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A Victorian 19th century Chesterfield sofa settee with bun feet and castors having yellow velour upholstered frame with button backing. 77cm h x 182cm w x 86cm d

An early 20th century 1920's oak and red leather club / salon sofa having scrolled arms with an overstuffed seat with a foliate carved apron raised on scrolled feet. Measures 77 cm H x 172 cm W x 70 cm D

Sofa cover, over door hangers, cooking pans, Twister game etc.

Two seater leather sofa

Large cane sofa with cushions, some damage.

A LOUIS PHILIPPE WALNUT AND UPHOLSTERED SOFA,, circa 1830, the straight backrest with line inlaid decoration, above outscrolled ends, on splayed legs, Height: 92cm, Width: 180cm, Depth: 70cm

A GEORGE III MAHOGANY AND CROSSBANDED SOFA TABLE,, late 18th century, the twin drop ends of the rectangular top with rounded corners, above twin drawers to the front and false drawers to the back, a support at each end united by a turned multi-knopped stretcher, each descending to twin splayed legs, with brass paws and castors, 74cm high x 148cm long (opened) x 72cm wide

A LATE GEORGE III MAHOGANY SOFA OR SUPPER TABLE,, circa 1810, the drop leaves of the rectangular top with rounded corners, a frieze drawer at one end, the turned central shaft on four splayed legs to brass paw caps and castors, 71cm high x 112cm long (opened) x 90cm wide

A WALNUT AND UPHOLSTERED SOFA, 20th century, the rectangular back with loose squab cushion, covered in striped cotton, with curved arms and baluster legs joined by turned stretchers, 114cm high; 164cm wide; 80cm deep

A 19th Century mahogany drop leaf sofa table with two drawers in the frieze on fluted column with plateau base, scroll legs and brass caps with casters

A polished mahogany rectangular drop leaf sofa table with two drawers in the frieze on tapered supports and scroll legs

Suede tanned 2 seater tub sofa

Cream leather 2 seater sofa. Great condition

A Victorian leather serpentine Chesterfield sofa, in dark red buttoned leather, raised on turned walnut front legs with brass castors, 87¼in. (221.5cm.) long, 35in. (89cm.) deep, 27in. (69cm.) high to back.

A button back brown leather three seater sofa, late 20th century, the serpentine back over studded scrolled arms, raised on turned and stained beechwood feet, 80in. (203cm.) long, 42in. (106.5cm.) deep, 32½in. (82.5cm.) high to back.

A club sofa by designer Rodolfo Dordoni for Driade, from the Hall Collection in burgundy velvet, 90½ x 33in. (230 x 84cm.), 29½in. (75cm.) high.

A green Chesterfield sofa by Wade, with brass studded scroll arms, wooden bun feet to front, castors to rear, 78 x 33¼in. (200 x 84.5cm.). * Missing button on back and two damaged areas to bottom right.

A brown leather button backed Chesterfield sofa, with brass studded scroll arms, 78 x 35in. (198 x 89cm.)

Regency mahogany sofa table, the rectangular top with drop leaf ends over two frieze drawers and upon a turned stretcher base with downswept supports terminating with cast gilt metal terminals and castors, 33" x 27.75" closed, 29.5" high

A contemporary Molteni + C SKIN sofa designed by Jean Nouvel in black leather. H.65 L.208 D.90cm

A three seater Chesterfield sofa in buttoned leather upholstery. H.70 L.200 D.85cm

A Chesterfield sofa in buttoned leather upholstery. H.70 L.190 D.90cm (worn in places as photographed).

A large Parker Knoll two seater Burghley sofa in Baslow Medalli gold upholstery raised on turned tapering supports on brass cup casters. H.98 L.199 D.94cm

GIO PONTI (Attr.le) Produzione Fede Cheti, Italia 1930 ca. Salotto a conchiglia composto da divano a tre posti, due poltrone, due sedie e due puof, struttura in legno, imbottitura e rivestimento in velluto nei toni del bordeaux.Bibliografia: Irene de Guttry, et. al., Il Mobile Italiano Degli Anni '40 e '50, Bari, 1992. Laura Falconi, Gio Ponti: Interni, Oggetti, Disegni, 1920-1976, Milan, 2004. SHELL LIVING ROOM COMPOSED OF A THREE-SEATER SOFA, TWO ARMCHAIRS, TWO CHAIRS AND TWO PUFFS, WOODEN STRUCTURE, UPHOLSTERY AND VELVET UPHOLSTERY IN SHADES OF BORDEAUX. cm 197 x 85 Alt. cm 76 - Alt. cm 76, Alt. seduta cm 40 (sedie) - cm 85 x 85 Alt. cm 79 (poltrone) - cm 50 x 38 Alt. cm 34 (pouff).

