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Click here to subscribeA Parker Knoll Two Seater Sofa, upholstered in an Art Nouveau style fabric, with turned feet and brass castors, 170cm wide; together with an oak framed open armchair, with brass studded upholstery (2)Sofa in good overall condition, very minimal wear, no aromas, chair with wear and a large chip to one rear leg
Mehrteiliger Sofatisch von Lotar Klute (1946)4 z.T. übereinander schiebbare Tischelemente, farbloses Glas, Bronze, patiniert, im Guss monogrammiert und 91 datiert, halbrunde Tische jeweils 52 cm x 65 cm x 79 cm, quadratische Tische jeweils 43 cm x 69 cm x 69 cm, minimale Gebrauchsspuren, Bronze partiell mit minimalen Korrosionsspuren, Zustand sehr gutMulti-part sofa table by Lotar Klute (1946)4 table elements, some of them sliding on top of each other, colorless glass, bronze, patinated, monogrammed and dated 91 in the casting, semicircular tables each 52 cm x 65 cm x 79 cm, square tables each 43 cm x 69 cm x 69 cm, minimal signs of usage, bronze partially with minimal traces of corrosion, condition very good
EDWARDIAN THREE-PIECE SALON SUITE, stained beech, parquetry and inlaid, settee 83h x 123w x 53cms d, armchairs 80h x 57w x 47cms d, together with FOUR EDWARDIAN INLAID SIDE CHAIRS, 90h x 43w x 41cms d (7)Provenance: private collection GloucestershireComments: fading to sofa chair back rail, upholstery stained, dining chairs slightly loose
Empire-Pendule "Schlafender Amor" Bronze. vergoldet. Über profiliertem Sockel mit gedrückten Füßen architektonisch gegliedertes Gehäuse aus köcherartigen Säulen. Profilgerahmtes, besch. Emailzifferblatt bez. à Paris sowie unterhalb üppiges Draperiewerk. Skulpturale Bekrönung in Gestalt des schlafenden Amors auf einem Sofa mit erhaben reliefiertem, schnäbelndem Taubenpaar in der Lehne. Pendulenwerk mit Fadenaufhängung sowie Halbstundenschlag auf Glocke. H. 41 cm. 20,5 cm x 14 cm.Vgl. Niehüser, Abb. S. 224.A French gilt bronze Empire mantel clock. Dial damaged.Frankreich. Um 1810-1820.
Salongarnitur im Louis XVI-Stil 5-tlg.; Canapé und vier Armlehnsessel. Holz, reliefiert und vergoldet. Bombierte Profilzarge auf gegliederten Balusterbeinen. Blattreliefierte Streben für schmale Armlehnen, in gewölbte bzw. medaillonförmige Rückenlehnenrahmung mit Rosenbekrönung übergehend. Gepolstert und bezogen. Altersspuren. Sofa-H. 101 cm. 179 cm x 55 cm. Sitz-H. 42 cm.An Italian five piece set of gilt wood Louis XVI style furniture. Signs of age.Italien. 20. Jh.
Salonsofa und Sessel im Louis XV-Stil Holz, cremefarben gefasst. Bombierte Zarge auf geschweiften Beinen. Entsprechende Stützen für schmale Armlehnen, in gewölbte Rückenlehnenrahmung übergehend. Allseitig gepolstert und bezogen. Gebrauchsspuren. Sofa-H. 92 cm. 190 cm x 80 cm. Sitz-H. 38 cm.A French cream coloured Louis XVI style sofa and easy chair. Signs of use.Frankreich. 20. Jh.
"Brigadier" Sofa von Cini Boeri Grau lackiertes Holz und graues Leder. Gerader, querrechteckiger Korpus aus kubischen Seitenelementen. Gerade Sitzfläche sowie lose Polsterelemente. Herstellerzeichen. Entw. Cini Boeri, 1976. H.52 cm. 179 cm x 89 cm.A grey leather Knoll Brigadier sofa designed by Cini Boeri. Manufacturer's mark.Knoll. International. 1970er-1980er Jahre.
"Brigadier" Sofa von Cini Boeri Grau lackiertes Holz und graues Leder. Gerader, querrechteckiger Korpus aus kubischen Seitenelementen. Gerade Sitzfläche sowie lose Polsterelemente. Herstellerzeichen. Entw. Cini Boeri, 1976. H. 52 cm. 179 cm x 89 cm.A grey leather Knoll Brigadier sofa designed by Cini Boeri. Manufacturer's mark.Knoll. International. 1970er-1980er Jahre.
