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A beige upholstered three seater sofa.

A VICTORIAN MAHOGANY AND BUTTON VELVET UPHOLSTERED CHESTERFIELD SOFA LATE 19TH CENTURY 70cm high, 190cm wide, 95cm deepProvenance: Private Collection, Fawley Manor, Berkshire Condition Report: Overall would benefit from a re-upholster to bring up to date and match the buyers decor, the frame appears solid, the upholstery with marks and signs of age and use in a domestic setting, some buttons lifted and popped Legs with marks, scuffs, knocks, abrasions from age and use in a domestic setting Dreweatts makes no comments or guarantees as to condition or originality of timber beneath the upholsteryPlease see additional images for visual reference to condition  Condition Report Disclaimer

A GEORGE III MAHOGANY AND LINE INLAID SOFA TABLE CIRCA 1810 71cm high, 149cm wide (open), 60.5cm deep Provenance: Private Collection, Berkshire Condition Report: Marks, knocks, scratches, abrasions consistent with age and use, some areas of stainingOld splits and cracks, some chips and losses, some veneers replaced and with some filler, there is an oval section to the top of one of the sides of the top which is a clumsy replacement - this could be improved, there is also a darker dividing line to the centreThis table has one drawer to each long side, this appears to be the original configuration - the handles are replacements throughout - there are old plugged holes where others have satOverall solid and stablePlease see additional images for visual reference to condition  Condition Report Disclaimer

A CARVED MAHOGANY SOFA IN GEORGE II STYLE LATE 19TH CENTURY The 'camel back' and outscrolled arms above carved cabriole legs 95cm high, 171cm wide, 85cm deep  

A LATE REGENCY MAHOGANY AND UPHOLSTERED SHOW FRAME SOFA CIRCA 1820 With salmon coloured upholstery 89cm high, 193cm wide, 72cm deep   Condition Report: Marks, knocks, scratches, abrasions consistent with age and useSplits and cracks, chips and losses, upholstery later overall, this is in presentable order overall, the underside of the frame is covered by later material - this obscures the interiors of the rails and frame and Dreweatts makes no guarantees or comments as to the originality or condition of the frame beneath the upholstery or coverings.Frame is solid and stable, some old cracks and signs of repair, and some slight looseness to joints Please see additional images for visual reference to condition Condition Report Disclaimer

A SCANDINAVIAN PINE, ASH AND EBONISED SOFA TABLE 19TH CENTURY With rounded rectangular twin-flap top, the frieze fitted with a drawer to one side on ebonised pillar supports and concave quadripartite base ending in cabriole supports and pad feet 74.5cm high, 130cm wide (open), 68cm deep Provenance: From a Private Collection  

A MAHOGANY AND UPHOLSTERED SOFA IN GEORGE III STYLE FIRST QUARTER 20TH CENTURY 69cm high, 211cm wide, 86cm deep Provenance: Sotheby's 8th May 1987, lot 248 Condition Report: The timber frame with marks, knocks, scratches, abrasions consistent with age and useSome old splits and cracks, some joints opening, the upholstery is later and it is possible that the frame has been strengthened or received other later supports at this time - Dreweatts makes no comments or guarantees as to condition or orginality of timber beneath the later upholstery Upholstery presentable in appearance overallFrame appears solid and stablePlease see additional images for visual reference to condition Condition Report Disclaimer

A REGENCY MAHOGANY SOFA TABLE CIRCA 1815 The inside of one drawer with a retailer's label for Norman Adams 72.5cm high, 100cm wide, 76cm deep

A late Victorian ebonised button back sofa, the rectangular button back over padded arms with turned baluster supports on turned legs and stretchers 75 x 154 x 82cm Legs heavily knocked, arm support worn with paintloss Fabric with various stains, seat with a mouse hole to the frontArms with a little bit of sideways movement see images

A Mid-century Hungarian three-piece suite, circa 1970, the scallop back three-seat sofa and pair of chairs upholstered in brown velvet-like upholstery and raised on tapering cylindrical ash legsthe sofa 77 x 154 x 70cmthe seat upholstery is torn apart on one chairplease see further images

A green painted barley twist occasional table and a white painted double towel rail - sold with a reproduction yew wood sofa table

A 64cm ebonised wood sofa table by Edwards & Roberts with single drawer, set on turned legs - a/f

G-Plan - A mid 20th century G-Plan three seater sofa settee. The sofa upholstered in red boucle fabric, with button back design, having curved front, with exposed teak wood armrests. Measures approx. 87cm x 220cm x 95cm. 

