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Art Deco brown leather-upholstered 3-seat Club sofa and pair of matching armchairs

A stylish serpentine-fronted sofa ottoman upholstered in cream damask: serpentine-topped buttonback rest; conforming seat with the top buttonback section hinged and opening to reveal storage space within; raised on castors (173 cm wide x 65 cm deep x 93 cm highest)

An early 19th century Regency period mahogany sofa table: crossbanded top above two true half-width and two dummy drawers opposing, raised on standard style ends united by a high-turned stretcher, headed with target-style motifs and above downswept reeded legs terminating in original patinated brass castors (110 cm wide x 68.5 cm deep x 71 cm high)

Modern two seater sofa with matching single sofa chair, pale blue

Late 20th Century glass-topped coffee table along with matching sofa tables/stands (all having signs of wear) and a pair of wall-hanging corner cupboards with glazed doors

George Fejer and Eric Phampilon - Guy Rogers - A Beverley Hills sofa bed with exposed teak frame, with moss green hopsack style upholstery, height 64cm, width 174cm (when closed) and depth 77cm, S/D. NB - This sofa is offered for sale as a work of art. It may not comply with the Furniture and Furnishings (Fire) Safety Regulations 1988 and for this reason should not be used in a private dwelling.

Unknown - A 1960s teak and stained beech framed studio sofa or day bed, with integral metamorphic side table opening to reveal a fitted compartmental interior, complete with loose figured green cloth upholstered cushions, height of back 75cm, seat height 37cm, width 190cm and depth 71cm. NB - This sofa is offered for sale as a work of art. It may not comply with the Furniture and Furnishings (Fire) Safety Regulations 1988 and for this reason should not be used in a private dwelling.

Unknown - A large circular lemon yellow ottoman footstool, the yellow velvet supported on a black wooden base, Sofa and Chair Company, London labels to base, height 40cm, diameter 66cm.

Eichholtz - A large sofa in Bouclé cream fabric, raised on black metal splayed legs, height 67cm, length 237cm, depth 87cm.

Eichholtz - A large sofa in Bouclé cream fabric, raised on black metal splayed legs, height 67cm, length 237cm, depth 87cm.

Dauphin Furniture, Germany - A black leather two seat sofa with chromium plated flattened tubular frame, bears paper label, height 75cm and width 126cm.This sofa is offered for sale as a work of art. It may not comply with the Furniture and Furnishings (Fire) Safety Regulations 1988 and for this reason should not be used in a private dwelling.

A George III design mahogany sofa table, the top with two drop leaves over two short drawers, on ring and bobbin turned legs, joined by a similar stretcher, the feet terminating in brass lion paw caps. H.77 W.90 D.140cm.

A Victorian button back sofa having a carved walnut serpentine fronted frame with scroll decoration and on short cabriole legs, 64cm h x 170cm wLocation:

A George Smith two seater sofa, 20th century, in the manner of Howard and sons, with embossed floral upholstery and bullion fringe detail, 80cm high, 188cm wide, 90cm deepPlease refer to department for condition report

A two seater sofa, late 20th century, the blue upholstery with red and grey piping, 66cm high, 216cm wide, 93cm deepstains to fabric, wear to arm rests, loose threads to piping

A red velour upholstered sofa, 20th century, the two armrests mounted with brass lion head door knockers, raised on turned bun feet, 100cm high, 216cm wide, 76cm deeptear to upholstery on one arm, some stains to fabric, flecks of paint to feet, structurally quite wobbly

An Ercol evergreen sofa and a pair of matching armchairs (3)Please refer to department for condition report

After George Nelson,'Marshmallow' style sofa, late 20th century, leather, lacquered steel, 97cm high, 157cm wide Please refer to department for condition report

Todd Hase, contemporary, a three seater sofa upholstered in a grey fabric, 72cm high, 240cm wide, 93cm deepwear to edge of armrests, wear to piping, stains and scuffs to fabric

A Blanchard three seat sofa, velour upholstered, raised on oak base, 65cm high, 214cm wide, 100cm deepsome dirt marks, minor stains.

