We found 45695 price guide item(s) matching your search

PSEUDO-ROESTRATENtätig um 1700Titel: Vanitas-Stillleben mit Globus, Laute, einer Korbflasche, Büchern und einem Manuskript. Technik: Öl auf Leinwand. Montierung: Doubliert. Maße: 107 x 89cm. Rahmen/Sockel: Rahmen. Ausstellungen: "Go for it! Olbricht Collection (a sequel)". Bremen, Weserburg Museum für moderne Kunst, 10.05.2008 - 17.01.2010. Provenienz:Auktion Christie's, London, 07.12.1996, Lot 144;Sammlung Prof. Dr. Thomas Olbricht, Essen, erworben 2008.Erläuterungen zum KatalogPseudo-Roestraten Niederlande Niederländische Schule 17./18. Jh. Originale Vanitas-Stillleben Gemälde Musikinstrument PSEUDO-ROESTRATENactive around 1700Title: Vanitas Still Life with Globe, Lute, a Wicker Bottle, Books and a Manuscript. Technique: Oil on Canvas. Mounting: Relined. Measurement: 107 x 89cm. Frame/Pedestal: Framed. Exhibitions: "Go for it! Olbricht Collection (a sequel)". Bremen, Weserburg Museum für moderne Kunst, 10.05.2008 - 17.01.2010. Provenance:Auction Christie's, London, 07.12.1996, lot 144;Collection Prof. Dr. Thomas Olbricht, Essen, acquired 2008.Explanations to the Catalogue

Vintage Swan Neck exterior corner wall mounted light with round glass globe the lamp body being cast aluminium

Globe Wernicke Style Stacking Bookcase with lead glazed doors

Joal Compact Volvo FH16 Globe Trotter XL 1:50 scale

Hornby 0 gauge No 2 and 2E Lamp Standards, all with blue bases, one No 2 lamp (one globe missing), with three 2E double electric lamp standards, F-G, one 2E missing finial, one overpainted in cream, some bulbs missing (4)

Two modern Oriental vases, one of baluster form with flared neck, decorated with peonies, hole to base, no marks, height 30cm, the other of globe and shaft form, the pink and yellow ground neck decorated with Famille Rose over a body of globe form decorated with mountains, lake, pagoda, men fishing on boat, with two lines of script and seal marks, with square printed red seal mark to base, height 29cm, also two other modern planters and a large selection of various modern Oriental rice bowls and spoons.

Three antique silver topped perfume decanters, height of largest 14cm, with a star and cross hatch cut design with silver lid and glass stopper (hallmark rubbed) and two smaller globe decanters with cut glass hobnail design with different style lids, both with glass stoppers, heights 12cm and 11cm (3).

A cocktail cabinet in the form of a globe, with fitted interior, revolving section above undershelf, height approx 95cm (af). CONDITION REPORT The bracket that holds the lid has become detached form the circular rim and is missing the fittings, therefore the whole central pedestal is wobbly, the printed paper decoration is scratched marked and with tiny grazes in places

A Replogle World Classic Series 16" diameter globe, on a wooden turned column and gilt metal conical base.

A hardstone terrestrial globe, in a copper gimbal frame, globe 14cm diameter.

A late 19th century tellurian orrery by George Philip & Son, circa 1880-90, the signed 3 inch globe mounted on a geared mechanism, the cast iron plate with calendar and central fitting for lamp, cast PARKES AND HADLEY'S PATENT ORRERY, on a black painted metal stand with oval plaque for George Philip & Son, London & Liverpool, 24cm across, 22cm highCondition report: Globe fair with slight discolouration overall and a small dent at the equator around Monbassa. Retaining nut missing from top. Mechanism works but occasionally disengages from the teeth on the main plate. Gilding on foot nearly all rubbed away. No central lamp.

A Victorian brass Corinthian column oil lamp, with etched vaseline glass globe and plain chimney above a facet-cut glass reservoir, on a brass Corinthian column stem with pedestal base, 80cm high.Condition report: Globe appears good with typical tiny chips around the foot rim. Reservoir has some tiny nibbles to a few of the facet edges. Base foot has some minor dents to the corners.

