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Beautiful Gartmann chocolate vending machine from around 1905. Completely original and working with 10 pfennig coins. Imitation marble painted wood case with cast iron base plate and key. Beautiful enamel signs on the front and sides. Original globe and original tin roof. The interior has labels with instructions for use in German. This item was a museums piece. C.H.L. Gartmann Altona. It weighs approx. 50 kilos. Size: 180cm (70") high and 35cm (13.5") wide. Condition: Very good.

Two opal glass globe shades, D. 29cm

Aviation Interest: a mid century style terrestrial globe with model Jet to top (30cm x 16cm x 20cm)

A handsome Globe Wernicke Co. bookcase, with graduated tiers on base fitted single frieze drawer, makers stamp to rear (115cm x 87cm x 47cm)

A 1970s brushed stainless steel twin globe spotlamp, on centre square column and circular base (max h.151cm base: d.21cm)

A Tiffany keyring mounted with plane and globe design, in original box and felt bag (7cm x 2.5cm)

3 Stacking bookcase Globe Wernicke measures approx 34" wide 45" tall 10" depth

A Globe Wernicke style oak four tier bookcase, with leaded glass doors, 149cm high x 90cm wide x 30cm deep

A collection of toys and games including Chad Valley, chess sets, Sudoku, Monopoly, Barbie head, a money box and a globe **PLEASE NOTE THIS LOT IS NOT ELIGIBLE FOR POSTING AND PACKING**

A terrestrial globe cocktail trolley/cabinet

A terrestrial globe cocktail trolley/cabinet

Mat Barber Kennedy, mixed media collage, Globe Storage NYC, signed, 46cm x 35cm, framedVery good condition

A contemporary free blown ship's decanter, a Victorian finely cut shaft and globe decanter and wheel cut golfing tankard etc.

Francis Blagdon, "Modern Discoveries, Or, A Collection of Facts and Observations, Principally Relative to the Various Branches of Natural History, Resulting from the Geological, Topographical, Botanical, Physiological, Mineralogical, and Philosophical Researches of Celebrated Modern Travellers in Every Quarter of the Globe", vol I, London, James Ridgway, 1802

A Globe Wernicke three section bookcase, 89 cm wide

A Bourne Denby Art Deco Danesby Ware pastel blue globe vase, 20cm

An oak three section Globe Wernicke style bookcase - 85cm wide x 126cm high x 34cm deep

A pair of cast metal book ends in the form of books, scroll and globe, 20cm tall

A bronze figure of Hermes standing on a globe, mounted on a marble plinth, 28cms high.

An Indian white metal rosewater bottle, 19th century, globe and shaft form with chained lid, etched and stained with Persian ogee and teardrop cartouches and foliate scrolls, 32cm high, 20.56ozt

Kralik, an Austrian orange oil spot glass and bronze vase, circa 1900, the inverse globe and shaft body with crimped rim in a cast cradle of stylised leaves united by dragonflies, 27cm high

A 19th Century French ormolu bracket clock of Empire design, circa 1870, in the form of an eagle with outstretched wings supporting a globe clock draped with a spray of roses, raised on a fretwork D-end plinth with central oval cartouche of a musical trophy, on peg feet, the bell striking movement signed Lecomte, France, 28cm high, 24cm wide (key)

