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An Armand Marseille bisque head doll's house doll with brown wig, sleeping blue eyes, open mouth and composition body, height 14cm (lacking left arm, cracks and paint chips to legs), together with another bisque doll's house doll, height 13cm, and a doll's travelling trunk, 'The Junior Globe Trotter', by McGraw Box Company, with applied travel labels, fitted with two short and three long drawers and hanging compartment, containing clothes, cushions, a tea set, a table and chairs.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A LATE VICTORIAN SILVER MOUNTED SHAFT AND GLOBE GLASS CLARET JUG, maker Belk & Parkin, with diamond, slice and strawberry cutting, the angular handle, mount and hinged cover bright cut engraved with Indianesque style geometric bands, with original silver mounted cork stopper, 10 3/4" high (Illustrated) (Est. plus 21% premium inc. VAT)Generally good
Charlotte Keates Under Treetops 1 Ink on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Charlotte's work is inspired by interiors, travels, and architectural composition, in seamless communion with elements from the natural world. Trees push through flat concrete, while perspectives unfold in sheets of glass. These images of modernist leisure leave one with the feeling of having entered a space only recently vacated, dramatising stillness without surrendering movement. These are environments that suggest, technically as well as artistically, indistinct human activity and motion. "The interiors that I paint are entirely imagined - I am very interested in architecture; a certain angle or spatial construction within a room. I do not necessarily have a constructed interior in my head, I start with one element that has inspired me and let the painting unfold. There is a sense of anticipation yet stillness, almost like a moment frozen in time, remembering the split second of a place or object. It is this fragility and vulnerability I want to convey, almost waiting for something to happen or even emerge."If, as Kevin Lynch argues in his essay The Image of the City (1960), architecture is 'construction in space' and therefore a 'temporal art', then Keates's paintings, replete with geometric and trapezoidal imagery, are the artist fracticalising the no-less concrete practice of the architect. Keates's work is interdisciplinary, meta-textual - serene, airy landscapes that shock the viewer with 'more than the eye can see, more than the ear can hear', evermore settings, corners and aspects 'waiting to be explored'.Charlottes works can be found in collections across the globe including the UK, Europe, US, Bahamas, Taiwan and Hong Kong. Select Exhibitions/Awards UPCOMING Mestre Projects, Bahamas London Art Fair 2022, Arusha Gallery May 2022 Group Show, Asia Art Centre, Taiwan 2021 The Armory Show 2021, New York Group show with Cristea Roberts 'Just what is it...?' Safe as Milk, Arusha Gallery, London A Constant Hum, Arusha Gallery, London 2019 London Art Fair, Arusha Gallery 'Art on the Mind' Charity Auction, Mayfair PULSE Miami Contemporary Art Fair (group booth presentation with Arusha Gallery) 2018 PULSE Miami Contemporary Art Fair (solo booth with Arusha Gallery) 'LA Summer' group exhibition, Arusha Gallery, Edinburgh 'A Focus On Painting' Cynthia Corbett Gallery London Columbia Threadneedle Prize, Mall Galleries London January (2 paintings) London Art Fair, Arusha Gallery Marie Curie 'Garden of Light' Charity Installation - guest artist, London 'Art on the Mind' Charity Auction featuring Tracy Emin, Antony Gormley, Anish Kapoor Mayfair, April 2017 'Sojourn' Solo Exhibition, Arusha Gallery 2016 Royal Academy Summer Exhibition London, exhibiting artist Lynn Painter Stainers Prize Exhibition, The Mall Galleries London 'Geometry of Space' Group Exhibition The Porthminster Gallery 'Form, Colour, Light' Group Exhibition, The Project Gallery 'Exploiting Perspectives; a harmony in chaos' Solo Exhibition Arusha Gallery Stockholm Art Fair, Arusha Gallery 2015 'Perspectives on Space' The Project Gallery 'Alternatives Never Found' Arusha Gallery, Edinburgh 'Margaret Lovell Retrospective: 50 Years On Accompanied by Charlotte Keates and paintings, drawings and prints by St Ives Modern Artists such as Barbara Hepworth, Peter Lanyon and Ben Nicholson' The Porthminster Gallery, St Ives 'Summer Collective Exhibition' The Project Gallery Manchester Art Fair, Arusha Gallery 'Small Scapes' The Project Gallery, Arundel, West Sussex