Roman Imperial Coinage, Faustina II, Denarius, c. 161-76, rev. Ceres seated left, holding con-ears, 2.89g (RIC 669; RSC 35); Elagabalus, Antoninianus, 218-22, rev. Lætitia standing left, holding wreath and rudder set on globe, 4.43g (RIC 94; RSC 71); Severus Alexander, Denarius, 231-5, rev. Jupiter standing right, holding thunderbolt and eagle, 3.40g (RIC 238; RSC 83) [3]. Very fine and better, second of bright appearance £100-£120

Roman Imperial Coinage, Postumus, Antoninianus, Lugdunum, 260-9, rev. Mars standing right, holding spear and shield, 3.22g (RIC 93); Victorinus, Antoninianus, Cologne, 269-70, rev. Æquitas standing left, holding scales and cornucopia, 2.94g (RIC 41); Quintillus, Antoninianus, Rome, 270, rev. Fortuna standing left, holding rudder and cornucopia, 2.60g (RIC 20); Probus, Antoninianus, Tripolis, 276-82, rev. Emperor standing right holding eagle-topped sceptre, receiving globe from Jupiter, 4.82g (RIC 927) [4]. Very fine and better, several with residual silvering £100-£120

Roman Imperial Coinage, Maximinus Daza, Follis, Antioch, 312, rev. Genius standing left, holding head of Sol and cornucopia, 5.41g (RIC 164b); Constantine I, Follis, London, 312-13, rev. Sol standing left, holding globe, 2.27g (RIC 282), reduced Centenionalis, Trier, 330-1, rev. Victory standing left, 2.19g (RIC 530); Magnentius, Maiorina, Lugdunum, 351-3, rev. two Victories supporting shield, 4.48g (RIC 145); together with other late Roman bronzes (5) [9]. Very fine £80-£100

Anton Büschelberger (1869-1934) - Adler auf Weltkugel als Wanderpreis, datiert 1938Massive Bronze, dunkelbraun patiniert. Nach links blickender Adler mit ausgebreiteten Schwingen auf stilisierter Weltkugel mit Lorbeerstrauch, rückseitig das Künstlermonogramm "AB" und die Marke "Bildgiesserei Kraas Berlin". Abgestufter grüner, weiß geäderter Marmorsockel mit Neusilberschild und Gravur "Wanderpreis des Kreisschützenführers Gruppenschießen Wehrmanngewehr 1938". Gebrauchs- und Altersspuren. Gewindestab erneuert, unterer Einsatz der Weltkugel mit Innengewinde fehlt. Höhe 22 cm. Sehr ausdrucksstarke, detailliert ausgeführte Figur. Zustand: IIAnton Büschelberger (1869-1934) – an eagle on a globe as a trophy, dated 1938 Massive Bronze, dunkelbraun patiniert. Nach links blickender Adler mit ausgebreiteten Schwingen auf stilisierter Weltkugel mit Lorbeerstrauch, rückseitig das Künstlermonogramm "AB" und die Marke "Bildgiesserei Kraas Berlin". Abgestufter grüner, weiß geäderter Marmorsockel mit Neusilberschild und Gravur "Wanderpreis des Kreisschützenführers Gruppenschießen Wehrmanngewehr 1938". Gebrauchs- und Altersspuren. Gewindestab erneuert, unterer Einsatz der Weltkugel mit Innengewinde fehlt. Höhe 22 cm. Sehr ausdrucksstarke, detailliert ausgeführte Figur. Condition: II

MODERN GLOBE ON WOODEN STAND

An Early 20th Century German Pencil Sharpener in the Form of Atlas Supporting Globe, 7cm high

A Large Glass Globe and Stalk Claret Jug with White Metal Mounts in the Form of Vines and Leaves, Hinged Lid, 32cm high, Some Losses to Vines and Grapes Mount to One Side

A Greaves & Thomas globe on turned ebonised stand. Stamp for Merzbach and Falk Geographical Institute of Brussels 1881.

A large polished metal stylised celestial globe, retailed by Andrew Martin, H approx 110cm

Two watches including gun metal and globe.

BOX WITH WORLD GLOBE, RADIO, BOXED BARBIE DOLL, BINOCULARS ETC

Byzanz - MANUEL I. COMNENUS. 1143-1180, El-Aspron Trachy, Christus steht frontal zwischen 2 Sternen. Rs: Kaiser und der Hl. Theodor stehen frontal, halten zwischen sich Patriarchenkreuz auf Globus. Sear 1959. Ratto -. 3.85g, schöner großer Schrötling ohne Risse, Avers. randl. Graffito. E L E K T R O N vz-ss. | Byzantium - MANUEL I. COMNENUS. 1143-1180, El-Aspron Trachy, Christ stands frontally between 2 stars. rv: Emperor and St. Theodor stand frontally, holding between them the Patriarchal Cross on the globe. Sear 1959. Ratto -. 3.85g, nice big blank without cracks, obverse border. Graffito. ELECTRON xf-vf

