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A MAHOGANY SOFA TABLE, c.1900, the rounded oblong top with stringing and reeded edge, frieze with drawer and dummy drawer with turned brass handles, similar arrangement opposite, raised on square section end supports and joined by a reeded stretcher, on similar downswept legs with brass toes and castors, 30 1/4" (closed) x 18 3/4" x 28 3/4"
A MAHOGANY SOFA OF REGENCY DESIGN, circa 1900, possibly American, upholstered in a floral weave, the reeded frame with arched back having scroll back crest with carved drapery panel, scrolled arms with carved wheat ear panels and rounded terminals, on scrolled legs with brass lion paw feet, 77" x 30" x 33 1/4"
Circle of James Abbott McNeill Whistler, American, 1834-1903- Study of a reclining nude; pencil on buff paper, 19x28cm Note:The positioning and composition of the sitter is similar to that of the painting "Symphony in White, no.3", c.1865-7 (Barber Institute) and bearing a striking resemblance to the overall finished composition. (the head, arms and sofa in particular with subtle changes to the seating) The Pre-Raphaelite influence is clear in this particular painting especially that of Rossetti, the painting was an early experiment in white on white, with a woman in a white dress in front of a white background. Three paintings that would be given the titles of Symphony in White, No.1 and No.2 (1864) and Symphony in White, No.3 (1865-67). The sitter appears almost confrontational, with her direct gaze at the viewer; her features are strong and highly individualised. His famous signature in the shape of a stylised butterfly possessing a long stinger for a tail. The symbol was apt, for it combined both aspects of his personality, his art was characterized by a subtle delicacy, (displayed especially in the contours of his nudes) while his public persona was considered abrupt.
A NORTH EUROPEAN CARVED WALNUT SOFA OF LOUIS PHILIPPE STYLE, PROBABLY GERMAN, SECOND QUARTER 19TH CENTURY The scroll-over arms decorated with carved swans-heads flanking a stuff-over seat on shell carved front-supports, reupholstered with a pink and gold sik fabric 92 in. (234 cm.) wide View on Christie's.com
A George III mahogany and crossbanded sofa table, circa 1810, the hinged rectangular top above a drawer and false drawer and opposing drawer and false drawer, on trestle style supports united by a turned stretcher, on reeded downswept legs, brass paw caps and castors, 75cm high, 75cm high, 135cn wide, 69cm deep condition report:** Marks, scratches and abrasions consistent with age and use. Some marks, chips and losses, old closed splits, replacements to veneers with some repair using filler. Handles replaced. Further images are available for visual reference to condition
A William IV rosewood framed and upholstered sofa, in the manner of Gillows, circa 1835, the damask upholstered back and scrolling arms fronted by scrolling carved supports, the upholsered seat above a gadrooned frieze flanked by stylised flowerheads, on lotus carved legs, and gadrooned bun feet, 86cm high, 216cm wide, 87cm deep. The overall quality and carved detail of this sofa is also reflected in other seat furniture made by Gillow or attributed to the Gillows workshop. For a chaise longue with elements of related design see Susan E.Stuart, Gillows of Lancaster and London, 1730-1840, Antique Collectors Club, P. 356, pl. 420. condition report:** Marks, scratches and abrasions consistent with age and use. Upholstery overall in good condition. Minor chips and losses, old closed splits. Small sections of replacement to veneer particularly along lower edge of frieze. Overall construction appears fairly sound. We cannot comment of the originality of the underlying construction that we cannot see. Height from floor to top of seat is 38cm high, depth from front to back of seat is 65cm deep, width between the arms is 175cm wide
An Edwardian mahogany framed and upholstered drop-end sofa, circa 1910, arched back and scroll arms, one scroll arm with hinged mechanism, fronted by cabriole legs and pad feet, 85cm high, 185cm wide condition report:** Marks, scratches and abrasions consistent with age and use. Later chromed metal feet added to base of legs
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53794 item(s)/page