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Lot 168
A 19th century and later sofa table with a rectangular top and reeded edge on a conforming support with splaying legs terminating in brass hairy paw feet and casters143cm wide x 76cm deep x 71cm highMinor cracks and splits to the top. The base and top possibly associated. Some minor marks to the base. Possible signs of some restoration.
Lot 930
A unique Kiln hand made two seater sofa, of small proportions, richly upholstered, the slightly arched back and swept arms in scalloped, buttoned red velvet, the serpentine seat and seat back in bold floral and foliate upholstery and deep front fringe, raised on ebonised, square tapered feet, 61½in. (156cm.) long, 27½in. (70cm.) high, approx. 29in. (73.5cm.) deep.
Lot 777
A late Victorian rosewood and marquetry drop flap sofa table with galleried undertier, the top with inlaid floral roundel, boxwood stringing and cut corner drop flaps, over a single frieze drawer with solid plate handles, on a shaped apron with fan patera and spandrels, raised on square tapering supports terminating in ceramic castors, united by a pierced gallery undertier, 35¾ x 16½in. (90.8 x 41.9cm.) open, 27¾in. (70.4cm.) high, 22 x 16½in. (55.8 x 41.9cm.) closed. * Condition: Some fading to top and legs.
Lot 218
Betty Joel (1894-1985), a large cream upholstered modernist sofa, with squared arms and raised on casters84 x 230 x 90cmProvenance: Formerly removed from 66 Frognal, Camden, London, the modernist house designed by architects Colin Lucas, Amyas Connell and Basil Ward. Connell Ward & Lucas were a pioneering firm of architects working in the Modern Movement in the UK. Connell and Ward were early admirers of Le Corbusier; Lucas, similarly influenced and frustrated by conventional builders, had set up his own company to develop ideas for reinforced concrete. The three worked as a team from 1933, for six years producing a series of houses that no contemporary firm could match. 66 Frognal is illustrated in 'Connell Ward & Lucas "Modern movement architects in England 1929 -1939"some surface straining and dirt. The structure is sound.
Lot 277
Jasper Morrison for Cappellini, a model 934 three-seat sofa and footstool, with shaped back raised on angled aluminium feetthe sofa 85 x 214 x 70cmThere are a number of marks to the upholstery, including a large stain/water mark to the seat, a couple of scratches/marks to the back and a stain to the bolster cushion - see additional images.
Lot 2717
Sofa "Anfibio"Entwurf Alessandro Becci für Giovannetti/Italien, um 1970, wandelbares Schlafsofa (die Sitzfläche lässt sich nach vorn aufklappen), die Innenseite mit weißem Schaffellimitat, abgestepptes schwarzes Lederpolster in Knautschoptik, normale Alters- und Gebrauchsspuren, Maße 62 x 230 x 95 cm.
Lot 4453
Hans Hunnebald, MädchenaktAktdarstellung eines jungen, auf einem Sofa ausgestreckten Mädchens vor einem roten Samtvorhang, wenig pastose, mit breitem Pinselduktus gefertigte Malerei, Öl auf Hartfaserplatte, 1940er Jahre, unten links signiert "Hunebald", rückseitig auf dem Rahmen beschrieben "Hunnebald", partiell Craqueluren, gering retuschiert, reinigungsbedürftig, gerahmt, Falzmaße ca, 71 x 97 cm.
