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A French gilt metal mantle clock in Empire style, unsigned, 19th century, the eight-day bell striking movement with outside countwheel and silk suspension with serial number 249 to backplate and with Roman numeral dial, the Neoclassical case surmounted by a globe, quiver and bow and flanked by cupid playing a lyre atop a pillar opposed by a standing male figure, the plinth base with further lyre and festoons above square feet, 50cm high overall Condition Report: Marks, knocks, scratches, abrasions, wear and dirt, discolouration and loose elements to the case. the cherub to the left hand side is detached and the column in its sections - there is no retaining bolt to hold together and is presented loose in the saleroom. This is how it has been during it's time at Dreweatts. the elements were balanced in place for the photograph. the other figure appears to be lacking his flute.There are two keys and no pendulum, Dreweatts have not tested the movement nor can give any guarantees of whether it is working or give any comments as to longevity. We recommend a full service and overhaul by a professional restorer prior to use. The movement is dirty and with signs of disuse. There is no bezel or rear door to the case. Overall requires repairs and restorations Condition Report Disclaimer
* Gillray (James). The Cabinetical-Balance. NB. The representation of, the astonishing strength & Influence of the Rays from the Rising-Sun, is taken from Sir Isaac Newtons Theory of Light, H. Humphrey, Feby. 16th. 1806, etched caricature with contemporary hand colouring, thread margins, slight toning, tipped on to later paper, 350 x 250 mm, mounted, framed and glazed, together with Rowlandson (Thomas). Dr Syntax Taking Possession of his Living, 1812, aquatint with contemporary hand colouring, slight staining, 120 x 190 mm, mounted, framed and glazed, with The Dance on Dun-Can, originally published in 'the Picturesque Beauties of Boswell', circa 1786 but later 19th-century impression, hand-coloured etching with explanatory text below image, 240 x 265 mm, mounted, framed and glazedQty: (3)NOTESThe first described caricature shows a pair of scales. Poised on the cross beam are Sidmouth and Ellenborough The former is depressing the balance with his foot whilst Ellenborough rides piggy-back on his shoulders. This lower scale contains the 'Broad-Bottomites' or New Opposition and the upper scale holds the 'No-Bottomites', the Foxites, or Old Opposition. Fox is the most prominent and is squeezed between Erskine and Grey with Moira, in a cocked hat and regimentals, stands stiffly behind. Fox and Grey have the revolutionary 'bonnets rouges' but do not wear them. The other bowl contains Grenville, one hand on his fat nephew Lord Temple and Windham waves his hat triumphantly. The scales are suspended above the curve of the globe on which Great Britain and Europe are mapped. On the distant horizon is a setting sun containing a royal crown through which the ghost of Pitt flies weeping. The setting sun's feeble rays are outshone by the heavy beams of the rising sun which are surmounted by the Prince of Wales's three feathers.
Berry (William) . [Composite atlas], London: sold by William Berry at the Sign of the Globe between Charing-Cross and White Hall, 1680-c.1688, containing: 1. Africa divided according to the extent of its Principall Parts, 1680, 2. South America, 1680, 3. Italy, 1682, 4. The Empire of Germany, c.1685-8, 5. The Kingdom of Hungary, c.1680-5, 6. Russia Alba or Moscovia, 1682, 7. Scandinavia, 1684, 8. The Kingdom of Denmark, c.1680-5, 9. The United Provinces of the Netherlands, c.1680-5, 10. The Catholick Provinces of the Low Countries, c.1680-5, 11. The Course of the River Rhine, c.1680-5, 12. The Circle of Swabia, c.1685-8, 13. The Circle of Bavaria, c.1685-8, 14. The Dukedom of Pomerania, c.1685-8, 15. The Circle of Westphalia, c.1685-8, 16. The Mountains of the Alpes, 1683, 17. Part of the Circle of Austria, c.1685-8, 18. Part of the Circle of Austria in which are the Dukedomes of Stiria, and Carinthia, or Carniola and other Heriditary [sic] Countrys of the House of Austria, 1688, 19. The Dukedom and Electorat of Brandebourg, c.1680-5, i.e. 19 engraved maps, each on two conjoined sheets mounted on guard, each with strip-title to head, title and dedication within large elaborate cartouche incorporating royal arms and ethnographic and allegorical elements and secondary cartouche containing bar scales and imprint, contemporary outline colour throughout, South America and United Provinces with later enhancement, variable toning and browning, tissue-repairs and consolidation throughout, many maps backed on tissue or linen, two large sections of restoration within image of Africa map, a few other maps with small restored sections to frames, various sheet sizes (58.2 x 88 cm to 61 x 91 cm), modern panelled calf to style, atlas folioQty: (1)NOTESTooley Africa p. 56 ('uncommon'). Based on Jaillot’s Atlas nouveau (1674), a reworking of Sanson, Berry's maps were published separately between 1680 and 1689, which may account for their high attrition rate.
A celestial globe, by Newton & Berry raised on a turned baluster mahogany column and tripod base, terminating in brass castors (one missing), inscribed "A New Celestial Globe Whereon the Stars Are Laid Down From The Accurate Observations of The Best Astronomers" by J & W Newton 1818, 102cm high (some damage)
An oak long case clock, 18thC and later, the brass break arch dial with Tempus Fugit globe, and cherub's head spandrels, dial bearing Roman numerals, two train movement, the case with swan neck pediment and hood with brass capped oblong pilasters, trunk of plain form, raised on a plinth base, with weights and pendulum, 227cm high.
FOUR BOXES AND LOOSE CERAMICS AND GLASS etc to include Paragon china teawares, Royal Worcester 'Evesham' cake plate, Minton, Aynsley, Masons Ironstone, Coalport, early 19th century commemorative Sunderland lustre 'Princess Charlotte', Ridgway 'Chelsea' tureens, pair of globe and shaft decanters, cut glass dessert bowls, tin of assorted buttons, with assorted ceramics, glass and sundry items
A 19th Century French Gilt Metal and Green Veined Marble Three-Piece Clock Garniture, the clock with 3.75ins diameter white enamel dial with Arabic numerals, to the later battery powered movement, contained in gilt spelter and bronzed spelter case surmounted by a globe and flanked by a seated scholar entitled "Etude", on rectangular green veined marble base, 12.5ins high, and a pair of similar urn pattern candlesticks, each with three swept supports with ram's head terminals and paw feet, on circular bases with turned feet, 9.5ins high
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41221 item(s)/page