Goldring mit byzantischem Gold-Solidus - 1 x Byzanz - Gold-Solidus 1. H. 9.Jh.n.Chr., Kaiser Theophilos, Av: Frontale bärtige Büste des Theophilos mit Kreuzkrone, Loros und Krückenkreuzszepter, Rv: Frontale, bärtige Büste des Theophilos mit Kreuzkrone und Chlamys, Kreuzglobus in der Hand, vz, leicht berieben, feine Kratzer, Schrötlingsoberfläche punktuell leicht aufgeplatzt, eingefasst als Goldring, Ringfassung gepunzt 750er Gold. Gesamtgewicht 9,94g Gold rau. | Gold ring with Byzantine gold solidus - 1 x Byzantium - Gold solidus 1st h. 9th c. AD, Emperor Theophilos, Obv: Frontal bearded bust of Theophilos with cross crown, loros and crutch scepter, Rv: Frontal, bearded bust of Theophilos with cross crown and chlamys, cross globe in hand, EF, lightly rubbed, fine scratches, slightly flan crack at the surface, set as gold ring, ring setting hallmarked 750 gold. Total weight 9.94g gold rough.

Small semi-precious gem stone globe

A terrestial globe

REMEMBERING CHARLIE CHAPLIN', by Jerry Epstein, and 'Inside Hollywood', 60 years of globe photos, both books hardback with dust wrappers (2)

A Spur practice amplifier and an illuminating terrestrial globe, approximately 40 cm (h). [2]

A pair of Globe Trotter large leather suitcase with leather straps, wheels and stamped locking mechanism. RRP ÂÅ3600. W:82cm x D:47cm x H:27cm

A pair of Globe Trotter large leather suitcase with leather straps, wheels and stamped locking mechanism. RRP ÂÅ3600. W:82cm x D:47cm x H:27cm

A Globe Wernicke Ltd oak three section bookcase. Each section with the Globe Wernicke stamp. W:85cm x D:29cm x H:111cm

TERRESTRIAL GLOBE ON STAND a large terrestrial globe mounted on a wooden stand with inset compass, probably early 20thc. 53cms high overall

Jacques Loussier - A group of nine vinyl long play LP record albums to include Pulsion (UK CBS stereo label 84179, VG), Focus On double LP (UK Decca stereo label FOS-R.5, VG), Basically Bach (UK Decca stereo label TAB-R 4, VG), In Concert At The Royal Festival Hall (UK Philips stereo label ACB 00168, G+), Play Bach double LP (German Decca stereo label 6.28150, VG - VG+), Play Bach (UK London Globe mono label BLB 1004, VG condition), Play Bach No.1 (UK Decca stereo label SKL.5038, VG), Play Bach No.2 (German Decca stereo label SLK 16668-P, VG+) and Plays Bach No.5 (Canadian London stereo label PS. 524, G). 

CANTEEN OF CUTLERY, along with silver plated wares, a model globe, brassware and other objects

A Globe-Wernicke oak four tier stacking bookcase, 85cm by 28cm by 133cm

A large floor standing illuminated terrestrial globe with by Georama Ltd with Art Deco style base circa 1905 (a.f.) approximately 80cm by 140cm together with a 1920s oak coat rack (a.f.)

PELE SIGNED PRINT A 22" X 18" framed and glazed handsigned limited edition print of Pele holding a globe, number 8 of 350. Includes a Becket Graphicurcus certificate of authenticity on the back. Good

A pair of small Victorian globe de mariee, 9in tall

Two Victorian globe de mariee, large 19.5in high, small 13.75in high, smaller dome has crack

A railway station oil lamp reservoir stamped Walsingham and a glass globe shade

A Globe Wernicke oak bookcase with four sections and additional top section, 86.5 cm wide by 30cm deep

A Globe Wernicke oak six section bookcase including two deeper sections at base, 183cm tall x 86.5 wide x 30cm deep

An early 20th terrestrial globe by James Wellsworth & Co. on oak stepped base with inset compass, 53cm tall

Interesting contemporary brass and wooden novelty two train mantel clock, the movement striking on a bell and inscribed B.R no. 83727, the 5" silvered chapter ring enclosing a turquoise decorated centre, contained within a wooden case surmounted by two brass Corinthian columns suspending a rotating pendulum with globe bob, under an angled glazed case with carrying handle, 24" high (key)

