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A mahogany Classica globe by The George F Cram Company of USA, with brass support, turned and reeded column, and splayed legs with brass castors, 100cm high.

Kim Novak signed colour 10 x 8 inch photo to Sam. American retired film and television actress and painter. Her contributions to cinema have been honoured with two Golden Globe Awards, an Honorary Golden Bear, and a star on the Hollywood Walk of Fame. Novak began her career in 1954 after signing a contract with Columbia Pictures, and quickly became one of Hollywood's top box office stars, appearing in Picnic (1955), The Man with the Golden Arm (1955), and Pal Joey (1957). She gained prominence for her performance in Alfred Hitchcock's thriller Vertigo (1958), which is recognized as one of the greatest films ever made. Other notable films include Bell, Book and Candle (1958), Strangers When We Meet (1960), and Of Human Bondage (1964). Although still relatively young, Novak withdrew from acting by 1966 and has only sporadically worked in films since. She appeared in The Mirror Crack'd (1980) and had a regular role on the primetime series Falcon Crest (1986-1987). Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10

WW2 German Kriegsmarine Auxiliary Cruiser Badge by Steinhauer & Luck, good example with much of the gilt wash finish remaining to the award. Crude rivet securing the globe to the award. Complete with its pin and catch fixing. Late Colin Kluth collection

WW2 German Kriegsmarine Auxiliary Cruiser War Badge by Foerster & Barth, well worn example of the Auxiliary cruiser war badge with remains of the gilt finish to the obverse of the badge. Solid badge with the globe not being a separate piece on this type. Complete with the pin and catch set up which is associated with Foerster & Barth but without the flaw in the eagle wing.

WW1 US Marine Corps HQ Company 6th US Marine Regiment 2nd Infantry Division Tunic, forest green four pocket tunic with bronzed USMC tunic buttons and collar discs with eagle, globe and anchor. Large black felt and painted Indian head emblem insignia for the HQ Company, 6th US Marine Regiment of 2nd Infantry division. French Croix de Guerre aiguillette to shoulder. Service chevrons to the arm. Interior with green cloth lining. Some wear but generally a good example.

A GREEN-GLAZED POTTERY EAR CUP, HAN DYNASTYChina, 206 BC to 220 AD. Of oval shape, the robust vessel is covered overall in a vibrant green glaze which is finely crackled. The thick ear-shaped handles protrude from the sides and the vessel stands on a short, flat foot.Provenance: From the personal collection of Michael B. Weisbrod, New York. Michael B. Weisbrod is a noted scholar of Chinese art, who has published extensively on the subject over a time span of more than 50 years. In 1972, Michael joined his father Dr. Gerald Weisbrod's Asian art gallery in Toronto, Canada. The father-and-son team opened their New York location on Madison Avenue in 1977, and during the next 45 years the gallery held a significant number of exhibitions, selling to museums and private collectors across the globe, eventually adding further locations in Shanghai and Hong Kong. Condition: Good condition, commensurate with age. Some firing irregularities, such as glaze recesses, signs of weathering, a few losses to the glaze with associated minor touch-ups. The glaze has undergone some oxidization, amplifying the ear cup's bright green color.Weight: 274.5 g Dimensions: Width 15 cm Literature comparison:Compare a related glazed ear cup, 9.2 cm long, dated to the Han dynasty, in the Victoria & Albert Museum, accession number FE.150-1974. Compare a related green lead-glazed ear cup, 11.1 cm, dated to the Han dynasty, in the Victoria & Albert Museum, accession number C.50-1911.Auction result comparison: Type: Closely related Auction: Sotheby's London, 8 December 2022, lot 220 Price: GBP 4,788 or approx. EUR 5,800 converted and adjusted for inflation at the time of writing Description: A green-glazed pottery earcup, Han dynasty Expert remark: Note the vibrant green glaze similar to this lot. Note the size (13.5 cm).13% VAT will be added to the hammer price additional to the buyer's premium - only for buyers within the EU. 漢代綠釉陶耳杯中國，西元前206-西元220年。耳備呈橢圓形，短平足，雙耳，胎體堅固，通體覆蓋著綠釉，細碎的裂紋。 來源：美國紐約Michael B. Weisbrod私人收藏，在20世紀90年代以約30,000美元的價格在蘇富比拍賣會上購得。Michael B. Weisbrod是一位著名的中國藝術學者，他在 50 多年的時間裡就該主題發表了大量著作。1972 年，Michael加入了他父親 Gerald Weisbrod 博士在加拿大多倫多的亞洲藝術藝廊。這對父子團隊於 1977 年在麥迪遜大道開設了他們的紐約分館，在接下來的 45 年裡，藝廊舉辦了大量展覽，向全球的博物館和私人收藏家出售作品，最終還在上海和香港開辦分店。 品相：狀況良好，一些燒製缺陷，釉面凹陷、風化跡象、釉面缺損，輕微小修。釉面有一些氧化，綠色更爲鮮亮。 重量：274.5 克 尺寸：寬15 釐米 文獻比較： 比較一件相近的漢代陶耳杯，長9.2 釐米，收藏於維多利亞和亞伯特博物館，館藏編號FE.150-1974。比較一件相近的漢代綠釉 陶耳杯，11.1 釐米，收藏於維多利亞和亞伯特博物館，館藏編號C.50-1911。 拍賣結果比較： 形制：非常相近 拍賣：倫敦蘇富比，2022年12月8日，lot 220 價格：GBP 4,788（相當於今日EUR 5,800） 描述：漢綠釉耳杯 專家評論：請注意與此杯的釉料相似。請注意尺寸 (13.5 釐米)。