GROUP OF YEW WOOD OCCASIONAL FURNITURE, comprising oval coffee table, two side tables, small drum table and a small sofa tablecoffee table 46cm high, 124cm wide

SCRATCHBUILT DOLLS HOUSE, 20TH CENTURY along with model furnishings, including a sofa and mattress46cm high

A 1950s/60s Scandinavian teak sofa, with padded back, open arms, etc., 196cm wide, and a matching armchair. The upholstery in this lot does not comply with the 1988 (Fire & Fire Furnishing) Regulations, unless sold to a known exporter or upholsterer it will be cut from the frame before leaving the premises.

A brown leather three seat Chesterfield sofa, and two matching arm chairs, the sofa 212cm wide. (AF) The upholstery in this lot does not comply with the 1988 (Fire & Fire Furnishing) Regulations, unless sold to a known exporter or upholsterer it will be cut from the frame before leaving the premises.

A white metal and grey finish garden set, comprising sofa, two armchairs, coffee table and cushions.

Original etching on wove paper by Charles Whitehead who represented a hippie lounging on a star covered sofa. Signature in pencil on lower right Charles Whitehead. Number on lower left: 4/15. Artist: Charles Whitehead (American 20th century)Issued: 1968Dimensions: 11"L x 15"HEdition Number: 4 of 15 Country of Origin: United StatesCondition: Age related wear.

Puppenstube mit Biedermeier-Salon und weißem Jugendstil-Schlafzimmer. Holz, außen grün gestrichen, innen nachtapeziert. 37 x 81,5 x 37,5 cm. 2-Raum-Gehäuse mit 3 Frontsäulen, 3 verglasten Fenstern, Gardinen und offenem Durchgang. Wohnstube mit dunklen Möbeln, samtbezogenem Sofa, 3 Stühlen, rundem Tisch, Standuhr, Kommode etc. Kinderzimmer mit hellen, goldverzierten Schleiflackmöbeln: Kinderbettchen, Schrank, Kommode, Standspiegel etc. Dazu 6 Püppchen. Überarbeitet, bespielt, mit Altersspuren und kleinen Defekten. Provenienz : Auflösung Puppenstubenmuseum Erfurt, Teil 3. Aufrufzeit 13. | Juni 2024 | voraussichtlich 11:00 Uhr (CET)Doll's house with Biedermeier parlor and white Art Nouveau bedroom. Wood, painted green on the outside, wallpapered on the inside. 37 x 81.5 x 37.5 cm. 2-room house with 3 front columns, 3 glazed windows, curtains and open passageway. Living room with dark furniture, velvet-covered sofa, 3 chairs, round table, grandfather clock, chest of drawers etc. Children's room with light, gold-decorated lacquered furniture: crib, wardrobe, chest of drawers, standing mirror etc. Comes with 6 small püppchen. Overworked, used, with signs of age and small defects. Provenance : Resolution Doll's House Museum Erfurt, part 3. Call time 13 June 2024 | probably 11:00 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