Lot 39
Adam Henein (Egypt, 1929-2020)Le Repos bronze with brown patinasigned 'A. HENEIN' (under left arm), the present work is an artist proof, from an edition of eight, executed in 197123 x 65 x 30cmFootnotes:Provenance:Property from a private collection, Gizainitially acquired directly from the Artist in 1972Illustrated:S. Wright, Adam Henein, Milan 2005 (illustrated, p. 61)Exhibition catalogue, ARTSPACE Grand Opening Group Exhibition, Artspace DIFC, Dubai, 2008 (another from the edition illustrated in colour, unpaged).S. Eigner, Art of the Middle East: Modern and Contemporary Art of the Arab World and Iran, London 2010 (another from the edition illustrated in colour, p. 289)Note:This work is accompanied by a certificate of authenticity issued by the Artist in 2020.This present sculpture by Adam Henein was executed in 1955 and reflects his sensitivity and artistic complexity even as a young man. During Henein's travels around the region of Luxor, Henein created this work, which combines elements of Pharaonic art with European Modernism. The sculpture depicts an Egyptian man resting in a traditional 'galabiya,' and its rough execution and sharp edges capture the fleeting motion of light, reminiscent of archaeological fragments from Egypt's rich cultural heritage.Henein's sculptures are deeply rooted in his heritage, as he juxtaposes the life of a sculptor with that of a peasant. The sculpture portrays a laid back labourer resting after a long day of work, while Henein himself continues to hammer away at the bronze to create the image of the relaxed worker. Despite giving the sculpture a modernist twist, Henein still manages to delve into Egypt's elaborate history. Through his use of simple, minimalistic lines, he captures a palpable mythic essence while retaining simplicity. Le repos is an exceptional early work by Henein, showcasing the artist's acclaimed career and holding great mystery in the absence of detail.'Le Repos' refers to a state of rest or relaxation; it is a term that has been used to describe many significant paintings throughout art history. There is no singular artwork or style that is definitively referred to as Le Repos, however, one notable Le Repos painting is by French Impressionist artist Pierre-Auguste Renoir. This painting, executed in 1870, depicts a young woman in a state of peaceful repose on a sofa with a book in her lap. This work is significant for its elegant portrayal of the reclining female form and how it beautifully captures a fleeting moment of everyday life. Renoir's soft, sensual brushstrokes and warm, earthy tones emphasize her beauty and femininity. This painting heavily influenced countless artists in the decades that followed, is considered one of Renoir's masterpieces and is housed in the Musée d'Orsay in Paris.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 23
Suite of light wood Dolls house furniture: German circa 1900, including Secretaire with fall front, interior with drawers, pigeon hole and drawers above and below 5 ¼” (13.5cm) tall, chest of three drawers, table with single drawer and oval table all with inlaid star motif, sofa and four chairs with pink silk upholstery and yellow tassels, (condition: good), (9 items).
Lot 27
Dolls House sofas, chairs and pictures, German circa 1900, wooden upholstered ivory silk covered sofa, 3 ¼” (8cm) tall with two matching arm chairs all with lion heads to arm rests and three chairs all with printed blue and pink flower decoration and edged with blue tassels, together with a similar set comprising sofa and four chairs edged with white tassels together with six pictures and a rug, (condition: generally good, some slight fraying to silk with blue tassels), (18 items).
Lot 647
KATZHUTTE; a ceramic figure of a maiden with a fan and bonnet seated upon a sofa, impressed and printed marks, length 28cm.Condition Report: Some light grazing around the base and with an imperfection to the glaze on the bottom left corner of the bracket of the sofa, this is visible in a small brown mark.
Lot 433
A Regency crossbanded rosewood sofa table, first quarter 19th century, boxwood inlaid and gilt metal mounted and with two frieze drawers, raised on scrolling supports to splayed legs, brass paw caps and castors, joined by stretcher, 73cm high, 138cm wide, 67cm deepProvenance: purchased from Critchley-Waring fine arts for £30,000 in 1991
Lot 466
Tetrad retro orange ground leather three seater sofa together with a matching swivel lounge chair on chrome finish bases. 1970s/80s (B.P. 21% + VAT)Sold as Office furniture, not for Domestic Use Does not comply with modern Fire Regulations for Domestic use. Sold as Office Furniture. Swivel mechanism is OK. good condition overall for age. No obvious rips, tears etc.
Lot 122
A Damascus mother-of-pearl-inlaid wood sofa and two chairs Syria, circa 1900each of typical form, the feet interspersed by arched elements, profusely inlaid with mother-of-pearl, the backs surmounted by openwork foliate panels, decorated with mashribiyya work panels and mother-of-pearl inlay with vases of flowers and trailing vines, later cushioned seat upholstered in cream brocade fabric the sofa 163 x 50 x 120 cm.(3)Footnotes:ProvenanceBonhams, Islamic and Indian Art, 14 October 2004, lot 557.Private UK collection.This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 759
A leather 'Maralunga' sofa, designed by Vico Magistretti for Cassina, with adjustable headrests, with single footstool made to match, both reupholstered in berry-red leather, applied labels, sofa width 244cm, depth 81cm, height 72cm.Qty: 2Condition report:Very little wear, some light scratching on the seat cushions and softening to the padding of the arms and head rests. No tears or rips, some small random patches of dirt.
Lot 217
A contemporary Parker Knoll two seater sofa. Upholstered in brown leather, H88cm x W140cm x D81cm Condition Report: Generally in good condition. Slightly dusty and would benefit from a clean. Some indents to the leather however no tears or stains and few significant signs of wear. Structurally sound. Fire labels present.
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