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A 19th century mahogany Sofa Table, the rectangular twin-flap top with moulded edge and rounded angles, above opposing drawers, one fitted with a writing slope, on plain end supports, with a high stretcher and outswept legs, brass terminals and castors, 60in (152.5cm) wide x 36in (91.5cm) deep x 27½in (70cm) high.
(See English version below)David Hockney (Bradford 1937 – lebt in London und Los Angeles). Ohne Titel (Two young Men on a Sofa, für: „Illustrations for Fourteen Poems from C.P. Cavafy“). 1966Radierung und Aquatinta auf Velin. 35 × 22 cm (56,3 × 39,2 cm) ( 13 ¾ × 8 ⅝ in. (22 ⅛ × 15 ⅜ in.)). Signiert.Vgl. Scottish Arts Council 47-59. Künstlerabzug. [3297] Gerahmt. Provenienz: Privatsammlung, Berlin (1974 in der Galerie Otto Stangl, München, erworben)Wir berechnen auf den Hammerpreis 30% Aufgeld.David Hockney (Bradford 1937 – lives in London and Los Angeles). Untitled (Two young Men on a Sofa, for: ”Illustrations for Fourteen Poems from C.P. Cavafy”). 1966Etching and aquatint on wove paper. 35 × 22 cm (56,3 × 39,2 cm) ( 13 ¾ × 8 ⅝ in. (22 ⅛ × 15 ⅜ in.)). Signed.See Scottish Arts Council 47-59. Artist's proof. [3297] Framed. Provenance: Private Collection, Berlin (acquired in 1974 at Galerie Otto Stangl, Munich)We charge 30% premium on the hammerprice.
A modern floral upholstered two seater sofa, together with a pair of matching armchairs, on turned legs and casters (3)160w x 80d x 92h cmCondition report: Overall condition looks to be ok, although they have ben used, there is no damage or wear and they look clean. Each chair measures 93w x 90d x 90h cm.
A good quality modern Howard style red velvet upholstered three seat sofa198w x 87d x 94h cmCondition report: Overall is clean and does not look to be very old. Of good quality manufacture, although there are no labels to indicate where they were purchased. Although it has been used, there is no obvious damage, marks or repairs.
1937 ROLLS-ROYCE PHANTOM III BARKER SEDANCA DE VILLE. Registration Number: PL 452, Chassis Number: 3BT17, Engine Number: Q78L. 'The most carefully constructed, the most silent, the most big, the most effortless, the most durable, the most good-looking. Above all, it was the most regardless-of-cost of all Rolls'. Motorsport Magazine. When unveiled at the 1935 Motor Show at Olympia, many believed the Rolls-Royce Phantom III to be the best car ever made. Only the grandest Rolls-Royces were branded Phantoms, and they were sold at a super-premium price. The final car produced by Rolls Royce before the war and the last car that Henry Royce worked on, the Phantom III stands as a statement of both luxury and technological advancement. Key to the success of the Phantom III was the massive V12 power plant. Rolls-Royce utilised innovations gained from their experiences with aeroplane engines, notably the record breaking S6B Seaplane. Employing advanced techniques and materials, the Phantom engine could produce between 165 and 180bhp. This resulted in a top speed of 90-100mph, incredibly impressive considering the weight of luxury attached to each car. Moreover, these were the first Rolls to operate with independent front suspension. Designed to be the zenith of luxury, each of the 729 Phantom III's to be produced were individually custom built. This example is one of only 19 Sedanca de Ville versions produced by the greatly revered Barker coachbuilders. In 1903, Rolls-Royce stated that Barker were the "preferred coach builder" for their motorcars, most appropriate considering their past role outfitting coaches for the Royal family. In 1938 Barker were taken over by Hooper, making 3BT17 one of the last cars to be assembled by these prodigious coachbuilders. Among the original specifications for this rare Sedanca de Ville are a retractable roof for the driver and a fixed roof for the rear, covering a sofa seat clad in traditional West of England cloth. Also specified was the louvred body and fine Marchal headlamps from Paris, each fitment stylishly preparing the car for warm long trips to the continent. The car is exceptionally outfitted with the finest polished burr walnut door panels and dashboard, as well as a rather unique full-sized pull up picnic table in the rear. Stepping in as a passenger is like going back to a lost age of chauffeur-driven luxury. This Phantom III has a well-documented and interesting history, maintaining its original registration throughout its entire life with matching engine, chassis and body numbers as assembled in production. 