Charlotte Keates Under Treetops 2 Ink on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Charlotte's work is inspired by interiors, travels, and architectural composition, in seamless communion with elements from the natural world. Trees push through flat concrete, while perspectives unfold in sheets of glass. These images of modernist leisure leave one with the feeling of having entered a space only recently vacated, dramatising stillness without surrendering movement. These are environments that suggest, technically as well as artistically, indistinct human activity and motion. "The interiors that I paint are entirely imagined - I am very interested in architecture; a certain angle or spatial construction within a room. I do not necessarily have a constructed interior in my head, I start with one element that has inspired me and let the painting unfold. There is a sense of anticipation yet stillness, almost like a moment frozen in time, remembering the split second of a place or object. It is this fragility and vulnerability I want to convey, almost waiting for something to happen or even emerge."If, as Kevin Lynch argues in his essay The Image of the City (1960), architecture is 'construction in space' and therefore a 'temporal art', then Keates's paintings, replete with geometric and trapezoidal imagery, are the artist fracticalising the no-less concrete practice of the architect. Keates's work is interdisciplinary, meta-textual - serene, airy landscapes that shock the viewer with 'more than the eye can see, more than the ear can hear', evermore settings, corners and aspects 'waiting to be explored'.Charlottes works can be found in collections across the globe including the UK, Europe, US, Bahamas, Taiwan and Hong Kong. Select Exhibitions/Awards UPCOMING Mestre Projects, Bahamas London Art Fair 2022, Arusha Gallery May 2022 Group Show, Asia Art Centre, Taiwan 2021 The Armory Show 2021, New York Group show with Cristea Roberts 'Just what is it...?' Safe as Milk, Arusha Gallery, London A Constant Hum, Arusha Gallery, London 2019 London Art Fair, Arusha Gallery 'Art on the Mind' Charity Auction, Mayfair PULSE Miami Contemporary Art Fair (group booth presentation with Arusha Gallery) 2018 PULSE Miami Contemporary Art Fair (solo booth with Arusha Gallery) 'LA Summer' group exhibition, Arusha Gallery, Edinburgh 'A Focus On Painting' Cynthia Corbett Gallery London Columbia Threadneedle Prize, Mall Galleries London January (2 paintings) London Art Fair, Arusha Gallery Marie Curie 'Garden of Light' Charity Installation - guest artist, London 'Art on the Mind' Charity Auction featuring Tracy Emin, Antony Gormley, Anish Kapoor Mayfair, April 2017 'Sojourn' Solo Exhibition, Arusha Gallery 2016 Royal Academy Summer Exhibition London, exhibiting artist Lynn Painter Stainers Prize Exhibition, The Mall Galleries London 'Geometry of Space' Group Exhibition The Porthminster Gallery 'Form, Colour, Light' Group Exhibition, The Project Gallery 'Exploiting Perspectives; a harmony in chaos' Solo Exhibition Arusha Gallery Stockholm Art Fair, Arusha Gallery 2015 'Perspectives on Space' The Project Gallery 'Alternatives Never Found' Arusha Gallery, Edinburgh 'Margaret Lovell Retrospective: 50 Years On Accompanied by Charlotte Keates and paintings, drawings and prints by St Ives Modern Artists such as Barbara Hepworth, Peter Lanyon and Ben Nicholson' The Porthminster Gallery, St Ives 'Summer Collective Exhibition' The Project Gallery Manchester Art Fair, Arusha Gallery 'Small Scapes' The Project Gallery, Arundel, West Sussex
UK HARD HOUSE/TRANCE - 12". Sweet collection of around 64 x essential (predominantly) UK Hard House/Trance/Prog. With twelves from the likes of Spiral Tribe - Forward The Revolution (white label), Jack Talkin', Van Basten, Redanka, Dominion, Ravers Choice, Dark Globe, Doi-Oing, Ian B, Baby Doc & The Dentist, Chris Cowie, Force Mass Motion, Jerard, The Weathermen, Base Twelve, Shaboom 035, Cabala, Push, The Meridian, Friskoboy, Edge, DeNiro, Pressure Drop feat. Anita Jarrett and DJ Emma: The Duster. Condition is generally VG to Ex+.