MR BEAN DOLL, along with a puppet, puzzle globe and other objects

VICTORIAN BRASS OIL LAMP, with etched globe shade

Farsad Labbauf Linear Study No.1, 2021 Acrylic on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) Farsad Labbauf is an Iranian artist living and working in the New York area. Best known for his linear figurative paintings, he immigrated to US at thirteen. After enrolling in Rhode Island School of Design in 1982, Labbauf received his Bachelor of Fine Arts, followed by a second degree in Industrial Design. His linear figurative paintings are inspired in part by studies in quantum physics and a reverence for such ideas as Unity and Monism. The origins of Labbauf's work lie in Figurative Expressionism, a style he practiced for more than two decades, leading to the creation of his linear figurative painting styles. Education Bachelor of Fine Arts (1986) + Bachelor of Industrial Design(1987), Rhode Island School of Design Exhibitions Labbauf's paintings have been featured in more than sixty group shows across the globe, including the Saatchi Gallery in London and Ex Aurum Museum in Pescara, Italy, in addition to solo exhibitions in New York, Boston, Amsterdam, Tehran and Esfahan Museum of Contemporary Art. Labbauf's work can be found in numerous public and private collections including The Salsali Museum, The Saatchi Gallery, Newark Museum of Art, The Afkhami Collection, Carsten de Boer Art Collection, Lie Sang Bong Collection and Museum of Contemporary Art in Esfahan.Roya Khadjavi Projects, New York NY - Etemad Gallery, Tehran, Iran About the postcard artworks Since early 2000s, I have used lines in painting and and collage mediums to assemble images, mostly figurative. The concentration of that effort was on using curvilinear lines to compose detailed portraits. Starting in 2017, I started to introduce other content into my work as well as explore the use of straight lines in the assembly. 'Linear Studies #1 & #2' are details of those explorations and application.  

Farsad Labbauf Linear Study No.2, 2021 Acrylic on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) Farsad Labbauf is an Iranian artist living and working in the New York area. Best known for his linear figurative paintings, he immigrated to US at thirteen. After enrolling in Rhode Island School of Design in 1982, Labbauf received his Bachelor of Fine Arts, followed by a second degree in Industrial Design. His linear figurative paintings are inspired in part by studies in quantum physics and a reverence for such ideas as Unity and Monism. The origins of Labbauf's work lie in Figurative Expressionism, a style he practiced for more than two decades, leading to the creation of his linear figurative painting styles. Education Bachelor of Fine Arts (1986) + Bachelor of Industrial Design(1987), Rhode Island School of Design Exhibitions Labbauf's paintings have been featured in more than sixty group shows across the globe, including the Saatchi Gallery in London and Ex Aurum Museum in Pescara, Italy, in addition to solo exhibitions in New York, Boston, Amsterdam, Tehran and Esfahan Museum of Contemporary Art. Labbauf's work can be found in numerous public and private collections including The Salsali Museum, The Saatchi Gallery, Newark Museum of Art, The Afkhami Collection, Carsten de Boer Art Collection, Lie Sang Bong Collection and Museum of Contemporary Art in Esfahan.Roya Khadjavi Projects, New York NY - Etemad Gallery, Tehran, Iran About the postcard artworks Since early 2000s, I have used lines in painting and and collage mediums to assemble images, mostly figurative. The concentration of that effort was on using curvilinear lines to compose detailed portraits. Starting in 2017, I started to introduce other content into my work as well as explore the use of straight lines in the assembly. 'Linear Studies #1 & #2' are details of those explorations and application.  

Maggie Hasbrouck Volution, 2021 Digital Original on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) Maggie Hasbrouck has been living and working as an artist in Atlanta for almost thirty years. In her latest body of work, Hasbrouck returns to dramatic depictions of flowers - often single blooms - at the apex of their transformational beauty. The vibrancy and sensuality of these images is heightened by the artist's incorporation of glass crystals into her technique. Hasbrouck melts these crystals over multiple layers of oil paint, dry pigment, and organic beeswax, resulting in a lustrous layer that enhances the mystery of the work. Education   BFA University of New Mexico, MFA University of Illinois   Exhibitions   Hasbrouck began receiving major national acclaim in the early 1990s when her work was collected by celebrities including Elton John, John Mellencamp, Faith Hill, Jon Bon Jovi, and Courtney Cox, as well as a broad cross-section of collectors across the globe. She remains one of the best-collected female artists in the American South and a growing force on the international stage.   Gallery Representation   The Bill Lowe Gallery, Atlanta GA   About the postcard artworks   Digital original Inspired by Hasbrouck's large scale Magnolia paintings.  

