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Click here to subscribeA French Louis XVI style carved giltwood and upholstered canape and two chairs, 19th century a two seater settee and a pair of chairs, the padded open arms, seats and backs covered in floral patterned pink fabric, the gilt foliate tied reeded moulded frames with floral basket crestings, paterae and acanthus leaf carving, on lotus leaf carved spiral fluted tapered legs -3 sofa: 148cm long, 115cm high
A Fabulous Quality Regency Rosewood and Brass Inlaid Breakfast Table Attributed to Gillows. The rectangular tilt top having rounded corners and a bordering band of intricate brass inlay framed with stringing, continuing on the sides over a beaded edge. The octagonal centre pedestal having a small ring of lobed carving flaring out to a lower lobed collar and adjoining the triform base with beaded edge. Standing on boldly carved shell over lion paw feet springing from foliate scrolls. 47 ins x 60 ins.[Two similar sofa tables reside in Tatton Park House, Nr Altringham, probably Gillows]
A Splendid Regency Rosewood Sofa Table stamped GILLOWS LANCASTER. The top having two drop leaves with rounded corners inlaid with brass bands. The frieze fitted with two drawers on one side & corresponding dummy drawers on the other; all with brass knop handles and lined keyholes. Standing on rectangular end supports leading down to the trestles raised on scrolled brass hairy paw feet with castors, 27½ ins x 60 ins (70 cms x 153 cms), 28¼ ins (72 cms) in height.
An Impressive Painted & Giltwood Sofa by Howard & Sons, upholstered in cream silk & brocade border. The back having three rectangular padded panels with painted and gilt borders and raised caddy style tops. The carved & gilded S-scrolls beside spiral painted columns are topped with tapered reeded capitals, beneath nipple finials. The down-swept arms with padded top & sides raised on elegant tapering columns with reeded & finial-top capitals. Standing on four spiral painted tapering legs. 60 ins (125.5 cms) long, 36½ ins x 23½ ins (93 cms x 60 cms).
AN AESTHETIC MOVEMENT EBONISED PART SALON SUITE with bone inlaid paterae, stringing and ribbon ties festoons and vases, and upholstered in pale green dralon covering, and comprising two seater sofa with arched back, padded arms on downswept supports, three squab cushions, on square tapering legs with spade feet and castors, 60" wide, a pair of arm chairs, two single chairs and two low chairs to match (7)
a 19th Century French Gilt-Framed Salon Suite, upholstered in blue and gold floral-print velvet, comprising a two-seat sofa, the rectangular back with a toprail centred by a "Wedgwood" medallion, between downswept sides with padded rests and scrolled terminals, the sprung seat on a moulded rail and spiral-fluted turned feet, 141cm wide, two matching bergeres, and two side chairs (5) See illustration
a Victorian Walnut-Framed Sofa, upholstered in green damask, the back centred by a deep-buttoned oval chair-back within a carved frame and flanked by curved deep-buttoned ends with moulded and scrolled terminals, the sprung serpentine seat on moulded cabriole legs, 186cm wide See illustration
NOTE:3 SEATER SOFA REMOVED FROM LOT-A modern red upholstered sofa bed, 79 x 172 x 90 cm, together with a matching armchair, 79 x 98 x 90 cm, one other similar armchair upon bun feet, 85 x 97 x 96 cm, (REMOVED-a modern three seater sofa, 88 x 195 x 97 cm), a pine chest of drawers, 96 x 93 x 44 cm, and a corner cupboard, 184 x 65 x 45 cm (6).
A Regency period mahogany sofa table After designs by Thomas Hope and Sheraton the rounded rectangular top with reeded edge above three frieze drawers with brass lion mask handles opposed by simulated drawers, on reeded and stiff acanthus carved cross frame end standards and sinuous carved legs headed by leaf paterae and ending in forward facing gilt brass lion paw feet, united by a lotus carved pole stretcher 86cm wide (126cm flaps up), 73cm high, 66cm deep The cross frame leg design is featured in the work of Sheraton and Hope (who favoured Egyptianesque elements and monopaedic lion supports) and found in the cabinet work of Morel & Hughes, and Marsh & Tatham, Cf. A library table in the Whitbread Collection at Southill Park, Bedfordshire, G.Jackson-Stops, Country Life, 28th April, 1994, pp 62-67. Literature: Christopher Proudfoot and David Watkin, 'A Pioneer of English Neoclassicism, C.H. Tatham', Country Life, 13/20th April 1972, pp.918-921 and 'The Furniture of C.H. Tatham', Country Life, 8th june 1972, pp. 1481-1486. Margaret Jourdain, 'Regency Furniture, 1795-1820', 1948, pl.124, fig.130 Ralph Edwards, 'Dictionary of English Furniture', 1954, vol.III, p.262, fig.54 See also Thomas Hope's design for a stool in 'Household Furniture and Interior Decoration', pl.12, fig 4 (publ.1807)
A Regency period rosewood sofa table the brass inlaid top above a pair of bead metal mounted drawers centred by a gilt metal flowerhead, the opposing side of conforming outline, on four ring turned pillar supports ending in a quatreform base with gilt brass mounted sabre legs ending in brass hairy paw cappings and castors 87cm wide (when closed), 71.5cm high, 64cm deep
A George III mahogany sofa table, the top banded in satinwood and inlaid with ebonised stringings and with D-shaped flap, fitted two real drawers to front and dummy drawers to reverse, on rectangular end supports and turned stretcher rail, the splayed feet with plain brass toes and castors, 58ins x 24.5ins x 29ins high (top split and repolished)
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