A WHITE-GLAZED JAR, TANG DYNASTYChina, 618-907. Of globular form, the body rising from a narrow foot to voluminous rounded shoulders with a short waisted neck surmounted by a rolled rim. The interior and exterior covered in a translucent creamy white glaze above a white slip. Parts of the lower body and the flat base unglazed, thus exposing the pale buff body with its characteristic pinkish hue.Provenance: Brian Page, Brighton, United Kingdom. Grahame Clarke, acquired from the above in 2008, and thence by descent in the family. Grahame Clarke (1940-2014) was a noted ceramic artist, influenced by pioneers of small-scale studio pottery such as Harry Davis, Bernard Leach, and Shoji Hamada. In 1974 he founded Highland Stoneware in Lochinver, Scotland. Driven by the historic and natural environment, his work combined the durable porcelain body, modeled on ancient century Chinese pottery, with a free hand-painted style inspired by Delftware blue-and-white decorations of the 16th and 17th centuries. His passion for ceramics led him to collect artifacts from all over the globe, but especially from China. Inspired by historic porcelain, Clarke's work itself ended up in museums like the Victoria & Albert, exemplifying the modern movement of micro-kiln ceramic arts.Condition: Good condition, commensurate with age, showing some old wear and minor manufacturing irregularities, including glaze recesses and dark spots. Expected glaze flaking, minor losses, light scratches.Weight: 1018.1 gDimensions: Height 16.5 cm Literature comparison:Compare a related jar in the Idemitsu Museum of Arts, illustrated in Selected Masterpieces from the Idemitsu Collection, Tokyo, 1996, no. 90; and in Mayuyama, Seventy Years, Tokyo, 1976, p. 83, no. 219. Compare a related white-glazed pottery jar illustrated by Krahl in Chinese Ceramics from the Meiyintang Collection, London, 1994, pp. 138-139, no. 229. Compare four related jars of varying sizes (14.3 to 25.5 cm. high), illustrated in Mayuyama, Seventy Years, vol. 1, Tokyo, 1976, p. 97, pl. 261 and p. 83, pls. 219-22.Auction result comparison: Type: Closely relatedAuction: Christie's 29 March 2006, lot 394Price: USD 3,600 or approx. EUR 5,100 converted and adjusted for inflation at the time of writingDescription: A white-glazed baluster jar, Tang dynastyExpert remark: Compare the closely related form and glaze. Note the size (20.9 cm).Auction result comparison: Type: Closely relatedAuction: Bonhams New York, 20 March 2023, lot 4Price: USD 7,013 or approx. EUR 6,500 converted and adjusted for inflation at the time of writingDescription: Two white glazed pottery vessels, Tang dynastyExpert remark: Compare the closely related form and glaze. Note the size (18.5 cm) and that this lot also comprises a shallow bowl.Auction result comparison: Type: Closely relatedAuction: Christie's New York, 24 Mar 2023, lot 1002Price: USD 6,300 or approx. EUR 5,900 converted and adjusted for inflation at the time of writingDescription: A glazed white ware jar, Tang dynastyExpert remark: Compare the closely related form and glaze. Note the size (18.4 cm). 唐代白釉罐中國，618-907年。侈口，短頸，豐胸，弧腹，平底。 通體覆蓋著半透明的白色釉。足部無釉，露淺黃色胎。來源：英國布萊頓Brian Page收藏；Grahame Clarke 於 2008 年從上述人士手中收購，並自此在同一家族傳承。 品相：品相良好，有一些磨損和輕微的製造缺陷，包括釉面凹陷和黑點，輕微缺損與劃痕。 重量：1018.1 克 尺寸：高 16.5 厘米 拍賣結果比較： 形制：非常相近 拍賣：佳士得，2006年3月29日，lot 394 價格：USD 3,600（相當於今日EUR 5,100） 描述：唐代白釉罐 專家評論：比較非常相近的外形和釉面。請注意尺寸(20.9厘米)。 拍賣結果比較： 形制：非常相近 拍賣：紐約邦翰斯，2023年3月20日，lot 4 價格：USD 7,013（相當於今日EUR 6,500） 描述：唐白陶萬年罐及白陶壁足碗各一 專家評論：比較非常相近的外形和釉面。請注意尺寸(18.5厘米)，以及此有一件淺碗。 拍賣結果比較： 形制：非常相近 拍賣：紐約佳士得，2023年3月24日，lot 1002 價格：USD 6,300（相當於今日EUR 5,900） 描述：唐白釉罐 專家評論：比較非常相近的外形和釉面。請注意尺寸(18.4厘米)。由于平台拍品叙述的长度限制，我们移除了中文叙述，完整中文叙述请至www.zacke.at查看

