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Click here to subscribeThierry Noir (French 1958-), 'I Do Think Better Since I Bought My New Sofa', 2020, acrylic on canvas, signed front, signed, titled, and dated to the canvas overlap, inscribed with the Artist's unique TN number to the canvas overlap, from the Super Classic Heads series; canvas: 30 x 24cmARRcanvas: 30 x 24cmIn very good condition No signs of paint loss or restoration No knocks or tears to the canvas No apparent issues.
Y A REGENCY BURR ELM AND EBONY SOFA TABLEIN THE MANNER OF WILLIAM TROTTER, CIRCA 1820With two frieze drawers opposing false drawer fronts74cm high, 166cm wide, 66.5cm deepProvenance:Purchased from Mallett, London, 21st February 1990 (Sold for £48,000).A photocopy of the original receipt is available with this lot.Condition Report: Table with the marks, knocks, scratches and abrasions commensurate with age and use. Some old splits, chips and small losses. Small amounts of filler used in places. Key present and operates both locks. Various inset sections of timber. These could be old repairs or original to the piece. They blend into the timber well due to the burr. The undersides of the leaves with inset strips of timber. This could be an old repair to fix bowing of the leaves. Slight movement within frame of table. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
A LOUIS XVI GILTWOOD SOFA OR CANAPECIRCA 1780Upholstered in woven grey brown silk fabric110cm high, 235cm wide, 67cm deepProvenance:An Important Collection from a Cadogan Square HouseCondition Report: Some later braces, brackets and supports to the underside. Later gilding.Condition Report Disclaimer
Y A REGENCY MAHOGANY, LINE INLAID AND CROSSBANDED SOFA TABLE CIRCA 1815 73cm high, 131cm wide (with leaves up), 71cm deep Condition Report: Table with the marks, knocks, scratches and abrasions commensurate with age and use. Some old minor splits and chips. A few minor old veneer repairs. Table in generally good condition overall. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
Y A GEORGE III PADOUK AND ROSEWOOD SOFA TABLEATTRIBUTED TO GILLOWS, CIRCA 179071cm high, 100cm wide(unextended), 86cm deepProvenance: The 5th Earl of Roseberry (1847-1929 ) Part of the collection in his London house in Berkeley Square, dispersed in 1939Sold as property of a Lady, Christies London, 14th September 2000 Lot 136 The elegant raised and arched stretcher is a particular signature feature of Gillows designs. A closely related sofa table attributed to Gillows sold Mere Hall House Sale, 23rd May 1994, lot 54. £18,400. Another very similar table sold in these rooms, 30th Nov 2022, Lot 168, £8125 incl premium.Condition Report: Table with the marks, knocks, scratches and abrasions commensurate with age and use. Some old splits and chips. Metalware appears original. One handle is slightly misshapen. A key is present and operates all locks. The expected sun fading to timber in areas. Some very neatly repaired old splits to top using filler. These are only visible upon close inspection. Some old veneer repairs - see images. Minor evidence of old worm - see images for extent. This could be easily disguised with filler. The frieze beneath one hinged leaf has a section of replacement underlying timber. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
Y A REGENCY FIGURED MAHOGANY AND SATINWOOD CROSSBANDED SOFA TABLEATTRIBUTED TO WILLIAM TROTTER, EDINBURGH, CIRCA 1815On swept supports with leaf and flower head carved decoration and beaded drawers, the outermost banding of the top in kingwood75cm high, 95cm wide (unextended), 68.5cm deep Provenance: Private Collection, ScotlandThe central supports with beaded flowerhead roundels is a characteristic of the Edinburgh furniture-maker William Trotter in the period around 1815, and is particularly close to a stand that he supplied to Paxton House, Berwickshire, in 1814 (F. Bamford, A Dictionary of