5-teilige Sitzgarnitur im Stil des Dresdener Barock. Wohl um 1900. Nussbaum furniert und massiv. Stiltypisch geschwungene 5-teilige Salongarnitur mit 2-Sitzer-Sofabank (ca. 114 x 128 x 90 cm, Sitzhöhe ca. 46 cm), 2 Armlehnstühlen (H je ca. 99 cm, Sitzhöhe ca. 46 cm) und 2 Lehnstühlen (H ca. 94,5 cm, Sitzhöhe ca. 46 cm), dekoriert mit üppigen Bronzebeschlägen in barocker Ornamentik; champagnerfarben gestreifter Jacquardbezug mit roséfarbenen Samtstreifen. Alters-/Gebrauchsspuren, Furnier mit kleinen Defekten, 1 Armlehne geklebt, Restaurierungsspuren. Abholung erforderlich.Aufrufzeit 13. | Juni 2024 | voraussichtlich 19:19 Uhr (CET)5-piece suite in the style of the Dresden Baroque. Probably around 1900. Walnut veneered and solid. Stylish curved 5-piece salon set with 2-seater sofa bench (approx. 114 x 128 x 90 cm, seat height approx. 46 cm), 2 armchairs (h approx. 99 cm each, seat height approx. 46 cm) and 2 armchairs (h approx. 94.5 cm, seat height approx. 46 cm), decorated with lavish bronze fittings in baroque ornamentation; champagne-colored striped jacquard cover with rose-colored velvet stripes. Signs of age/wear, veneer with small defects, 1 armrest glued, traces of restoration. Collection required.Call time 13 June 2024 | probably 19:19 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

KÁLMÁN, Péter(1877 Zsablya - 1948 Nußdorf/Inn) KonzertpauseÖl/Leinwand. Rechts oben signiert. 88 x 76 cm. Gerahmt : 107 x 94 cm (Goldstuckrahmen). Drei Frauen in ausgelassener Stimmung mit Lauten auf einem Sofa vor einem Schrank mit Gemälde. Anbei und abgebildet in Burger, Willy: Péter Kálmán. Drei Eulen-Künstlerbücher Band IV. München. Ungarischer Maler, Schüler bei Szèkely in Budapest, dann bei Azbe, Löfftz, Wagner und von Stuck in München, wo er sich niederließ, Kriegsmaler 1914/18. Literatur : Thieme/Becker. Aufrufzeit 15. | Juni 2024 | voraussichtlich 15:19 Uhr (CET) KÁLMÁN, Péter(1877 Zsablya - 1948 Nußdorf/Inn) Concert breakOil/canvas. Signed upper right. 88 x 76 cm. Framed : 107 x 94 cm (gold stucco frame). Three women in an exuberant mood with noises on a sofa in front of a cupboard with a painting. Enclosed and illustrated in Burger, Willy: Péter Kálmán. Three owl artist books volume IV. Munich. Hungarian painter, pupil of Szèkely in Budapest, then of Azbe, Löfftz, Wagner and von Stuck in Munich, where he settled, war painter 1914/18. Literature : Thieme/Becker. Aufrufzeit 15. | June 2024 | probably 15:19 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