A HENAN RUSSET-SPLASHED BLACK-GLAZED JAR, NORTHERN SONG TO JIN DYNASTYChina, 960-1234. The globular body rising from a short straight foot to a cylindrical neck with a lipped rim, set with a pair of strap handles. Covered to the horizontally ribbed interior and the exterior with a lustrous black glaze splashed with russet around the rim and handles, the glaze falling well short of the foot and pooling attractively in thick drops to reveal the buff-colored body.Provenance: From the collection of Grahame Clarke, and thence by descent within the same family. Grahame Clarke (1940-2014) was a noted ceramic artist, influenced by pioneers of small-scale studio pottery such as Harry Davis, Bernard Leach, and Shoji Hamada. In 1974 he founded Highland Stoneware in Lochinver, Scotland. Driven by the historic and natural environment, his work combined the durable porcelain body, modeled on ancient century Chinese pottery, with a free hand-painted style inspired by Delftware blue-and-white decorations of the 16th and 17th centuries. His passion for ceramics led him to collect artifacts from all over the globe, but especially from China. Inspired by historic porcelain, Clarke's work itself ended up in museums like the Victoria & Albert, exemplifying the modern movement of micro-kiln ceramic arts.Condition: Very good condition with expected old wear and manufacturing irregularities, including glaze recesses, the foot chipped.Weight: 776.9 gDimensions: Height 10.8 cm Auction result comparison: Type: Closely relatedAuction: Sotheby's New York, 15 September 2018, lot 1414Price: USD 9,375 or approx. EUR 10,500 converted and adjusted for inflation at the time of writingDescription: A russet-splashed black glazed jar, Northern Song/Jin dynastyExpert remark: Compare the related form and glaze with similar pooling and russet splash. Note the size (11.6 cm). 北宋至金河南黑釉鐵鏽斑雙耳罐中國，960-1234年。直口，削肩，雙繫耳，圈足。內外施有光澤的黑釉，邊緣和雙耳有鉄鏽斑色釉，釉料到罐身中間不問形成釉滴，露出淺黃色的身體。足下露胎。 來源：英國布萊頓Brian Page收藏；Grahame Clarke 於 2008 年從上述人士手中收購，並自此在同一家族傳承。Grahame Clarke（1940-2014）是一位著名的陶瓷藝術家，受到 Harry Davis、Bernard Leach 和 Shoji Hamada 等陶藝風格的影響。1974 年，他在蘇格蘭洛欽弗創立了 Highland Stoneware。 在歷史和自然環境的推動下，他的作品將仿照中國古代陶器的耐用瓷體與受十六世紀和十七世紀代爾夫特青花裝飾啟發的自由手繪風格結合起來。他對陶瓷的熱情促使他收集來自世界各地的陶瓷，尤其是來自中國的文物。受到古物的啟發，Clarke的作品本身最終被收藏在維多利亞和阿爾伯特博物館等博物館。 品相：狀況非常好，有磨損和製造不規則，包括釉面凹陷、腳部缺口。 重量：776.9 克 尺寸：高 10.8 厘米拍賣結果比較： 形制：非常相近 拍賣：紐約蘇富比，2018年9月15日，lot 1414 價格：USD 9,375（相當於今日EUR 10,500） 描述：北宋 / 金黑釉醬斑雙繫罐 專家評論：比較相近的外形和褐黑色滴釉釉面。請注意尺寸(11.6厘米)。

