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Lot 1716
A three piece Edwardian Salon Suite comprising two elbow Chairs and a two seater sofa, the chairs having shaped top rails with inlay and stringing, pad backs, shaped arms on elegant fret-cut splat supports and tapering turned supports, applied pad seats, standing on tapering strung square legs. The Sofa similar but also having fret cut splat separating the two back pads, upholstered in mustard velvet upholstery with gold brocade detail.
Lot 504
Crescent, items from Children's Hospital and School Days sets: three hospital beds; three bedside tables; two patients; doctor; matron; two nurses; teacher's desk; children's desk and seat; dunce; two school mistresses. Condition varys, some very fatigued. Together with a sofa and two armchairs by unknown maker. (21)
Lot 1079
An Irish Regency gilt Suite in the manner of Thomas Hope, circa 1805 comprising a sofa and a pair of armchairs of Grecian style, carved with fluted cornucopia arms and on monopodia legs, each carved with lion masks and paw feet (3) Sofa 89cm high x 170cm wide Chairs 89cm high x 67cm wide Provenance: Private Collection, Norfolk Purchased circa 1976 By repute from Caledon Castle, County Tyrone Literature: Clifford Musgrave Regency Furniture 1800 to 1830; 1961; Fig 41A Percy MacQuoid and Ralph Edwards Dictionary of English Furniture from the Middles Ages to Late Georgian Period; 195; Fig 279 Ralph Edwards The Shorter Dictionary of English Furniture 1987; page 165, fig 196 The Country Life Library of Antiques, Chairs, Edward T Joy, Revised Edition 1980, page 86, figure 67 (illustration of sofa) Splendour and Elegance: European Decorative Arts and Drawings from the Horace Wood Brock Collection; Museum of Fine Art , Boston From 1800-1810, Regency gilt neoclassical style furniture became very fashionable. Thomas Sheraton (1751-1806) in his influential book The Cabinet Dictionary of 1803 introduced designs subsequently copied and adapted by clients and their designers. A close example in design to Sheraton's drawings in the Cabinet Dictionary is the couch now on display at the Victoria and Albert museum designed by Gillow & Co in 1805 for the Reverend Edward Hughes and the Marquess of Sligo. There are similarities in design to this suite. At the same time well known Regency designers such as Thomas Hope and Henry Holland published their own designs. Thomas Hope's authorative publication of 1807 Household Furniture and Interior Decoration, included examples of monopedia legs with animal heads. The monopodium, a decorative support consisting of the head and one leg of an animal, often a lion or a leopard was first seen in Roman furniture but revivied during the late 18th Century. As with Sheraton, Hope's designs were taken and adapted by cabinet makers throughout England and Ireland. During his Grand Tour from 1794-1796, the English architect and designer Charles Heathcote Tatham (who studied under the cabinet maker John Linnell) drew similar monopodia to this suite and which were later published by Henry Holland.The frames have been regilded with some wear to the arms terminals
Lot 1081
A fine Regency rosewood and cut brass inlaid sofa table, crossbanded in coromandel wood, with a split round border mouldings, relief carved and cut brass inlaid anthemion motif, fitted a blind drawer, on a twist carved column, shaped base and lion paw feet 72 x 146 x 70cm (28 x 57 x 27in) The condition is considered to be very good
Lot 1085
A George III mahogany framed sofa in the Hepplewhite manner, with moulded show wood, shallow arched back, on tapering moulded square legs and brass barrel casters 92 x 167 x 77cm (36 x 65 x 30in) Damage to the two centre front legs, old worn and faded fabric upholstery, show wood will need repolishing
Lot 1120
A late 19th century Empire style mahogany framed three piece suite, upholstered in a yellow tartan fabric, carved with sphinx head arm terminals to a brass wire inlaid frame, on tapering square legs Sofa 95cm (37.5in) high x 120cm (47in) wide Chairs 95cm (37.5in) high x 62cm (24.5in) wide The condition is considered to be good and the fabric upholstery is also considered to be clean.
