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Eleven Titus denarii from the Lincolnshire 2018 hoard. (Rome mint). (Head of Titus, laureate, 9 x right and 1 x left.) (Brit. Mus. cat. # 55-61) 1 x RIC II.I 1. Obverse: IMP T CAESAR VESPASIANVS AVG. Reverse: TR P VIII COS VII (trophy and captive). (3.28g)1 x RIC II.I 19. Obverse: IMP TITVS CAES VESPASIAN AVG PM. Reverse: (Capricorn left and globe below). (3.40g)1 x RIC II.I 109. Obverse: IMP TITVS CAES VESPASIAN AVG PM (left). Reverse: TR P IX IMP XV COS VIII PP (wreath on curule chair). (3.21g)2 x RIC II.I 115. Obverse: IMP TITVS CAES VESPASIAN AVG PM. Reverse: TR P IX IMP XV COS VIII PP (elephant left). (3.32 and 3.29g)2 x RIC II.I 119. Obverse: IMP TITVS CAES VESPASIAN AVG PM. Reverse: TR P IX IMP XV COS VIII PP (seat with thunderbolt above) (3.30 and 3.42g)1 x RIC II.I 124. Obverse: IMP TITVS CAES VESPASIAN AVG PM. Reverse: TR P IX IMP XV COS VIII PP (seat with frame decorated with corn-ears). (3.24g)3 x RIC II.I 128. Obverse: IMP TITVS CAES VESPASIAN AVG PM. Reverse: TR P IX IMP XV COS VIII PP (tripod with dolphin above). (3.34, 3.10 and 3.38g)
Ten Hadrian denarii from the Lincolnshire 2018 hoard. (Rome mint). (Brit. Mus. cat. # 224-230) Obverse: IMP CAESAR TRAIAN HADRIANVS AVG 1 x RIC II 110c var. Obv.: draped bust – viewed from front. Reverse: P M TR P COS III (Hadrian standing left with rudder on globe and spear). (3.44g)1 x RIC II 114b. Obv.: drapery - front of truncation. Reverse: P M TR P COS III / AET AVG (across field), (Aeternitas standing left). (3.32g)1 x RIC II 115b. Obv.: drapery - front of truncation. Reverse: P M TR P COS III / AETER AVG (across field), (Aeternitas standing left). (3.57g)2 x RIC II 118b. Obv.: drapery - front of truncation. Reverse: P M TR P COS III // CONCORD (Concordia seated left). (3.43g with conucopiae under chair). (3.23 and 3.43g)2 x RIC II 118b. Obv.: drapery - front & rear of truncation. Reverse: P M TR P COS III // CONCORD (Concordia seated left). (3.37g with conucopiae under chair). (3.29 and 3.37g)2 x RIC II 120a. Reverse: P M TR P COS III // FEL PR (Felicitas seated left). (3.15 and 3.45g)1 x RIC II 120 variant. Obv.: drapery - front & rear of truncation. Reverse: P M TR P COS III // FEL PR (Felicitas seated left). (3.21g)
Ten Hadrian denarii from the Lincolnshire 2018 hoard. (Rome mint). (Brit. Mus. cat. # 244-245 and 247-251) Obverse: HADRIANVS AVGVSTVS 2 x RIC II 147d. Obv.: drapery - front of truncation. Reverse: COS III (Diana standing right). (3.35 and 3.33g)1 x RIC II 149d. Obv.: drapery - front of truncation. Reverse: COS III (Hercules seated right on arms). (3.27g)3 x RIC II 160d. Obv.: drapery - front of truncation. Reverse: COS III (Virtus standing right). (3.29, 3.40 and 3.35g)1 x RIC II 170d. Obv.: drapery - front of truncation. Reverse: COS III (Annona seated left). (3.88g)1 x RIC II 171d. Obv.: drapery - front of truncation. Reverse: COS III (Annona seated left, globe in ex.). (3.45g) 1 x RIC 340 variant Obv.: drapery - front of truncation. (3.39g)1 x RIC II 173c. Obv.: Reverse: COS III (Genius sacrificing left). (3.32g)
Nine Hadrian denarii from the Lincolnshire 2018 hoard. (Rome mint). (Brit. Mus. cat. # 252-259) Obverse: HADRIANVS AVGVSTVS drapery - front of truncation. (1 variation) 1 x RIC II 173d. Reverse: COS III (Genius sacrificing left). (3.48g)1 x RIC II 175 variation. Obv.: HADRIANVS AVGVST (draped bust – viewed from front). Reverse: COS III (Libertas standing left). (3.39g)1 x RIC II 178d. Reverse: COS III (Pudicitia seated left). (3.42g)1 x RIC II 179d. Reverse: COS III ((Pudicitia seated left, globe in ex.). (3.61g)2 x RIC II 181d. Reverse: COS III (Spes advancing left). (3.26 and 3.38g)1 x RIC II 182d. Reverse: COS III (Victory standing right). (3.27g)1 x RIC II 197d variation. Reverse: COS III (Modius with poppy and corn-ears). (3.36g)1 x RIC II 198d. Reverse: COS III (priestly implements). (3.37g)