A BLUE AND WHITE SEAL PASTE BOX AND COVER, EARLY QING DYNASTYChina, late 17th - 18th century. The cylindrical body supported on a short foot, finely decorated in shades of cobalt blue to the top of the cover and the recessed base with chrysanthemum blooms borne on leafy scrolling vines, the sides left plain, covered overall with a transparent glaze. Note that the decoration on the cover being repeated on the base is rather unusual.Provenance: Collection of Alfred Julius Forkel, acquired in China before 1910, and thence by descent in the same family. The base with two old labels, 'IV' and '71/51'. Mentioned in the inventory of the collection, p. 71, no. 51, described as 'Kien Lung blau und weiß Farbnäpfchen'. Alfred Julius Forkel (1873-1934) was born in Bavaria to Johann Wilhelm Forkel and Anna Dorothea Forkel. During his life, Forkel worked as a merchant and later as an officer with the Imperial German Navy. His travels as a merchant and as a naval officer took him across the globe. During his time in China, he assembled a large collection of Chinese porcelain and ceramics.Condition: Very good condition with expected old wear, a minor chip to the rim of the cover. Remnants of red seal paste to the interior of the box and cover along with traces of use.Weight: 149.5 gDimensions: Diameter 7 cm Auction result comparison: Type: Related Auction: Sotheby's London, 10 November 2010, lot 92 Price: GBP 6,250 or approx. EUR 12,000 converted and adjusted for inflation at the time of writing Description: A blue and white seal paste box and cover, Qing dynasty, Kangxi period Expert remark: Compare the closely related cylindrical form and related cobalt-blue decoration, albeit with a different motif. Note the related size (7.8 cm) and that the lot comprises two additional porcelains. 清初青花印泥盒中國，十七世紀末至十八世紀。印泥盒圓筒形，短圈足。蓋頂青花描繪纏枝菊花紋，側面素面無紋，通體施透明釉。 請注意，蓋子上的裝飾在底座上重複是相當不尋常的。 來源：Alfred Julius Forkel 收藏，1910年前購於中國，在同一家族傳承至今。底座有兩個標籤 “IV"與“71/51"。在藏品清單中提到，第71頁，51號，描述為 “Kien Lung blau und weiß Farbnäpfchen"。Alfred Julius Forkel（1873-1934 年）出生於巴伐利亞，父親是Johann Wilhelm Forkel，母親是Anna Dorothea Forkel。Forkel曾是一名商人，後來成為德意志帝國海軍的一名軍官。因爲工作遠古他走遍了全球。在中國期間，他收藏了大量中國瓷器和陶瓷。 品相：狀況非常好，有磨損，蓋子邊緣有輕微缺口。盒子內部和蓋子上殘留有印泥顔色以及使用痕跡。 重量：149.5 克 尺寸：直徑 7 厘米 拍賣結果比較：形制：相近 拍賣：倫敦蘇富比，2010年11月10日，lot 92 價格：GBP 6,250（相當於今日EUR 12,000） 描述：康熙青花印泥盒 專家評論：比較非常相近的橢圓外形，相近的青花，但不同的主題。請注意相近的尺寸 (7.8 厘米) ，以及此印泥盒和兩件青花瓷器為一組。

A SET OF BRONZE SWORDS, EASTERN ZHOU TO EARLY HAN DYNASTYChina, 3rd-2nd century BC. Each with a scalloped cross-section and edge, the swords are slightly waisted to the point with a pronounced median ridge. The handles have two rings on the grip and are without pommels. One sword shows a vibrant malachite green patina, while the other is of a rather dark green color overall.Provenance: From the personal collection of Michael B. Weisbrod, New York. The fitted box has an old auction label, '19 MAR 97. Sale 8602. Lot 179.' Michael B. Weisbrod is a noted scholar of Chinese art, who has published extensively on the subject over a time span of more than 50 years. In 1972, Michael joined his father Dr. Gerald Weisbrod's Asian art gallery in Toronto, Canada. The father-and-son team opened their New York location on Madison Avenue in 1977, and during the next 45 years the gallery held a significant number of exhibitions, selling to museums and private collectors across the globe, eventually adding further locations in Shanghai and Hong Kong. Condition: Good condition, commensurate with age. Expected signs of weathering and erosion corresponding to an extended period of burial. Losses, chips, metal flaking due to fatigue, soil encrustations, and remnants of ancient pigment.Weight: 473.9 g and 496.9 g Dimensions: Length 48 cm and 51.8 cm With a fitted wood box, neatly padded with silk. (3)Literature comparison: Compare a related bronze sword, 41 cm long, dated 5th-3rd century BC, in the National Museum of Asian Art, Smithsonian Institution, accession number F1979.2. Compare a related bronze sword, 43 cm long, dated 4th-3rd century BC, in the National Museum of Asian Art, Smithsonian Institution, accession number F1979.4.Auction result comparison: Type: Closely related Auction: Sotheby's Hong Kong, 6 October 2022 Price: HKD 201,600 or approx. EUR 24,000 converted and adjusted for inflation at the time of writing Description: A bronze sword, Eastern Zhou-Han dynasty, 3rd-2nd century BC Expert remark: Note the similar double rings on the handle. Note the size (65.2 cm).13% VAT will be added to the hammer price additional to the buyer's premium - only for buyers within the EU. 東周至漢初一組銅劍中國，公元前三至二世紀。劍柄扁圓分格，劍身有道稜於中間突起，通身積厚綠銅鏽。來源：紐約 Michael B. Weisbrod 的私人收藏。盒子上有一個舊拍賣標籤：“97 年3 月19 日。拍賣編號8602。拍品179。" Michael B. Weisbrod 是一位著名的中國藝術學者，他在50 多年的時間裡發表了大量有關中國藝術的文章。1972年，Michael加入了他父親Gerald Weisbrod博士在加拿大多倫多的亞洲藝廊。 這對父子團隊於1977 年在麥迪遜大道開設了他們的紐約分店，在接下來的45 年裡，藝廊舉辦了大量展覽，向全球各地的博物館和私人收藏家出售作品，最終在上海和香港開設了更多分店。 品相：品相良好，有風化和侵蝕跡象。有缺損、磕損、金屬剝落、土壤結殼，以及顏料殘留。 重量：分別爲473.9克與496.9克 尺寸：分別長48 厘米與51.8 厘米 配木盒，内襯絲綢。(3) 文獻比較： 比較一件相近的西元前五至三世紀銅劍，長41 厘米，收藏於史密森國立亞洲藝術博物館，館藏編號F1979.2。比較一件相近的西元前五至三世紀銅劍，長43 厘米，收藏於史密森國立亞洲藝術博物館，館藏編號F1979.4。 拍賣結果比較： 形制：非常相近 拍賣：香港蘇富比，2022年10月6日 價格：HKD 201,600（相當於今日EUR 24,000） 描述：東周至漢公元前三至二世紀青銅劍 專家評論：請注意相似的劍柄扁圓分格。請注意尺寸(65.2 厘米)。