Maggie Hasbrouck Into the Bright White, 2021 Digital Original on Paper Signed on verso 10 x 15cm (3¾ x 5¾ in.) Maggie Hasbrouck has been living and working as an artist in Atlanta for almost thirty years. In her latest body of work, Hasbrouck returns to dramatic depictions of flowers - often single blooms - at the apex of their transformational beauty. The vibrancy and sensuality of these images is heightened by the artist's incorporation of glass crystals into her technique. Hasbrouck melts these crystals over multiple layers of oil paint, dry pigment, and organic beeswax, resulting in a lustrous layer that enhances the mystery of the work. Education   BFA University of New Mexico, MFA University of Illinois   Exhibitions   Hasbrouck began receiving major national acclaim in the early 1990s when her work was collected by celebrities including Elton John, John Mellencamp, Faith Hill, Jon Bon Jovi, and Courtney Cox, as well as a broad cross-section of collectors across the globe. She remains one of the best-collected female artists in the American South and a growing force on the international stage.   Gallery Representation   The Bill Lowe Gallery, Atlanta GA   About the postcard artworks   Digital original Inspired by Hasbrouck's large scale Magnolia paintings.  

Maggie Hasbrouck Winter Magnolia, 2021 Digital Original on Paper Signed on verso 10 x 15cm (3¾ x 5¾ in.) Maggie Hasbrouck has been living and working as an artist in Atlanta for almost thirty years. In her latest body of work, Hasbrouck returns to dramatic depictions of flowers - often single blooms - at the apex of their transformational beauty. The vibrancy and sensuality of these images is heightened by the artist's incorporation of glass crystals into her technique. Hasbrouck melts these crystals over multiple layers of oil paint, dry pigment, and organic beeswax, resulting in a lustrous layer that enhances the mystery of the work. Education   BFA University of New Mexico, MFA University of Illinois   Exhibitions   Hasbrouck began receiving major national acclaim in the early 1990s when her work was collected by celebrities including Elton John, John Mellencamp, Faith Hill, Jon Bon Jovi, and Courtney Cox, as well as a broad cross-section of collectors across the globe. She remains one of the best-collected female artists in the American South and a growing force on the international stage.   Gallery Representation   The Bill Lowe Gallery, Atlanta GA   About the postcard artworks   Digital original Inspired by Hasbrouck's large scale Magnolia paintings.  

Hannah Brown Sketch for Penton Lane 1.A, 2021 Oil on Paper Signed on verso 10 x 15cm (3¾ x 5¾ in.)   Hannah Brown (b 1977) in Salisbury, Wiltshire lives and works in London. She has an MA in Sculpture from the Royal College of Art (2006) and she's had solo shows at Gimpel Fils and Barts Gallery in London. Selected group exhibitions include the Threadneedle Prize, Creekside Open, Danielle Arnaud, MOT, Camden Arts Centre, Globe Gallery, Newcastle, and Spacex Gallery, Exeter. Hannah was shortlisted for this year's John Moores Painting Prize and for the Jerwood's Artist's platform in 2007. EDUCATION 2004 - 2006: MA Sculpture, Royal College of Art, London 2002 - 2003: PGCE Art and Design (14 - 19), Institute of Education, London 1996 - 1999: First Class BA Hons, Fine Art Sculpture, CSM, London 1995 - 1996: Art and Design Foundation Course, Exeter College, Devon EXHIBITIONS SOLO AND TWO-PERSON EXHIBITIONS 2020 This Muddy Eden, two-person show with Christoper Orr, Broadway Gallery, Lecthworth 2019 Before Long, Union Gallery, London 2017 Nocturnes, Cross Gallery, Dublin Lain fallow for too Long, dalla Rosa gallery, London 2016 Finding Forms, two-person show with Cara Thrope, Cross Gallery, Dublin SELECTED GROUP EXHIBITIONS 2021 John Moores Painting Prize 2020, Walker Art Gallery, Liverpool Holding Hands, Union Gallery, London The Deepest Shade of Green, Saolta Arts and Galway 2020, Galway 2020 The Green Fuse, Frestonian Gallery, London Everyday, curated by Ben Walker, Terrace Gallery, London 2019 Betwixt and Between, Arthouse1, London The Immaculate Dream, Collyer Bristow, London Flat + Earth, Sidney and Matilda, Sheffield 2018 The London Open, Whitechapel Gallery, London LAND//SCAPE, Lone Wolf Projects, Exchange Berlin, Kuehlhaus, Berlin Kristian Day Papercuts, Saatchi Gallery, London The Annotated Reader, curated by Ryan Gander and Jonathan P Watts, Cork Street Galleries, London The Waiting Room, curated by Karen David, Wimbledon Space, London Ash Archive, The Brewery Tap, Folkstone, Kent New Relics, curated by Kate Terry and Tim Ellis, Thames Side Studios, London Mindscapes, bo.lee gallery, London 2017 The Arborealists: The Art of Trees, Bermondsey Project Space, London Below the Surface, OVADA, Oxford A Table of Elements, Curated by Graham Crowley and Juilan Perry, Greystone Industries, Suffolk Silence Un-scence, Lewisham Art House, London A5-n, dalla Rosa gallery, London 2016 Solid Gone in the Back Room, Holdrons Arcade, London Landing, Kristian Day at Herrick Gallery, London Marmite Prize for Painting, Block 336, London and Highlanes Gallery, Drogheda, Ireland The Arborealists, St. Barbe Museum and Art Gallery, Lymington PUBLICATIONS AND PRESS 2018 London Open: a snapshot of the artistic zeitgeist, Financial Times, 09.08.18 by Rachel Spence 2018 Whitechapel open to what's happening now, Morning Star, 26.06.18 by Michal Boncza 2017 The Arborealists: The Art of Trees, The Observer, 31.12.17 by Rachel Cooke 2017 The artist who prompts us to ask: what are we missing? The Irish Times, 18.12.17 by Adian Dunne 2016 Hannah Brown, Floorr Magazine Issue 6, 30.09.16 2016 The Aborealists, The Art of the Tree, Sansom and Company AWARDS AND COMMISSIONS 2019 Hospital Rooms commission, Hellingly Centre, East Sussex 2019 Dentons art prize - staff winner COLLECTIONS V&A, London Office of Public Works, State Art Collection, Ireland Barts Hospital Collection, London Cleveland Clinic, Ohio Private collections in UK, Ireland, USA, Canada, Korea, Switzerland, China  