Edinburgh Furniture Makers, Leeds, 1983, pl. 58).Two near identical sofa tables attributed to William Trotter sold Christies Fine English furniture, London, 18th April 1996 lot 77, £9750 and another at the same venue Important English Furniture 7th July 1994, lot 127 £16,100.Condition Report: Table with the marks, knocks, scratches and abrasions commensurate with age and use. Old splits and chips. Various old repairs - see images. The top with repaired cracks using filler, a strip of replacement timber to one side of the central section, and various veneer repairs to the crossbanding. A few isolated areas of old worm to underside of top. Various old repaired splits to base - see images. The hinged lopers beneath the leaves are later replacements. Keys present and operate both locks. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
A GEORGE I WALNUT SETTEE OR SOFA FRAMECIRCA 172093cm high, 108cm wide, 71cm deepCondition Report: Marks, knocks, scratches and abrasions commensurate with age and use.Some old loses, chips and splits.Old spliced repairs to some of the legs.Various old tack holes to the timber from previous upholstery.Scotch tape has been applied to some of the joints to provide stability.Some movement between joints.Some old repairs, glue residue visible in places.Evidence of old worm, vacant holes present to timber and railsThe feet and legs of good colour and patina.Please see additional images for a visual reference to condition.Condition Report Disclaimer
Late 19th/early 20th century tan leather button back Chesterfield style sofa, having scroll arms on turned legs, brass cups and ceramic casters. (B.P. 21% + VAT) In poor condition overall, although appearing structurally sound, heavy wear, very faded with many rips and tears. Restoration project.
*Item to be collected from Friargate, Derby* A Victorian drop-end sofa, raised on turned mahogany fore legs, original brass casters, approx 200cm long x 83cm deep x 73cm high; together with an early 20th century small three seater sofa, approx 170cm wide x 89cm deep x 80cm high (2)Condition - wear and tear commensurate with age, the drop end sofa has a tear to front exposing the fillingObject location - Snug
*Item to be collected from Friargate, Derby*A Regency three piece salon suite, comprising a two seat sofa and two armchairs, tapered square legs, original brass casters, silk upholsteryCondition - wear and tear commensurate with ageObject location - Sofa in dispatch room & two chairs in flat
HENRI LE DOUANIER ROUSSEAU (1844-1910)LETTRE AUTOGRAPHE SIGNÉE à Cher Monsieur. Paris, le 1 avril 1910, 3 pages in-12 à l'encre (légère déchirure et pliures). Rarissime et lettre capitale du Douanier Rousseau expliquant son célèbre tableau Le Rêve dans lequel figure une femme nue sur un canapé dans la jungle. ...'Je réponds à cette aimable lettre afin de vous expliquer le motif pour lequel se trouve le dit canapé en question. Cette femme endormie sur ce canapé rêve qu'elle est transportée dans cette forêt entendant des sons de l'instrument du charmeur'......'Et si j'ai conservé une naïveté, c'est parce que Monsieur Jérôme qui était professeur à l'école des Beaux-arts... m'a toujours dit de la conserver. Et l'on m'a dit aussi que je n'étais pas de notre siècle' ...La lettre est signée Henri Rousseau, artiste-peintre rue Perrel 2 Bis.Le Rêve fut peint en 1910, la femme représentée est inspirée de Yadwgha, polonaise dont il était amoureux. Lorsque Rousseau peint cette toile, Freud lance ses travaux autour du rêve. C'est sur un sofa semblable à celui du Douanier Rousseau que les séances de psychanalyse se tiendront. Le Douanier Rousseau à l'origine de la psychanalyse sans le savoir? Les surréalistes répondront par l'affirmative.L'on joint une note autographe à l'encre rédigée par le concierge de la rue Perrel après le décès du Douanier Rousseau le 2 septembre 1910, l'année de son célèbre tableau Le Rêve. 