We found 45703 price guide item(s) matching your search

A Shellmex glass petrol pump globe by Hailware, chips to the neck and letters repainted badly.

A Globe Motor Spares Ltd part pictorial wooden advertising sign depicting a Norton motorcycle driving at speed, 42 x 12".

A Pink Paraffin glass petrol pump globe by Hailware, damage to neck.

A Shellmex glass petrol pump globe by Hailware, faded lettering and minor nicks to neck.

A good 'Fat' Shell glass petrol pump globe by Hailware fully stamped underneath 'Property of Shell Mex & BP Ltd' and dated August 1952, lettering professionally repainted.

A Shell Diesoline galss petrol pump globe by Hailware, fully stamped underneath 'Property of Shell-mex & B.P. Ltd. Retunable on Demand', good bright lettering, minor nicks to neck and rubber ring staining.

A Cleveland Super Discol glass petrol pump globe, of bright colour and in good condition except for chipping to the neck, hidden by a rubber ring, dated December 1959.

A Trident glass petrol pump globe by Hailware, in excellent condition.

A Cleveland Guaranteed glass petrol pump globe, in generally very good condition, slight fading to the lettering on one side and minor nicks to the neck.

A rare Dominion Guaranteed 'Electric Pump' pictorial enamel sign with central lantern globe image, 24 3/4 x 32".

A Regent Paraffin Sold Here rectangular enamel sign with globe motif to the centre, 18 x 14".

A plastic petrol pump globe, not lettered.

A decorative paperweight, with an image of a Mobilgas petrol pump and globe.

A Shellmex glass petrol pump globe by Hailware, fully stamped underneath 'Property of Shell-mex & B.P. Ltd', good condition, lettering slightly faded.

A BP Super square glass petrol pump globe by Webb's Crystal, dated October 1961, damage and resultant cracks to top corner.

A National Benzole lozenge shaped glass petrol pump globe with 'Premium' sticker to one side, damage to one corner plus chip to neck and resultant crack, fully stamped 'Property of the National Benzole Co. Ltd'.

A Shell plastic petrol pump globe, in good condition.

Globe on wooden base - H: 35cm

A PAIR OF EARLY 20TH CENTURY FRENCH BRONZE EFFECT SPELTER TABLE LAMPS, of cherub design, both with bows, holding aloft the light fittings, one stands upon a celestial globe, the other a winged wheel, on polished marble plinths, 46cm high

Stuart Devlin, a novelty silver gilt and enamelled commemorative globe, London 1981, for the marriage of Prince Charles and Lady Diana, the embossed shell decorated with the arms and mottos of each, within floral garland wreaths, opening to reveal double portrait busts on green and white enamel floral roundel, inscribed, 8cm diameter, 16.84ozt, in fitted box

Bourne Denby for the British Empire Exhibition, a commemorative presentation globe, 1924, tubelined stoneware, modelled as a stepped plinth with four lions and coloured sphere, after the gold casket presented to the King, impressed marks, 9.5cm high, 10.5cm square

Richard Gere large signature piece mounted beside colour photo. Approx. overall size 12x15. American actor and humanitarian activist. He began in films in the 1970s, playing a supporting role in Looking for Mr. Goodbar (1977) and a starring role in Days of Heaven (1978). He came to prominence with his role in the film American Gigolo (1980), which established him as a leading man and a sex symbol. He went on to star in many well-received films, including An Officer and a Gentleman (1982), The Cotton Club (1984), Pretty Woman (1990), Primal Fear (1996), Runaway Bride (1999), I'm Not There (2007), Arbitrage (2012) and Norman: The Moderate Rise and Tragic Fall of a New York Fixer (2016). For portraying Billy Flynn in the Academy Award-winning musical Chicago (2002), he won a Golden Globe Award and a Screen Actors Guild Award as part of the cast. Good Condition. All autographed items are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.