Hannah Brown Sketch for Penton Lane 2.A, 2021 Oil on Paper Signed on verso 10 x 15cm (3¾ x 5¾ in.) Hannah Brown (b 1977) in Salisbury, Wiltshire lives and works in London. She has an MA in Sculpture from the Royal College of Art (2006) and she's had solo shows at Gimpel Fils and Barts Gallery in London. Selected group exhibitions include the Threadneedle Prize, Creekside Open, Danielle Arnaud, MOT, Camden Arts Centre, Globe Gallery, Newcastle, and Spacex Gallery, Exeter. Hannah was shortlisted for this year's John Moores Painting Prize and for the Jerwood's Artist's platform in 2007. EDUCATION 2004 - 2006: MA Sculpture, Royal College of Art, London 2002 - 2003: PGCE Art and Design (14 - 19), Institute of Education, London 1996 - 1999: First Class BA Hons, Fine Art Sculpture, CSM, London 1995 - 1996: Art and Design Foundation Course, Exeter College, Devon EXHIBITIONS SOLO AND TWO-PERSON EXHIBITIONS 2020 This Muddy Eden, two-person show with Christoper Orr, Broadway Gallery, Lecthworth 2019 Before Long, Union Gallery, London 2017 Nocturnes, Cross Gallery, Dublin Lain fallow for too Long, dalla Rosa gallery, London 2016 Finding Forms, two-person show with Cara Thrope, Cross Gallery, Dublin SELECTED GROUP EXHIBITIONS 2021 John Moores Painting Prize 2020, Walker Art Gallery, Liverpool Holding Hands, Union Gallery, London The Deepest Shade of Green, Saolta Arts and Galway 2020, Galway 2020 The Green Fuse, Frestonian Gallery, London Everyday, curated by Ben Walker, Terrace Gallery, London 2019 Betwixt and Between, Arthouse1, London The Immaculate Dream, Collyer Bristow, London Flat + Earth, Sidney and Matilda, Sheffield 2018 The London Open, Whitechapel Gallery, London LAND//SCAPE, Lone Wolf Projects, Exchange Berlin, Kuehlhaus, Berlin Kristian Day Papercuts, Saatchi Gallery, London The Annotated Reader, curated by Ryan Gander and Jonathan P Watts, Cork Street Galleries, London The Waiting Room, curated by Karen David, Wimbledon Space, London Ash Archive, The Brewery Tap, Folkstone, Kent New Relics, curated by Kate Terry and Tim Ellis, Thames Side Studios, London Mindscapes, bo.lee gallery, London 2017 The Arborealists: The Art of Trees, Bermondsey Project Space, London Below the Surface, OVADA, Oxford A Table of Elements, Curated by Graham Crowley and Juilan Perry, Greystone Industries, Suffolk Silence Un-scence, Lewisham Art House, London A5-n, dalla Rosa gallery, London 2016 Solid Gone in the Back Room, Holdrons Arcade, London Landing, Kristian Day at Herrick Gallery, London Marmite Prize for Painting, Block 336, London and Highlanes Gallery, Drogheda, Ireland The Arborealists, St. Barbe Museum and Art Gallery, Lymington PUBLICATIONS AND PRESS 2018 London Open: a snapshot of the artistic zeitgeist, Financial Times, 09.08.18 by Rachel Spence 2018 Whitechapel open to what's happening now, Morning Star, 26.06.18 by Michal Boncza 2017 The Arborealists: The Art of Trees, The Observer, 31.12.17 by Rachel Cooke 2017 The artist who prompts us to ask: what are we missing? The Irish Times, 18.12.17 by Adian Dunne 2016 Hannah Brown, Floorr Magazine Issue 6, 30.09.16 2016 The Aborealists, The Art of the Tree, Sansom and Company AWARDS AND COMMISSIONS 2019 Hospital Rooms commission, Hellingly Centre, East Sussex 2019 Dentons art prize - staff winner COLLECTIONS V&A, London Office of Public Works, State Art Collection, Ireland Barts Hospital Collection, London Cleveland Clinic, Ohio Private collections in UK, Ireland, USA, Canada, Korea, Switzerland, China  