PAOLO BUFFA Produzione Italia 1950 ca.Salotto mod. Bristol composto da un divano a tre posti, due poltrone e due pouf in legno con tessuto originale degli anni 50 nei toni del verde.Bibliografia: (Modello simile) R. Aloi, L'arredamento moderno terza serie, f. 240, Hoepli, 1945. BRISTOL MOD. LOUNGE CONSISTING OF A THREE-SEATER SOFA, TWO ARMCHAIRS AND TWO POUFS, IN WOOD WITH ORIGINAL 1950S FABRIC. cm 74 x 90 Alt. cm 78 (poltrone) - cm 178 x 90 Alt. 78 (divano) - cm 60 x 40 Alt. cm 43 (pouf).

EBANISTERIA SICILIANA Produzione Italia 1930 ca. Divano art déco in radica di noce, inserito in un mobile basso con mensole, spalliera e seduta in tessuto d'epoca nei toni vinaccia, piede baccellato.Bibliografia: Il mobile déco italiano 1920-1940, De Guttry Irene Maino Maria Paola. Laterza, 2006. ART DÉCO SOFA IN BRIAR OF WALNUT, INSERTED IN A LOW CABINET WITH SHELVES, BACKREST AND SEAT IN VINTAGE FABRIC IN BURGUNDY TONES, PODDED FOOT. cm 266 x 65 Alt. cm 89.

Walter Richard Sickert A.R.A. (British, 1860-1942)Portrait of Mrs Barrett signed 'Sickert.' (lower left)oil on canvas50.8 x 40.3 cm. (20 x 15 7/8 in.)Painted in 1906Footnotes:ProvenanceThe Artist, 3 January 1907, from whom purchased byBernheim-Jeune, ParisRt Hon Frederick Leverton Harris, thence by descent toMrs Gertrude HarrisSale; Sotheby's, London, 19 June 1974, lot 66aJ. Moore PollockSir Denis Rickett, thence by family descentPrivate Collection, U.K.ExhibitedParis, Bernheim-Jeune, Exposition Sickert, 10-19 January 1907, cat.no.30 (as Le Canapé rayé)London, Stafford Gallery, 27 June-July 1911, An Exhibition of Pictures by Walter Sickert, cat.no.30 (as The Striped Sofa)LiteratureJames Bolivar Manson, 'Walter Richard Sickert A.R.A.', Drawing and Design, July 1927, p.5 (ill.) (as Portrait)Wendy Baron, Sickert, Phaidon, London, 1973, cat.no.228Wendy Baron, Sickert, Paintings & Drawings, Yale University Press, New Haven and London, 2006, p.320, cat.no.266.1 (ill.b&w) In April 1906 Sickert sent his intimate friend, the society beauty and talented amateur singer Elsie Swinton (Mrs George Swinton), a series of 14 postcards, each containing a cameo sketch in pen and ink, illustrating the paintings on which he had been working in his studio at 8 Fitzroy Street between Good Friday (13 April) and the following Thursday. All were figure subjects set within a room which featured a striped green sofa, a bentwood chair, and a few heavily-framed pictures on the walls. He inscribed each card, some with the timing of his sittings, some with the identities of his four models and several with both. His models were the Belgian Daurment sisters, Hélène and Jeanne, whom he had recently met in Soho; Agnes Beerbohm – elder sister of Max, a talented dress designer, and some ten years earlier one of Sickert's lovers; and a woman identified in three sketches as 'new model'. The new model sat for two head and shoulders strict profile portraits, one on Saturday morning and one on Sunday (New Head of New Model); on Thursday afternoon she sat for a near frontal head wearing a shy smile and a large straw hat which shadowed her eyes. At no other time in Sickert's long career has his precise production over a one week period been so accurately disclosed.The paintings of Aggie Beerbohm in fancy dress and of the racy Daurment sisters are all in character. Not so the three portraits of the 'new model'. Her face and personality seem to have offered Sickert a blank canvas on which he could experiment with old master prototypes. The Thursday afternoon painting (Private Collection) is a free reworking of Rubens's Chapeau de Paille (London, National Gallery); the two profile portraits adapt the well-known Renaissance formula which Sickert regularly returned to from the 1890s to the 1930s. One of the profile heads is on offer here. The other was bequeathed by Roger Fry to the Courtauld Institute of Art. Fry probably bought it from the Savile Gallery where it had been exhibited in February 1928 (31) under the title Portrait of Mrs Barrett. But who was Mrs Barrett? Lillian Browse, in her monograph on Sickert published in 1960 (p.21) had defined her as 'charwoman', a statement which prompted Mrs Barrett's daughter-in-law to inform Miss Browse that her mother-in-law had been a dressmaker, not a charwoman', and that she had died in 1925. This raises the intriguing possibility that Agnes Beerbohm, the dress designer, may have introduced the dressmaker to Sickert. The portrait on offer here is certainly the profile begun on Sunday. The sitter's jacket or blouse on the Sunday sketch is repeatedly annotated 'RED' denoting vertical stripes, consistent with the colour used in this painting, whereas in the Fry version Mrs Barrett wears an olive green blouse, similar in tone and colour to the background wallpaper. The Sunday version is also much enlivened by the introduction of the striped sofa, the title under which it was exhibited at the Galerie Bernheim-Jeune in Paris in January 1907 and at the Stafford Gallery, London in 1911. The red and pink striped jacket worn by Mrs Barrett reappears (together with a pearl necklace) in two more, near full-face, head and shoulders portraits: The Red Blouse (The Carrick Hill Trust, Adelaide) and Le Collier de Perles (Private Collection), the latter identified in the archives of Bernheim-Jeune as La Belle Sicilienne or La Siciliana.Sickert's model, wearing different clothes, also seems to feature in two interiors executed in pastel: Blackmail: Mrs Barrett (National Gallery of Canada, Ottawa); and Mrs Barrett (Tate). Confusion struck when the Ottawa pastel was taken from its frame. Old backing labels and inscriptions were discovered which revealed it had been exhibited at the Salon d'Automne in Paris in 1905 under the title Popolana Veneziana. How can a 'new model' of Easter 1906 have sat for a picture exhibited in autumn 1905? Did Sickert deliberately mislead Mrs Swinton? And why? I have no answers. The confusing plethora of titles is typical of Sickert. He used invented titles to manipulate the characterisation of his Camden Town period models. In the case of the portraits discussed here, fashion may have misled future scholars and collectors. Heavy, upswept, rolled wings of hair are common to Mrs Barrett at Easter 1906, to an extant photograph of Mrs Barrett given by her daughter-in-law to Miss Browse, and to Sickert's 1905 model – whether Sicilian, Venetian or possibly neither. However, it is indisputable that the models for all these pictures are strikingly alike. We are grateful to Dr. Wendy Baron for compiling this catalogue entry.For further information on this lot please visit Bonhams.com