5-teilige Sitzgarnitur mit Tisch im Stil des Dresdener Barock. Ende 19. Jahrhundert. Nussbaum furniert und massiv, Bronzebeschläge. Stiltypisch geschwungene 5-teilige Salongarnitur mit 2-Sitzer-Sofabank (ca. 107 x 149 x 67 cm, Sitzhöhe ca. 46 cm), 2 Armlehnstühlen (H je ca. 102 cm, Sitzhöhe ca. 45 cm) und 2 Lehnstühlen (H je ca. 99 cm, Sitzhöhe ca. 46 cm), dekoriert mit üppigen Bronzebeschlägen in barocker Ornamentik; gesteppter champagnerfarben Bezug mit Ziernagelung; dazu passig geschwungener Tisch (ca. 68 x 83 x 83 cm) mit bekröntem, zentral verstrebtem Fußgestell. Leichte Alters-/Gebrauchsspuren, Bezug leicht fleckig, 2 Polstergurte an einem Armlehnstuhl ausgerissen, ein Stuhlbein geklebt. Abholung erforderlich.Aufrufzeit 13. | Juni 2024 | voraussichtlich 19:33 Uhr (CET)5-piece suite with table in the style of the Dresden Baroque. Late 19th century. Walnut veneered and solid, bronze fittings. Style-typical curved 5-piece salon set with 2-seater sofa bench (approx. 107 x 149 x 67 cm, seat height approx. 46 cm), 2 armchairs (h approx. 102 cm each, seat height approx. 45 cm) and 2 armchairs (h approx. 99 cm each, seat height approx. 46 cm), decorated with lavish bronze fittings in baroque ornamentation; quilted champagne-colored cover with decorative nails; matching curved table (approx. 68 x 83 x 83 cm) with crowned, centrally braced base frame. Slight signs of age/use, cover slightly stained, 2 upholstery straps on one armchair torn out, one chair leg glued. Collection required.Call time 13 | June 2024 | probably 19:33 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Louis-Philippe-Ecksofa. Mitte 19. Jh. Nussbaum massiv und gebeizt. Ca. 123 x 205 x 95 cm. Voll gepolstertes, stiltypisch geschwungenes Ecksofa ohne Armlehnen, Rückenlehne verziert mit Rocaillenschnitzereien; heller, champagnerfarben gestreifter Bezug mit rapportierenden Blumenbuketts und Blumenkränzen; auf Rollen. Alters-/Gebrauchsspuren, Trockenrisse, Polster und Bezug ergänzt. Abholung erforderlich.Aufrufzeit 13. | Juni 2024 | voraussichtlich 19:17 Uhr (CET)Louis Philippe corner sofa. Mid-19th century Solid walnut, stained. Approx. 123 x 205 x 95 cm. Fully upholstered, curved corner sofa without armrests, typical of the style, backrest decorated with rocaille carvings; light, champagne-colored striped cover with repeating flower bouquets and floral wreaths; on castors. Signs of age/use, dry tears, upholstery and cover replaced. Collection required.Call time 13 June 2024 | probably 19:17 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Kleine Puppenstube mit Gründerzeit-Möbeln. Eigenbau. Pappe/Karton außen mit Tapete in Ziegeloptik, innen mit gemusterten Tapeten. Fußboden in Parkettoptik. 25 x 63 x 26,5 cm. Einfaches 2-Raum-Gehäuse mit 3 unverglasten Fenstern und offenem Durchgang. Eingerichtet als Wohnstube mit Sofa, Tisch, 2 Stühlen, braunem Kachelofen etc., sowie als Schlafzimmer mit Bett, Waschkommode, Nachtschränkchen und Kinderwagen (Repro). Dazu 3 Püppchen und 2 Hunde. Altersspuren, Defekte. Provenienz : Auflösung Puppenstubenmuseum Erfurt, Teil 3. Aufrufzeit 13. | Juni 2024 | voraussichtlich 11:02 Uhr (CET)Small doll's house with Wilhelminian style furniture. Own construction. Paperboard/cardboard exterior with brick-look wallpaper, patterned wallpaper interior. Parquet-look flooring. 25 x 63 x 26.5 cm. Simple 2-room cabinet with 3 unglazed windows and open passageway. Furnished as a living room with sofa, table, 2 chairs, brown tiled stove etc., and as a bedroom with bed, dresser, bedside cabinet and baby carriage (repro). Plus 3 dolls and 2 dogs. Signs of age, defects. Provenance : Resolution Doll's House Museum Erfurt, part 3. Call time 13 | June 2024 | presumably 11:02 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Weiße Puppenstube mit Erker. Holz, beigefarben und weiß nachlackiert, innen mit Blümchentapete und Fußbodenpapier in Parkettoptik. 30 x 65 x 41,5 cm. 1-Raum-Gehäuse mit 2 verglasten Fenstern, Erker mit Stufe und Balustrade. Eingerichtet als Wohnraum mit verschiedenen Möbeln, darunter 2 Schränke, Sofa, Tisch, 2 Sessel, Weihnachtsbäumchen etc. Dazu 2 Püppchen. Bespielt, mit Altersspuren und kleinen Defekten. Provenienz : Auflösung Puppenstubenmuseum Erfurt, Teil 3. Aufrufzeit 13. | Juni 2024 | voraussichtlich 10:58 Uhr (CET)White doll's house with bay window. Wood, beige and repainted white, interior with floral wallpaper and parquet-look floor paper. 30 x 65 x 41.5 cm. 1-room housing with 2 glazed windows, bay window with step and balustrade. Furnished as a living room with various pieces of furniture, including 2 cupboards, sofa, table, 2 armchairs, Christmas tree etc. In addition 2 dolls. Worn, with signs of age and small defects. Provenance : Resolution Doll's House Museum Erfurt, part 3. Call time 13 June 2024 | probably 10:58 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