Lot 440
A SCANDINAVIAN DESIGN TEAK FRAMED SOFA BED, 1960's, upholstered in ivory, tan and blush tweed, shaped open arms on splayed supports extending to feet, 78" x 20 1/2" x 31" (this item is offered for sale as a work of art. This item may not comply with the Furniture and Furnishings (Fire) Safety Regulations 1988 and for this reason it should not be used in a private dwelling)
Lot 460
A SCANDINAVIAN DESIGN TEAK FRAMED SOFA BED, 1960's, the seat and back cushion in brown and black boucle, shaped open arms on shaped supports extending down to turned tapering legs, 80" x 22 1/2" x 30 1/2" (this item is offered for sale as a work of art. This item may not comply with the Furniture and Furnishings (Fire) Safety Regulations 1988 and for this reason it should not be used in a private dwelling)
Lot 487
A LATE VICTORIAN ROSEWOOD SOFA of low rounded form, with foliate marquetry panels and stringing, and upholstered in an ivory weave, the padded back with scroll back crest, curved padded arms on pierced splats and turned end supports, bowed seat, on turned tapering front legs with brass castors, 56" x 22 1/2" x 27 1/2"
Lot 496
A REGENCY STYLE MAHOGANY AND SATINWOOD BANDED SOFA TABLE, late 19th century, the moulded edged and banded rounded oblong top over two frieze drawers with brass ring handles, raised on square section tapering end supports joined by a ring turned pole stretcher, down curved legs with brass toes and castors, 33 1/2" x 27" x 29 1/4"
Lot 1098
A SUBSTANTIAL 'CHIPPENDALE DIRECTOR' STYLE CARVED WALNUT SOFA, C1920 with doubly caned back and sides, 90cm h; 93 x 192cm ++A high quality example of a bergère settee of unusually deep proportions, high quality and in good condition with scuff marks on the crest rail and minor knocks, the canework original and discoloured with age but with no apparent defects
Lot 204
The Villa Lou Viei Guest book, used also to record guests at the wedding of the Duke of Windsor and Wallis Warfield on June 3rd, 1937, with gilt-tooled leather binding, the internal pages dating from 1927-1950, approx.120 annotated pages bearing the signatures of Katherine and Herman Rogers' house guests and with signatures of those attending the wedding of the Duke & Duchess of Windsor at the Chateau de Candé, 13 1/2 by 18cm, 5 1/2 by 7in An additional 5% VAT is payable on the hammer price, this can be refunded if proof of export outside the EU is provided within 6 months of the sale date. Katherine and Herman Rogers remained close, supportive friends to Wallis, through two failed marriages and her secret romance with the heir to the British throne. Mr & Mrs Rogers accompanied the couple on the infamous Nahlin cruise in August 1936 and also the happy interlude spent at Balmoral Castle in September 1936 before news of the relationship finally became known in the UK and all hell broke loose. This remarkable book accurately logs the courtship, the resulting abdication and eventually the marriage of the Duke & Duchess of Windsor. June 23rd 1928. Wallis first appears as a guest at the Rogerses villa in Cannes - 'Lou Viei' - and signs herself 'in the guest book Wallis Warfield Spencer' (i.e still bearing the name of her first husband Earl Spencer whom she had disastrously married in 1916). December 23rd 1929. Wallis again appears as a guest but this time with her new husband Ernest and she signs herself as 'Wallis Warfield Simpson' with an address of '12 Upper Berkeley Street'. It is not until July 21st, 1931 that she visits again and signs 'Wallis W. Simpson'. She is not accompanied by her husband. September 12th 1934. Wallis visits for first time with Edward, Prince of Wales. They visit again September 7th 1935 and sign 'Wallis W. Simpson' and 'Edward P'. December 4th 1936. The entry reads simply 'Wallis Simpson'. She has fled from Britain for refuge at the height of the abdication crisis after being hounded day and night by the press. She was accompanied by Lord Brownlow, the King's friend and 'Lord in Waiting' to give her moral support and advice. In her memoirs she records listening to the abdication speech on December 11th: 'As the moment approached, everyone at Lou Viei, including the domestic staff, gathered around the radio in the sitting room. David's (the informal given name for Edward) voice came out