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A George III mahogany sofa table, the rectangular top with two 'D' shaped leaves, all cross-banded in rosewood with a reeded edge, above two frieze drawers and opposed by two dummy drawers all fitted with brass handles, raised on a turned column and four sabre shaped legs, with cast brass caps and castors, 94 (closed) 152 (open) x 71.5 x 70.5cms high.PROVENANCE: The Graham Smith Retirement Auction - 50 years in the Antiques Trade.
George III style mahogany sofa, wing back, moulded legs joined by stretchers, length 184cm, depth 72cm, height 94cm.Condition report:The joints of the arms and legs are sound and intact, rails are good, chip to corner of rear left leg, upholstery is discoloured and a little loose on the fringe to the front edge of the seat, no tears.
Schwimmer, Max, Maler, Graphiker und Illustrator (1895-1960). Eigh. Brief m. U. "Max Schwimmer" und annähernd blattgroßem Aquarell. 2 S. Doppelblatt. 4to. Leipzig 2.III.1940.An eine Mäzenin, die ihm finanziell geholfen hat. "... allerschönsten innigsten Dank für Ihr gutes Herz. Sie haben mir damit wirklich über eine blöde Krise hinweggeholfen ... Hoffentlich kommt mal eine Zeit, da sich mein wirtschaftlicher Druck etwas legt und ich befreiter und selbstverständlicher dem Genius meinen Tribut bezahlen kann. Man verbraucht so unnütz viele Energien, zerreibt sich in Sorgen und Mühsalen, die mit der Aufgabe so garnichts zu tun haben. Konzentriert sich im Augenblicke das Schwere und kaum zu Bewältigende auch noch so ungeheuerlich, so bleibt doch der aussichtsvolle Trost, daß die Lösung, Auflockerung und Erfüllungen vor den Toren stehen ... Ich habe ja nun auch die Freude vor mir, Sie bald wieder einmal bei mir sehen zu sollen ...". Schlägt einen Besuch "nach den unruhigen Messetagen" vor: "... Da können Sie sich mal unter meinen Bildern umsehen und nach Ihrem Geschmacke wählen oder wenn nichts konvenieren sollte, haben Sie einen Anspruch auf Künftiges. Die beiden fälligen Radierungen nehmen Sie dann am Freitag gleich von mir aus mit ...". - Die etwa zwei Drittel der ersten Seite einnehmende Kohlezeichnung mit Aquarell und Deckfarben zeigt ein sich unterhaltendes Paar, auf einem geblümten Sofa sitzend. Im Hintergrund drei Bilder an der Wand. - Dekorativer Künstlerbrief.
UBALD KLUG (Svizzera 1932-2018). DS-1025 'Terrazza' two-element sofa with wooden structure and black leather covering. Production DE SEDE. 70's. Reupholstered. 68x158x98 cm approx. UBALD KLUG (Svizzera 1932-2018). Divano DS-1025 'Terrazza' a due elementi con struttura in legno e rivestimento in pelle nera. Produzione DE SEDE. Anni '70. Rifoderato. 68x158x98 cm ca.
LEE 'SCRATCH' PERRY/ THE UPSETTERS AND RELATED - LP COLLECTION. A super selection of 19 LPs by Lee 'Scratch' Perry, The Upsetters and related. Titles include Voodooism (PSLP009), Soul Fire (NOT2LP256, green vinyl), Time Boom x De Devil Dead (SYLP 6000), Prisoner Of Love (MOVLP1942, Limited orange vinyl No: 118), Fire In Dub (ARILP 135), High Plains Drifter (PSLP73), Mystic Miracle Star (HEARTBEAT RECORDS 06), Magnetic Mirror Master Mix, Sign Your Name (10"), Meets The Upsetters In Dub Around The World, Out Of Many, Terrorists, Turn And Fire, Life Of The Plants, Disco Devil, Conscious Man, Remain In Dub, Blackboard Jungle and Sherwood & Pinch - Man Vs Sofa. Condition is generally VG+ to Ex+.