A Knoll style drop end sofa with painted fluted finials 102cm h x 145cm w Location:A2MIf there is no condition report shown, please request

An early 19th century mahogany sofa table with acanthus carved brackets, on shaped sabre leg supports and brass castors, united by a turned stretcher, 62" wide x 26" deep x 30" high

JAMES ABBOTT MCNEILL WHISTLER (AMERICAN 1834- 1903) NUDE MODEL RECLINING (M.1606) Chalk and pastel on brown paper Signed with butterfly monogram (lower centre) 17.5 x 28cm (6¾ x 11 in.) Executed in 1900. Provenance: In the artist's studio at his death and bequeathed to his sister-in-law Miss R. Philip Miss Rosalind Birnie Philip (1873-1958) P & D Colnaghi & Co Ltd., London, 1943 The collection of Sir Bruce S. Ingram (1877 - 1963) O.B.E., M.C., bt. 2nd June 1943 The collection of Professor Luke Herrmann (1933-2016) Thomas Agnew & Son Ltd., London, 1974 From a Private Collection Exhibited: London, Thomas Agnew & Son Ltd., Liverpool, Walker Art Gallery, Glasgow, Glasgow Art Gallery and Museum, Whistler: The Graphic Work: Amsterdam, Liverpool, London, Venice, 1976, no. 55 New York, M. Knoedler & Co, Inc., Notes, Harmonies and Nocturnes: Small Works by James McNeill Whistler, 29 November - 27 December 1984, no. 60 London, Tate Britain, Degas, Lautrec and Britain, 6 October 2005 - 15 January 2006, touring exhibition to Washington, The Phillips Collection, 18 February - 14 May 2006, no. 86. Literature: M. MacDonald, Whistler: The Graphic Work: Amsterdam, Liverpool, London, Venice, Agnew's, London, Walker Art Gallery, Liverpool, and Glasgow Art Gallery and Museum, Glasgow, 1976, cat. No. 55 M. MacDonald, Notes, Harmonies, and Nocturnes: Small Works by James McNeill Whistler, M. Knoedler and Co., New York, 1984, cat. No. 60, illustrated M. MacDonald, Whistler Pastels and Related Works in the Hunterian Art Gallery, Hunterian Art Gallery, University of Glasgow, 1984, p. 30 M. MacDonald, James McNeill Whistler, Drawings, Pastels and Watercolours, New Haven, 1995, No. 1606 A. Gruetzner Robins and R. Thomson, Degas, Sickert and Toulouse-Lautrec. London and Paris, 1870-1910, Tate Britain, London, 2005-2006, No. 86, pp. 159,160, illustrated M. MacDonald, G. Petri, James McNeill Whistler: The paintings, a catalogue raisonné, University of Glasgow, 2020, website at ., no. M.1606. The present work is one of three pastels depicting Ethel Warwick, all drawn on 4 June 1900 at the artist's studio, 8 Fitzroy Street, according to Birnie Philip. It has not been possible to identify who Ethel Warwick was, even though she also modelled for Philip Wilson Steer (1860-1942), sitting for his paintings, Hydrangeas, 1901 (Fitzwilliam Museum, Cambridge) and Portrait of Miss Ethel Warwick, 1902 (South African National Gallery, Cape Town) This study is more fully worked up than either of Whistler's other studies of Ethel, both of which are in the Hunterian Museum and Art Gallery. In one, the model is apparently sleeping, with one arm tucked under her head (M.1604). It appears to have been rapidly executed, mainly in black, with a few coloured highlights. The third pastel shows Ethel in a more provocative pose, holding an apple in her left hand, with her arm draped over the back of the sofa (M.1605). Her figure has been worked up in coloured pastel, as has the detail of the apple, whilst the background is lightly sketched in. There is a further similar study of an unidentified model asleep, in the Terra Museum of American Art, Chicago which was also with Rosalind Birnie Philip and at Agnew's at the same time in 1974. As with so many of his pastels, he worked over another drawing with which he was dissatisfied. The present study is drawn over a study of a woman in blue against a yellow background, drawn lengthways. The present drawing has been signed with Whistler's lively butterfly monogram, based on a stylised design of his initials, which the artist developed in the late 1860s, following criticism of his overtly conspicuous signature. It became so synonymous with his work, that collectors