Yiannis Spyropoulos (Greek, 1912-1990)Synthesis N signed in Greek (lower right)oil in canvas60.5 x 80.5 cm.Painted in 1959.Footnotes:ProvenanceBonhams, The Greek Sale, 10 Nov 2008, lot 55.Acquired from the above by the present owner.LiteratureY. Papaioannou, Yannis Spyropoulos - Monograph, Yannis and Zoe Spyropoulos Foundation, Athens 2010, no. 491b, p. 370 (listed), p. 222 (referred), p. 219 (illustrated).A powerful mixture of simplicity and sophistication and a wise conciliation between gestural brushwork and sturdy compositional structure, this captivating work offers a commanding display of technical discipline and intuitive expression. Planes, surfaces and textures are meticulously analysed by dark structural outlines, while intense counterbalancing forces and energetic shapes are articulated into a serene and robust geometrical structure set in motion by circular gestural marks that endow the composition with an improvised yet coherent inner rhythm.1 'The Greek scenery with its architecture of masonry fences, arches, courtyards and dry stone walls, observed from afar as outlined geometrical shapes, constituted the onset of visual stimulation before becoming a painterly proposal.'2 This beautiful canvas also reflects Spyropoulos' deep interest in Byzantine art. Professor C. Christou notes: 'The golden-yellow colour that comes to dominate the work of Spyropoulos by 1960 and which in essence reflects nothing more than the presence of sunlight, or rather Greek light, is something he finds around and within himself, in the past from which he hails and the present where he belongs. It reveals the influence of the Byzantine icon painting he grew up with and his familiarity with the Greek light under which he lives, while at the same time his work expresses the intricate nature of modern artistic creation.'3 Yiannis Spyropoulos was the first Greek painter who, while residing permanently in Greece, managed to attain an illustrious international career, highlighted by his participation in the 1960 Venice Biennale, where he was awarded the UNESCO prize. His works, which represent the most advanced and mature aspect of Greek abstraction, have been included in prestigious private collections around the globe -particularly in America where this painting comes from- and exhibited at the most important European and American museums of modern art.41 See E. Ferentinou, 'Jannis Spyropoulos' [in Greek], Zygos magazine, no.32, July 1958, p. 18.2 L. Tsikouta, 'Processes, Influences, Assimilations, Personal Idiom, Birth of an Artwork: The Case of Jannis Spyropoulos' in Jannis Spyropoulos, The Classicist of Abstraction, exhibition catalogue, National Gallery – A. Soutzos Museum, Athens 1995, p. 141.3 C. Christou, Jannis Spyropoulos [in Greek], Athens 1962, p. 158.4 See H. Kambouridis - G. Levounis, Modern Greek Art, The 20th Century, Athens 1999, pp. 156-158.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

A Columbus illuminated globe

A vintage Scan-Globe A/S globe

An early 1930's Geographia 8 inch Terrestrial globe on turned wood base

A ships red globe onion lamp

UK Beach Resorts: Three Fans Advertising The Pleasures of Bournemouth and Brighton, the first issued by The Fan Museum, Fans ltd, number 2 of a limited edition of 60, a paper fan printed with the White Cliffs of Dover, a typical depiction of a beach with sandcastles, and bathers wearing striped suits. Central to the leaf, a sailing ship "ROA Bournemouth", with "RA2 and a globe at the bottom of the leaf. The verso is plain, the monture of plain black wood. Guard length 10.5 inches or 26.5cm: a brisé fan, the wood sticks transfer printed with an image of The Hotel Metropole, Brighton, with the beach in the foreground. A few painted flowers appear in the reserves. The verso is plain. Guard length 7.25 inches or 18.5cm; the third fan is a modern creation for a FCI AGM held in Brighton in May 1992. Created by the current Fan Circle International President Lorraine Taylor-Kent, the fan is made as a cockade, contained in a rock-shaped tube, both the cockade and the tube pink, and bearing a printed image of the Brighton Pavilion (3) CONDITION REPORT: . The first fan is as new. The other two are good.

A VINTAGE TIN GLOBE 8 INCHES HIGH WITH A STAND DISPLAYING FLAGS OF THE WORLD

A SMALL GLOBE ON A WOODEN BASE APPROXIMATELY 9.5 INCHES HIGH

General Election of 1747. Merlin, Or, the British Enchanter, printed for John King at The Globe in the Paltry, and John Tinney at The Golden Lion in Fleet-Street; and sold at the Print and [Pamphlet Shops], circa 1747, engraved and printed broadside on laid paper, satirising the General Election of 1747, torn with a little loss to upper and lower right corners, affecting one or two printed words or letters, some minor fraying with very slight loss to top margin, partially affecting one or two letters, light soiling at head and foot, 48.5 x 21.5 cm (15.2 x 8.5 ins) (Qty: 1)NOTESESTC online (London). Not in Foxon. Rare. A satire on the General Election in Great Britain held in late June and July of 1747, which resulted in a healthy majority of 144 for the Whig government. The Tory opposition was reduced to its lower number ever, largely due to the impact of the Jacobite Rebellion. The engraving depicts the Prime Minister's government as "his honour's pack ass", laden with revenue from Customs & Excise, and land tax, from which the tree of Government corruption and influence has grown. The title refers to Queen Caroline's famous pavilion at Richmond Gardens, known as Merlin's Cave, which was designed as a political allegory of the times, and became a subject of ridicule in the press subsequently.