Ten Antoninus denarii from the Lincolnshire 2018 hoard. (Rome mint). (Brit. Mus. cat. # 320-321 and 323-329) 1 x RIC III 111b. Obverse: ANTONINVS AVG PIVS P P TR P COS III. Reverse: IMPERATOR II (Victory standing left). (3.84g)1 x RIC III 127c. Obverse: ANTONINVS AVG PIVS P P. Reverse: COS IIII (Aequitas standing left). (3.45g)1 x RIC III 137. Obverse: ANTONINVS AVG PIVS P P. Reverse: COS IIII (Thunderbolt on throne). (3.44g)1 x RIC III 155. Obverse: ANTONINVS AVG PIVS P P. Reverse: TR POT COS IIII // LIB IIII (Liberalitas standing left with abacus and cornucopiae). (3.51g)1 x RIC III 350a. Obverse: DIVA AVG FAVSTINA (Bust of Faustina I). Reverse: AETERNITAS (Providentia standing left with globe and sceptre). (3.50g)1 x RIC II 394a. Obverse: DIVA AVG FAVSTINA (Bust of Faustina I). Reverse: PIETAS AVG (Pietas standing left before lighted altar). (3.41g)2 x RIC III 395c. Obverse: DIVA AVG FAVSTINA (Bust of Faustina I). Reverse: PIETAS AVG (Pietas standing left before candelabrum). (3.46 and 3.40g)1 x RIC III 396. Obverse: DIVA AVG FAVSTINA (Bust of Faustina I). Reverse: PIETAS AVG (Hexastyle temple). (3.66g)1 x RIC III 344. Obverse: DIVA FAVSTINA (Bust of Faustina I). Reverse: AETERNITAS (Juno? standing left). (3.60g)
Globe Wernicke sectional bookcase consisting of three sections of five glass-fronted long cases and two sections of five-doored corner cases, each on bases, the top sections with painted decoration 'Globe Wernicke, Always Complete but Never Finished, Made in England'Condition ReportBookcase section (Five longcases) Approx. dimensions: Width 80.5cm x Height 178cm x Depth 29cmWear throughout including damaged longcase door. See pictures.
An Art Deco chrome standard lamp, with a globe shade, the shade raised on a chromed crescent with a green-lacquered double hoop to the bottom, 186cm highProvenance: The Lawrie Gatehouse Collection.Condition report: Some scuffing to the chrome and minor dents to the base. Double ring to the centre are green and again slightly spotted.
A pair of Lucite lamps,French, designed by Jean Claude Mahey for Maville Interiors, each mounted with a globe, mounted on a tapering Lucite pedestal, raised on a stepped plinth, labelled,25cm wide119.5cm high (2)Condition report: Cracks to the globular section of the lamp. Knocks and wear to lucite.
Mahdjoub Ben Bella (Algérie, né en 1946)Florence huile sur toilesigné 'Ben Bella' et daté '18' (en bas à droite)exécuté en 2018116 x 89cm (45 11/16 x 35 1/16in).Footnotes:ProvenanceCollection de l'artisteLa présente oeuvre est vendue par le Fonds Claude et France Lemand au profit des Artistes et de l'Institut du Monde Arabe'J'ai bien connu Mahjoub Ben Bella. J'aimais son Å“uvre intense, lumineuse et sensible. Peintre délicat, il peignait ses rêves et nous les offrait en partage. Formé dans les écoles des Beaux-arts d'Oran, puis à Tourcoing et à Paris, il s'installe en France, dans le Nord gris et chaleureux qui, rapidement, l'adopte. Ce Nord accueillant, Mahjoub Ben Bella l'illuminera des couleurs, de la lumière de sa Méditerranée natale et de son pays, l'Algérie qui coulait passionnément dans ses veines. Peinte neuf jours avant sa disparition, sa dernière peinture sur son lit d'hôpital en est la parfaite illustration.Il fut un peintre virtuose aux multiples facettes. Parallèlement à ses grandes et petites peintures sur toile, sur papier, sur bois ou sur pavés, il réalisera des céramiques, des objets, des gravures, des performances et des fresques monumentales dans des lieux publics. En 1986, il peindra les célèbres pavés du Paris-Roubaix, L'envers du Nord, fresque routière de 12 kilomètres, véritable tapis de signes, rouleau magique d'écritures. En juin 1988, il rendra à Wemblay un fraternel hommage à Nelson Mandela.Expositions personnelles et collectives dans de nombreux musées, centres d'art et galeries d'Europe, du Proche-Orient et une rétrospective au MAMA d'Alger, Mahjoub Ben Bella a été représenté dans vingt musées et collections publiques. Grâce à la Donation Claude & France Lemand, le musée de l'Institut du monde arabe est riche de seize de ses éclairantes peintures.'- Jack LangNé en 1946 à Maghnia, dans l'ouest algérien, Mahjoud Ben Bella est un peintre aux multiples facettes, réalisant à la fois des Å“uvres monumentales, des céramiques, des objets, des peintures sur toile de tous formats ainsi que des Å“uvres sur papier, sur bois ou sur pierre. A ce jour, Mahjoub Ben Bella est représenté dans vingt musées et collections à travers le monde. « Sa peinture est un chant incantatoire. Dans ses toiles, il compose des champs sacrés dont les sillons nous entraînent au-delà du simple lyrisme. Il se laisse posséder par le vertige de l'écriture jusqu'à l'extase, jusqu'à devenir le chantre d'un livre de prières à la gloire même de l'Art. » - Jean-Louis Pinte, Les champs sacrés de Ben Bella, cité in Le Figaroscope, Paris.'I knew Mahjoub Ben Bella very well. I was fond of his intense oeuvre, full of light and sensitivity. A delicate artist, he painted his dreams and shared them with us. Studying at the School of