A LACQUER-GILT WOOD FIGURE OF THE STANDING BUDDHA, CHINA, 17TH - 18TH CENTURYThe figure with a downcast gaze, standing tall, one hand reaching towards the earth in a gesture of compassion, the other holding a peach, the life-giving fruit of immortality. The hair in conical whorls framing a gilt ushnisha above a serene face. The bare chest with a wan character in relief.Provenance: The Collection of Jose M. Neistein, and thence by descent in the family. Jose Menache Neistein (1934-2020), a distinguished expert in aesthetics, was born in São Paulo in 1934. He obtained his doctorate in philosophy with a thesis on aesthetics at the University of Vienna, Austria, demonstrating his outstanding intellectual abilities already as a young man. Throughout his illustrious career, Neistein has taught aesthetics at various universities and other institutions around the globe, inspiring countless students with his expertise and knowledge of the filed. Neistein's extensive research on literature, theater, and visual arts has been widely recognized, with his articles published in Germany, Austria, the United States and South America. He has also authored several books on art, solidifying his position as a leading authority in the field. Condition: Good condition with some wear, expected minor age cracks some with associated old repairs, a few small losses, minor flaking to the lacquer and gilding, light scratches, and few shallow chips, overall presenting extremely well.Weight: 1,012 g Dimensions: Height 37.2 cm Auction result comparison: Type: Closely related Auction: Galerie Zacke, Vienna, 29 September 2022, lot 173 Price: EUR 16,900 or approx. EUR 18,000 converted and adjusted for inflation at the time of writing Description: A large and important lacquer-gilt wood figure of Buddha, 17th-18th century Expert remark: Compare the closely related modeling, manner of carving, and lacquer gilding. Note the size (43.8 cm).Auction result comparison: Type: Related Auction: Sotheby's New York, 7 December 2018, lot 1068 Price: USD 12,500 or approx. EUR 14,000 converted and adjusted for inflation at the time of writing Description: A Chinese gilt-lacquered wood figure of a Buddha, Ming dynastyExpert remark: Compare the closely related modeling with similar face. Note different pose, stronger wear to gilt, and the much smaller size (27.3 cm).Auction result comparison:Type: RelatedAuction: Bonhams London, 16 May 2019, lot 169Price: GBP 312,562 or approx. EUR 473,000 converted and adjusted for inflation at the time of writingDescription: A Rare Set of Three Gilt-Lacquered Wood Figures of the Buddha, 17th-18th CenturyExpert remark: Compare the lacquer gilding, the patina, the carving technique and style, as well as the size (55 cm). Note that the lot comprises 3 statues. 十七至十八世紀鎏金漆木雕佛陀立像佛陀目光低垂，筆直站立，一隻手伸向大地，做出慈悲的姿勢，另一隻手拿著一顆桃子。長袍下垂，線條流暢，胸前飾有珠寶，寧靜的臉上雙眉見有天眼，雙眼下垂，嘴唇豐滿帶著淡淡的笑容，兩側是長長的耳垂，髮髻高聳。 來源：Jose M. Neistein 收藏，家族傳承； 品相：狀況良好，有一些磨損，有輕微的老化裂紋，一些小修，一些小缺損，金漆和鍍金輕微剝落，輕微的劃痕，和一些淺的缺口。 重量：1,012 克 尺寸：高 37.2 厘米由于平台拍品叙述的长度限制，我们移除了中文叙述，完整中文叙述请至www.zacke.at查看