§ Dennis Creffield (British 1931-2018)Ripon Cathedral: The West Front, 1987 charcoal 76 x 56cmFootnote: Provenance: United Oxford & Cambridge Universities Club, London With Flowers East, London Exhibited: London, Hayward Gallery, English Cathedrals: Creffield, 1988-1990, cat.no.53 "No artist has ever before drawn all the English medieval cathedrals - not even Turner. I've dreamed of doing so since I was a student" - Dennis Creffield Dennis Creffield’s artistic abilities were recognised from an early age and in 1947, aged just 16, he was offered a place to study under David Bomberg at the Borough Polytechnic. Under Bomberg, Creffield flourished, developing his own distinctive style and in 1949, he was made an official member of the Borough Group. Between 1957 and 1961, Creffield trained at the Slade School of Art, where he was awarded the Tonks Prize for Life Drawing and the Steer Medal for Landscape Painting. Upon the recommendation of Herbert Read, from 1964 to 1966 Creffield was the Geography Fellow in Art at the University of Leeds. In 1987, the South Bank Board, known today as the Arts Council, commissioned Creffield to record the twenty-six medieval cathedrals of England produced between 1040 and 1540. Although the commission took two years and a 10,000-mile cross-country journey in a caravan to complete, Creffield, having become captivated by ecclesiastical architecture, was not satisfied and continued to produce charcoal drawings of churches and cathedrals, both in the UK and on the continent, until the late 1990s. Describing the structures as being like “giants (or angels)” (English Cathedrals, South Bank Centre: London, 1987, p.6), Creffield aspired not to capture the buildings simply as they appeared, but rather aimed, through his spirited and intuitive mark making, to express the feeling of being in the presence of these behemoths, now naturalised like sleeping giants into the English landscape. Unrestricted by the limitations of commission, the charcoals created post-1987 demonstrate Creffield’s increased proclivity towards abstraction. Largely unrestricted by medium and subject, Creffield’s works are reliably vigorous, energetic and marked by their sense of immediacy. Today his work is held in major collections across the globe, including the Tate Gallery, the British Museum, and The Los Angeles County Museum of Art.Condition report: The West front is supberb and massy - like the outcrops of millstone grit you find in Yorkshire. Even Scott's complete refacing of it with a nasty workhouse grey stone hasn't spoilt it because its proportions are spot on.

Dylan Lewis (South African, born 1964), Sitting Cheetah Round Table,bronze with circular glass top, signed and numbered 6/33 77 x 160cmFootnote: Raised by a family of accomplished artists – his mother a painter and his father a sculptor – Johannesburg-born artist, Dylan Lewis, is today heralded as one of the world’s leading contemporary wildlife sculptors, with his works featuring in important private and public collections across the globe. Drawing on his enduring and insatiable fascination with the natural world and recalling frequent childhood trips taken with his father to the Kruger National Park, Lewis’ best-known works date from his ‘cat years’. Typically citing lions, leopards and cheetahs and his muses, Lewis’ bronze cats are simultaneously deeply personal and yet also reflective of ‘wilderness’ in the broader human imagination. Having worked as a taxidermist and field guide at Rondevlei Nature Reserve, Cape Town, between 1985 and 1989, Lewis possesses both the technical dexterity and anatomical knowledge to produce the animal as it is in nature and as it appears in our collective psyche. Lewis’ more recent work explores our relationship to our own inner wilderness through his use of the human figure. A proportion of the proceeds from the sale of this lot will be donated to Tusk Trust to support its wildlife conservation work across Africa.

Dylan Lewis (South African, born 1964), Sitting Cheetah Round Table,bronze with circular glass top, signed and numbered 9/33 77 x 160cmFootnote: Raised by a family of accomplished artists – his mother a painter and his father a sculptor – Johannesburg-born artist, Dylan Lewis, is today heralded as one of the world’s leading contemporary wildlife sculptors, with his works featuring in important private and public collections across the globe. Drawing on his enduring and insatiable fascination with the natural world and recalling frequent childhood trips taken with his father to the Kruger National Park, Lewis’ best-known works date from his ‘cat years’. Typically citing lions, leopards and cheetahs and his muses, Lewis’ bronze cats are simultaneously deeply personal and yet also reflective of ‘wilderness’ in the broader human imagination. Having worked as a taxidermist and field guide at Rondevlei Nature Reserve, Cape Town, between 1985 and 1989, Lewis possesses both the technical dexterity and anatomical knowledge to produce the animal as it is in nature and as it appears in our collective psyche. Lewis’ more recent work explores our relationship to our own inner wilderness through his use of the human figure. A proportion of the proceeds from the sale of this lot will be donated to Tusk Trust to support its wildlife conservation work across Africa.