AMBIENT/IDM/ELECTRONIK 12''/LP COLLECTION. An ethereal collection of around 12 x LP and 12'' releases from a myriad of artists across the globe. Artists and titles include Mogambo - Cobra (2020, Siamese Twins, ST-001), Various - Europe (2015, A Strangely Isolated Place, ASIPV002), Anthony Rother - Simulationszeitaler, Lum - Homo Infinitus and Donato Wharton - Trabanten. Other artists include Doctor Rockit, Markant, Lali Puna, and Marsen Jules. The condition of the collection appears to be VG+ to Ex+/'as new'.
Elaborate allegorical engraving, title page adorned with allegorical figures carrying the world globe, the title held by Pluto, a sailing vessel in the background, with inscription: Atlas Geographique et Universel par Guil. Delisle et Phil. Buache Premiers Geographes (...).Copperengraving on a double page, in good condition. The left margin somewhat browned due to touching. Verso: blanco. Originating from: Guillaume Delise & Philippe Buache, 'Atlas Geographique et Universel (...)', Paris, 1790.I.: 28 x 45 / sheet: 40 x 55,5 cm. Note: Guillaume Delise was "premier géographe du roi". The firm of Delisle was inherited by his son-in-law Philippe Buache, who had studied together with him, and who entered the "Depôt des Cartes et Plans de Marine" in 1721.After he passed away, the widow Buache sold his work to Jean Nicholas Buache de la Neuville, his cousin. Dezauche takes over the firm 1780 together with other work by Delisle, Jaillot and others.Jean-Claude Dezauche was, of all geographers-publishers the most influential figure in the introduction of a more theoretical approach of cartography in France. This movement increasingly left out decorative elements in the design of maps, trying to accentuate the importance of a strict and accurate practitioning of cartography as a science. This movement can be traced back to the work of Guillaume Delisle, who opposed the use of many decorative elements, favoured by the representatives of the Dutch School.
A vintage 20th century spinning statesman globe cocktail drinks cabinet in the Victorian 19th century manner. Having gilt acorn finial atop the solid wood frame with olde world globe surrounded by zodiac signs to the frame. Raised upon a solid wood base with turned legs united by X stretcher. Measures 107cm x 73cm x 73cm.
A pair of Continental porcelain figures representing Africa and Europe, late 19th/early 20th century, the first holding a globe and cornucopia standing before a lion, the second wearing armour and with trophies of war, standing on gilt enriched scroll moulded bases, gilt painted and incised marks to bases, height 28cm and 27cm, together with another figure representing Europe, gilt painted anchor mark, height 22.5cm (minor faults).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Globe Wernicke light oak sectional bureau bookcase, circa 1920, glazed bookcase section over central open shelf flanked by leaded glazed doors and fall front enclosing fitted interior over single drawer raised on downswept supports with bookcase section and single drawer below, 91cm x 49cm x 183cm high
A Philip's 9 inch, terrestrial globe, on a turned ebonised stand, overall height 38cm.Condition report: The black paint on the base is scratched all over on the raised areas. The turned pedestal is wobbly on the base. The paper on the globe has various scratches and creases but nothing too serious. The laquer on the bracket is tarnished and worn.
AN EDWARDIAN TWIN BURNER OIL LAMP with cranberry glass shade and clear glass reservoir, on reeded column with circular foot, 66cm high overall; together with another oil lamp with opaque glass globe shade 55cm high (2) Condition Report : both in good condition Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
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41221 item(s)/page