A SMALL QINGBAI CENSER AND COVER, NORTHERN SONG DYNASTYChina, 960-1127. Standing on a short tapered foot, the deep rounded sides carved with overlapping petals. The domed cover of the incense burner is pierced with three rows of apertures encircling the central bud finial, all above an openworked pattern of radiating petals. The white ware of the censer and cover is glazed with a vitreous, bubble-suffused pale-blue glaze.Provenance: Brian Page, Brighton, United Kingdom. Grahame Clarke, acquired from the above in 2008, and thence by descent in the family. Grahame Clarke (1940-2014) was a noted ceramic artist, influenced by pioneers of small-scale studio pottery such as Harry Davis, Bernard Leach, and Shoji Hamada. In 1974, he founded Highland Stoneware in Lochinver, Scotland. Driven by the historic and natural environment, his work combined the durable porcelain body, modeled on ancient century Chinese pottery, with a free hand-painted style inspired by Delftware blue-and-white decorations of the 16th and 17th centuries. His passion for ceramics led him to collect artifacts from all over the globe, but especially from China. Inspired by historic porcelain, Clarke's work itself ended up in museums like the Victoria & Albert, exemplifying the modern movement of micro-kiln ceramic arts. Condition: Very good condition with minor old wear and expected firing irregularities, few shallow chips, some of which have smoothened over time.Weight: 158.8 g Dimensions: Height 8.9 cm Literature comparison: Compare a related Qingbai censer with an openwork cover, 6 cm high, dated to the Northern Song dynasty, in the Art Institute of Chicago, accession number 2013.190. Compare a related tripod censer with pierced cover which was excavated in 1981 from a site near Jingdezhen in Boyang county and is now in the Jiangxi Provincial Museum, illustrated in Zhongguo Taoci Quanji: Song (The Complete Works of Chinese Ceramics: Song Dynasty), Volume 8, Shanghai, 2000, no. 171. Compare a related Qingbai censer, illustrated in Selected Masterpieces of the Manno Collection, Osaka, 1988, no. 84. Compare a related Qingbai openwork censer, illustrated in Chinese Ceramics from the Meiyintang Collection, Volume I, London, 1994, page 329, no. 611. 北宋青白小蓋爐中國，960-1127年。香爐的圓蓋中央有花蕾鈕，穿有三排小圓孔。爐身外壁刻有重疊花瓣紋。香爐通體施青白色釉，釉色瑩潤。 來源：英國布萊頓Brian Page收藏；Grahame Clarke 於 2008年 年從上述人士手中收購，並自此在同一家族傳承。Grahame Clarke（1940-2014年）是一位著名的陶瓷藝術家，受到 Harry Davis、Bernard Leach 和 Shoji Hamada 等陶藝風格的影響。1974 年，他在蘇格蘭洛欽弗創立了 高land Stoneware。在歷史和自然環境的推動下，他的作品將仿照中國古代陶器的耐用瓷體與受十六世紀和十七世紀代爾夫特青花裝飾啟發的自由手繪風格結合起來。他對陶瓷的熱情促使他收集來自世界各地的陶瓷，尤其是來自中國的文物。受到古物的啟發，Clarke的作品本身最終被收藏在維多利亞和阿爾伯特博物館等博物館。 品相：狀況極好，有輕微磨損、製造不規則和小缺口。 重量：158.8 克 尺寸：高 8.9 厘米 文獻比較: 比較一件相近的北宋青白小蓋爐，高6 厘米，收藏於芝加哥藝術博物館，館藏編號2013.190。比較一件相近的三足爐，1981年出土於景德鎮 ，現藏於江西博物館，見《Zhongguo Taoci Quanji: Song (The Complete Works of Chinese Ceramics: Song Dynasty)》，卷8，上海，2000年，編號171。比較一件相近 Qingbai censer，illustrated in Selected Masterpieces of the Manno Collection，Osaka，1988，編號84. 比較一件相近的青白小蓋爐 ，見《Chinese Ceramics from the Meiyintang Collection》，卷 I，倫敦，1994年，頁329，編號611。

A ladies Omega pendant globe watch with blue cabochon winder and visible mechanism, approx. 3cm diameter

A Globe-Wernicke oak four section bookcase on typical plinth base, 86.5 cm wide x 32 cm deep x 153 cm high CONDITION REPORTS Fly dirt / mess on the bottom left corner is not woodworm. In need of a good clean. Has some minor surface scratches, etc. throughout and some losses to the varnish. General wear and tear conducive with age and use to include some minor knocks, bumps, dents, etc. Smells a bit musty when you open the doors. See images for further detail.