A mid 20th Century oak framed brown leather upholstered three seat sofa in the Scandinavian taste, 211 cm wide x 76 cm deep x 57 cm high

A modern upholstered scroll arm sofa bed, two seat, 180 cm wide x 93 cm deep x approx 92 cm highCondition ReportHas general wear and tear conducive to age and use including a couple of small marks to the upholstery. Otherwise mechanism ok and sofa structure sound. Bed itself appears to have been only use a few times. See images for more details. 

A WALNUT AND UPHOLSTERED WING BACK SOFA IN WILLIAM & MARY STYLELATE 19TH CENTURY135cm high, 135cm wide, 83cm deepProvenance: Purchased Dreweatts, Aynhoe Park, 20 January 2021, Lot 198Condition Report: Upholstery and with some wear and marks to upholstery. The carved supports with overall wear, scuffs and losses to the finish.Condition Report Disclaimer

A REGENCY MAHOGANY SOFA TABLE CIRCA 181573cm high, 155cm wide (when open), 66cm deep Condition Report: Marks, knocks, scratches and abrasions commensurate with age and use.Old splits and chips. Including various old splits to top (see images). Old repair to edge of one hinged leaf where it meets the centre of the top. Section of replacement veneer to outer edge of one hinged leaf. Some small amounts of filler used in places. No key present, both locks are open. Handles are replacements. Please refer to additional images for visual reference to condition. Condition Report Disclaimer

A REGENCY MAHOGANY AND COROMANDEL CROSSBANDED SOFA TABLE POSSIBLY SCOTTISH, CIRCA 181571cm high, 145cm wide (when open), 55cm deep Condition Report: Marks, scratches, chips, splits, abrasions commensurate with age and use; repolished.The fiddleback mahogany top clean; a crack from one edge; the drop leaves slightly bowed; lacking a section of veneer to the edge.Small repairs to the coromandel crossbanding on the drawers.The spirally reeded support, platform and legs with some scratching and rubbing; two of the brass feet slightly loosely fitted.Please refer to additional images for visual reference to conditionCondition Report Disclaimer