Fine Arts of Oran, and then in Tourcoing and Paris, he settled in France in the grey warmth of the North, which quickly adopted him. Mahjoub Ben Bella sought to brighten up that welcoming North with his colours, with the light of his Mediterranean origins and of his native country, Algeria, that passionately ran through his veins. His last painting, dating from nine days before his death, was executed from his hospital bed and illustrates perfectly the essence of his art.He excelled as a painter, but also as an artist with multiple facets. Besides his large and small paintings on canvas, on paper, on panel or on cobblestone, he also realized ceramics, objects, prints, performances and monumental frescoes in public spaces. In 1986, he painted the famous cobblestones of the Paris-Roubaix, L'envers du Nord, a twelve kilometer-long road fresco, a true carpet of signs and a magical scroll of writings. In June 1988, he paid a fraternal tribute to Nelson Mandela at Wembley. With several solo and group exhibitions held in many museums, art centers and galleries across Europe, the Near-East and a retrospective exhibition at the MAMA of Algiers, Mahjoub Ben Bella's work is represented in over twenty museums and public collection. Following Claude and France Lemand's donation, the museum of the Institut du Monde Arabe now has sixteen of his illuminating paintings.' - Jack LangMahjoub Ben Bella was born in the Western part of Algeria, in Maghnia, in 1946. He did his artistic training first at the School of Fine Arts of Oran, then in Tourcoing and finally in Paris, and settled in France. Ben Bella is a multifaceted artist, producing monumental artworks, painting ceramics, objects, in addition to large and small paintings on canvas, on paper, panel or even on stone, as well as performances and monumental compositions for public spaces. His works have been exhibited in many solo and group shows in museums, art foundations and galleries across Europe and the Middle East. Besides having his works featured in prominent private collections across the globe, Ben Bella's oeuvre is also present in the collections of twenty museums and public collections.Click for an instant shipping quoteFor further information on this lot please visit Bonhams.com
An early 20th century Philips' 12 inch terrestrial globe showing the principle steam ship routes, with brass support and ebonised base, 53cm high overallCondition report: Some minor marks, scratches and surface cracks, particularly around the equator joints to the globe with some discolouration to the varnish, the base in reasonable condition. The globe spins freely but with a slight noise. Top and bottom fixings into the globe are tight.
A LARGE PHILIPS 19 INCH TERRESTRIAL GLOBE, dated 1965, but map appears to predate it with Ceylon marked and Germany is not divided into East and West, on a wooden base, globe approximate diameter 163cm, height 60cm (Condition:- tears, most of Antarctica is missing, smaller missing areas, discoloration, lower half possibly reglued) (1)
A QUANTITY OF VASES, CLOCKS, GLOBE AND OTHER ITEMS, to include twelve vases, mainly glass, some with artificial flowers and plants, tallest vase 40cm, an iridescent pink jack in the pulpit vase, a Repogle 30cm diameter World Classic series globe, three modern carriage clocks, glass two tier cake stand, etc (sd) (Qty)
A c.2000 terrestrial globe, cartouche with GlobeMaster and another cartouche, Replogle Globes Inc. Leroy Tolman Chief Cartographer and Terence Donovan Cartographer, on gilt metal support displaying degrees and sunburst to base (h.41cm) and another by Zoffoli Geographica with faux teak support on faux oak circular base (2)
Automobilia: A Red Painted Wooden Display, in the form of a petrol pump with removable Esso Extra globe with rubber flange, the neck stamped Property of Esso Petroleum Co Ltd, with five repainted fuel cans and two yellow painted oil cans with Shell transfer printed adhesive labels, 177cm high (including globe) by 81cm by 31cm
Set of Three Mid century Walnut Modular Stacking Bookcase Cabinets in the Globe Wernicke manner, two of the cabinets comprising two glazed lift up and back glazed doors over a lift up and back panelled door and a drawer below, the other cabinet comprising one glazed and one panelled lift up and back door over a fall front door over a drawer, each set measuring 80cms wide x 163cms high x 40cms deep
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41031 item(s)/page