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A 19th century ebonised longcase clock, the domed hood with globe finials above a long arched door and box base, the 30 cms brass dial with silvered strike/silent dial to the arch, silvered chapter ring seconds subsidiary dial and calendar aperture, inscribed Samuel Fish, London, the eight day movement striking on a bell
World. Mount (William & Page Thomas, pub.), A Correct Chart of the Terraqueous Globe, According to Mercator`sor more Properly Wright`sprojection, 1756, hand col. eng. map on three sheets conjoined, four decorative strapwork cartouches, inset semi-circular map of the North Pole, slight profesional restoration on verso, left hand margin strenghtened, 520 x 1430 mm. This map is often credited to Edmund Halley who first published this large world map in 1702. The engraver was William Mountaine and although the map underwent several amendments and alterations including editions by Pierre Mortier, R and J Ottens and Laurie and Whittle, it remains scarce. (1)
Wyld (James, publisher). A New General Atlas of Modern Geography, Consisting of a Complete Collection of Maps of the Four Quarters of the Globe, delineating their Physical Features and Coloured to show their Respective States, c. 1845, lacking prelims.(?), title page and table of contents printed in black & green, both with light soiling and marginal fraying, fifty-nine maps (with an additional map of China not called for on contents list), all with orig. outline col., occ. splitting along central folds, one map with closed tear, with three comparative tables bound at rear, occ. off-setting throughout, contemp. half calf, with gilt label to upper board, boards detached, lacking spine, rubbed, frayed and bumped, folio (1)
A Victorian 15ct gold turquoise and split pearl square cluster ring, with tapered reeded shoulders, Birmingham 1874, together with a Victorian turquoise set brooch, with a turquoise set forget me not to a chalcedony ground in a gold cased frame, together with a pair of Victorian turquoise cluster earrings to a flower head surround, tested as approximately 15ct gold, to later gilt metal clip fittings, and a turquoise set globe stick pin, finger size M (4).
A Moore Bros Encrusted Porcelain Table Oil Lamp, circa 1880, the scrolled and partly gilded shaped oval base surmounted by two putti musicians playing the harp and violin-cello, amongst the orchid enriched open pierced tree trunk supporting a compressed spherical reservoir applied with further orchids, bulbs and leaves (burner, shade and chimney now lacking), brown printed globe and ribband mark, also impressed marks and registration number, 38cm high
A Late Victorian Silver Mounted Cut Glass Claret Jug, Harry Atkin, Sheffield 1901, of shaft and globe form, cut with diamonds, squares and stars, with large lozenge motifs to the neck, the mounts repousse with flowers, satyr mask spout, hinged and domed cover, with acanthus sheathed S scroll handle, 28cm high
A 19th Century ormolu and marble French mantel clock, decorated with figure of a seated cherub beneath globe, circular floral enamelled dial with 8 day movement striking on a bell, having laurel and floret decoration to the oblong plinth, raised on tapering rounded supports, 30cm long x 32cm high - see illustration
A small collection of scientific instruments, 19th century and later, comprising a 17th century style polyhedral sundial on turned ebonised wood base, 21cm; a brass novelty inkwell in the form of a globe, 20cm high; two replica Leeuwenhoek type simple microscopes; and a mahogany microscope box, 20cm high (5).. Provenance: The Estate of the late Professor Rupert Hall and Mrs Hall. Visit www.dnfa.com for condition reports.
A late 19th Century Stourbridge glass posy vase of globe and shaft form with a tri form rim decorated with applied cranberry threading over a citron ground and raised to applied clear crystal feet, height 17cm, together with a later 20th Century Continental ruby flash cut vase with landscape scenes.
A late 19th Century Autumnal range vase of cylindrical form cased in opal over pale crushed strawberry ground decorated with applied tonal amber, citron and green frilled leaves, height 14cm, together with a similar period globe and shaft vase decorated with an applied fruiting bough, height 16cm.
Chamberlain crested cup and saucer circa 1810, the broken globe and rainbow crest surrounded by imari pattern 240, also another saucer and un crested cup, also a pattern 240 trio, (damages and restorations) (7). Crested cup with piece restuck, saucer ok, second crested saucer chipped and cracked, un crested cup with section restuck, the trio`s saucer restored, cups ok.
Gualdo Priorato (Gabriel) Londra panorama of the Fire of London, centred on St Paul`s, viewed from Southwark with the Globe and Swan theatres in the foreground, and severed heads raised on poles over the gate to London Bridge, title banderole, Londra, in the sky, full title below, engraving with hand-colouring on 2 sheets, joined, 275 x 905mm., slight wear on old vertical folds, framed and glazed, c.1675.
A PAIR OF GLOBE AND SHAFT DECANTERS early 20th century, each with lozenge cut stoppers, lozenge cut shafts, the globe shape bodies engraved grapes and vine, star cut bases, chips to collars 13½", a pair of globe and shaft decanters each with mushroom shape stoppers, facet cut necks, lozenge cut bodies 12", a cut glass claret jug with a globular stopper, facet cut neck, oval cut body 13", and a pair of decanters with mushroom shape stoppers, shaped oval cut bodies 10½" (7) a suite of glass each engraved with fruiting grapes and vine some associated including eleven liqueur glasses, seven champagnes and approximately sixteen others. NB: Ex Kinnerton Lodge
A GOOD VICTORIAN MAHOGANY EXTENDING DINING TABLE, the rectangular moulded top above a plain frieze enclosing two additional leaves raised upon substantial panelled compressed globe and fluted vase supports, brass shoes and casters, 30"x100" plus extra leaf by 55" see illustration. NB: Ex Kinnerton Lodge
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41226 item(s)/page