A REGENCY BLACK PAINTED AND PARCEL GILT SOFA IN THE MANNER OF THOMAS HOPE, CIRCA 181592cm high, 194cm wide, 75cm deep.Condition Report: Marks, knocks, scratches and abrasions commensurate with age and use. Old chips, splits and some losses. The upholstery with the expected wear, marks and fading overall - see images. Some small tears and areas of fraying. Parcel gilt elements have been re-freshed at some point and bear the expected chips, rubbing and some losses - see images. Black painted surface is later. It bears the expected chips and wear.Slight movement within frame but sofa is structurally solid overall. Later screws to the outsides of the ends and to the back securing the upholstered panels. Some additional knocks and abrasion to the outer corners of the top rail. One of the lion masks at the top of one front leg is lacking. Caned seat is an old replacement and is in generally good order overall. Dowel or screw repairs to the sides of the rear legs where they meet the frieze. The holes have been plugged to help disguise. Glue residue visible to one of the Egyptian female busts to the ends of the arms. Please refer to additional images for visual reference to condition.      Condition Report Disclaimer

Y A REGENCY FIDDLE-BACK MAHOGANY, SATINWOOD AND ROSEWOOD CROSSBANDED SOFA TABLECIRCA 181573cm high, 153cm wide (when open), 61cm deepCondition Report: Marks, knocks, scratches and abrasions commensurate with age and use.Some old splits and chips.Some filler applied to the top and leaves in placesSome fading to the timbersKey is present and operates both locksSome ink stains to interiors of drawersCedar and ash lined drawersSome minor warping to leavesPlease refer to additional images for visual reference to condition. Condition Report Disclaimer

A GEORGE IV MAHOGANY AND UPHOLSTERED SOFA CIRCA 182592cm high, 231cm wide, 73cm deep overall

A Tetrad Chesterfield scroll arm three seater sofa, oxblood leather, button back and arms, 204cm long, 70cm high.

A French Hepplewhite Revival mahogany five-piece drawing room suite, comprising sofa and four side chairs, each with an arched cresting rail carved and applied with a flowerhead and acanthus, shaped and pierced splat, stuffed-over seat, straightened cabriole forelegs, the sofa 75.5cm high, 114cm wide, the seat 97cm wide and 41cm deep, the chairs 91cm high, 42cm wide, the seat 31cm deep, c.1900 (5)

A French Hepplewhite Revival three piece drawing room suite, comprising sofa and a pair of armchairs, each with a ribbon cresting, stuffed-over upholstery, downswept arms terminating in acanthus carved hand rests, fluted tapered cylindrical legs, arrow feet, the sofa, 77cm high, 121.5cm wide, the seat 106cm wide and 50cm deep, the chair, 76cm high, 58cm wide, the seat 41cm wide and 47cm deep, c.1900

A George I Revival Japanned sofa, cartouche shaped back, drop-in tapestry upholstery, decorated overall in the Chinoserie taste on a cinnabar ground, shaped apron and cabriole legs carved with shells, 111cm high, 122cm wide, the seat 45cm deep, c.1900

A Regency mahogany sofa table, crossbanded rectangular top above a pair of frieze drawers outlined with ebony stringing, blind to verso, spirally turned rope twist supports and stretcher, downswept faux-reeded legs, brass casters, 73cm high, 100cm opening to 157cm wide, 68cm deep, c.1820

A Regency mahogany sofa table, rounded rectangular crossbanded top with fall leaves, outlined with boxwood and ebony stringing, above two frieze drawers, blind to verso, swing handles, oval brass escutcheons pressed with a flowerhead boss, turned column, sabre legs, brass lion paw capped casters, 73.5cm high, 105.5cm opening to 153.5cm wide, 56.5cm deep, c.1820

A William IV mahogany sofa table, rectangular top with fall leaves above a pair of frieze drawers, blind to verso, quadform scroll supports, splayed legs, brass casters, 69cm high, 94.5cm opening to 147.5cm wide, 66.5cm deep, c.1835

An Edwardian Hepplewhite design mahogany triple-chair-back sofa, each pierced splat inlaid with a ribbon and bell husks, stuffed-over serpentine seat, French cabriole forelegs, 97cm high, 114.5cm wide, the seat 100cm wide and 43cm deep, c.1905

An Edwardian mahogany and marquetry sofa, shaped cresting rail inlaid with an oval batwing patera and bell husks, outswept arms terminating in scroll hand rests, ring-turned arm posts, stuffed-over seat, tapered square forelegs, spade forefeet, outlined throughout with boxwood stringing, turned stretchers, brass casters, 92cm high, 117cm wide, the seat 102cm wide and 41cm deep, c.1905

Signed Photograph of Winston Churchill and his wife Clemantine showing them sitting on a sofa at Chartwell in relaxed mood. Signed by both of them in ink "Winston" "Clementine S.C." The Times Copyright to photograph stamped on reverse. Very good condition c.15 cms x c.11cms.