'H. Rousseau est décédé insolvable à l'Hôpital Necker il n'a même pas laissé de quoi payer les frais des obsèques.'Le Rêve figure à New-York au Museum of Modern Art. AUTOGRAPH LETTER to 'Cher Monsieur', SIGNED. Paris, 1 April 1910, 3pp., ink on paper, some tears and folds, 12mo. Extremely rare and important letter from Douanier Rousseau explaining his famous painting Le Rêve depicting a naked woman on a sofa in the jungle....'Je réponds à cette aimable lettre afin de vous expliquer le motif pour lequel se trouve le dit canapé en question. Cette femme endormie sur ce canapé rêve qu'elle est transportée dans cette forêt entendant des sons de l'instrument du charmeur'......'Et si j'ai conservé une naïveté, c'est parce que Monsieur Jérôme qui était professeur à l'école des Beaux-arts... m'a toujours dit de la conserver. Et l'on m'a dit aussi que je n'étais pas de notre siècle'...The letter is signed Henri Rousseau, artist-painter Rue Perrel 2 Bis.Le Rêve was painted in 1910, the woman depicted is inspired by Yadwgha, a Polish woman the artist was in love with. When Rousseau painted this canvas, Freud was working on the dream. It was on a sofa similar to that of the Douanier Rousseau that the psychoanalytic sessions were held. Is Douanier Rousseau at the origin of psychoanalysis without knowing it? The surrealists would answer positively. We attach an autograph note by the janitor of the rue Perrel after the death of the Douanier Rousseau on September 2, 1910, the year of his famous painting, Le Rêve'H. Rousseau est décédé insolvable à l'Hôpital Necker il n'a même pas laissé de quoi payer les frais des obsèques'.« Le Rêve » is exhibited at the MoMA, New York.Footnotes:ProvenanceCollection particulière, France.For further information on this lot please visit Bonhams.com
A mid-century Togo sofa, designed by Michel Ducaroy for Ligne Roset (France) circa 1970's, in buttoned black leather, 160 cm w x 92 cm deep x 72 cm h (the seat 58 cm deep x 40 cm h)Good overall undamaged condition, although surface area generally dry but supple, some scuffs and scratches but comensurate with careful use rather than abuse
A large contemporary antiqued buttoned brown leather Chesterfield style sofa and matching armchair, raised on bulbous moulded legs, the sofa 233 cm w x 104 cm x 76 cm h (the seat 73 cm deep) the chair 120 cm w x 96 cm x 76 cm h (the seat 68 cm deep) (2) good and undamaged, although some discolouration overall, arm ends dirty, small area of white paint to l/h sofa scroll arm
An Edwardian rosewood, marquertry inlaid and ivory foliage and strung salon suite, circa 1905, comprising a two seater sofa and four chairs, the sofa with twin cartouche shaped backs with stuffed inlaid, curved arm rails on an oval stuffed seat, raised on inlaid cabriole legs and sabre back. (5) (a/f, s/d)
Victorian double fronted Dolls house antique wallpapers and original fireplaces plus Victorian and later accessories including small and miniature dolls, some bisque, two Schuco style miniature monkeys, good selection of ceramic, metal and glass tableware, various other metal items including candlesticks, trays, clocks, jugs, baby highchair, metal fireplace and oven by T&B, wooden furniture and room settings, marble top items of furniture, upholstered sofa and matching chairs and other items.85cm high (Bottom of base to chimney top) x 85cm wide x 51cm deepno severe damages, just general deterioration commensurate with age, paper is peeling in places and some losses. Minor splits to woodwork, mostly complete and intact, no evidence of worm
Salon, 12-teilig. Nussbaum mit ebonisierten Zierleisten und geschnitzten Balusterverzierungen. Bestehend aus: 6 Stühlen (4x mit Armlehnen), verglaster Tischvitrine, Klavierbank, Sofa, verglaster, 2-türiger Vitrine (166x 118x 40 cm) sowie großem und kleinem Tisch. Alters- und Gebrauchsspuren. Anf. 20. Jh. H. ca. 50 bis 84 cm.
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