A 20th century white leather upholstered two seater sofa, 85cm high x 140cm wide x 95cm deep Condition Report:Available upon request

A 20th century white leather upholstered two seater sofa, 85cm high x 140cm wide x 95cm deep Condition Report:Available upon request

A 20th century Debenhams leather button back chesterfield style club sofa Condition Report:Available upon request

A 20th century Debenhams fabric button back upholstered Chesterfield style club sofa Condition Report:Available upon request

Brown large two-seater sofa 204cm (including arms) 96cm depth

A German Himolla cream leather three piece suite comprising sofa with two matching armchairs.

{Miniatur-Salongarnitur:} Sofa, drei Stühle, Tisch und Nähkästchen. Beinschnitzerei. Ende 19. Jh. Sofa L 5 cm

An early 20th century oak framed Chesterfield sofa, with typical deep set button back and arms, applied with peripheral stud detail enclosing the sprung seat, raised upon front legs of tapering square section and plain back swept rear legs, 68cm H x 175cm W x 89cm DCondition reportMultiple minor speckled chips to the leather, mainly to the seat and some to the top of the LHS back rest.Seat slightly compressed/soft with springs sunken on the underside.5cm split to the LHS of seat front, light scuffs and marks to the leather with some frame 'line' marks.General rubbing and scuff marks to all legs, wear commensurate with age and use 

A Duresta 'Trafalgar' three seater sofa, in mustard coloured velour fabric, raised upon front legs of tapering square section and chromed castors, 78cm H x 191cm W x 92cm D, along with a conforming armchair and a footstool of country house proportions, 36cm H x 114cm W x 71cm D (3)

A brown leather sofa with curved arms and back, on oak square tapering feet. 205cm wide

A mahogany sofa table, the top with rounded corners and a reeded edge, above two frieze drawers, on turned down supports with stretcher and sabre leg, 82cm wide.

A Victorian mahogany show frame sofa, with brown upholstery, on turned legs with castors, 210cm wide.

A large beige and cream damask Knoll sofa, by London maker George Smith, with studded borders, on bun feet, 239cm wide the frame 101cm deep, the seats 71cm deep approx. The upholstery in this lot does not comply with the 1988 (Fire & Fire Furnishing) Regulations, unless sold to a known exporter or upholsterer it will be cut from the frame before leaving the premises. Upon initial inspection soiled/tired, low to ground, marks and wear.

Classic design sofa from the beginning of the 21st century.Brown velvet upholstery and nailed decoration.In good condition.This piece can be matched with lot 35245489.Measurements: 80 x 245 x 105 cm.This three-seater sofa fits perfectly in elegant and refined environments. It combines a synthetic design, with clean and refined lines, with a rounded structure, and a body of cushions on the seat, back and armrests that provide comfort. Its design also plays with the contrast of qualities and textures, established thanks to the combination of upholstered upholstery in brown and gold nailhead trim.

Sofa of 20th century design.Brown velvet upholstery and nailed decoration.In good state of preservation.This lot can be matched with lot 35245488.Measurements: 80 x 245 x 105 cm.This three-seater sofa fits perfectly in elegant and refined environments. It combines a synthetic design, with clean and refined lines, with a rounded structure, and a body of cushions in the seat, back and armrests that provide comfort. Its design also plays with the contrast of qualities and textures, established thanks to the combination of upholstered upholstery in brown and gold nailhead trim.