Le Chenetier, Ambroise-Charlemagne-Victor -- Miniatur Portrait der Marie Josephine Charlotte Vanier, Tochter des Künstlers, mit ihrem Baby Charlotte auf dem Schoß, auf einem rot gepolstertem Sofa sitzend, die dunkelhaarige Mutter in schwarzem Kleid mit weißem Kragen und Unterärmeln, das blonde Kind in Weiß mit blauen Schuhen.Unten rechts signiert und datiert "Vtor_ le Chenetier / 1861.".Aquarell und Gummiarabikum auf Elfenbein. 8,8 x 7 cm (oval). Der Deckkarton der Miniatur alt beschriftet "Mme Vanier / peinte par son / Pere". In vergoldeter Kupferfassung auf rechteckigem, mit Fruchtholz furniertem Holzpaneel.Marie Josephine Charlotte Le Chenetier (1830 Versailles - 1885 L'Isle-Adam) war eines der fünf Kinder des Miniaturisten aus dessen zweiter Ehe mit Charlotte Louise Grimot. Marie heiratete am 14. Februar 1855 in L'Isle-Adam bei Paris den Arzt Pierre François Vanier (1822 - nach 1872). Unter ihren Kindern waren zwei Töchter, die hier dargestellte Charlotte (1860 L'Isle-Adam - nach 1906) und Louise (1862 L'Isle-Adam - nach 1931). - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
A George II walnut armchair1750-1755, either made by the firm of Wright and Elwick or executed by Paul SaundersThe shaped beaded and scrolled acanthus wrapped toprail carved with a central sunflower head, with volute scrolled and acanthus clasped arms, above a shaped, foliate scroll carved and channelled seat frame centred by a shell and acanthus spray, on bellflower pendant, scrolled and foliate adorned cabriole legs terminating in scroll feet, with an old metal plaque which reads: 'ANTIQUE FURNITURE FROM NORMAN ADAMS LTD., 8-10 Hans Road, London, SW3', approximately: 71cm wide x 74cm deep x 96cm high, (27 1/2in wide x 29in deep x 37 1/2in high)Footnotes:ProvenanceThe present lot was previously with Norman Adams Ltd., most likely during the 1970s and also into the early 1980s, from which period the metal plaque applied to its seat rail appears to date.The same model of chair sold Christie's, New York, 25 October 1986, Fine English and Continental Furniture, lot 54. Much more recently, an identical pair of these chairs (possibly part of the same set originally as the offered example) sold Christie's, London, 20 May 2021, The Collector, lot 32. It seems highly probable that the partnership of Wright and Elwick, active from 1748 and based in Wakefield, West Yorkshire, was responsible for the making of the present chair. Also it is interesting to note that Richard Wright, who formed one half of this impressive duo, had earlier on worked alongside Paul Saunders (1722-1771). The latter of whom was one of the most significant cabinet makers (and notably chair makers) who flourished in England during the 1750s and 1760s. Saunders also served as Tapestry Maker to His Majesty the King, whilst being based at 'The Royal Soho Manufactory, Soho Square'. During the early part of his career he operated with George Smith Bradshaw (1717-1812), who was then much like a business partner of his. Together they took over, circa 1755, the workshop of William Bradshaw, which was based at 59 Greek Street, also in Soho, and at the same time acquired the stock and pattern books already there. As a consequence of this, there are many similarities among the contemporaneous design elements and motifs employed by Wright and Elwick, Saunders and indeed Bradshaw as well.An example of this shared visual vocabulary is the acanthus carving to the legs of the above chair which appears, albeit slightly varied upon each individual model, on seat furniture produced by all three of the aforementioned makers. These include; a set of four armchairs with tapestry upholstery which were evidently provided for Chesterfield House, London by Bradshaw but are today housed at the Metropolitan Museum of Art, New York, and which feature in G. Beard, Furniture Maker and Tapestry Weaver Metropolitan Museum Journal, Vol.37, 2002, p.168, fig. 1; two sets of dining chairs (1755-1758) made by Saunders on behalf of the 1st Earl of Leicester at Holkham Hall, Norfolk, illustrated in A. Coleridge, Some Mid-Georgian Cabinet-Makers at Holkham, Apollo, February 1964, fig.'s 1 and 2; and a group of twelve chairs most likely supplied by Wright and Elwick to Nostell Priory, Yorkshire, National Trust, NT 959745.The Nostell Priory variant of this type, which was seemingly devised and executed by Wright and Elwick, incorporates a very similar carved cartouche to that appearing on the seat frame of the offered chair. Further to this, the present lot relates to a group of dining chairs, also believed to have been provided by this same firm, albeit for Kippax Park, Yorkshire. The latter appear in M. Harris and Sons, The English Chair, London, 1946, pl. LI, p. 123. All of this lends serious weight to the view that the above is a production of the renowned Wakefield business.Additional seat furniture of this closely comparable design was previously located at Swaines Hill Manor, Hampshire. Whilst a pair of armchairs together with a sofa from this suite, which had formed part of the collection of the late Marjorie Wiggin Prescott, Belle Haven, Greenwich, Connecticut, sold Christie's, New York, 31 January 1981, lot 354. Subsequently, the same sofa sold Christie's, London, 11 May-1 June 2020, lot 108. These notable pieces feature in R. Edwards, C. Claxton-Stevens and S. Whittington, 18th Century English Furniture, The Norman Adams Collection, 1983, Woodbridge, pp.'s 38 & 39. It is possible that the present lot is indeed the exact same armchair which is illustrated therein.This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
ERNEST RACE - A mid-century DA1 1st edition sofa with aluminium legs in black boucle upholstery, ca. 1946. Overall 150x72x85cm, seat 133x36x60cm.Used condition. Upholstery is original and showing signs of age. Frame has a snapped strut under middle of the front causing some sagging to the seat.