3BT17 was first delivered to Mr C F Bernhard of Grosvenor House, London, whose chauffeur, A D Ross, was put through the Rolls-Royce school of instruction. In 1962, the car passed to Bill Klein, a US-based Rolls-Royce fanatic. After spending a few years in the States, 3BT17 was then sold to a Mr M Lasky of Australia. In 1996 the Phantom was owned by prestigious automotive businessman Izzie Herzog; under his supervision, with no expense spared, a back-to-the-metal restoration project was undertaken. The work was carried out by Des Higgins Motors, an authorised and highly regarded Rolls-Royce specialist. The restorations included all coach work being stripped and precisely refinished in Green and Black. The interior was also sympathetically retrimmed, to the exceptional standard we see today. This expertly conducted project showed great respect to the cars originality and granted this stunning Phantom further longevity. In 2004 the car was sold to our current London-based vendor, a true Rolls -Royce devotee, who undertook a substantial mechanical restoration. Over the last few years more than £80,000 has been spent getting this car to near concourse condition. This included a full engine rebuild in 2016; encompassing all 12 cylinder liners, cylinder heads, pistons, valves and seals. In addition, a new rear axle, radiator core, exhaust system and Bosch ignition upgrade were installed, and both the clutch and steering box were overhauled. All of the instrument panel lettering has been detailed in sharp white and there are fine gold coach lines, painted with an exceptionally steady hand. The headlamps were even re-silvered in 2020. All of this work is evidenced with invoices. With barely 1,000 miles driven since this major overhaul, the restored engine has only just been broken in and is ready for grand touring. This work was primarily carried out by the well-respected Bruce Thompson, with original parts supplied by the late specialist John Little. Bruce is available for consultation by interested parties. Rewards for the quality and stateliness of this car's appearance include the Trophy of Elegance in the South of England RREC Rally, and first prize in the Phantom III Touring section of the RREC Annual National Rally. Moreover, you are rewarded every time you drive, or are driven, in this car. The Barker Phantom III Sedanca de Ville is famous world over as the car driven by perhaps pop culture's most infamous chauffeur, Oddjob, in the classic Goldfinger James Bond. No other car could be as appropriate for such a lavish and practical remit, the smuggling of gold across the Alps. Other owners of the Phantom III included Dukes and Duchesses, Titans of Industry and Monarchs from across the globe. This was a car that cost more than a fine house at the time of its release. Only the Phantom III carries presence of the sort that both Royalty and Bond villains maintain. The car comes with the original 1930s handbook, a photo book covering its 1990's restoration in Australia, full ownership history and original build records, as well as restoration invoices and service records from 2004 onwards. This car is a true statement of British engineering and design class. It has been restored to its full glory and is now ready to offer a proud new owner many years of grand touring adventures.Buyer's Premium on lots 1 - 18 10% (plus VAT), All other lots 25% (plus VAT). For viewing information for lots 1- 12 please contact William Batt on 01305 265080 or email william.batt@dukes-auctions.com
Early 19th century ebony inlaid satinwood sofa table, the top crossbanded with rosewood, two frieze drawers with ivory escutcheons raised on stretched turned tapered supports with brass lions paw feet on castors, 94cm wide (154cm fully extended) x 46cm deep x 71cm high.Condition report: Overall tired and in need of restoration. Top with extensive wear, splits, losses and water damage from storage conditons. Further marking, stains and water damage to sabre supports.Due to ongoing Covid restrictions, bidders are able to view lots in this online-only sale on the specified viewing days, by prior appointment only. There is no viewing on the day of sale.Please therefore read the following:As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey.Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms. Request condition report