who owned work that predated his use of the butterfly, sent their work to him to have it added retrospectively. His fascination with Japanese aesthetics must have played a role in its formation and it was carefully positioned as part of the overall composition and not merely a maker's mark. The artist's friends and biographer's Joseph and Elizabeth Pennell recalled seeing unfinished works with a highly finished butterfly included, emphasising the importance of the monogram in the overall scheme. Whistler's pupil, Mortimer Mempes recalls so regularly discussing where it should be positioned, that it used to be a little joke between us, and after some months of habit I was invariably able to put my finger on the spot where the butterfly should be placed to create the balance of the picture (M. Mempes, Reminiscences of Whistler, London, 1903, p..254). The design of his monogram evolved over the years and was altered to reflect the artist's mood, or specific events, for example at the time of his trial versus Ruskin, the butterfly had a sting in its tail. When in 1888, he was married, it had a stylised trefoil on its top to resemble his wife's initials and to symbolise luck. The present sheet formed part of several notable collections. Rosalind Birnie Philip (1873-1958) was Whistler's sister-in-law who acted as his secretary and model during his life and executrix and heir on his death. In 1938 she donated a substantial part of Whistler's collection to the University of Glasgow, with further gifts in 1955 and on her death. Apparently, towards the end of his life, Whistler had specified to his dealers that nothing should go to an English Collection, preferring instead that his work go to French, Scottish or American collectors. Glasgow was a fitting location; the city and university had long been supportive of the artist. The Corporation of Glasgow made Whistler's first public institutional purchase, buying his portrait of Thomas Carlyle and the University of Glasgow awarded Whistler an honorary degree shortly before he died. Sir Bruce Ingram (1877-1963) was a journalist, entrepreneur and newspaper editor. He formed a notable collection of art and on his death, left 40 British works on paper to his friend and former employee Professor Luke Herrmann (1933-2016). Early in his career, Herrmann worked for Ingram at the Illustrated London News and was encouraged by Ingram in his growing interest in art. Herrmann went on to serve as Assistant Keeper at the Ashmolean Museum, Oxford and Professor of History of Art at Leicester University and was the author of several works on British Art. For a condition report on this lot, please contact our Picture department directly, at pictures@dreweatts.com.

A Door Stop in the form of a plated mounted horse's hoof with presentation inscription, square column with ring surmount, 22 1/2in  Appears to be in good condition, the engraved writing is a little worn and faint in places, but you can just about make out what it says, the handle and plated mount on the hoof has possibly been a little over polished. The plate mounting is attached to the hoof well with no movement or splitting that you sometimes get with the hooves. The underside of the hoof is covered in a green baize so unable to look at this, but at the back of the hoof you can see there are splits in at least two places and there are a couple of marks and small splits to the front edge. .Appears to be in good condition, the engraved writing is a little worn and faint in places, but you can just about make out what it says, the handle and plated mount on the hoof has possibly been a little over polished. The plate mounting is attached to the hoof well with no movement or splitting that you sometimes get with the hooves. The underside of the hoof is covered in a green baize so unable to look at this, but at the back of the hoof you can see there are splits in at least two places and there are a couple of marks and small splits to the front edge.  The Sofa Measures - 4ft 2" Wide.