Peter Clark Free as a Bird Collage on Paper Signed on verso 10 x 15cm (3¾ x 5¾ in.) London based collage artist Peter Clark is widely known for his whimsical collage art. He uses a collection of found papers, which are colored, patterned or textured by their printed, written or worn surfaces. He shades with density of print and creates substance and movement with lines plucked from old maps or manuscripts. His pieces use mark making in an innovative and humorous way to create his subjects. From animals created from maps, labels and discarded tickets, to garments carefully crafted from gift wrapping, musical scores and love letters, Peter Clark has the rare ability to turn ordinary printed matter into exquisite works of art with character, beauty and wit. Whether at antiques fair in Sussex, or further afield to flea markets in France, USA, Japan and India, he travels far and wide to source materials for his next pieces.   Education   Manchester College of Art and Design 1st, Class BA (Hons) Exhibitions 'Frocks & Dogs & Beyond' (working title) Portland Gallery, London Group show, Gilman Contemporary, Sun Valley, Idaho 'Boom Chicka Boom' Portland Gallery, London / 'Paper Offerings' Gilman Contemporary, Sun Valley, Idaho 'Double Dog Dare' Rebecca Hossack Art Gallery, New York 'REM!X' Rebecca Hossack Art Gallery, London 'SHOWTIME' Rebecca Hossack Art Gallery, London 'HOTdog' Rebecca Hossack Art Gallery, New York 'Dogs are for christmas not just for life' Rebecca Hossack Art Gallery, London Paul Smith Globe Gallery, T5 Heathrow Showing off, Rebecca Hossack Art Gallery, London Here's looking at you kid, Rebecca Hossack Art Gallery, London ...What comes around goes around... Rebecca Hossack Art Gallery, London The New York Dogs, Paul Smith Shop, 5th Av. NYC LA Chien + Paul Smith Shop, Los Angeles Henley Festival of Music and Arts Bespoke, Rebecca Hossack Art Gallery Paul Smith Shop, Milan, Italy Michael Carr Gallery, Sydney, Australia Dogs and Other Garments, Rebecca Hossack Gallery Gabriele Skelton Ltd., London  

Philips 13 1/2 inch terrestrial globe and another globe

James Bond Moonraker (1979) Original photocopied reduction storyboards from the production of the rendezvous in space sequence (10 pages) and a poison globe sequence (4 pages).Provenance: From the collection of Peter Davies, Film Editor and a veteran of five James Bond movies.

W. & A. K. Johnston, Edinburgh and London twelve-inch table globe coloured printed paper cover, sphere on brass frame, all mounted on turned ebonised base.Condition report: Overall papers in good order, brass frame showing signs of corrosion.