ARNE VODDER (Denmark, 1926-2009).Set of two-seater sofa and two armchairs.Frame in fruit wood. Upholstery in red fabric.In need of refinishing and restoration. One of the buttons on the back of the two-seater sofa is missing. The upholstery needs cleaning.Measurements: 75 x 72 x 77 cm (armchair); 77 x 141 x 72 cm (sofa).Set of two-seater sofa and two armchairs with structure in fruit wood and upholstery in red fabric, a typical design by designer Arne Vodder that plays with the contrast between the soft volumes of the cushions and the arms and the clean lines of the structure, especially visible on the backs. It is a set of comfortable furniture that is at the same time restrained and functional, robust despite its lightness.Architect and industrial designer, Arne Vodder is today among the Scandinavian designers of the mid-century who have most influenced subsequent generations. He trained with the famous designer Finn Juhl, and began his career creating furniture pieces for Fritz Hansen, France & Son and Sibast. For the latter firm he created an extensive line of furniture that brought him worldwide recognition and success. His beautiful designs are exquisite in their detail and sober in their expression, and almost without exception are constructed from natural materials.

GIO PONTI (Milan, 1891-1979) for CASA GIARDINO.Set of armchairs and sofa, 1940s.Beige velvet and wooden tufts.Producer Casa Giardino.Shows signs of use.The lot will be available after a period of approximately 10-15 days.Measurements: 70 x 150 x 82 (sofa); 71 x 83 x 82 cm (armchairs).Architect, designer and academic, Gio Ponti is, along with Ettore Sottsass, the leader of the most sought-after Italian designers of the 20th century by collectors.In addition to the elegance of his furniture, sensitive to functionality, yet original at the same time, Ponti is renowned for his volcanic creativity, which led him to produce and design until the 1970s.His ability to give voice to new trends made him the "inventor" of the Made in Italy design concept.Ponti studied architecture at the Politecnico. After the First World War, in which he had to serve, he worked as artistic director for the respected ceramics manufacturing company Richard-Ginori. Between 1923 and 1927 he teamed up with architects Mino Fiocchi and Emilio Lancia, opening his own studio in 1928, and founded the famous design magazine Domus, through whose pages (and those of Lo Stile, a magazine he would found and edit in the 1940s) Ponti influenced international design tastes for over fifty years.Around 1933, Ponti teamed up with engineers Antonio Fornaroli and Eugenio Soncini to create the Ponti-Fornaroli-Soncini studio, which firmly embraced the modernist aesthetic and worked until 1945. In 1950, Ponti was commissioned to design what was to become one of the iconic buildings of the 20th century, the 32-storey Pirelli Tower in Milan.Throughout his career, Ponti played many different roles: architect, industrial designer, craftsman, teacher, painter, editor and journalist.

OLE WANSCHER (Denmark, 1903-1985).Writing table.Rosewood.Measurements: 74 x 167 x 84 cm.The desk table presented here, a model by Ole Wanscher, made of rosewood, has a design of refined shapes, straight lines and rounded volumes, which contrast expressively with the beautiful natural grain of the wood, with sinuous and organic lines. Standing on four square legs, it has three drawers on each side and two drawers on each side of the central axis.Considered integral to the core aesthetic and functionality of Danish design, Ole Wanscher studied KaareKlint at the Royal Danish Academy of Fine Arts and then worked at Klint's design studio before becoming a freelance furniture designer. Wanscher's classic and contemporary designs made him popular. In 1958, the Danish newspaper Politiken wrote: "Having a Wanscher chair is an adventure every day, and it will be so even several hundred years from now, for this is how long it lasts. Today, his modern classics are still revered for their detailing and his deep respect for materials. While travelling in Egypt and Europe, Wanscher studied furniture design, finding inspiration in diverse visual expressions that he incorporated into his own unique design aesthetic. He saw furniture design as a branch of architecture and emphasised slender dimensions and sturdy forms, a pursuit exemplified in many of his works, particularly the Colonial Chair and Colonial Sofa. Wanscher created his best-known designs mainly between the late 1940s and early 1960s, in the post-war era, when the philosophy of "design for all" emerged. In Denmark, some of the biggest names in design created functional and affordable furniture for the Danes and the small spaces in which they lived. Wanscher took a keen interest in industrially produced but high quality furniture, designing several successful pieces. Wanscher's design won him numerous accolades, including the Copenhagen Carpenters' Guild Annual Prize and the gold medal at the Milan Triennale in 1960, honours that underlined Wanscher's esteemed reputation both in Denmark and internationally.