William and Mary style sofa, 19th century,with tweed upholstery 97 x 188 x 82cmFootnote: Provenance: A Georgian Town House, Bury St Edmunds, SuffolkCondition report: good condition, recently re-upholstered

A mahogany framed sofa, 19th century,upholstered in floral damask and raised on six moulded legs with casters 85 x 180 x 85cmCondition report: Some wear to frame, joints a little loose, upholstery worn

A William IV burr oak and ebony strung sofa table, circa 1835,with two frieze drawers decorated with egg and dart moulding, on a carved pedestal support and concave platform base with lobed bun feet 74 x 89 x 65cmCondition report: 162cm when opened loss of ebony stringing, dry cracking to base

A pink upholstered three seater sofa, 20th century,with four cushions, raised on upholstered block feet 93 x 220 x 90cmProvenance: Julians Park, Hertfordshire

GEORGE SMITH; A BLUE UPHOLSTERED THREE SEAT SOFAOn tapering square supports, 205 cm wide; 80cm highCondition report: Overall in good condition. Some wear and dirt to the covers, notably more to the arms,  with the odd small mark in places (see photographs). Minor wear to the castors and a few scuffs to legs commensurate with use and age. Fire regulation and maker’s label to the underside. 

LINLEY; A DEEP SALMON TWO-SEAT SOFAUpholstered in a Linley fabric, 180cm wide; 80cm highCondition report: A few scuffs and scratches to the legs, commensurate with use and age. The chrome plated castors on the front legs are stamped ‘DAVID LINLEY’ and the front right is a little displaced. Fire Regulation label to the seat. Fabric in overall reasonably good condition; dirt and dust, wear to arms and possible light stain to one seat cushion.

A LOUIS XV CARVED WALNUT FRAMED WINGBACK SOFAWith triple serpentine seat and cabriole supports, 190cm wide; 102cm high

‘MICHAEL TYLER’: A RAJAH MODEL LEATHER UPHOLSTERED TWO SEAT SOFAOn turned supports, 138cm wide; 74cm high

GEORGE SMITH; A BLUE CHECK UPHOLSTERED TWO SEAT SOFAOn turned supports, 155cm wide; 83cm deep; 80cm highCondition report: Overall, in very good condition. Minor scuffs and signs of wear commensurate with use. Notably some scuffs to the castors, one of which is missing a couples of screws and presently a little displaced. Maker’s label to the underside. A few small marks and stains  in areas to the cotton fabric covering. 

A VICTORIAN PARCEL-GILT EBONISED OPEN ARM SOFAWith serial number stamped to back leg, 158cm wide; 73cm highCondition report:- Minor wear to gilding and ebonising - Frame structurally sound- Later re-polished - Appears to have horse hair stuffing although arms are possibly foam

A MODERN SMALL TWO-SEAT SOFAWith downswept arms on turned supports, 138cm wide; 74cm high; 79cm deepCondition report: Some marks, dirt and dust to upholstery, notably a stain to the left hand side of the seat and some marks to the arms.  Would benefit from a clean.Minor wear and scuffs to the legs commensurate with use and age. 

JOHN SANKEY; A MODERN SMALL TWO-SEAT SOFAWith downswept arms on turned supports, 138cm wide; 74cm high; 79cm deepCondition report: Dirt and dust to the upholstery as to be expected with more wear to the arms and edges. Some light, minor wear to legs. Would benefit from a clean. 

A MID-20TH CENTURY TWO-SEAT STUDDED BROWN LEATHER UPHOLSTERED SQUARE BACK SOFA141cm wide; 80cm high

A MID-20TH CENTURY THREE-SEAT STUDDED BROWN LEATHER UPHOLSTERED SQUARE BACK SOFA203cm wide; 80cm highCondition report: In good condition, reupholstered. Raised up on later oak bun feet. Frame 1950s. 

A VICTORIAN WALNUT FRAMED CONVERSATION SOFAOn scroll supports, 126cm wide; 85cm highCondition report: Upholstery later and in reasonable condition. Piping coming loose. Frame with repair to back (see additional images). Now with a slight wobble. Both back legs are missing acanthus scroll. Still in good useable condition.