ART DECO/ART NOVEAU COLLECTABLE REPRODUCTIONS including a figural globe table lamp, small wall mirror, pewter front wall clock after Mackintosh and a framed pewter panel titled 'Crescent Moon' after Agnes Bankier Harvey by Linda Kerr

RARE CARLTONWARE KING EDWARD VIII FIGURINE - 'The Never Crowned Edward' in full length red lustre finished robes standing next to a globe, 22cms H, impressed 'No 1434' to the base (all-over crazing)

REPRODUCTION GLOBE DRINKS TROLLEY, 99cms H, 68cms diameter

A Williams Chocolates and Toffees tin in the form of a Georgian knife box, height 21cm, and a Chad Valley globe (2).

A 20thC 'Geographia 10" Terrestrial Globe', Fleet Street, London - a/f.

A cut glass globe & shaft decanter and one other. (2)

LORENZO QUINN - a superb bronze sculpture in the form of a globe held by a pair of hands, signed to the base an stamped AP 2, mounted on a wooden base, 35 1/2" w x 28 3/4" h.*UPDATE* Please be aware, artist resale rights will apply to this lot, and will be chargd to the buyer at a flat 4%.

20th Century table globe, 48cm high, slight varnish loss to stand, otherwise good condition

A George III oak and mahogany longcase 8 day clock by J Holliwell of Derby, globe finial on swan neck pediment hood, arch top with corner rose spandrels, roman numerals, date aperture, subsidiary seconds dial, flanked by turned flute pillars with moulded brass ends, satinwood strung, moulded panel door, raised bracket feet. 225cm H x 52cm W x 25cm D

A George III oak and mahogany inlaid 8-day longcase clock, circa 1780, three turned globe shape brass finials, swan neck scrolling pediment with brass floral inlay, above a square glazed door and square painted and brass inlay dial, Roman numerals, subsidiary second dial, moulded panel trunk with fluted pillars, raised on a platform base. 205cm H x 52cm W x 25cm

A pair mid 18th Century oak leather hall chairs, circa 1750, brass stud fitted leather back inlay of a heraldry type coats of arms, above globe finials with floral decorated inlay, carved scroll arms on turned supports united with square stretchers. (2) 103cm H x 57cm D x 52cm W

A pair of 19th Century Italian oak and satinwood inlay hall chairs, globe shaped finials on square support back centred with carving detail in a gothic manner, square seating with moulded circular inlay, raised on square supports united with square stretchers. (2)

An 18ct gold converted watch chain, set with twenty five mixed gold charms, including Spanish matador tunic, 9ct gold globe, a Greek Parthenon medallion, an 18ct gold Maltese cross, gold and enamel Swedish Royal Crown medallion and three loose charms, 79g

VINTAGE RELIEF DECORATED GLOBE ON WOODEN STAND, APPROXIMATELY 52cm HIGH

An unusual French gilt metal mounted veined marble cartographic library clock, 8cm dial with Arabic numerals, twin-winding holes, fourteen-day movement striking on a bell, surmounted by a figure cast after Rosseau, La Terre, she stands, holding a 4" terrestrial globe by Emile Bertaux, Delamarche, Paris, 78.5cm high, c.1900

A Royal Crown Derby 1128 pattern Millennium globe clock, commissioned by Sinclairs, limited edition, 293/1,000; a similar Millennium barometer, certificate, 2931,000; Millennium thermometer, certificate, 293,000 (3)

A Royal Crown Derby Millennium Globe clock, decorated in the 1128 Imari palette, specially commissioned by Sinclairs, limited edition 903/1000, 18cm, printed marks, certificate, boxed; an accompanying 1128 pattern Millennium globe thermometer and barometer set, limited edition 903/1000, 13cm, boxed (3) Condition Report: All good condition, first quality - no certificate for the thermometer and barometer

A Baccarat opaline glass vase, circa 1880, of footed globe and shaft form with flared rim, decorated with relief moulded fruiting vines, height 35cm.

