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Roman Imperial Coinage, Nero, Sestertius, Lugdunum, 62-8, laureate biust left, small globe at point of neck, rev. triumphal arch surmounted by statue group of Emperor driving quadriga, flanked by various deities, 16.50g (RIC 500; BMC 300). Minor porosity and with some areas of cuprite, otherwise about very fine £100-£120
Roman Imperial Coinage, Antoninus Pius, Denarii (2), both Rome, 140-3, rev. Clementia standing left holding patera and sceptre, 3.42g (RIC 64a), 143-4, rev. Victory standing left, holding wreath and palm, 3.30g (RIC 111B); Diva Faustina Senior, Denarii (2), both Rome, 141, revs. Providentia standing left holding globe, veil blows out behind, 3.03g (RIC Antoninus Pius 351a), Ceres seated left, holding corn-ears and lighted torch, 3.20g (RIC Antoninus Pius 379); Marcus Aurelius, Denarius, Rome, 173-4, rev. German captive seated before trophy, 3.18g (RIC 289); Lucius Verus, Denarius, Rome, 161, rev. Providentia standing left holding globe and cornucopia, 3.25g (RIC 463) [6]. About very fine and better £80-£100
Roman Imperial Coinage, Severus Alexander, Denarii (3), 222-8, rev. Liberalitas standing left, holding abacus and cornucopia, 2.38g (RIC 148d), 228-31, rev. Fides seated left holding standards, 2.65g (RIC 193a), 231-5, rev. Jupiter walking left, head reverted, holding thunderbolt, 2.52g (RIC 237); Elagabalus, Antoninianus, Rome, 218-22, rev. Fides seated left, holding eagle and standard, standard in front, 4.06g (RIC 70f), Denarii (2), both Rome, revs. Lætitia standing left holding wreath and rudder set on globe, 2.67g (RIC 95b), Emperor standing left, sacrificing over lighted altar, star in front, 3.63g (RIC 146) [6]. About very fine and better £80-£100
Roman Imperial Coinage, Gordian III, Antoninianii (6), 240, rev. Æquitas standing left, holding scales and cornucopia, 4.73g (RIC 34); 241-3, revs. Sol standing left, holding globe and raising hand, 3.97g, 3.91g (both RIC 83); 241-3, rev. Emperor standing left, holding transverse spear and globe, 3.26g (RIC 93); 243-4, rev. Securitas standing left, holding sceptre and leaning on column, 4.43g (RIC 151); 242-4, rev. Emperor standing left, holding transverse spear and globe, 4.86g (RIC 216) [6]. Mostly very fine £80-£100
Roman Imperial Coinage, Allectus, Antoninianii (2), both ‘C’ mint, 293-4, revs. Lætitia standing left holding wreath and javelin, 3.58g (RIC 75), Providentia standing left holding globe and cornucopia, 3.53g (RIC 107); Quinarius, ‘C’ mint, 295, rev. galley left with mast, qc in exergue, 2.34g (RIC 128) [3]. Good fine £100-£120
FRANCE, Syndicat General de la Construction Electrique, c. 1930, a bronze medal by R. Pelletier, semi-naked figure representing Electricity seated on globe, rev. workers with turbines, named (Mme Suzanne Maillard), 68mm (cf. BDW 14, 730). Good very fine; in maroon fitted card case of issue £30-£40
Original vintage Art Deco travel advertising poster titled Halas Och Vederkcikelse - Karlsbad - Healthy and Revitalizing - Karlsbad, with an artwork by Jakesch, showing a fountain spouting a stream of hot water and a globe of the world , against a black background. Karlsbad is a spa city in the Karlovy Vary Region of the Czech Republic, now known as Karlovy Vary. Printed in Prague. Good condition, staining, foxing, minor creasing. Country of issue: Czech Republic, designer: Jakesch, size (cm): 95x63, year of printing: 1920s
Original vintage travel advertising poster titled Canadian Pacific to Canada and United States, with an artwork featuring a large steamship Empress of France sailing against the backdrop of a golden globe, with the shipping route marked in orange across the Atlantic Sea, and the background of the night sky. CP Ships was a large Canadian shipping company established in the 19th century. RMS Empress of France was an ocean liner built in 1928 by John Brown at Clydebank in the United Kingdom for the Canadian Pacific Steamships and launched as SS Duchess of Bedford in 1928. She was renamed Empress of France in 1947. Harry Hudson Rodmell (28 May 1896 – 3 March 1984) was an English painter and Commercial artist, specialising in marine art. He studied at Hull School of Art before enlisting in the Royal Engineers during World War I. Good condition, tears, creasing, snipe as title in the middle attached. Country of issue: UK, designer: Harry Hudson Rodmell, size (cm): 76x51, year of printing: 1940s
