Spring Fine Art sale on the 28th of April 2022, Lot 134, for £2,400.
Lot 419
Pierre Jeanneret, Charlotte Perriand, and Le Corbusier for Cassina, Italy. Group of two furniture pieces from the grand modele family including one Fauteuil Grand Confort (LC3) three seat sofa and one Fauteuil Grand Confort (LC2) ottoman. The sofa of leather, foam, and down with a chrome frame. The ottoman of leather, foam, and polyester with a chrome frame. With the original manufacturer's tags.Sofa; height: 24 1/2 in x width: 91 1/2 in x depth: 26 1/2 in Ottoman; height: 15 in x width: 20 in x depth: 27 in.
Lot 16
A late 19th century regency style mahogany sofa table, rectangular top, with D-shaped drop ends, pair of drawers to frieze, matching faux drawers to opposite side, turned stretcher, reeded sabre legs, brass casters, 74cm tall x 61cm x 91cm (147cm with leaves extended), each drawer with a pressed brass retailers label ‘Hewetson, Milner, and Thexton Ltd, House Furnishers, Tottenham ct. Road, London W.’).
![Freud, Lucian (1922-2011) Autograph letter signed, 4 Delamere Terrace, [London], c,1960 addressed to 'Dear Benno', signed 'yo](https://cdn.globalauctionplatform.com/3c24d1d9-bd7d-4906-af55-aef3010948a3/9c78d32c-08e0-448c-a73b-af0200edbd12/468x382.jpg)
Lot 58
Freud, Lucian (1922-2011) Autograph letter signed, 4 Delamere Terrace, [London], c,1960 addressed to 'Dear Benno', signed 'yours sincerely, Lucian', in black ink on one side of a single sheet of paper (20.3 x 15.8cm), old creases and folds, ink smudged in places, faint circular stain, verso annotated in red crayon (with a five times table, possibly by Freud)Note: Note: Freud apologises for his recent absence from the 'office' owing to a 'temporary lack of ammunition', and arranges to discuss 'the matter of Lady Lambton's account', possibly a reference to Belinda ('Bindy'), Lady Lambton, (1921-2003), whose portrait Freud painted in 1960-1; it was given the title Head on a Green Sofa and sold with much publicity in 2014. The recipient was Ben 'Benno' Miller (1922/3-2015), a bookmaker on Bond Street, London.Provenance: By direct descent from the recipient.
Lot 822
A Regency period satinwood banded rosewood Sofa Table, the rectangular flaps with rounded corners, flanking two mock and two frieze drawers raised on four ebonised and brass mounted pillars, on a quatrefoil concave platform, raised on four splayed legs, with brass lion paw castors, 147cms (58") ext. (1)
Lot 1200
Late 19th century inlaid mahogany framed upholstered sofa, on turned and fluted tapered legs terminating on castors, 157cm wideProvenance: removed from Basts, GrundisburghStaining and tears to upholstery, webbing and springs seem to be ok and relatively firm, slightly loose at the joints but basically structurally ok, the exposed wood has minor wear
Lot 1312
Edwardian black leather upholstered sofa and matching armchair with bowed mahogany frame on gadrooned frieze and claw and ball feet and castors, sofa approximately 190cm wide. Provenance: By descent from Douglas Shepherd (1922-1989), a designer and architect working on public houses for the brewery firm Ind Coope. He was heavily influenced by and was a serious collector of Arts and Crafts and Art Nouveau, including leading designers and artists such as Charles Ashlee and Jessie M King. He assembled a large collection from the 1950s to 1970s. His book collection was subsequently sold through Sotherby’s and in 2013 his magnificent silver collection by Archibald Knox and others was sold through these rooms.Structurally sound, upholstery is in generally good order, just minor wear, slight scratches, small tear to seat of armchair front right. minor wear to frame
Lot 1320
Victorian mahogany and velvet button upholstered sofa, with ornate arched back and foliate carved showwood frame on carved cabriole legs and castors, approximately 190cm long. Provenance: By descent from Douglas Shepherd (1922-1989), a designer and architect working on public houses for the brewery firm Ind Coope. He was heavily influenced by and was a serious collector of Arts and Crafts and Art Nouveau, including leading designers and artists such as Charles Ashlee and Jessie M King. He assembled a large collection from the 1950s to 1970s. His book collection was subsequently sold through Sotherby’s and in 2013 his magnificent silver collection by Archibald Knox and others was sold through these rooms.Very original, back loose, missing most of buttons on seat upholstery ,apart from the back the sides and rest of frame are solid- part of scroll of front leg missing, needs sensitive restoration
Lot 403
1930s lounge suite in the Howard style, shaped back, scrolled arms, splayed feet, comprising three-seater settee and two arm chairs.Condition report:The loose cotton covers are worn and with worn holes throughout, especially where they stretch over the shape of the frame underneath. What appears to be the original upholstery remains underneath. There is some movement to the arms of one of the single armchairs, the frames on the sofa and other armchair appear rigid. Judging from the underside of one of the armchairs, the original casters that sat behind the legs have been removed. Rubbed wear to the wooden legs, resulting in slight loss of definition to the corners.
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