A yellow metal fancy double circle link braclet, with bolt ring clasp and twelve charms attached to include a 9ct Bahamas map with a 1.5mm round ruby, a 9ct gold front and back engraved heart locket, a 9ct engraved tankard, an enamel ladybird, a yellow engraved fob with purple stone intaglio, a 9ct horse with red stone eyes, an enamel envelope set with a 2.7mm emerald (chipped), opening mechanism and engraved 'Mon Ami', a yellow enamel globe charm engraved in German 'Die Ganze Welt dreht sich um Liebe' (The World is in Love), a 9ct ST Christopher, a yellow Monte Carlo charm, a silver and enamel salmon by Alabaster & Wilson, and a yellow double eagle charm, length 180mm, chain width 5.15mm, gross weight 26.4g, not marked but tested as 9ctEnvelope charm opens & closes securely. Some missing enamle to the left hand side. Some turquoise missing around edge. Fish, horse, ladybird all good.
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This grand 120 x 75.5cm portrait depicts the powerful and regal figure of Maharaja Sher Singh, who ruled the Sikh Empire in the mid-19th century. The neat details in this painting, from the delicate embroidery on the Maharaja's attire to the detailed patterns on the ornate throne, exposes the skilled hand of the artist who created this piece. The Maharaja himself is captured with a confident gaze, conveying his position of authority and strength. As a testament to its importance, this portrait has been exhibited in galleries and museums around the globe. Given its rarity and uniqueness, this would make for an astute investment for collectors of South Asian art, particularly those drawn to the history and culture of the Sikh Empire. The quality of the painting and the historical significance of the subject make it a worthwhile inclusion to any art portfolio of South Asian art.
UNITED KINGDOM. Elizabeth II, 1952-2022. Gold 200 pounds, 2019. Royal Mint. Proof. The Queen depicted as Una and the Lion was a controversial design issued at a time of great uncertainty. Victoria had only just turned 18 when she became Queen and Empress of the world's leading empire at the time, with dominions scattered around the globe. All eyes were on her to deliver the huge task of leading the empire to future prosperity. The depiction of Victoria as Lady Una, calmly directing the enormous beast by her side, the Lion (representing England), was a clever analogy, using the characters from Edmund Spenser's poem The Faerie Queene (written in 1590). It was the first time in history a British monarch was depicted on a coin as a fictional character.As part of the Great Engravers series the coin offered here has caused equal amounts of admiration and frustration due to the low mintage and low-profile marketing from the Royal Mint. The mintage being just 225 pieces, it was immediately sold out and shortly thereafter coins were selling for multiples of the issue price on the secondary market. The Una and the Lion design is perhaps the most iconic of all British coin designs. The original 5 Pound piece struck for Queen Victoria in 1839 has been one of the best performers of all British investment coins but its performance now eclipsed by its modern version, leaving most collectors with little chance of ever getting one. This will be one to keep for the future.Fifth, crowned head of Queen Elizabeth II right; JC below; ELIZABETH II · D · G · REG · F · D · 200 POUNDS ·. Design by Jody Clark. / Crowned and mantled Queen Victoria directing Lion left, DIRIGE DEUS GRESSUS MEOS (May God direct my steps) above, date in Latin numerals below. Design by William Wyon. Edge milled.Comes with the original box as issued by the Mint and the certificate of authenticity (COA). Mintage: 225.Diameter: 40 mm.Weight: 62.42 g. (AGW=2 oz.)Composition: 999.0/1000 Gold.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. No other fees, including live bidding. Delivery cost will be added to your order.This lot is exempt from VAT. Payment can be made in EUR, CHF, or USD for an exchange fee. Please contact us to find out more.
An Italian 'Model 551' hanging globe light, designed by Oscar Torlasco for Lumi, with an enamelled yellow globe, fitted with twenty lights fittings, with brass mounts and central support,34cm diameter90cm high Condition ReportSome scuffing to the ceiling cap, Globe with one area to the top that appears touched up. Some marking to the ceiling cap. The brass with tarnish and wear. Additional images uploaded.