A late Victorian yellow metal and seed pearl mounted celestial globe pendant set with stanhope depicting eight family portraits approx. 2.5 cm diameter, 7.6 g together with an Edwardian 9 carat gold mounted seed pearl and turquoise dress ring size O, 2.3 g

A collection of hardstone, wood and metal ornaments to include a bronze Chinese style globe/crystal ball stand of small proportions, a Chinese pewter and gilded jue form wine pot with script inscribed top, lip and stamped script marks to the underside of the lip raised on grotesque mask scroll feet 10.2 cm long x 9.5 cm high together with a collection of various other decorative objects including white metal figure, a brass begging dog Vesta case, two small figures of sphinx, various other animal figures, fish bell etc

A TWO GLOBE WERNICKE STYLE OAK FIVE TIER BOOKCASES (2)87cm wide; 40cm deep; 215cm highAll glass doors present with this lot One bookcase has the glass door to the third section down from the top, however it does not fit the bookcase, the other bookcase is missing a section of wood to the fourth section down, see additional images, 

A 20TH CENTURY MAHOGANY FRAMED GLOBE DRINKS CABINET65 cm wide; 110cm highVery good overall condition, two small marks to the border decoration see Additional images. 

A brass based oil lamp with globe and funnel

3 Vintage glass globe lamp shades 

Chad Valley - A vintage mid 20th century circa 1950s Chad Valley desk top world globe, having chrome frame on a brown metal base. Measures approx 30cm tall.

An early 20th century oak barristers lawyers stacking Globe Wernicke bookcase. The bookcase having glazed fall front doors opening to reveal shelved compartments over a plinth base. 118 x 86 x 29 cm.

JESSON, BIRKETT & CO. ARTS & CRAFTS CEILING LIGHT, CIRCA 1900 copper and brass, set with glazed ceramic roundels, with fringe shadeDimensions:corona 44cm diameter, 74cm high to above globe spacer and excluding fringe

Thomson (John). A New General Atlas, consisting of a series of geographical designs on various projections, exhibiting the form and component parts of the Globe; and a collection of maps and charts, delineating the natural and political divisions of the empires, kingdoms, and states in the World. Constructed from the best systematic works, and the most authentic voyages and travels. With a memoir of the progress of geography, a summary of physical geography, and a consulting index to facilitate the finding out of places, Edinburgh: Printed by George Ramsay and Company, for John Thomson and Company, Edinburgh; Baldwin, Cradock, and Joy, London; and John Cumming, Dublin, 1817, uncoloured engraved frontispiece of a comparison plate of mountains of the World, printed title page, dedication to Alexander Keith of Dunottar and Ravelston, list of maps and charts, 23 pages of introductory text and 22 pages of a consulting index, 74 engraved double-page and folding maps (complete as list), all with contemporary outline colouring, slight off-setting, staining and spotting, some creasing, a few maps frayed at the margins, Southern Part of Ireland, torn and frayed with slight loss, last four maps detached with the maps of 'New Holland and the Asiatic States' and the 'Chart of the Northern Passage between Asia and America' damp stained and frayed with some loss, each map with a small contemporary paper numeral pasted to the upper right corner, contemporary half calf gilt, scarred, frayed and heavily worn, rear board detached, folio (555 x 435 mm) QTY: (1)NOTE:The largest atlas published in Scotland at the time, Thomson's atlas is distinguished by its map of Europe in four sheets, the several sheets devoted to the major islands of the West Indies, as well as fine detailed maps of the Arabian peninsula, Japan and Korea

Victorian oil lamp with brass Aesthetic style body, improved duplex burner and etched globe shaped shade, height 54cm

A BRASS REVOLVING GLOBE STYLE DESK COMPASS WITH BIRTH SIGNS

A SMALL GEMSTONE GLOBE, HEIGHT 18CM

A DESK GLOBE WITH CHROME EFFECT BASE AND AEROPLANE DESIGN

A REPRODUCTION TERRESTRIAL GLOBE, 16" DIAMETER, 'HEIRLOOM GLOBE BY REPOGLE'

