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Lot 209
A collection of dolls house furniture and effects in mainly wood, leather, including a Welsh dresser; half tester bed; wooden screen; fire surround sideboard; sofa, chairs and similar. Items range in condition from a few Poor - Fair - mainly Good - Very Good. (This does not constitute a guarantee)
Lot 116
BØRGE MOGENSEN (Denmark, 1914 - 1972).Pair of armchairs model 2207. Edition of the 70s-80s.Teak frame and black leather upholstery.This pair of armchairs, still in production, is currently worth 8000 € in shop.Measurements: 78 x 70 x 80 cm.The sofas designed by Børge Mogensen were originally intended to furnish his own home, but soon became an icon of 20th century design. The generous proportions and cushions upholstered in fabric or leather provide exceptional comfort for the user. The armrests, meanwhile, featured a distinctive shape, characteristic of the 22 collection, reflected in a slight curve, higher at the back and giving the sofa a modern, timeless appearance. The seat, back and side cushions are completely detachable from the frame.Børge Mogensen was one of the most prominent representatives of the generation of designers who gave birth to the Danish design concept that is now known all over the world. He began his career as a cabinetmaker in 1934, and two years later began his studies at the Copenhagen School of Arts and Crafts, where he was taught by Kaare Klint. He then entered the Royal Academy of Fine Arts, graduating as an architect in 1942. In the same year he began working as design director for FDB, before finally setting up on his own in 1950. Functional is the word that best describes Mogensen's design; most of his creations were conceived for industrial production, and are characterised by solid, simple lines, almost scientifically studied to be as functional as possible. His clean and highly functional aesthetic resulted in affordable and practical designs, his favourite material being wood. His client portfolio includes Fredericia Stolefabrik, Fritz Hansen and Søborg Møbelfabrik, among others. Notable projects include Spokeback Sofa (1945) and Spanish Chair (1959), as well as a variety of shelving and storage designs. He was honoured with the Eckersberg Medal in 1950, the annual prize of the Copenhagen Joinery Guild in 1953 and the C.F. Hansen Medal in 1972.
Lot 20
Elizabethan seating. Spain, ca. 1850.Mahogany wood and velvet upholstery.Measurements: 113 x 175 x 70 cm (sofa); 110 x 69 x 72 cm (armchairs) and 96 x 47 x 47 cm (chairs).Set consisting of a three-seater sofa, two armchairs and twelve Elizabethan chairs with rich green velvet upholstery. The whole set, made of mahogany wood, has cabriole-style legs on the front, carved with mouldings that extend into the front skirt, while the back legs are undecorated. The seats of the armchairs and chairs adopt a trapezoidal design, with a mixtilinear profile, and the oval backs, which are wider towards the moulded edge, are joined to the seat by synthesised scrolls. Particularly noteworthy is the work on the back of the sofa, with its marked curvature typical of the Elizabethan style.
Lot 8
Lit en Bateau; Restoration period, early 19th century.Mahogany.It has a removable structure.Slight cracks in the cotton upholstery.Measurements: 90 x 190 x 76 cm; 163 x 76 cm (mattress).The boat bed design known as lit en bateu was created during the Napoleonic period. It is a type of furniture inspired by ancient Egypt, characterised by its curved-sided front, open to the outside. The initial model of bed soon evolved into a type of open seating, as can be seen in this bed, with its sinuous profile. This sofa rests on four straight, rectangular legs. The entire piece of furniture has this sober, sharp-edged design, except perhaps for the curvature of the sides, which lends a certain dynamism to the whole. As for the decoration, it remains sober, leaving a greater role to the expressiveness of the mahogany, as it is only decorated with a few mouldings, located at the edges of the structure.
Lot 87
TITO AGNOLI (Lima, 1931-Milan, 2012) for MATTEO GRASSI.Set of eight Korium chairs.Black leather upholstery.Measurements: 78 x 63 x 48 cm.Set of eight chairs with metal structure and black leather upholstery. The Korium chair is a design classic that will be enjoyed by generations to come. Designed by Tito Agnoli in the 1970s, it was marketed by Matteo Grassi in the same decade. It is a chair raised on four wheels, with slightly curved armrests and side frames covered by a black leather panel that falls to the floor. The backrest is slightly inclined. The geometric shapes, pure and elegant, make this chair an icon of mid-century design.Born in Lima, Tito Agnoli moved to Italy to study in the years after the Second World War. He studied painting under Mario Sironi. In 1949 he enrolled at the Polytechnic University of Milan to study architecture. Specialising in industrial design, Agnoli interned for the famous designers Gio Ponti and Carlo De Carli after graduating. From the 1950s onwards, Agnoli worked in the field of furniture, creating designs for important Italian brands such as Arflex, Bonacina, Mattero Grassi, Poltrona Frau and Ycami. He also made major contributions to the field of lighting. Among his most outstanding designs are the Model 9000 Sofa for Arflex (1969); the sculptural Lounge Chair P3 and Lounge Chair P3S in wicker, the Sorbet Chair in stainless steel and the Punto e Virgola Chair for Pierantonio Bonacina (all 1960s); and the Korium Chair for Matteo Grassi (1970s). In 1974, Agnoli began collaborating with Poltrona Frau, designing numerous leather sofas and armchairs that were a great commercial success. His prestige was enhanced by a double nomination for the Compasso d'Oro award and he won a gold medal at the Neocon exhibition in Chicago in 1986.
Lot 740
19TH CENTURY GILTWOOD FIVE PIECE SALON SUITE,the top rail with carved ribbon and floral cresting within guilloche borders, with husk moulded indented sides, with downswept arm rests, upholstered back, arms and detachable cushion in Aubusson tapestry cloth, comprising sofa and four arm chairs, the settee 172cm wide, the chairs each 77cm wide (5)Condition report: One chair with noticeable chip to carved detail on top rail, further chips throughout, rubbing to gilt, general wear, cushions not plump, upholstery tired, faded, frayed, and split in numerous places, still of tight feeling construction, would benefit from attention overall, see illustrations for representative examples of condition, height to seat of chairs excluding cushion 40cm, settee slightly shorter, no obvious signs of worm but unfortunately we are unable to inspect 100% of each item
Lot 187
AN EDWARDIAN CARVED MAHOGANY FRAMED THREE PIECE SALON SUITE on ring turned supports with metal casters, the sofa 140cm wide Condition Report : re-upholstered, feels like original horsehair underneath. Stained in places Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
Lot 199
AN EDWARDIAN BUTTON UPHOLSTERED SOFA with serpentine front seat, on carved walnut supports, 190cm wide Condition Report : re-uphsolstered (but not recently), feels like original horse hair underneath. generally solid Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition. Lot 199re-uphsolstered (but not recently), feels like original horse hair underneath. generally solid but there is some movement in the back and one of the arms
Lot 2
GORDON & WATSON; a Regency mahogany sofa table, the crossbanded top with drop ends above a pair of frieze drawers to each side, supported on square tapering legs with reeded outswept supports and brass lion paw caps and castors, 74 x 93 x 73.5cm (unextended), paper label to inside of one drawer inscribed 'Gordon & Watson, Cabinet & Chair Makers, Back of the Fish Cross, Ayr...'.
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