A Victorian walnut and upholstered sofa, late 19th century, in the manner of Howard & Sons, 82cm high, 183cm wide, 81cm deep Condition Report: Marks, knocks, scratches, abrasions consistent with age and use,The upholstery is later, Dreweatts cannot guarantee the originality or the condition of any timber or frame beneath this upholstery. Overall this appears solid and stable overallThe upholstery with a few light marks consistent with use in a domestic settingPlease refer to the additional images for visual reference to condition Condition Report Disclaimer
A Kingcome three seater sofa, early 21st century, 81cm high, 245cm wide, 120cm deepCondition Report: Overall the condition of the upholstery reflects the lack of significant age or use in a domestic setting - some light marksPlease refer to additonal images for visual reference to conditionCondition Report Disclaimer
A Kingcome three seater sofa, early 21st century, 81cm high, 240cm wide, 115cm deepCondition Report: Overall the condition of the upholstery reflects the lack of significant age or use in a domestic setting - some light marksMissing one front castor - this will need to be sourced and replaced by the purchaserSome light pulling and opening to some jointsPlease refer to additional images for visual reference to condition Condition Report Disclaimer
A Victorian damask style upholstered sofa, late 19th century, 91cm high, 200cm wide, 85cm deepCondition Report: Marks, knocks, scratches, abrasions, consistent with age and use,The bun feet re-polished overall, some knocks and scuffs too, these appear to be late 19th century in make.The upholstery has been carried out in the 20th century, overall it has some signs of age and use in a domestic setting. The underside is covered and Dreweatts have not inspected any rails or elements of the frame. Overall the frame appears solid and table, Dreweatts cannot guarantee the condition or the originality of the frame beneath the upholstery.The cushions appear to be feather filled.Possibly once part of a larger suite, Dreweatts have only have this sofa to offer for sale. The purchaser may be able to source armchairs of similar age and style - Dreweatts cannot guarantee this.Condition Report Disclaimer
A walnut and upholstered suite of seat furniture, by Duresta Hornblower pattern, last quarter 20th century and later variously recovered in Mulberry Fabric, comprising a drop end sofa, in knowle style, 88cm high, 175cm wide, 115cm deep overall, a pair of armchairs, 92cm high, 86cm wide, 100cm deep, another drop end sofa, in knowle style, 88cm high, 230cm wide, 110cm deep, and a rectangular centre footstool, 44cm high, 124cm wide, 84cm deepCondition Report: Marks, knocks, wear and abrasions commensurate with age and use. All items with the expected scuffs and wear to upholstery. Wooden legs bear the expected scuffs and chips. All pieces structurally solid overall. Nearly all of the additional smaller cushions with wear, losses and fraying to the corners. Some pulls and loose threads to seat and back cushions. The turned wood tiebacks to the sofas with some minor chips and scuffs. The seat cushions are compresses/sag slightly as to be expected with use. The tan sofa with with areas of additional wear and discolouration to the arms and the top of the back. The tan sofa with pulls and loose threads in areas throughout which appear to be from a cat clawing on the fabric. The tan sofa with some small tears and discoloration to the back. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
Y A Regency rosewood, banded, and crossbanded sofa table, circa 1815, with two short drawers opposed by false drawer fronts, 72cm high, 155cm wide (open), 71cm deepProvenance: From The Hon. Sir William McAlpine Collection Condition Report: Marks, knocks, scratches, abrasions consistent with age and use Overall appears solid and stableSome old chips and losses to some areas of veneer and inlay The locks and handles appear to be original, there are no key present but all elements are open at time of reportThe lower portions and especially the outswept feet with marks and discolouration, wear and discolouration to the metal caps as wellPlease refer to additional images for visual reference to condition Condition Report Disclaimer
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55118 item(s)/page