AN ASSORTMENT OF CHRISTMAS DECORATIONS TO INCLUDE A SNOW GLOBE AND SANTA FIGURES ETC

AN ILLUMINATED WORLD GLOBE ON A WOODEN STAND, HEIGHT APPROX 38CM

A VINTAGE REPLOGLE GLOBES INC GLOBE WITH METAL STAND

A 19TH CENTURY STYLE W AND A.K. JOHNSON 18" TERRESTRIAL GLOBE ON TRIPOD BASE, WITH CARVED COLUMN AND CLAW FEET

Tray of assorted toys to include: miniature Dr Who Daleks and Barman and Robin, Orbittoy Space Spinner in original box, National Westminster globe moneybox, various keyrings and some diecast and other toy models, plastic tank etc. (B.P. 21% + VAT)

A 19TH CENTURY FRENCH SILVER AND ENAMEL TABLE VESTA, BY FRANÇOIS-DÉSIRÉ FROMENT-MEURICE (1802-1855) the hinged cover with finial depicting a winged putto holding torches atop a globe, a masked push-button opening to reveal a four section spring loaded interior, twin birds of paradise handles, mythological plaques and masks to the front and back, applied with round, oval, and rectangular foil backed paste stones, on a blue enameled ground, raised on four fire-breathing dragon form feet, engraved mark Froment Meurice. 11.5cm high A similar example was given to Prince Albert by Queen Victoria on his birthday, 26th August 1848. See the Royal Collection Trust. The enamel and stones are in excellent condition. The hinged cover closes tightly, and the interior mechanism functions correctly. Overall, it is in very good condition.

A late 20thC stained beech globe cocktail cabinet, with turned supports and castors, 97cm high.

A Globe Wernicke oak stacking bookcase. Circa 1900. 62x28x108cm

WORLD GLOBE

The George F. Cram Company's Classic Table Globe.

A 2 3/4 inch pocket globe and case, attributed to George Adams junior after Herman Moll, late 18th century; applied with twelve hand coloured printed gores with the equinoctial graduated in degrees and hours and the eclyptic graduated in days; the prime meridian labelled Meridian of London and the principal land masses outlined in colour and annotated with major rivers and mountain ranges, the oceans showing the winds with islands labelled and printed with dotted line for Cook's Track 1760; the North Pacific region with oblong printed title cartouche A Correct, GLOBE, with the new, Discoveries; the spherical fishskin covered case lined with twelve hand coloured printed gores and two polar calottes labelled A Correct Globe, with y New Constelations of Dr. Halley & c. with stars expressed in six orders of magnitude and allegorical representations of the constellations finely executed, overall diameter 8cm, (splits to case)

† MAX LE VERRIER (1891-1973); a French Art Deco patinated spelter figural lamp modelled as a nude female leaning back her arms outstretched to support the frosted globe shade (possibly later), on a marble base, height 37.5cm.

A 1950s PHILIPS GLOBE

A U.S.S.R SLAVA SPUTNIK CLOCK together with a Bayard travelling clock, a Europa globe clock and a mantel clock (4)

VINTAGE WRISTWATCHES BY INGERSOLL, TIMEX, AND ORIS a Smiths 'Empire' pocket watch, an Estyma globe pocket watch, and a plated spoon

Two child's chairs and a globe 

A box of household sundries and ornaments, globe on stand etc

Collection of vaseline glass, tinted glass, etc., including a vaseline boat shaped dish, pair of globe vases, enamelled glass, etc.,Qty: 2 boxes

A pair of vintage late 20th century milk glass spherical graduating light shades. Each light having a globe shaped shade with fitting lip. Largest measures approx. 35cm tall x 30cm in diameter.

Late 19th century terrestrial globe clock - The Empire Clock, patent 19460, raised on a fluted brass plated column and turned base, the globe 18cm diameter, overall height 30cm, running

A Globe Wernicke & Co Ltd oak floorstanding five sectional library bookcase with 'up and over' rectangular glazed panelled doors 87 cm wide x 25 cm deep x 169 cm high

A Georgian occasional table in mixed timbers, the circular mahogany top 48cm diameter raised on a turned column and swept tripod base (possibly a Georgian globe stand)

A mid 20th century schools world globe on an oak stand incorporating a small compass, 53 cm high

A reproduction Phrenology head by L. N. Fowler, a small late 20th century political globe on an oak stand, and a pair of circular wall brackets, 26cm high

An illuminated globe, boxed

An oak and glazed Globe Wernicke style three section bookcase with label to reverse "Trevor Page & Co. Ltd cabinet makers Norwich "

Modern antique style globe and stand

A pair of Globe Wernicke oak three section bookcases, width 85cm, depth 36cm, height 120cm

A pair of Globe Wernicke oak three section bookcases, width 85cm, depth 28cm, height 109cm

A Meissen group of putti and a celestial globe, emblematic of astronomy, numbered 2460

An Art Deco spelter elephant table lamp with glass globe shade, 27cm high