of the loudspeaker calmly, movingly. I was lying on the sofa with my hands over my eyes, trying to hide my tears. After he finished, the others quietly went away and left me alone. I lay there a long time before I could control myself enough to walk through the house and go upstairs to my room'. Mr and Mrs Rogers assisted with the wedding preparations at the Chateau de Candé, which had been loaned to the Windsors by American millionaire Charles Bedaux. The ceremony was to take place on June 3rd and the Rogerses decided to take their guest book along to record the historic event. A page dated March 9th, 1937 is altered to read 'Chateau de Candé, Monts (Lanol)' - the day of their arrival. Importantly, Herman had been chosen for the important role of giving Wallis' hand in matrimony at the ceremony. March 26th-30th 1937, records guests arriving at the Chateau including Lord Brownlow and Fern and Charles Bedaux, the owners of the castle. Bedaux was rumoured to be linked to the Nazi regime in Germany. Bedaux sardonically notes 'There are a few things we could criticize on the appointments of this place'. May 4th 1937. 'Wallis Warfield' and 'Edward' sign the book - presumably visiting the castle in advance, to discuss preparations for their impending wedding. Wallis' aunt, 'Bessie L. Merryman', arrives on May 22nd to assist. June 3rd, 1937. On the wedding day itself, twenty-eight people autograph the guest book including the married couple who simply sign themselves 'Edward' and 'Wallis'. Other signatures include the society florist Constance Spry (who arranged the flowers), R. Anderson Jardine (the rebel vicar who officiated at the ceremony without the consent of the Church of England, which was to cost him his job), E.D. Metcalfe (known as Fruity to his friends and who acted as best man) and his wife Lady Alexandra (Baba), the Bedaux's, Randolph S.Churchill, Walter Monkton. The wedding was a relatively low-key, muted affair. Edward was used to the pomp and ceremony of large Royal occasions, with crowds of flag-waving patriots lining the streets. Most British aristocracy and establishment now shunned the couple and disapproved of the marriage. Poignantly, not one member of the Royal Family attended despite the Duke's heartfelt pleas. Edward VIII had chosen to follow his own personal desires rather than putting duty and his country first - something that was not to be forgotten or forgiven by the British establishment. Cecil Beaton's photographs of the event show the couple looking rather strained, with forced smiles. There was a large battalion of reporters and cameramen camped outside the gates. Local villagers were filmed raising a toast to the newlyweds and seemed to be having more fun than the couple within. By June 21st, 1937 the book is returned to the Rogers' villa - Lou Viei, in Cannes. December 21st 1937. The married couple return for a Christmas visit and sign themselves 'Edward' and 'Wallis Windsor'. They both visit again 1st April 1938. In January 1939 Wallis returns with her aunt Bessie and this is the last entry made for the Windsors. CONDITION REPORT: Exterior green leather binding is generally good. Slight scuffing to upper and lower edges of spine and front panel and spine have faded compared to the back. Slight fixing on inside marbled pages. Approx 13 pages with brown spot stains at the bottom of the pages. An additional page is added in using Lou Viei stationery May 31st 1946 and June 1st.
Lot 594
An unusual Regency period satinwood edged rosewood sofa table, probably colonial India, the top hinged to reveal a part fitted interior including a pair of large rectangular zinc caddy style canisters, flanked by drop ends over pairs of blind drawers, the whole raised on twin pillar trestle ends with spindle detail to brass leaf cast toes to castors, 94 cm x 62 cm x 72 cm h By repute a tea plantation owners / blenders table, for the distribution of wages. Provenance: McCloud family thence by descent to Smart, Kilmeston Manor, Hampshire Condition Report Original/unrestored, minor evidence of worm to linings, the centre hinged top panel showing historical warping, flaps sit well with minimal shrinking, cast toes and castors intact and original
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53807 item(s)/page