William Robinson Thomson (1926-1988), Reclining Nude, signed W Thomson, oil on canvas, 91 cm x 56 cm, framed 94 cm x 58 cm.The Estate of Dame Barbara Mary Quant, DBE CH FCSD RDIOverall in good condition, and would benefit from cleaning. Very slight area of paint loss below the sofa (see image)
A 19th-century carved wood and gilt gesso two-seat sofa, probably English in the French taste with bowed arched back, the scroll arms with stiff leaf carved urn supports above a correspondingly bowed seat, on slender turned, fluted and tapering legs. 105 cm wide x 90 cm high. (re-gilt)A private country houseProvenance: The contents of The Birches, Kingston-upon-ThamesGeneral wear throughout, commensurate with use. Some losses to the gilt frame, and would benefit from attention from an upholsterer. Some slight movement in the joints, the upholstery will need rewebbing as it has come loose and also another dust cover below as it is rotten.
BROWN LEATHER THREE SEATER CHESTERFIELD SOFA, WITH MATCHING ARMCHAIR on castors72cm high, 185cReasonable overall condition. All buttons present. Heavy wear to seat cushions. Some scuffs to the corners on both settee and chair. Castors broken on settee. Would benefit from a clean especially around the buttons. No major tears or damage . Further images now online.
No reserve - Lot of 8 silver miniatures. Consisting of six (6) different chairs, a sofa and a spinning wheel. Netherlands / Italy, including J.S. & S. Zwanenburg from Sneek, 20th century, hallmarks: various hallmarks - light signs of wear. 97 grams, 925/1000, 835/1000 and 833/1000. Dim. L 3.8 cm, W 2.4 cm, H 8.5 cm. This lot will be auctioned without reserve price.
Fine set of Schneegas sofa and chairs Dolls House furniture, German 1880s, high back sofa with scroll arms, bun feet, pediment and finials, chairs with turned legs and turned pillars to back with pediments above, all upholstered in olive green and gold patterned velvet, (condition: excellent two chairs lack a finial), (5 items).
A painted wooden room set with a good set of Victor-Francois Bolant wooden dining room furniture, circa 1885, the green painted room set with red patterned papered walls, brown paper tiled floor and glazed window to rear wall, suite consists of upright piano, table, chest of draws and cupboard, mirrored sideboard with green satin curtain, and matching upholstered settee with three chairs, all painted in white and with lithographed detail, room set 12 ½” (32 cm) tall, 22” (56cm) wide, 12” (30cm) deep, (condition: some general wear, sofa lacks one rear leg).
Collection of German Dolls House furniture for smaller dolls house, mostly 19th century, including boxed suite of three chairs and sofa with paper printed seats, table, cupboard and clock, together with a paper lithographed wardrobe 3 ½” (9cm) tall, cupboard, round table and chair, blue silk upholstered settee and armchair, various chest of drawers, hall stand with mirror, wash stand, bed, tinplate fireplace and a selection of chairs, (condition: generally good), (lot).
Set of carved bone dolls house furniture, mid 19th century, all with fine pierced fretwork including cupboard with hinged doors and red silk lining two selves and pediment, 2 ¾” (7cm) tall, table with turned legs and intricate stretchers, harpsichord, whatnot stand with barley twist legs, settee with ornate back, seat and scroll arm supports, two chairs, sofa and crib, (condition: very good), (9 items) and a selection of loose pieces.