Dylan Lewis (South African, born 1964), Leopard Head, 1997,bronze, signed in the cast and numbered 7/12 47cm highFootnote: Raised by a family of accomplished artists – his mother a painter and his father a sculptor – Johannesburg-born artist, Dylan Lewis, is today heralded as one of the world’s leading contemporary wildlife sculptors, with his works featuring in important private and public collections across the globe. Drawing on his enduring and insatiable fascination with the natural world and recalling frequent childhood trips taken with his father to the Kruger National Park, Lewis’ best-known works date from his ‘cat years’. Typically citing lions, leopards and cheetahs and his muses, Lewis’ bronze cats are simultaneously deeply personal and yet also reflective of ‘wilderness’ in the broader human imagination. Having worked as a taxidermist and field guide at Rondevlei Nature Reserve, Cape Town, between 1985 and 1989, Lewis possesses both the technical dexterity and anatomical knowledge to produce the animal as it is in nature and as it appears in our collective psyche. Lewis’ more recent work explores our relationship to our own inner wilderness through his use of the human figure. A proportion of the proceeds from the sale of this lot will be donated to Tusk Trust to support its wildlife conservation work across Africa

AN AUXILIARY CRUISERS WAR BADGE. A Second World War or later Auxiliary Cruisers Badge with a Viking longboat dominating a globe within a laurel wreath and capped with a small eagle and swastika, the ship and wreath gilt, one piece construction, marked to the reverse 'R.R.S.' with round pin, 52x40 mm. This item is Second World War or later and sold not subject to return.

ANTONINIANUS OF PROBUS 276-282. Radiate bust r. within legend IMP C M AVR PROBUS AUG. Reverse two male figures, Jupiter to the right handing a globe to the Emperor within IOVI CONSERVAT. Mint mark PXXT for Ticinum. Webb records 133 coins from this reign amongst the hoard, only 1 with this legend to the reverse. Provenance: The Linchmere Hoard, Miss Abbott and thence by descent.

ANTONINIANUS OF CARUS 282-283. Radiate bust r. within legend IMP C M AUR CARUS AUG. Reverse winged figure of Victory holding a wreath and palm, standing on a globe flanked by two captives within VICTORIA AUGG. Mint mark A for Gaul. Webb records only 5 coins from this reign amongst the hoard, only two of this type. Provenance: The Linchmere Hoard, Miss Abbott and thence by descent.

ANTONINIANUS OF TACITUS 275-276. Radiate bust r. within legend IMP C M CL TACITUS P F AUG. Reverse standing figure of Providentia holding a rod which she points at a globe by her feet, within PROVID DEOR. Gaul. Webb records 60 coins from this reign amongst the hoard, a single example of this type. Provenance: The Linchmere Hoard, Miss Abbott and thence by descent.

2 boxes of collectable ceramics to include Lilliput Lane, various ornaments, snow globe & figurines. Viewing/collection at West Woodlands BA11 5ES. Payment at Standerwick BA11 2QB. No booking required. Lots to be collected within 7 days.

A modern globe and modern desk lamp Condition Report: Available upon request

EIIR Royal Marines Drum Majors Marching Parade Mace, fine example with large silver plated globe top with crown and lion fitted. Throat section mounted with coppered ER and anchor plus regimental motto in scroll. Plated mounts and linked chain running the length of the wooden haft with a large silver plated lower socket piece. Central fitting stamped “POTTER LONDON”. Remains in very good overall condition. Approximately 167cms in length.

An early 20th century Globe Wernicke style oak stacking bookcase in six sections, 200 h x 88 w 25cmd

An early 20th century Globe Wernicke style white painted oak stacking bookcase in six sections, 193 h x 88 w x 26cm d

A carved wooden chess set in a wooden box with sliding cover; a glass chess set and board; a glass desk globe (3)

George C Scott signed 10x8 black and white photo. George Campbell Scott (October 18, 1927 - September 22, 1999) was an American actor, director, and producer who had a celebrated career on both stage and screen. With a gruff demeanour and commanding presence, Scott became known for his portrayal of stern, but complex, authority figures like prosecutor Claude Dancer in Anatomy of a Murder, General Buck Turgidson in Stanley Kubrick's Dr. Strangelove, Dr. Herbert Bock in The Hospital, Ebenezer Scrooge in A Christmas Carol, Lt. Kinderman in The Exorcist III, and General George S. Patton in the biopic Patton, which won him the Academy Award for Best Actor. Described by The Guardian as a battler and an actor of rare courage, his performances won him widespread recognition and numerous other accolades, including a Golden Globe, a Genie Award, and two Primetime Emmys. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99