An early 20th century bronze mantel clock with putto supporting a globe on onyx base, 17.5cm high, separate stand, under a glass dome (1)

5 occasional tables including one being a mahogany globe stand now converted to table,  a jardiniere stand and a nest of 3 tables Etc [9]

National Westminster Perflex Globe / World Money Box on Stand. From the 1980's. 4.5 Inches - 11.25 cms High. Excellent Condition In All Aspects.

Large Meissen Porcelain Figure of Science, 1894. Design by Emmerich Andresen (1843-1902) Scientia reading a book, standing with attributes of science on a rock and rocaille base Globus and further books on a tree stump in front of an owl, a magnifying glass and a glass vial, Manufactured by Meissen Porcelain Factory, 1894-1924 Underglaze blue crossed swords mark. Height 18 Inches. Condition Report - 2 Small Chips to Leaves Below Globe, Small Chips to Branch Below Globe, No Restoration or Repairs.

Lapis gemstone globe 33cms with central compass

A plastic globe on stand 43cm high

A Globe Wernicke style mahogany four section bookcase, with glazed doors, verso label for 'Cookes of Finsbury', 76cm

A collection of Shelley items to include: Vincent 11326 shape Red Poppy tea ware, globe shaped teapot, teapot stand, 2 cups, 2 saucers, 1 side plates, bread & butter plate, cream and sugar, Bute 8413 Pink Roses patterned tea ware etc.

A collection of Shelley items to include: Various cups & saucers, globe shaped teapot in Rose Floral sprays etc.

AN OAK GLOBE WERNICKE STYLE BOOKCASE, with a cornice above a four sectional bookcase each with up and over doors and raised on a plinth base, 165cm x 89cm x 37cm

AN OAK GLOBE WERNICKE STYLE BOOKCASE, with a cornice above a four sectional bookcase each with up and over doors and raised on a plinth base, 144cm x 86cm x 26cm

A PHILIPS 12' TERRESTRIAL GLOBE c.1930s mounted on brass meridian and turned ebonised base, labelled 'Philips 12' Terrestrial Globe...London Geographical Institute George Philip & Son Ltd. 32 Fleet Street', 45cm high overall Condition Report : Date attributed to named places: Siam, Ceylon, Istanbul (Constantinople). generally fair for age, discolouration to globe, some damage and cracking around Cocos Islands (Indian Ocean). Looks to be something missing, roundel or attachment around North & South Poles (South Pole looks to have a contemporary piece of card acting as a washer) Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.

Terrestrial globe on stained pine stand H39cm and Jubilee Quartz mantle clock

Antique world globe. by dr. R. Neuse. Dutch adaptation of RE Kaltofen, Utrecht. Edition heirs J. Bijleveld, Utrecht. Columbus Verlag Berlin-Lichterfeld. Minor damage but acceptable. Dimensions: 59 x Ø 47 cm. In fair/good condition.

Large antique globe in oak holder. France. Circa 1900. Globe physique, historique, politique. Gerard et Barrere Paris. Dimensions: 105 x 75 x 75 cm. In good condition.

Illuminated globe on wooden base. Scan-Globe A/5 Dänemark 1972. Dimensions: H 42 x Ø 28 cm. In good condition.

A Waterford Crystal desk-top globe, with chrome plate mounts, globe diameter approx 16cm, overall height 29cm

A tinplate and brass desk globe, height 36cm, diameter approx 16cm

A vintage globe lamp on smoked perspex frame fitted with aluminium undertier. H.77cm

A Japanese part tea set together with a globe etc

A globe drinks trolley

A Globe Wernicke style oak two stack bookcase. Est. £60 - £80.

A pair of Edwardian cut and etched glass globe and shaft decanters, with faceted stoppers, 24cm high.

A group of decanters and stoppers, comprising three globe and shaft decanters, a ship's decanter and a further decanter engraved with flowers. (5)

A pair of patinated spelter figures of muses, probably French, each modelled seated, one holding a globe and calipers, the other holding a scroll, 20cm high. (2)Condition report: Muse with scroll: where to surface patina throughout, some pitting to the metal in places through manufacture.Muse with globe: similar wear to surface Patina throughout, also similar pitting. one stool leg missing. Crack to right arm.