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Lot 300004
Gründerzeit-Sofa, deutsch um 1880, aufwendiges geschnitztes Nussbaumgestell, neu mit Federkern gepolstert und mit hochwertigem Stoff mit eingewebten gelben und cremeweißen Streifen bezogen, H 125 cm, L 164 cm, T 70 cm, Armlehnen H 65 cm, Sitzhöhe 47 cm, Bekrönung der Rückenlehne erneuert, Holz mit kleinen Gebrauchsspuren. 3169-189
Lot 56
A Regency rosewood and brass 'buhl' (or Boulle) marquetry card tableCirca 1820, possibly by Louis Constantin Le GaigneurWith premiere and contrepartie inlay, the swivel hinged top and octagonal column each inlaid with chevron surrounds and 'Greek-key' type borders, the top with conforming edging, enclosing a red baize playing surface, with a mahogany interior, above a scrolled foliate frieze, on an octagonal column with similar inlay interspersed by foliate spray pendants, the column joined by an X-form support comprised of four large S-scrolls, the concave quadripartite base inlaid with stylised foliage and surmounted by four honeysuckle and rosette inlaid scrolled corbels, terminating in gilt bronze scrolled and stiff-leaf hipped hairy lion paw feet, 97cm wide x 54cm deep x 73cm high, (38in wide x 21in deep x 28 1/2in high)Footnotes:Related furniture to the present lot includes: a small 'Buhl' inlaid centre table attributed to Louis Le Gaigneur which sold Sotheby's, London, 20 September 2011, Fine Furniture, lot 217; a brass inlaid rosewood centre table, dated circa 1820, which sold Sotheby's, London, 12 November 2019, Style: Private Collections, lot 17; a rosewood and brass inlaid sofa table, circa 185, sold Christie's, London, 19 January 2021, Apter-Fredericks: 75 Years of Important English Furniture, lot 85; and an important writing table attributed to Le Gaigneur, from circa 1815, features on the website for David Foord-Brown Antiques.This marvellous card table is typical of the revived taste for 'Buhl' or Boulle furniture among the wealthy and fashionable elite in Britain of the 1820s, as favoured by such influential collectors as the Prince Regent, later to become George IV, and William Beckford (1760-1844). The demand for 'Buhl', as it was then known, was provided for by various antiquarian dealers based in London who not only dealt in old furniture but would also adapt 18th century Boulle pieces, or even make examples in the Boulle style. Such dealers and cabinet makers included Louis Constantin le Gaigneur, who described himself as a 'French Buhl Manufacturer' and worked predominantly for the Prince Regent and his circle (a pair of Louis XIV-style 'Boulle' bureaux plats were delivered to the Royal Pavilion, Brighton in 1815, RCIN 35289). Another figure producing similar 'Buhl' inlaid furniture at that period was Thomas Parker of Air St., Piccadilly, who in 1813 supplied a pair of Boulle marquetry coffers-on-stands to the Prince Regent, which remain in the Royal Collection (RCIN 21624).The cabinet maker Louis Le Gaigneur established his 'Buhl' Manufactory at 19 Queen Street, Edgware Road, circa 1815, and from there specialised in brass inlaid furniture in the then newly revived Louis XIV style. His clients included such important and prominent figures as the Prince Regent and the 3rd Marquess of Hertford, and library tables bearing Le Gaigneur's signature remain at Windsor Castle and the Wallace Collection.This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 64
A pair of Restauration giltwood fauteuils by Pierre-Antoine Bellangé (1758-1827) or Louis-Alexandre Bellangé (1799-1863)1815-1820Each with a scrolled dished top and an opposing volute scroll, anthemion and acanthus spray toprail centred by a flowerhead, the bowed seat frame with similar decoration centred by an elongated scrolled tablet, with lotus-leaf clasped and scroll capped arm supports, on two acanthus and stiff-leaf wrapped lion-bust headed monopodiae terminating in animalistic legs and lion paw feet, with splayed square section rear legs, each side applied with scrolled stylised foliage interspersed with anthemia and paterae, each fauteuil stamped: 'L.BELLANGE' and one fauteuil stamped: 'CH', approximately: 71cm wide x 72cm deep x 100cm high, (27 1/2in wide x 28in deep x 39in high) (2)Footnotes:Provenance Purchased Koller, Zürich, September 2005, Collection Dino Fabbri, Monte Carlo, lot 1276. An identical pair of fauteuils, which along with the offered lot, likely formed part of an extensive set apparently made by the cabinet maker Louis-Alexandre Bellangé, sold Christie's, London, 23 March 2017, Robert de Balkany Rome and the Cote d'Azur, lot 494. Both pairs have the same 'L. BELLANGE' and 'CH' stamps which prove that they were originally from the same commission. The Christie's armchairs previously belonged to Aladar Zellinger de Balkany (1900-1983), and