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Zweisitzer-Sofa LC3, 1970er Jahre, Entwurf Le Corbusier 1928, verchromtes Stahlrohr und Leder, leichte Gebr.-spuren, ca. 68x130x66cm, Sitzh. ca. 41cm, EZ 2Two-seater sofa LC3, 1970s, designed by Le Corbusier 1928, chromed tubular steel and leather, slight signs of usage, approx. 68x130x66cm, seat h. approx. 41cm, condition 2
Knightman Family: An Old Mill Furniture (Balk): An English Oak Three Piece Suite, comprising Three-Seater Sofa, with lattice back and side panels, with recessed carved knight trademark, 207cm by 76cm, 96.5cm high; a Two-Seater Sofa, 147cm by 82cm, 97cm high; and An Armchair, 90cm by 79cm, 96cm high all with loose fabric cushionsFrom the estate of Horace Knight (1933-2021).The two seater has a faded back from sunlight. The lattice panels are dusty. Mark on one custion.
3 Miniaturmöbel-Sets aus Holz, 3 Puppenstubenmöbel-Sets, bestehend aus Wohnzimmer mit Sofa, Tisch u. 2 Stühle, Vitrine, Kommode und Spiegelschrank; Schlafzimmer mit Bett, Sessel, Nachttischchen, Schrank, Spiegelschrank sowie 2 Kommoden und für das Musikzimmer ein Klavier, Hocker, 2 Stühle Kommode und eine Wanduhr, je im Orig.-Karton, (Schachteln beschädigt), nicht alle Schubladen können geöffnet werden, Altersspuren, vereinzelt Klebereste erkennbar.| 3 dollhouse furniture sets, made of wood, consisting of living room with sofa, table and 2 chairs, showcase, chest of drawers and mirror cabinet; Bedroom with bed, armchair, bedside table, cupboard, mirrored cupboard and 2 chests of drawers and for the music room a piano, stool, 2 chairs, chest of drawers and a wall clock, each in original box (boxes damaged), not all drawers can be opened, signs of age, occasional adhesive residue visible.
Konvolut aus 4 Puppenstubenpuppen und Wohnzimmer-Zubehör, 19./20. Jh. bestehend aus "Älterer Dame", Kopf aus Masse, Hände und Schuhe aus Metallguss, Stoffkörper; "Älterer Mann", Kopf u. Hände aus Kunststoff sowie weibliche Puppe mit Biskuit -Brustblattkopf und -Gliedmaßen und männliche Puppe, Kopf aus Kunststoff (krakeliert), Schuhe u. Hände aus Metallguss, Stoffkörper, alle gekleidet im Stil der 1940er/50er Jahre, dazu ein Fundus aus Ausschmückungsteilen für eine Wohnstube: Möbel, darunter 5 Stühle, 2 Hocker, Sofa und 1 Tisch (verschiedenes Design), umfangreiches Zinngeschirr in einer Schachtel, Bilder, Tintenzeug, Fernrohr in einer Box, Visitenkarten "Käthchen" in Mini-Schachtel, 6 'Electrola' Blechdosen gefüllt mit Grammophon-Nadeln, Reisealtar, Lederetuis, u.a. Tlw. besch., Alters- und Gebrauchsspuren, Möbel tlw. zerschlissen.| Convolute of 4 dollhouse dolls and accesories for a living room, 19th/20th century, consisting of "Elderly Lady", head made of mass, hands and shoes made of cast metal, fabric body; "Elderly man", plastic head and hands and female doll with bisque shoulder head and limbs and male doll, plastic head (craquelure), cast metal shoes and hands, fabric body, all dressed in 1940s/50s style , plus a fund of decorative parts for a living room: furniture, including 5 chairs, 2 stools, sofa and 1 table (various designs), extensive pewter crockery in a box, pictures, ink supplies, telescope in a box, "Käthchen" business cards in miniature Box, 6 'Electrola' tin cans filled with gramophone needles, travel altar, leather cases, etc. partly dam., signs of age and wear, furniture partly torn.
