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An unusual early 20th c. Satinwood side/sofa table having herringbone banding, two frieze drawers with pierced back-plate brass handles and with a drop leaf to either side, the tapering square legs united by complex square-section stretchers and end details, 27 3/4'' deep x 37'' wide extending to 61'' x 28'' high. (Distress to veneer especially to the left-hand drop-leaf.)
An early to mid 20th century three-seater Howard sofa; reupholstered in red velour, raised on turned gilded front legs with gilt-metal castors stamped Cope & Collinson. The back left leg stamped to the inside 6132, the underside with stitched-on cotton printed label, 'Howard & Sons Ltd - By Appointment - 31 Old Burlington St., London. W.1.' (194cm wide x 92cm deep x 69cm high)
A large and fine carved oak and upholstered three-seater sofa in Louis XV style; the ornately carved show wood detailing acanthus leaves and scrolls above a floral tapestry upholstered back and cushions, raised on four cabriole front legs carved with further acanthus and terminating in French-style scrolls (225cm wide x 77cm deep x 96cm high)
Roman master; 18th century."St. Joseph of Cupertino, levitating in front of Pope Urban VIII".Oil on canvas.Presents walls and extensions on the sides, with canvas and original warped frame.Measures: 224 x 172 cm.In this devotional scene is represented the levitation of the friar San José de Cupertino, in front of the Pope Urbano VIII, which is recognized by the presence of the emblem of the bee, located in the sofa where he is seated. Symbol of the Barberini family to which the pontiff belonged. Regarding the Saint, Joseph Cupertino, he was a friar from Naples, belonging to the Franciscan order. As a child, he began to experience ecstatic visions, which continued throughout his life, and made him an object of scorn. He tried on several occasions to enter religious life, but was rejected on numerous occasions, until he was admitted by the Franciscans as early as 1625. During his religious life, he was known for his ability to enter into ecstasy and to levitate, being removed from the choir by his superiors, due to the frequency with which these "miracles" occurred. After the diffusion of these facts, his credibility was questioned, and he was accused of swindling, so much so that he was sent to Rome, in front of Pope Urban VIII. It was in this meeting between the two that the saint again entered into ecstasy and levitated, so that not only the Pope believed him, but also Prince John Frederick, Duke of Brunswixk-Lüneburg, at that time a Protestant, who decided to convert to Catholicism.In this particular scene, the saint is placed in the center of the composition, accompanied by a group of small angels, arranged above his head. In the earthly part of the scene, the Pope, elevated on his throne with respect to the rest of the characters, contemplates the scene in surprise, as well as the group of religious that complete the image. By the disposition of the characters, added to the golden tonality of the atmosphere that surrounds the scene, and the magnitude of the architecture, the scene stands out for the great theatricality with which the subject has been treated. A characteristic of the Catholic religious painting of the time, influenced by the ideals of the reform, which tried to surprise the faithful and bring them closer to the magnificence of a church in full decadence.
An Ercol Studio range Elm daybed sofa, shaped panel back, with original patterned seat cushion ( the cushion with this sofa does not comply with the Furniture and Furnishings Fire Safety Regulations 1988 and for this reason it should not be used in a private dwelling), 207cm wide, 76cm deep, 75cm high.
A continental beech small chaise longue or sofa, upholstered in brown fabric with swan neck carved arm supports, on cabriole legs, 115cm wide. The upholstery in this lot does not comply with the 1988 (Fire & Fire Furnishing) Regulations, unless sold to a known exporter or upholsterer it will be cut from the frame before leaving the premises.
A mid 20thC Parker Knoll ebonised two seat sofa, upholstered in green fabric and a matching armchair. The upholstery in this lot does not comply with the 1988 (Fire & Fire Furnishing) Regulations, unless sold to a known exporter or upholsterer it will be cut from the frame before leaving the premises
After Cecil Aldin,A terrier seated on a sofa,Limited edition print on paper,Unsigned, numbered 63/295 to lower margin, gallery label verso,31cm x 21.5cm,Framed and glazed,With a further Cecil Aldin print depicting an evening street scene with a dog and woman, 52cm x 27cm, framed and glazed (2)
A Victorian Howard type sofa, upholstered in Morris & Co 'Tangley' fabric on an eggshell ground, the padded scrolled arms extending to carved oak paper scroll terminals and reeded columns above the front mushroom shaped feet, brass cups and castors, along with plain back swept rear feet with castors, 64cm H x 212cm W x 79cm DCondition reportMinor play in right arm and back, minor chip 2cm long at the base of the right arm column.Very light scuff marks to the feet, recently re covered so fabric in good condition
Modern two-seat sofa in tartan upholstery, the whole in the manner of Howard & Sons of London, deep seats and shaped side railsmeasurements 165 cms wide 103 deep and 84 cms approx highCondition Reportmeasurements 165 cms wide 103 deep and 84 cms approx highWe are unsure of the filling of the cushions - see label on them
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53794 item(s)/page