passed thence by descent.A further pair of fauteuils of this same type were offered, together with a matching sofa, Sothebys, Paris, 23 June 2021, Important Mobilier, lot 156. However, interestingly these Paris examples were attributed to the workshop of Pierre-Antoine Bellangé, who was the father of Louis-Alexandre.The design for the present armchairs is based upon a watercolour entitled 'Deux Projets de Fauteuils' (1817-1820), bearing the signature of Louis-Alexandre Bellangé. It forms part of a collection of illustrations, taken from 'l'Atelier Bellangé', which are at the Metropolitan Museum of Art in New York, S. Cordier, Bellangé, Ebenistes: une Histoire du Gout au XIX Siecle, 2012, Paris, fig. 4. However the antecedent, which incorporates similar lion monopodia to those of the above, was one of a number of drawings for related seat furniture and tables which first appeared in Charles Percier and Pierre-Francois Leonard Fontaine, Recueil de Decorations Interieures, originally published in 1812. It is notable that these Percier and Fontaine examples had in fact been sourced themselves from antiquity.Another closely related design for fauteuils, one attributable to Pierre-Antoine Bellangé (Louis-Alexandre's father), was executed during the period 1815-1820 and corresponds well with a set of chairs and sofas supplied to the Comtesse du Cayla for the Chateau of Saint-Ouen of Zoe, Ibid, p. 489, PAB107. This strong association or interrelationship between father and son implies that at an early stage the much younger figure of Louis-Alexandre must have undertaken a thorough analysis of his father's oeuvre.Indeed between 1820 and 1825, towards the end of their contractual arrangement during their co-operation based at the family workshop on Rue Neuve-Saint-Denise, various pieces of seat furniture made at this time are either stamped: 'L. BELLANGE', such as appear on the offered lot, or: 'P. BELLANGE'. Some of the models that have the 'L. BELLANGE' stamp feature in Ibid, p. 500, LAB1 and a pair of such fauteuils also sold Sotheby's, New York, 25-26 October 2007, Ariane Dandois Collection, lot 523.Furthermore, an assortment of designs dating to circa 1818, which were completed by Louis-Alexandre, are today with the Metropolitan Museum in New York. Interestingly this particular portfolio even includes an engraved plate depicting a near conforming armchair to the present ones, which was itself evidently made in Pierre-Antoine's workshop at some point during 1815-1820.Pierre-Antoine Bellangé became maitre in 1788. But despite working as a cabinet maker throughout the Revolution (1789-1799), it appears that his career really flourished during the Empire period and the initial part of the Restauration, or restoration of the monarchy. Pierre-Antoine developed into one of the principal suppliers of furniture to Napoleon and also to those closest to the Emperor, before in due course serving as cabinet maker to the Garde-Meuble de la Couronne (basically the Royal furniture repository) during the reign of Louis XVIII.Louis-Alexandre Bellangé, who ran his own atelier and shop at 33 Rue des Marais-Saint-Martin, established himself and his firm as specialist in the production of furniture incorporating porcelain, lacquer and hardstones, as well as Boulle-inspired pieces. In 1833 he tried unsuccessfully to get a place at the Garde-Meuble de la Couronne restoring earlier works. However, disappointment at this rejection must have been tempered by his subsequent appointment as a supplier to the Duc d'Orléans. His gold medal-winning contribution to the Paris exhibition of 1839 won him significant praise from the jury at that event. Although fairly early on in his career Louis-Alexandre supplied furniture to Charles X, subsequently at the 1844 Exposition des Produits de l'Industrie Française Louis-Philippe (when King) acquired a Boulle table from the illustrious cabinet maker. Later on, at the 1851 Great Exhibition, he was awarded a second class medal for the Boulle objects his firm had produced for Crystal Palace. Examples of his oeuvre, made either independently or in collaboration with his father, may be found in the Wallace Collection, London and in the collection of Her Majesty the Queen at Windsor Castle.This lot is subject to the following lot symbols: * TP* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.TP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 567
Verhoeven, Jan, 1870 Amsterdam - 1941 ParisSchlafende. Bleistiftzeichnung auf Papier, teilkoloriert, links unten signiert. Darstellung einer schlafenden Frau auf dem Sofa. Im Passepartout, hinter Glas gerahmt, im unausgerahmten Zustand katalogisiert, 56,5 x 70,5 cm (Ra). Verhoeven, Jan Pencil drawing of a sleeping woman. Signed, framed behind glass, in a passepartout.
