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Lot 287
An Art Deco Cloud Three Piece Suite, re-upholstered in tan leather, trimmed in walnut, with cognac piping, comprising three-seater sofa and two chairs, Sofa 165cm wide, 64cm dep, 85cm highChairs 74cm wide, 64cm deep, 82cm highOverall in good condition. Some minor scuffs and scratches to the leather, including some indentations - these are mainly on one of the chair back supports and the left-hand side of the sofa arm. The framework has been previously restored, so overall in good condition.
Lot 502
Biedermeier-Sofa süddt. um 1825-30.Gestell massiv Esche u. Esche furniert, dunkel gebeizt. Rechteck. Rückenlehne m. abgerundeten Ecken, mittig nach hinten geschweifte Rückenblende, nach außen geschweifte Seiten m. plast. Füllhornrelief, in Voluten endend, gerader Sockel, Sitz u. Rückenlehne gepolstert m. Einlegerollkissen, beige-hellgrün-geblümt u. gestreiftem Satinbezug. H 102, L 200, T 73 cm. Furnierfehlstellen, Polsterung u. Bezug erneuerungsbedürftig.
Lot 509
2-teiliges Porzellanfiguren-Konvolut (Sitzendorf u. Volkstedt, 20. Jh.), bestehend aus: 1xsitzende Einzelfiguren von Sitzendorf, H. je ca. 12 cm u. 1x Figurenpaar auf Sofa sitzend von Volkstedt, ca. 10 x 12 cm, je Unterbodenstempel. Altersspuren, Beschmutzungen, Chip am Sofa. Die mittlere Figur ist nicht Teil d. Konvoluts.
Lot 167
HARUMI NAKASHIMA: TWISTING BACK, MULTIPLYINGBy Harumi Nakashima, signed by the artistJapan, 2011Outstanding and large porcelain biomorphic abstract sculpture covered in clear glaze and regularly distributed opulent cobalt blue polka dots of varying sizes, titled 'Twisting Back, Multiplying', hand-built by the famous Japanese ceramic artist Harumi Nakashima ä¸å³¶æ™´ç¾Ž (1950). Signed at the bottom in a dot '1104 æ™´' (1104 Haru). Made in 2011.HEIGHT 41 cm, WIDTH 53 cm, DEPTH 33 cm Condition: Excellent condition.Born in 1950 in Ena, Gifu Prefecture, Harumi Nakashima ä¸å³¶æ™´ç¾Ž is known for his biomorphic porcelain sculptures decorated with opulent blue dots. He excels in clay creations far removed from both tradition and functionality. Taking great care to achieve a flawless surface and form, each piece is created over the course of six months. Nakashima's early reputation was cemented as one of the leading teachers at the Tajimi Pottery Design and Technical Center, having trained and influenced many of the promising young ceramicists of Japan since 1976. Nakashima has received leading prizes and tributes. With works collected by 20 public institutions the world over, including the Museum of Arts and Design in New York and the Faenza Ceramics Museum in Italy, he is one of Japan's most celebrated porcelain artist. Influenced by the blue sometsuke (under-glaze) motifs of traditional Japanese porcelain, Nakashima's motifs also use cobalt blue over-glaze. Yet unlike traditional methods, Nakashima's blue dots are painted over the body of a work after the main firing, and then fired into the white glaze of the porcelain with a second firing using the technique of "in-glazing", thereby leading to the sinking of the dots upon the white overglaze. Perhaps more surprising is the fact that his organic, sprawling and fluid porcelain bodies are entirely hand-built. As porcelain is extremely difficult to manipulate by free-hand, Nakashima intentionally uses this method to create not only tension, but an epic "battle with clay". He is currently based in the port city of Nagoya, and some of his more recent exhibitions are: 2021 Art Market San Francisco, Duane Reed Gallery Duane Reed Gallery, St. Louis, MO 2020 Sokyo Gallery, Kyoto, Japan Gallery VOICE, Tajimi, Gifu, Japan 2019 SOFA Chicago, Duane Reed Gallery Taijimi City Pottery Design and Technical Center, Gallery Suki, Aichi, Japan The National Museum of Modern Art, Tokyo 2018 Meguro Gallery, Yokkaichi, Mie, Japan The Tsinghua University Art Museum, Beijing, China SOFA Chicago, Duane Reed Gallery Art Market San Francisco, Duane Reed Gallery 2017 Nihonbashi Mitsukoshi, Tokyo SOFA Chicago, Duane Reed GalleryAuction comparison:Compare a closely related porcelain sculpture by Haruma Nakashima, titled 'Struggling Form T-1', at Sotheby's, A Collection That We Dreamt Of: Art and Design from the New York Townhouse of Delphine and Reed Krakoff, 8 June 2022, New York, lot 88 (sold for 32,760 USD).
Lot 475
A Gothic style carved oak three seat banquette sofa with barley twist features,height 150cm, width 178cm, depth 70cm, back seat height 45cm (A/F for restoration)Condition Report: Back RH corner leg is almost detachedLH arm broken but piece is there. Stretcher bar to base has been repaired. Losses to wood carving at top.
Lot 582
A Regency period mahogany and rosewood crossbanded sofa table: the drop-flaps flanking two half-width drawers; raised on turned column-style supports locating into further turned and block verticals; downswept square tapering and strung legs terminating in cap castors. (92 cm wide (leaves down) x 61.5 cm deep x 71 cm high)
Lot 1541
A 19thC mahogany sofa table, the rectangular top with a cross banded border and rounded ends, above one frieze drawer and one false drawer to each side, with brass lion mask ring handles, on lyre shaped end supports with a central stretcher, and carved paw feet, 76cm high, 92cm wide. This lot is located at Oundle, Near Peterborough, PE8, viewing and collection by appointment only by calling our Bourne office on 01778 422686.
Lot 646
A retro vintage late 20th century bamboo wicker conservatory suite. Comprising of a two seater sofa settee with floral cushioned back rest and seat, with curved back rest and arm rest on upright supports with decorated cane support. Together with two matching arm chairs. Measures approx 88 x 131 x 85cm.
Lot 542
A modular sofa by Camerich,of recent manufacture, upholstered in cream,330cm wide269cm long93cm highCondition ReportThis sofa is in very good cosmetic condition with only light traces of wear and use. A couple of marks and pulls to the upholstery. Supports in excellent condition. Cushions are feather and down filled.
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