A Rococo style gilded Settee with acanthus leaf and scroll carved decoration and blue and cream striped floral upholstery 6ft 4in W x 3ft 8in H and four matching open Armchairs 3ft 10in H x 2ft 11in W The Chairs and Sofa have some splits and repairs/restoration in places, the paintwork has been touched up in places, possibly to blend repairs in.Chairs - 34"Wide x 3ft 8"High - Seat Height 17".Sofa - 77"Long x 3ft 9"High - Seat Height 17".

A 19th century mahogany sofa table, rounded rectangular top with fall leaves above a frieze drawer, blind to verso, turned stretcher, sabre legs, brass casters, 74.5cm high, 63cm wide, 61cm deep, 19th century with alterations and reductions

A pink Parker Knoll upholstered sofa (87cm x 120cm x 64cm) and a pair of wingback chairs (96cm x 74cm x 84cm). Reupholstered in 2003 with estimates, replaced seat tension springs and supplied a layer of Combustion Modified Foam.

An Ercol two seater sofa

A late Victorian light mahogany sofa table on a decorative four legged base with boxwood stringing and two drawers. 72cm x 97cm (170cm extended) x 69cm.

Cream leather 3 seater sofa 

Modern A large grey three seater sofa Dimensions: 32 in. (H) x 85 in. (W) x 41 in. (D)

REPRODUCTION INLAID YEW WOOD SOFA TABLE WITH DROP FLAPS & BRASS CASTERS, TOP MARKED

GUY ROGERS FOR HEAL'S, A "FRISCO BAY" TEAK FRAMED SOFA, mid 20th century, the three seater of curved outline upholstered in a pale green weave with loose cushions, raised on turned tapering legs, 72" x 24" x 27 1/2" This may not comply with the Furniture & Furnishings (Fire) Safety Regulations 1988 and for this reason, should not be used in a private dwelling. (Est. plus 24% premium inc. VAT)Condition Report: Structurally good but wear to covering

A GREAVES & THOMAS DAVENPORT SOFA BED, mid 20th century, the four seater upholstered in dark green weave, raised on turned tapering teak legs, 87" x 21" x 33" This may not comply with the Furniture & Furnishings (Fire) Safety Regulations 1988 and for this reason, should not be used in a private dwelling. (Est. plus 24% premium inc. VAT)Condition Report: Failure to some of the springs, otherwise good

A three seater sofa by Pambos Savvides, loose cushions upholstered in grey velvet. W250cm, D84cm, H90cm. c1970-80s.

A Natuzzi leather two seat sofa / loveseat, modular seats with electric recliner lounge seats. W190cm, D100cm, H78cm.

A Rattan garden suite comprising a two-seater sofa, two armchairs and a rectangular coffee table with glass top, the sofa measuring W150cm, D70cm, H75cm, the armchairs W76cm, D70cm, H75cm, the table 100x55cm, H44cm. Second half 20th century. (4)

A chesterfield sofa, upholstered in burgundy buttoned natural soft leather, curved back and arms, with similar matching ottoman on cabriole legs, The sofa W150cm, D90cm, H75cm, the ottoman 50x70cm, H32cm, British made by Chapel, c1980s.

A Rattan garden suite comprising a two-seater sofa, two armchairs and a rectangular coffee table with glass top, the sofa measuring W150cm, D70cm, H75cm, the armchairs W76cm, D70cm, H75cm, the table 100x55cm, H44cm. Second half 20th century. (4)

A chesterfield sofa by George Smith, of recent manufacture, with button upholstery in 'Soleil Classic Leather', with a studded apron and raised on turned and stained ash feet, with George Smith tag and commission label to the underside,260cm wide112cm deep77cm highCondition ReportSome light scuffs and wear to the upholstery.  spray paint residue to studs and feet.  Leather has been re-sprayed.  Joints tight and sound.  Fabric to underside is a little torn and tatty.  Springs sound.Width of seat 175cm.  Feet unscrew.