Original vintage advertising poster for the Brussels World Exhibition of 1935, held from April to November of that year. The artwork was designed by Leo Marfurt (1894-1977), a Swiss-Belgian commercial artist and designer who was best known for his posters of the 1930s, in an innovative Art Deco style that sometimes incorporated elements of Futurism, Cubism and Surrealism. The artwork features a two tone crest in green and red, with a Zeus, Greek God like figure carrying a globe on his shoulders. Good condition, folds, creasing, minor staining in margins. Country of issue: Belgium, designer: Leo Marfurt, size (cm): 100x62, year of printing: 1935
Original vintage midcentury modern design advertising poster for Biomalz (organic malt), with the German slogan 'Biomalz hilft uberall zu kraft und gesundheit', which translates as 'Organic malt helps build strength and health everywhere.', and designed by Hans Fabigan (1901-1975), an Austrian painter and poster artist who received the City of Vienna Prize for Fine Arts for applied arts in 1961. The artwork featues a colourful graphic of the globe, focusing on the Atlantic Ocean and with multicoloured imagery of the trees, farm animals and plants. Biomalz was a German tonic originally made for pregnant women and infants, developed by food technician Myro Petermann, who obtained a patent for the product in 1907 in Berlin. Good condition, staining, creasing, tears, small paper losses. Country of issue: Austria, designer: Hans Fabigan, size (cm): 119x84, year of printing: 1950s
Original vintage music advertising poster for a concert by Quicksilver Messenger Service at the Avalon Ballroom in 1967. Supporting acts featured The Other Half and Melvin Q. The event was organised by Family Dog Productions. The Avalon Ballroom was a music venue in the Polk Gulch neighborhood of San Francisco, California. The space operated from 1966 to 1969, at the height of the counterculture movement. Quicksilver Messenger Service (sometimes credited as simply Quicksilver) is an American psychedelic rock band formed in 1965 in San Francisco. The band achieved wide popularity in the San Francisco Bay Area and through their recordings, with psychedelic rock enthusiasts around the globe, and several of their albums ranked in the Top 30 of the Billboard Pop charts. They were part of the new wave of album-oriented bands, achieving renown and popularity despite an almost complete lack of success with their singles (apart from "Fresh Air", which reached number 49 in 1970). Though not as commercially successful as contemporaries Jefferson Airplane and the Grateful Dead, Quicksilver was integral to the beginnings of their genre. With their jazz and classical influences and a strong folk background, the band attempted to create an individual, innovative sound. Music historian Colin Larkin wrote: "Of all the bands that came out of the San Francisco area during the late '60s, Quicksilver typified most the style, attitude and sound of that era." Member Dino Valenti drew heavily on musical influences he picked up during the folk revival of his formative musical years. The style he developed from these sources is evident in Quicksilver Messenger Service's swing rhythms and twanging guitar sounds. After many years, the band has attempted to reform despite the deaths of several members. In 2009, original members Gary Duncan and David Freiberg toured as the Quicksilver Messenger Service, using various backing musicians. Psychedelic artwork of an etching with blue human figures and trees. Small text below describe ticket outlets for the concert. Issued by Family Dog Productions. Excellent condition. Country of issue: USA, designer: Jack Hatfield, size (cm): 51x35.5, year of printing: 1967
Teil eines Kartenwerks, 17.Jh. - Sanson d' Abbeville, "Die ganze Erdkugel bestehend in den vier bekannten Teilen der Welt als Europa, Asia, Africa und America samt schönen neuen und akuraten Landkarten (...)", Frankfurt am Main 1679.Textband ohne Landkarten. Nicolas Sanson d'Abbeville war ein überaus renommierter französischer Kartograph. Handschriftliche Einträge, Wurmlöcher, Flecke, Verfärbungen, Knicke, erkennbare Alters- und Gebrauchsspuren. Part of a map series, 17th cent. - Sanson d' Abbeville, "The whole globe consisting in the four known parts of the world as Europe, Asia, Africa and America together with beautiful new and accurate maps (...)", Frankfurt am Main 1679.Text volume without maps. Nicolas Sanson d'Abbeville was an renowned French cartographer. Handwritten entries, wormholes, stains, discolourations, creases, visible signs of age and usage.
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41221 item(s)/page