ARNE JACOBSEN (Denmark, 1902 - 1971) for FRITZ HANSEN.Armchair "The Swan", original model 3320, design 1957-58.Upholstered in "Elegance" leather.Four-spoke aluminium swivel base."Brown label 2021.Serial number engraved on the frame.Slight marks of use.Measurements: 78/40 cm (height).The Swan chair was designed in 1957-58 by Arne Jacobsen to decorate the Royal Hotel in Copenhagen. It was edited by the Danish firm Fritz Hansen. It soon became a symbol of modern design. Among Arne Jacobsen's other designs for the SAS Royal are the "Egg Chair", "Swan Chair", "Swan Sofa", "Series 3300" and "Drop Chair", furniture with which Jacobsen has written the history of Danish design all over the world.The Danish architect was one of the pioneers of the time in using new methods in furniture design, the Egg Armchair being a clear example of this. The iconic sofa consists of a one-piece, concave moulded polyurethane shell with fibreglass reinforcement, which has been covered with an elegant upholstery. The shell has an adjustable tilt mechanism, which can be adjusted to the weight of the individual user. The tilt mechanism is made of steel, while the adjustment handle is made of polished stainless steel. The result, a distinguished, pointed and unique timeless design that will stand the test of time.Architect and designer, Arne Jacobsen studied for four years at the Copenhagen School of Construction, then entered the Faculty of Architecture at the Royal Academy of Fine Arts. His architectural highlights include St. Catherine's College in Oxford, the SAS Hotel in Copenhagen, the headquarters of the National Bank of Denmark in Copenhagen, and the Royal Danish Embassy in London. As a designer, he has created furniture that has become classics, including the "Ant" chair (1951) and the "Swan" and "Egg" chairs designed for the SAS Hotel. He is also known for his 1955 model 3107 chair, also known as "Chair number 7", of which more than five million were sold, starring alongside Christine Keeler in Lewis Morley's iconic portrait. His other contribution to popular culture in the media is his designer cutlery, with spoons for both hands, which were chosen for the film "2001: A Space Odyssey" for their futuristic look. The key to the success of Jacobsen's work lies in its elegant and essential design, and it can now be found in collections such as the Victoria & Albert Museum in London and the MoMA in New York, among many others.The Danish firm Fritz Hansen, founded in 1872, manufactures original, unique, functional and innovative contemporary design furniture. It manufactures its products in its facilities in the north of Copenhagen, making each piece in close cooperation with internationally renowned designers and architects. Its collection includes the Egg Chair and Swan chair, the Series 7 chair, the Ant chair and the Oxford chair by designer Arne Jacobsen, as well as tables and armchairs designed by Danish designers Piet Hein and Poul Kjaerholm.

MARCO BOGA (Italy, 1961) for BUSNELLI.Two-seater sofa "Piumotto".Leather upholstery.With Busnelli publisher's stamp.It shows signs of use and light stains.Measurements: 70 x 210 x 105 cm.The Piumotto sofa is the re-edition of a classic piece of Italian design signed by Arrigo Arrigoni in 1973 under the direction of Bstudio. It is a sofa with a completely invisible metal structure. The body, with closed sides and soft, warm cushions on the seat, backrest and sides, has rounded shapes, reduced to its essence. It is, therefore, a functional and comfortable piece of furniture that does not renounce formal elegance.Trained in Architecture at the Politecnico di Milano, Marco Boga began his own architectural research in the studio of his father, Eugenio Boga, who specialised in furniture design and interior decoration. He currently designs for major publishers such as Busnelli, Casamilano, Tisettanta, Halifax, Fratelli Longhi, Axil and Merati.The Italian firm Busnelli has been dedicated to the manufacture of designer seating furniture for half a century. Its pieces are distinguished by the modernity of their forms, freed from tradition, which have made Busnelli one of the architects of the birth and consolidation of Italian design. In 1972 the firm moved to Misinto, in Crianza, where it built a factory that was the first example of its kind, and which continues to this day to be a model of reference for its production systems and technological advances. In fact, research has always been one of Busnelli's cornerstones, through its Centro Studi & Richerche. Always at the forefront of its sector, the firm is committed to the production of high quality and design upholstered furniture, marked by its silver emblem.