An 'Atomic' white chandelier, 'Model No. 2720', designed by E R Nele for Temde, Switzerland, fitted with nine glass globe shades, 50cm diameter55cm high Condition ReportWith some scratches and marks throughout. Works on testing. Sworders does not guarantee any future operation. PAT test passed.
A 'Pallone Model LTE 10' floor lamp, designed by Luigi Caccia Dominioni in 1959 for Azucena, Italy, with a brass column, mounted with an adjustable glass shade, raised on a chamfered marble plinth, 221cm high Condition ReportSmall chip and nibbles to the top of the globe - not viewed when the cap is present. Chip to the base of the plinth. With some scuffs and marks to the stem. The shade with some minor scratches commensurate with age and use.Additional images uploaded.
A George V Silver Inkstand, Attributed to Goldsmiths and Silversmiths Co. Ltd., London, 1923 commemorating the British Empire Exhibition of 1924, the base stepped square, with four cast recumbent lions supporting a globe with hinged cover, the front applied with a legend commemorating the exhibition, filled9cm squareFully marked on base. Further part marked inside cover and on applied legend. The maker's mark is worn but the marks are otherwise clear. There is some overall surface scratching and wear, consistent with age and use. The glass liner is lacking. There is wear to the leather base. The gross weight is 10oz 13dwt, 332gr.
The New World Globus Radio Modell 700, 1933The New World Globus Radio Type 700, 1933Colonial Radio Corporation, Buffalo, N.Y. Design patent no. 90586, designed Raymond Loewy, black bakelite base and globe, gold-painted continents, chrome-plated metal equator ring, illuminated dial, 5-tube AM receiver in globe and chassis, height 15 ¾ in., untested, good condition. Start Price: EUR 750 Condition: (2-3/-)
von MeissenAuf vierfach eingezogenem, profiliertem Podestsockel architektonisch-pyramidaler Aufbau, umzogen von marmorierten Reserven. Schauseitig die plastisch aufgelegte, von einem Putto präsentierte, strahlenbekrönte Rocaillekartusche, darin das Russische Kaiserwappen mit bekröntem Doppeladler und Herzschild mit Heiligem Georg. Als Bekrönung große, vollplastisch gearbeitete Komposition aus einem von vier Adlern mit ausgebreiteten Flügeln getragenem Sternenglobus. Darüber die auf einer Wolkenbank mit durchbrechenden Strahlen und in Begleitung eines Puttos sitzende Fama, Göttin des Ruhmes, die Posaune zur Verkündigung der ruhmreichen Taten haltend. Am äußersten Wolkenzipfel applizierte Freimaurersymbolik in Form eines Dreiecks mit Ouroboros, darin der ligierte Buchstabe A, wohl für Friedrich August II., Kurfürst von Sachsen und als August III. König von Polen. Polychrome Malerei mit reichem Golddekor. Entw. wohl Johann Joachim Kaendler. Modell-Nr. 2493. Unw. rest.; Meissen Ende 19. Jh.; Schwertermarke. H. 38 cm. Prachtvoll ausgeführtes Werk, die Regentschaft des Russischen Zarenhauses huldigend. Das Russische Kaiserwappen zierte die für Zarin Elisabeth (1709 - 1762) gefertigten Meissener Porzellane, u.a. das sog. Andreas-Service sowie ein Vasenensemble, bestehend aus den sog. Planetenvasen und der Apollovase als Mittelstück.Vgl. Pietsch, Kat. Meissen für die Zaren, S. 66 - 86.An allegorical porcelain monument "The glorious reign" crowned by a figural composition representing Fama, goddess of the fame, with cupid above a celestrial globe held by four eagles, on the front with Russian Imperial Coat of Arms. On the cloud an applicated symbol of the freemasonry with ligated letter A. Insignificantly restored. Crossed swords mark.Meissen. Ende 19. Jh.
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