A Moorcroft Pottery vase decorated in the Foxglove pattern designed by Rachel Bishop, height 18cm together with a Moorcroft Pottery vase of globe and shaft form decorated in the Isis pattern designed Emma Bossons, height 16cm both with printed marks, both marked as seconds (2)

Globe Wernicke bookcase

Charles J Lundgren (New York, Connecticut, 1911 - 1988) "U.S.S. New Hampshire" Signed lower right. Original oil on Masonite painting. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting originally appeared on the Fleetwood Commemorative Cover for the U.S.S. New Hampshire. Completed as the Great White Fleet circled the globe, the U.S.S. New Hampshire was commissioned on 19 March 1908 with Captain Cameron M. Winslow in command. As one of her first duties, U.S.S. New Hampshire carried a Marine Expeditionary Regiment to Colon, Panama in June, 1908. She then participated in the Naval Review by President Theodore Roosevelt in Hampton Roads 22 February 1909 welcoming home the "Great White Fleet." Through the next eighteen months, she exercised along the East Coast and in the Caribbean. She departed with the Second Battleship Division for Cherbourg, France and Weymouth, England on 1 November 1910. U.S.S. New Hampshire returned to the United States to run training missions for Naval Academy midshipmen off New England. Her training service was interrupted when she was called to patrol off strife-torn Hispaniola in December 1912. She was similarly called to protect American interests along the Mexican coast on 15 April 1914. There, she supported the occupation of Vera Cruz which helped restore stability to the tumultuous Mexican government. She was again called to quell a revolution in December, 1916 in Santo Domingo. During World War I, U.S.S. New Hampshire provided invaluable gunnery and tactical training for the American Expeditionary Forces. Image Size: 13.5 x 15.75 in. Overall Size: 20.5 x 21.75 in. Unframed. (B10951)

Charles J Lundgren (New York, Connecticut, 1911 - 1988) "U.S.S. California" Signed lower right. Original Oil on Masonite. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting originally appeared on the Fleetwood Commemorative Cover for the U.S.S. California. The nuclear-powered Guided Missile Cruiser U.S.S. California ranks among the most modern ships in the U.S. Navy. Designated CGN 36, she was launched on 22 September 1971 and commissioned on 16 February 1974 with Captain Floyd H. Miller, Jr. in command. After completing her shakedown cruise during 1975, the U.S.S. California was assigned to the Sixth Fleet. She departed for the Fleet in the Mediterranean on 7 July 1976, and sailed between the Mediterranean and Norfolk Shipyard several times during the next five years. On 14 April 1981, the U.S.S. California left Norfolk for the Mediterranean, and, in company with the U.S.S. America, she transited the Suez Canal to the Indian Ocean. Later on this same voyage, she became the first nuclear-powered U.S. vessel to circumnavigate the globe since the U.S.S. Enterprise had done so seventeen years earlier. During this voyage, on 15 July 1981, while in the Arabian Sea, she was called to rescue thirty-nine crewmen from the Greek freighter Irines Sincerity. Returning to Norfolk 20 November 1981, she was scheduled for a major overhaul and refitting. She was later re-assigned from Norfolk to Alameda, California and the Pacific Fleet. After 1984, the U.S.S. California has participated in numerous maneuvers throughout the Pacific including calls on ports in the Philippines, Australia and British Columbia, while operating out of Alameda. Image Size: 13.5 x 15.75 in. Overall Size: 20.5 x 21.75 in. Unframed. (B11077)

GLOBE COCKTAIL CABINET, in the form of an antique globe on stand with rising lid, 110cm H.

Four Victorian cut glass shaft-and-globe decanters, one other Victorian decanter and several associated stoppers

A 19th Century antique Grand Tour bronze plaque of oval form having relief decoration depicting Cherubs in flight among clouds. One holding wreaths with over led down and the lower example using a globe. Measures: 42cm x 32cm.

A 19th Century French antique bronze table desk inkwell having a globe shaped inkwell holder with hinged lid opening to reveal removable inkwell section raised on tripod carp feet over white marble circular base with twist border. Measures: 20cm tall.

A SMALL DESK GLOBE ON BASE APPROXIMATELY 24CM HIGH

A brass oil lamp, with amber glass reservoir and etched glass globe. Height 63cm.

A globe with an associated wooden base, diameter of globe 13.5cm.Condition report: This modern reproduction is complete and has the cartouche of Robert de Vaugondy (Paris, 1745)