A Parker Knoll style two seater sofa in traditional pattern upholstery, Length 165cm

A 19TH CENTURY GEORGE III STYLE MAHOGANY FRAMED TWO SEATER LIBRARY SOFA, with button back and upholstered in tan leather, with raised panel sides, loose cushions, on a well carved frame with three cabriole legs with shell carved knees. 116cm wideCondition Report: 95cm high61cm deep

A MID 19TH CENTURY MAHOGANY FRAMED TWO-SEATER SOFA, upholstered in brass studded striped green fabric, raised on turned legs and brass castors. 132cm wide, 67cm deep, 86cm high

A GEORGIAN STYLE MAHOGANY FRAMED CAMEL-BACK UPHOLSTERED THREE SEATER SOFA, in the Chippendale taste, the scroll armrests with carved fascias, fitted single loose cushion, covered in cream material and raised on square supports and pierced stretchers. 211cm long, 82cm high

A GEORGIAN STYLE MAHOGANY FRAMED SERPENTINE-BACK UPHOLSTERED THREE SEATER SOFA with scroll armrests, fitted single loose cushion, covered in gold damask material and raised on three short cabriole slipper feet to the front and splayed legs to rear. 214cm long, 85cm deep, 87cm high

A Max Alto corner sofa by Antonio Citterio upholstered in grey. With drop-in cushions and scatter cushions, 380cm x 250cm x 71cm

A mid-century sofa bed. With tapered, slightly curved arms and raised on curved legs, with yellow and green textured upholstery. L199cm x D75cm x H80am

A vintage Danish style sofa - day bed. With teak frame and brown back rest cushions and a seat cushion, on tapering conical legs, L189cm x D73cm x H73cm

Retro Danish beech framed small two seater sofa. With grey drop-in cushions within slatted frame, L132cm x D76cm x H74cm

A Natuzzi Italian leather two-seat sofa, chaise longue and ottoman, cream upholstery with wooden barrel feet CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection

A large L shaped 'Wadenhoe' sofa, upholstered in red velvet CONDITION REPORT: No fire safety labels although cushions are down filled. Seat cushions with inter-liners. Upholstery with stains acceptable with age.

Edwardian mahogany sofa table with two drawers, 99cm wide, 57cm deep, 74cm high

Knole sofa, typical square form with oak acorn turned finals and foliate upholstery, approximately 175cm wide

Early 20th century French sofa with floral tapestry

Late Victorian drop-end two seater sofa with leaf patterned upholstery

19th century mahogany sofa table with drop ends, two drawers, panelled column, pedestal to four supports, 73cm x 95cm x 61cm (unextended) 

Chesterfield sofa, green upholstered, on turned supports and castors 

G-Plan Afromosia teak-framed sofa bed, 195cm wide approx. when openend the bed measures 46 x 74 ins approx. Condition ReportGenerally iin good structural order, Tilting mechanism, fiddly but works, upholstery intact but needs a clean.  Apologies  that we didnt takle an image , but it is in good shapeThe back lowers and the bed is fairly firm

An ornate Italian style three-piece salon suite, comprising: a sofa with triple padded back within carved leaf, flower and 'C' scroll frame, the stuff-over seat with shaped apron, on squat carved legs, and two matching armchairs, 20th Century.

Edwardian ebonised two seat drawing room sofa, 45ins wide