Lot 2107
An upholstered suite of sofa and armchair by Brights of Nettlebed, in George III taste, modern,: with camel backs and outscrolled arms, with metal studded fronts; on short carved and stained wood cabriole legs descending from shell carved knees to foliate carved feet; the sofa 88cm high, 204cm wide, 80cm deep; the chair 94cm wide
Lot 2287
A rare Edwardian lacquered, parcel gilt and upholstered two seat sofa by Howard & Sons of London,: early 20th century, the rectangular backrest, seat cushions and outscrolled arms with possibly original printed silk coverings depicting figures and pavilions in landscapes; the arms with show frame fronts decorated with trailing foliage; the short cabriole front legs descending from scallopshell carved knees to ball and claw feet; with splayed back legs, one stamped HOWARD & SONS LTD. BERNERS ST 12912 535; 73cm high, 140cm wide, 74cm deep
Lot 833
A high backed sofa, shaped arms, in plum and silver floral fabric, 105cm high, 147cm wide, 66cm deep. The upholstery in this lot does not comply with the 1988 (Fire & Fire Furnishing) Regulations, unless sold to a known exporter or upholsterer it will be cut from the frame before leaving the premises.
Lot 856
A modern button back lounge suite, comprising a cream and floral pattern, two seater sofa, high back armchair, low back armchair, and foot stool. The upholstery in this lot does not comply with the 1988 (Fire & Fire Furnishing) Regulations, unless sold to a known exporter or upholsterer it will be cut from the frame before leaving the premises.
Lot 415
Regency rosewood sofa table, the top with beaded edge over a frieze drawer on a concave column and platform base with scroll feet and castors, H72 W92 (closed) D71 cmCondition Report: Top currently in two sections, due to stress fracture where screws have been applied beneath. Left hand side to top now loose as a consequence. Some beading missing or loose as a consequence and other areas with re-applied beading. Some slight fading to the front.
Lot 465
Sale Item: RED SOFA & 2 CHAIRS (AF) Vat Status: No Vat Buyers Premium: This lot is subject to a Buyers Premium of 15% + Vat @ 20% Additional Info : Lots purchased online with the-saleroom.com will attract an additional charge for this service in the sum of 4.95% of the hammer price plus VAT @ 20%
Lot 531
Sale Item: INLAID PARLOUR SOFA (AF) Vat Status: No Vat Buyers Premium: This lot is subject to a Buyers Premium of 15% + Vat @ 20% Additional Info : Lots purchased online with the-saleroom.com will attract an additional charge for this service in the sum of 4.95% of the hammer price plus VAT @ 20%
Lot 217
Gray, Eileen1878 - 197659 x 190 x 81 cmDaybed, entworfen 1925. Ausführung Classicon, München, wohl 1980er Jahre. Gestell aus hochglänzend verchromten Stahlrohr, Polyurethanschaumpolsterung auf Hartholzrahmen. Gestell, Bezug in Stoff Divina aus 100% Schurwolle. Das Day Bed wurde von Eileen Gray 1925 entworfen und ist einer der berühmtesten Entwürfe von Eileen Gray. Nutzbar als Tagesbett, vollwertiges Bett oder Sofa.Stuttgarter Privatsammlung.
Lot 900
A mahogany and line inlaid sofa table, second quarter 20th c, in Regency style, with crossbanded top and oak lined drawers, brass knobs and paw castors, 77cm h; 58 x 161cm A good quality example of the type, unusually well made and heavy, requires some minor cosmetic restoration and polishing, timber of pleasing figure
Lot 960
A Continental carved and giltwood and birch sofa, early 19th c, the padded back crested by bold volutes and leafage centred by a shell, the ends of double volute form, 226cm l Provenance: The Hon. Charles Pearson, Dunecht House, Aberdeenshire Re-gilt; silk upholstery in reasonably good condition with small stain
Lot 495
A 'Victoria and Albert' sofa,c.2000, designed by Ron Arad for Moroso, in bouclé,205cm wide 95cm deep107cm high, seat 43cm highCondition ReportWith some scratches and marks to the supports. The upholstery appears clean and the stopping appears soft and supportive. Some minor lint occurring to the upholstery.
Lot 527
A vintage mid 20th Century French style salon two seater sofa / window bench having an open gallery back with carved top rail and oval supports. Cushioned seat rest with all raised on straight tapering supports. Cream paint finish with turquoise highlights throughout. Measures approx; 90cm x 151cm x 55cm.
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53794 item(s)/page