An early 20th century circa 1930s bergere walnet caned living room suite. Comprising of a two seater sofa / settee with a matching pair of armchairs. With rattan woven decoration to back rest and elbow rests. Overstuffed cushioned seats with carved detail to central panel. Raised on castors with orange / yellow fabric.
AN EDWARDIAN WALNUT THREE PIECE SUITE, with shaped foliate crests, splat backs, swept open armrests, raised on front cabriole legs, with teal foliate upholstery, comprising a sofa, length 123cm x depth 62cm x height 106cm, and a pair of armchairs (condition report: arms with a slight wobble, other general signs of wear and usage) (3)
⊕ (i) STUDY OF A NUDE FIGURE STRETCHING; (ii) A NUDE FIGURE RECLINING ON A SOFA WITH NUDE FIGURE STUDY VERSO; AND (iii) STUDY OF A NUDE FIGURE WITH LEG ON A CHAIR WITH NUDE FIGURE STUDY VERSO (i) signed Rose / Hilton lower centre(ii) and (iii) signed Rose / Hilton lower left all charcoal on paper (i) 30 x 21cm; 11 3/4 x 8 1/4in(ii) 21 x 30cm; 8 1/4 x 11 3/4in (iii) 30.5 x 23cm; 12 x 9in all unframed(3)offered for sale without reserve (i) a handful of damp marks /foxing in the top left corner (see catalogue photograph). Otherwise in good original condition.(ii) a handful of damp marks/foxing in the lower left of the image (see catalogue photograph). Otherwise in good original condition.(iii) a handful of stains, three minor ones along the extreme top edge and one in the bottom left (see catalogue photograph). Otherwise in good original condition.
Artist: Cecil Beaton (English, 1904 - 1980). Title: "Marilyn Monroe 1956 #2". Medium: Original vintage photogravure. Date: Composed 1956. Printed 1968. Dimensions: Image size: 7 7/8 x 7 3/8 in. (200 x 187 mm).Pricing: Starting Price: $300 Reserve Price: N.A. Auction Sale Price Estimate: $400/500Lot Note(s): Stamped with the photographer's name, verso. Edition size unspecified, presumed small. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Comment(s): One from the famous series of photographs taken by Beaton of Monroe at the height of both of their storied careers. Although associated with ‘Vogue’ through most of his career, Beaton’s 'Monroe' portfolio appeared in ‘Harper’s Bazaar’, for which he worked in the mid-1950s. It was while in New York for the rehearsals and premiere of ‘My Fair Lady’ that Beaton photographed Monroe. With a possibility that he would be the designer of Monroe’s dresses for ‘The Prince and The Showgirl’, Beaton arranged a photography sitting in his suite in the Ambassador Hotel in New York City on 22 February 1956. Ed Pfizenmaier, Beaton’s assistant, noted that Monroe did her own make-up and ‘came just by herself, with these two little dresses… it was as simple as that.’ Beaton later recalled ‘She romps, she squeals with delight, she leaps on the sofa. She puts a flower stem in her mouth, puffing on a daisy as though it were a cigarette. It is an artless, impromptu, high-spirited, infectiously gay performance. It will probably end in tears.’ The session produced one of Monroe’s favorite portraits, which hung in her New York apartment that she shared with her third husband, Arthur Miller. Image copyright © The Estate of Cecil Beaton. [28973-2-300-NA]
Jorge Zalszupin (Brazilian, 1922-2020): A Cubo Sofa, 1970s, with curved seat, upholstered in stitched tan leather, on square plinth base, part labelled, 200cm wide, 86cm deep, 60cm highIn the 1950s Zalszupin founded L'Atelier, a furniture design manufacturer in Sao Paulo, Brazil.Leather with marks and scuffs, footprint, the base of the sofa is mouldy, probably from being stored, damage to the back leather base, indentation to the leather on the arm, cracking to the leather
Late George III Mahogany and Rosewood 'Grecian' Sofa, Early 19th Century, The serpentine back centred by an oval panel carved with an urn, above a long padded seat and scrolling arms, with a palmette carved frame raised on spiral carved legs with brass castors, covered in pink striped upholstery with bolster cushions. [ 270cm x 100cm x 65cm ]

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58284 item(s)/page