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Lot 69
A mahogany sofa table in Regency style, 19th century, with two frieze drawers, 74cm high, 143cm wide (when open), 59.5cm deep Condition Report: variant fading from sunlight- one handle absent- some old shrinkage and wear to extremities- notably front edge- small infills to top Condition Report Disclaimer
Lot 71
An early 19th century mahogany sofa table, of conventional twin drop leaf form, with ebonised stringing throughout, twin drawers opposed by dummy drawers, dual standard supports, 148cms wide, 68.5cms high, 64cms deep. Condition Report: Repolished and with old repairs to 2 old shrinkage cracks to top, Lacks castors, some moulding missing. three legs with spliced repair. Scuffing and scrapes throughout- notably to top Condition Report Disclaimer
Lot 649
EARLY 20th CENTURY PARLOUR SUITEcomprising a small two seat sofa with a shaped button back with pierced decoration and decorative stud detail above a stuffover seat, standing on cabriole supports, together with four chairs with oval button backs above shaped seats, standing on cabriole front supports
Lot 2481
A Regency mahogany sofa table with two frieze drawers on outswept supports, 96cm wide x 71cm high x 66cm deep x 142cm wide with the flap up. Condition Report Old marks and scratches, solid construction, straight top when open, no splits or cracks to top, locks present, no key, original handles, see photos on website.
Lot 466
Larissa Lockshin Girl Asleep on the Sofa, 2021 Pastel on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) "Larissa Lockshin is a Canadian-born artist based in Queens, New York. Seeking to challenge the existing associations, categorizations, definitions, and language surrounding art, Larissa Lockshin emphasizes objecthood over image content. Employing printer ink, acrylic, oil sticks, enamel, and chalk, Lockshin creates objects that reach out to the viewer and exist in the liminal space between painting and sculpture. A frustration with the emphasis on performance and conceptual art in her formal education first drove Lockshin to abstraction, and her subsequent work challenges the image's drained value in an oversaturated, digital world. The question of how art can maintain its value as a physical object when most artworks are viewed online impelled Lockshin to create artworks that defy the confines of digital reproduction, countering notions of what painting is through loosely impressionistic, largely unrecognizable forms. Exhibitions Her recent solo and two-person exhibitions include: "Iced Rowanberries", The Newsstand Project, Los Angeles, CA (2020), "Cadmio Limon", curated by Cristina Anglada, Galeria Pelaires, Majorca, Spain (2020), NADA "This is Fair", Melanie Flood Projects (2020), ARCO Lisboa, Galeria Pelaires (2020), ""Mal"" curated by Underground Flower & The Sunroom, Richmond, VA (2020). ""Elephant Heart"" (Solo), Y2K Group, Tribeca, NYC (2019), ""Fashion Club"" (Solo), Thumbelina's, NYC (2019), ""Scarecrow Show"", curated by Abby Lloyd, Dennis Witkin & Hadley Vogel, Watermill, NY (2019), ""Metal Meadow"", Camp Eternal Hell Chamber, NY (2019), Odette, Melanie Flood Projects, Portland, OR (2019), Bad Dream House, American Institute of Thoughts and Feelings, Tucson, AZ (2018); Far Side of the Valley, Albert Baronian, Brussels (2015); Bone Dry, 3434, New York (2016); Close But Not Cigar, Johannes Vogt Gallery, New York (2015). Recent group exhibitions include: Scarecrow Show, The Green Thumb, Watermill, NY (2019); Metal Meadow, Camp Eternal Hell Chamber, Cobleskill, NY (2019); Exit Soul, Liberal Arts Roxbury, Roxbury, NY (2018); Moondog, East Hampton Shed, New York. Gallery Representation She is represented by Galerie Baronian/Xippas in Brussels."
Lot 1944
A B&B Italia Cloud sofa, by Naoto Fukasawa of contemporary minimalist design, in light brown leather, with impressed maker's marks to leather, and label to undersideThe sofa is in nice overall condition with no obvious repairs. There is a small split to the underside of the raised back. There is all over surface marks and scratches. There is some rubbing to the corners and edges. All fairly consistent with use. There is also a small split to the right hand end of the raised back and some of the stitching is split around the base. There is a pair of screw holes to the underside of each end and B&B Italia stamp on the underside. Length 200cm Height 73cm Depth 82cm
Lot 1990
A black leather button-back rollover arm Chesterfield, L195cm, H70cm, seat height 40cm and depth 50cm (WITH THE OPTION TO PURCHASE THE FOLLOWING LOT). Chesterfield is in good overall condition. Several of the buttons are missing from the seat, all are present on the back and arms. The back of the sofa is quite scuffed, particularly on the bottom edge. It is sitting on stained pine bun feet.
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