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A George III ebonised and polychrome painted sofa The curved bowed toprail decorated with laurel leaves, berries and flowers above a rectangular padded back above downswept arms painted with ribands and berries above a bowed seat, with loose squab cushion on square tapering legs with trailing bellflowers and paterae on spade feet, 204cm wide, 63cm deep, 90cm high.
A Regency mahogany, ebonised and brass marquetry sofa table The rectangular hinged top with canted corners and reeded edge above one short freize drawer and one simulated drawer to each side, on reeded 'X' form legs joined by a ring turned stretcher on hairy paw feet, 163cm wide, 65cm deep, 72cm high. The earliest published designs for furniture in the Regency style are in Thomas Sheraton's Cabinet Dictionary of 1803. The design for this sofa table can be compared to plate 62 in the Dictionary for 'A new design for a Pembroke table’. The inspiration of the ‘antique’ style can be seen in the work of major designers of the period and in the published works such as Thomas Hope’s, Household Furniture and Interior Decoration (1807) and George Smith’s Collection of Designs for Household Furniture and Interior Decoration (1808). The use of the X-frame support in the ‘antique’ manner can been seen on the Regency rosewood writing table supplied to Southill, Bedfordshire and attributed to Marsh and Tatham, illustrated in Southill, A Regency House, pl.42 London, 1951, pl.46. The influential designs of Charles Heathcote Tatham, which are encapsulated in his 1806 work Etchings representing Fragments of Grecian and Roman Architectural Ornaments is evident in the architect Henry Holland’s work at Southill where Holland was known to have worked with C.H Tatham’s brother Thomas and his partner William Marsh. The X-frame support was also extensively employed by Thomas Hope on the tabouret in the Indian Room at Duchess Street and on the chairs in The Flaxman Room at Duchess Street, both appearing in engravings in Hope’s 1807 publication.
A LATE 1920S GREEN CHINOISERIE DECORATED SITTING ROOM SUITE, comprising: A Bergere two seater sofa with two armchairs (with original upholstery and the cane work largely intact), circular coffee table, display cabinet with pagoda top, a pair of standard lamps and a high back upholstered chair
A MAHOGANY FRAMED THREE PIECE SUITE comprising a three seater sofa and two arm chairs the green ground decorated with Classical gilt foliates with overstuffed backs and arms loose cushions above the frames carved with trailing bell flowers and raised on circular lotus turned bun feet The Sofa 186cm wide
Hand crafted papier mache one off design of a couple of ladies lounging on a sofa designed and created by Margaret Hickson (Margaret Hickson was a renowned artist, designer and author who's designs were sought after and even purchased and exhibited by the Victoria & Albert Museum London, a more detailed biography regarding her life and achievements is available on request)

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