Artist: Cecil Beaton (English, 1904 - 1980). Title: "Marilyn Monroe 1956 #2". Medium: Original vintage photogravure. Date: Composed 1956. Printed 1968. Dimensions: Image size: 7 7/8 x 7 3/8 in. (200 x 187 mm).Lot Note(s): Stamped with the photographer's name, verso. Edition size unspecified, presumed small. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Comment(s): One from the famous series of photographs taken by Beaton of Monroe at the height of both of their storied careers. Although associated with ‘Vogue’ through most of his career, Beaton’s 'Monroe' portfolio appeared in ‘Harper’s Bazaar’, for which he worked in the mid-1950s. It was while in New York for the rehearsals and premiere of ‘My Fair Lady’ that Beaton photographed Monroe. With a possibility that he would be the designer of Monroe’s dresses for ‘The Prince and The Showgirl’, Beaton arranged a photography sitting in his suite in the Ambassador Hotel in New York City on 22 February 1956. Ed Pfizenmaier, Beaton’s assistant, noted that Monroe did her own make-up and ‘came just by herself, with these two little dresses… it was as simple as that.’ Beaton later recalled ‘She romps, she squeals with delight, she leaps on the sofa. She puts a flower stem in her mouth, puffing on a daisy as though it were a cigarette. It is an artless, impromptu, high-spirited, infectiously gay performance. It will probably end in tears.’ The session produced one of Monroe’s favorite portraits, which hung in her New York apartment that she shared with her third husband, Arthur Miller. Image copyright © The Estate of Cecil Beaton. [28973-2-300]
A PARKER KNOLL, DEWANT COLLECTION, MODERN HARDWOOD FRAMED THREE SEATER SOFA (3)200cm wide; 82cm high, and a pair of matching armchairs 95cm wide; 82cm highboth the sofa and the armchairs are in used condition with some wear and marks to the back where it has sat against a wall, no rips or tears to the upholstery
Napoleon III rosewood salon suite, comprising three seat sofa and four fauteuils, with original tapestry upholstery, the cabochon and floral carved top rails over floral design backs and seats, on cabochon carved cabriole legs and castors, settee H106 W170 D70 cmConserved by Devall Conservation in 2017
A 1920s mahogany framed footstool (later covered), four matching cushions, two further feather filled cushions in gold, three various Edwardian chairs, a walnut coal purdonium, a Regency piano stool (a/f), a naturalistic lamp base formed from petrified wood found in the Thames (by repute), a modern wicker lamp and a slatted wooden high back chair in the manner of Charles Rennie Mackintosh, a mahogany framed mirror and sofa finials (17)
Graphiker des 20. Jhs. Gewichtheber 135/350; Collosseum 16/20, dat. (19)91; abstrakte Komposition 7/35, sign./dat. F. Sieber (19)59; und Stillleben mit Sofa 36/120, dat. (19)88. Vier colorierte Lithographien, li./u./num., re./u. meist unleserlich sign., hi./Gl./gerahmt, 25 x 30 bis 28 x 39,5 cm.
Biedermeier-SofaMitte 19. Jh. Kirschbaum furniert. 96 x 190 x 70 cm. Sofa mit geschwungener Rückenlehne und verstrebten, volutenförmig auslaufenden Armlehnen, auf ausgestellten Füßen; heller, gelb-gestreifter Bezug mit Blumenkränzen und Buketts, akzentuiert mit Ziernagelung, abnehmbare Armlehnenpolster Alters-/Gebrauchsspuren, Furnier mit kleinen Defekten und inaktivem Anobienbefall, alt restauriert, Polster und Bezug jünger.
Konvolut Tiere und Teddys mit Schlitten und SofaUngemarkt, darunter Steiff und Schuco. Mohair und Kunstseidenplüsch. L 7 - 35 cm. Schlitten (L 36 cm), Sofa (L 27 cm), 11 Teddys (darunter ein Berlin-Bär mit Metallkrone und Thüringer Bären), 3 Hunde, 1 Ziege, 1 Rabe, 1 Handpuppe und 1 Flaschenbär von Else Sturm Altersspuren.
A rare G-Plan set of a three seater wing sofa model 6783, size: W186cm, H90cm, together with a wing armchair model 6781, size: W82cm, H90cm. With a slight curve to the frame both pieces are supported on their original castors. Stylish and very comfortable vintage, date from the 1960’s. Upholstered in their original blue fabric and are in good condition. (2)

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58284 item(s)/page