Full title: A French five-piece salon set comprising four gilt wood armchairs and a sofa with embroidered upholstery, Sormani, Paris, first third 20th C.Description:H 104 - L 160 - D 65 cm (the sofa) H 103 - L 70 - D 60 cm (the armchairs) The set with a 'Sormani Ameublements Paris 134 Bould Hausmann label'. In 1914, Paul-Charles Sormani (1848-1926) joined forces with Thiebault Freres to create a store at 134, Boulevard Haussmann in Paris. The House Thiebault-Sormani, will exhibit in particular furniture at the International Exhibition of Decorative Arts and Industrial Modern, in Paris, in 1925. This store, which produced high quality pieces in the Louis XV and Louis XVI style, lasted until 1934.Condition reports and high resolution pictures are available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.comPlease note that external links are available on our website www.coronariauctions.com
Y A REGENCY TULIPWOOD, CALAMANDER AND GILT BRONZE MOUNTED SOFA TABLE ATTRIBUTED TO GEORGE OAKLEY, CIRCA 1815 73cm high, 92cm wide unextended, 66.5cm deep Provenance: Private collection Knightsbridge, acquired from Critchley-Waring Fine Arts, London, 1991 for £30,000. A closely related sofa table with almost identical leaf carved mounts attributed to George Oakley was sold Christie's, A New York Private Collection, 18th October 2017, Lot 609 ($13,750) The firm recorded at 22 St. Paul's Churchyard, and thereafter, 8 Old Bond Street, London, who described themselves as the 'Manufactory and Magazine for fashionable Furniture', attracted the patronage of the Royal Family, including the Prince of Wales (later George IV) at Carlton House, London. In May 1799 members of the Royal Family visited his showrooms and 'did Mr. Oakley the honour of viewing his Furniture Warehouse in New Bond Street'. The visitors 'highly approved of the splendid variety which has justly attracted the notice of the fashionable world'. Condition Report: Marks, knocks, scratches and abrasions commensurate with age and use Some old chips and splits This item has been professionally and sympathetically restored - with some repairs throughout that have all been finished to a high standard. Some use of filler to the top that has been well disguised within the figuring of the timber (see images) Some later blocks of timber to the interior of the carcass, including slender drawer runners to ease the running of them (as often seen) and some later screws. A key is present and it operates both locks One central hinge from the underside of each side flap historically removed. One drawer previously had divisions which are now lacking.Overall this item is impressive and very high quality in appearance Please see all additional images for a visual reference to condition. Condition Report Disclaimer
Y A GEORGE III FIGURED ROSEWOOD AND SATINWOOD CROSSBANDED SOFA TABLE CIRCA 1805The top incorporating twin hinged leaves with rounded corners, above a pair of drawers and an opposing pair of false drawers 71cm high, 87.5cm wide, 61cm deep unextended The base of this sofa table is of rare form. The attractive pillared & trestle supports are identical to those of a pianoforte in the form of a sofa table made in 1801 by John Broadwood and Sons of Golden Square, pianoforte makers to George III, for Ham House. National Trust Inventory Number: 1140229. (P. Thornton, 'The Furnishing and Decoration of Ham House', Furniture History, 1980, fig. 193). An almost identical sofa table was sold from the estate of the late William Rootes, 1st Lord Rootes (d. 1964), Christies, London ,22nd April 2004, Lot 112 (£11,950).
Y A GEORGE III SATINWOOD AND AMARANTH CROSSBANDED SOFA TABLE ATTRIBUTED TO GILLOWS, CIRCA 180073.5cm high, 94cm wide (unextended), 65.5cm deep This fine sofa table in beautifully figured West Indian satinwood has elegant raised and arched stretchers that are a signature design of Gillows. A sofa table of almost identical design was sold Christies, Decorative Arts of Europe, 23rd September 2010, Lot 47 (£31,250) and another closely related satinwood sofa table at the same venue 1st July 2004, Lot 95 (£35,850). Another was sold Sothebys, Defining an Era: The Collection of the Late Francis Egerton and Peter Maitland, 28th April 2010, lot 687 £58,850. Condition Report: Overall there are some scratches, marks, knocks, cracks and abrasions consistent with age and use.There are some cracks to the top with some filler and some small replaced veneers.The frieze drawers have oak linings and some splits. The handles are later and there is one key.Little evidence of worm.Some later blocks to the drop flaps and later hinges.The arched stretcher repaired and possibly replaced.The satinwood has good figuring and colour.Please see the additional condition report photographs through the link on the condition report email as a visual reference of condition. Condition Report Disclaimer
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