A late Victorian chesterfield sofa, c.1890, with buttoned Moroccan leather upholstery, raised on ring-turned supports and lignum vitae castors, 170cm wide 90cm deep 69cm high Provenance: The selected contents of Comforts Place, Lingfield, Surrey. Condition ReportWear and cracks to leather, which presents a pleasantly distressed aesthetic.  However, there are one or two tears and losse parts which would require some attention.General knocks, scuffs and wear to suports, joits sound and solid, castors wheel freely.  Aprings are tight.The sofa is perfectly usable in its current condiiton.

A tan leather chesterfield sofa, 20th century, with studded and buttoned decoration, raised on brass cap castors,220cm wide102cm deep86cm high

A three-seater sofa, of recent manufacture, designed by Guy Goodfellow for Colefax & Fowler, in the Howard & Sons 'Audley' style, upholstered in floral and foliate decorated fabric, raised on tapering square supports, 209cm wide103cm deep87cm highCondition ReportFraying to the fabric front legs and back legs, the cushions both filled with foam and feather.

A chesterfield sofa by George Smith, of recent manufacture, with button upholstery in 'Soleil Classic Leather', with a studded apron and raised on turned and stained ash feet, with George Smith tag and commission label to the underside,260cm wide112cm deep77cm highCondition ReportA few light scuffs to upholstery.  However is free from teats. Spray paint residue to studs and feet, leather has been re-sprayed.  Joints tight and solid.  springs sound.Width of seat 175cm.  Feet unscrew.

An ebonised wooden sofa by OKA, of recent manufacture, with coarse striped cotton fabric and tasselled detail, 138cm wide96cm deep86cm highProvenance: The selected contents of Comforts Place, Lingfield, Surrey.

A George IV rosewood sofa table, c.1825-1830, the drop-flap rectangular top with a beaded edge, above a foliate-carved frieze, raised on a turned column and a quadripartite base, terminating in paw feet and castors,150cm wide74cm deep71cm highProvenance: The Collection of the late Rosemary and Theo Cutting.

VICTORIAN MAHOGANY SOFA TYPE TABLE on single pedestal, four footed base, 71 (h) x 38 (w) x 52cms (d)Provenance: private collection Ceredigion

REPRODUCTION WALNUT SOFA TABLE & ANOTHER the sofa-table with two drawers, 72 (h) x 91/136 (w) x 51cms (d) and a small burr walnut gateleg tableProvenance: private collection Conwy

HARLEQUIN SALON FURNITURE to include two seater sofa, 86 (h) x 121 (w) x 60cms (d), two French style armchairs, two balloon back chairs and a hall chairProvenance: deceased estate Conwy

A mahogany and crossbanded sofa table, early 20thy c,  70cm h; 61 x 148cm and a George III mahogany corner washstand (2)` One foot of sofa table broken and repaired

A George IV mahogany commode,  altered, with associated top, 77cm h; 46 x 59cm and a mahogany sofa table (2) Some faults and losses

ERCOL: A DARK FINISH WINDSOR 203 TWO-SEATER SOFA 135cm wide, and high-backed 478 armchair 76cm wide (chair retains label, some wear to finish) (note; these are sold as frames only, the non-compliant cushions are available for pattern) (2)

AN ERCOL WINDSOR TWO SEATER SOFA medium finish, with fire labels to cushions (needs cleaning/re-covering)140cm wide

A 1920s CHIPPENDALE REVIVAL BERGERE SOFA AND ARMCHAIRS mahogany framed with gothic blind fret and acanthus carving, and double-caned arms, the sofa 200cm wide, the chairs 77cm wide (for restoration) (3)