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FREUD LUCIAN: (1922-2011) British painter. A good A.L.S., Lucian, one page, 8vo, Delamere Terrace, London, n.d., to the bookmaker Ben Miller (´Dear Benno´). Freud thanks Miller for their kind letter and continues to reflect on his current shortage of disposable income, ´My temporary lack of "ammunition" is responsible for my absence from the office, it saddens me to see others indulging in a favorite pursuit when obliged to take the part of "onlooker" ´ and in concluding makes a reference to the subject of one of his portraits, ´I will telephone you tomorrow to discuss the matter of Lady Lamton´s (sic) account´ and suggesting that they might be able to meet over the weekend. Annotated to the verso in red crayon with a five times table. Some minor overall creasing and a couple of light water stains only slightly affecting a couple of letters of text, otherwise about VGIn his book Breakfast with Lucian: A Portrait of the Artist (2013), the journalist Geordie Greig, a friend of the painter, observed ´Gambling was inherently linked to Lucian's painting. Whenever he made money from selling his pictures in the earlier part of his career, he gambled wildly, often losing the lot; yet when he began to make vast sums, he gave up gambling almost entirely. Risk fed his enjoyment of more risk, so when a financial safety net appeared as the price of his pictures soared, the relishing of gambling disappeared. When he had run up mountainous debts, death threats were made by unsavoury lenders. He would pay what was owed, when he could´.Belinda Bridget ´Bindy´ Blew-Jones (1921-2003) Lady Lambton, wife of the British aristocrat and politician Antony Lambton, Viscount Lambton (1922-2006). Lady ´Bindy´Lambton was the subject of Freud´s portrait Head on a Green Sofa which was executed in 1960-61.
A 19th century Swedish sofa The carved frame of Neoclassical form with upholstered back arms and seat, bands of classical ornament and fluted tapering legs.242cm wide x 72cm deep x 93cm highQty: 1In generally good, useable condition. Some wear to the frame commensurate with age and use. Some signs of old repairs to the joints, particularly where the arms join to the back. A possible reattachment of the front legs. Further signs of stabilisation. The upholstery in reasonable condition with minor marks.
A Scandinavian painted chair-backed three-seater sofa and three further chairs The sofa with pierced splats, scroll terminated arms, an inset seat, cabriole legs, and with carved decoration to the frieze; the standard chair and pair of armchairs of similar design with slight differences including carved shell ornament to the cresting rail. The sofa 159cm wide x 101cm highQty: 4Minor marks, dents and scratches overall due to age and use. Some slight movement in the joints. Marks to the upholstery. In need of some slight repair. Some signs of repainting and some splits, particularly to the cresting rails to the sofa.
An Edwardian Chesterfield sofa The sofa upholstered in GP & J Baker Upholstery striped material, standing on bun feet and easy glide castors.Approximately 192cm wide x 94cm deep x 73cm highQty: 1In generally good, useable condition. The upholstery in reasonable condition with only very minor marks.
AN EDWARDIAN MAHOGANY AND INLAID SOFA, raised on front square tapered legs, and spade feet, width 126cm x depth 62cm x height 80cm, along with a partial parlour suite, comprising a pair of armchairs, and a set of four chairs, with foliate backrest, raised on front cabriole legs (condition report: frames slightly wobbly, marks, scuffs, upholstery could use a clean, other signs of usage) (7)
A QUANTITY OF LIMITED EDITION PRINTS AND ETCHINGS ETC, to include a Norman Wade print of Old Elvet bridge in Durham, Judy Boyes 'The Eskdale Jewels' print, Gillian McDonald 'Harbour I' print, two Leon Verdier etchings with colours of Bruges, Graham Evernden etching with colours 'Scragged Oak Tree', David Merrill 'Newtown Connecticut' winter townscape, A Sawyer 'Little Owl' linocut print, Debbie Gillingham Whippet print' sofa so good' together with three horse racing prints including a Graham Isom Cheltenham Gold Cup print
Duresta - 'Beaminster' grande two-seat sofa, traditional shape with rolled arms, upholstered in 'Althorp' russet and stone floral pattern fabric, on turned feet with brass castorsDimensions: Height: 94cm Length/Width: 200cm Depth/Diameter: 101cmCondition Report: One castor is loose and does not fix in properly.
Mid-19th century walnut framed two-seat sofa, rolled arms over sprung seat, single drop-end action, raised on turned and fluted feet with brass cups and castors, upholstered by E & S Gott in traditional floral pattern fabric decorated with urnsDimensions: Height: 70cm Length/Width: 160cm Depth/Diameter: 85cm
Duresta - 'Beaminster' grande two-seat sofa, traditional shape with rolled arms, upholstered in 'Althorp' russet and stone floral pattern fabric, on turned feet with brass castorsDimensions: Height: 94cm Length/Width: 200cm Depth/Diameter: 101cmCondition Report: One castor is loose and does not fix in properly.

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58283 item(s)/page