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Lot 360
A rare Cleveland Guaranteed rectangular glass petrol pump globe in good original condition, fully stamped 'The Property of the Cleveland Petroleum Product...' and stamped with a design number. **catalogue amendment, the red on one side and the black letters appear to have repainted some years ago.**
Lot 432
Tamiya - 1/14 R/C globe-liner truck with container trailer and container.Tamiya - . This truck and trailer combo has been well assembled and is in full working order. The truck has a metal frame with working lights and sound. The trailer locking and unlocking is R/C controlled also. The trailer has a working lights. The sound system is working and has a hazard warning indicator noise. No radio controller but does have a power pack. This model appears to be in excellent condition and does not seem to have been used outdoors. Truck dimensions are - approx. 26cm x 19cm x 52cmTrailer dimensions are - approx. 31cm x 19cm x 87cm
Lot 649
‘IN THE MORNING ONE CAN LEARN THEIR LESSON FROM WHAT ONE HAS GRASPED IN THE EVENING’, HONGLI (1711-1799)China, ink on paper, album leaf, calligraphy in running script. The present lot is an original calligraphy written by the Qianlong Emperor, born Hongli.Inscriptions: Calligraphy, ‘In the morning one can learn their lesson from what one has grasped in the evening’. One personal seal of the Emperor top center, ‘Qianlong yushu (written by Emperor Qianlong)’, three collector’s seals, one lower left, ‘Ding Fuzhi ceng guan (viewed by Ding Fuzhi)’, two lower right, ‘Cengcang Wang Ti’an chu (collected by Wang Ti’an)’, and ‘Jin Futing Shouxianshi kaocang (Collection of Jin Futing)’.Provenance: Probably in the collection of Jin Futing (active during the Daoguang and Xianfeng reigns). Collection of Wang Zuxi (1858-1908, collector’s seal ‘Wang Ti’an’). Thereafter possibly in the collection of Ding Fuzhi (1879-1949). From there through various collections to the present owner. Wang Zuxi was a noted late Qing dynasty collector and connoisseur from Shaoxing. Ding Fuzhi was a painter, calligrapher, and seal artist, whose works frequently appear at Sotheby’s and Christie’s. In 1904 he founded the Xiling Seal Art Society together with Ye Ming and Wu Yin. Condition: Good to very good condition with old wear, worm holes, center fold, water stains to edges, minor losses to corners.Dimensions: Size 39.2 x 49.9 cmHongli was the fourth son of Yongzheng and born to Noble Consort Xi. He was adored by his grandfather, the Kangxi Emperor, and some historians argue to this day that Kangxi appointed Yongzheng as his successor only because Hongli was his favorite grandson. One of China’s eternal visionaries, Kangxi is said to have spotted the singular leadership talent of the later Emperor Qianlong in Hongli when he was still a child.Finding an original calligraphy by Hongli’s own hand outside of China is quite rare, although many can be seen in major museums in China and around the globe, where they have been admired by an audience of millions. Besides being an avid and passionate art collector, the Qianlong Emperor was also a talented poet and calligraphist, often gifting his works to his subjects, thus bestowing great honor upon them.Literature comparison: The seal imprint top center is from an Imperial seal registered in Guo Fuxiang, Gugong bowuyuan cang qingdai dihou xiyin pu Qianlong juan yi (Catalogue of Imperial Seals of the Qing dynasty. Qianlong Book 1), vol. II, p. 15. Note the size of the inner seal frame is 44 x 46 mm (height x width) and identical on both the imprint in the catalog and on the calligraphy. As the seal imprint illustrated in the catalog was recorded shortly after carving, very minor differences in these measurements are considered negligible, because of the continued use of the seal over many years.Auction result comparison: Compare with a pair of hanging scrolls with a poetic couplet in running script by the Qianlong Emperor at Christie’s New York in Fine Chinese Paintings on 10 September 2019, lot 2, sold for USD 50,000, and another couplet by the Emperor on two silk panels at Sotheby’s Hong Kong in Fine Classical Chinese Paintings on 1 October 2018, lot 2606, sold for HKD 625,000. Compare also with a four-character calligraphy in regular script on two silk panels at Sotheby’s Hong Kong in Fine Classical Chinese Paintings on 5 October 2015, lot 1137, sold for HKD 3,680,000, and a two-character calligraphy in running script on a silk panel, in heavily damaged condition, at Bonhams London in Fine Chinese Art on 17 May 2018, lot 76, sold for GBP 23,750.《暮悟朝鑑》，弘歷 (1711-1799)中國，紙本水墨, 斗方。行書。乾隆皇帝御筆。鈐印：乾隆御筆藏印：丁輔之曾觀，曾藏王惕安處，金黼廷瘦仙氏考來源：可能曾被金黼廷 (活躍於道光咸豐時期) 所收藏。王祖錫(1858-1908)收藏，一枚玲印。之後可能為丁輔之 (1879-1949) 收藏。 輾轉到現今藏家手中。 王祖錫是晚清著名的收藏家、鑑賞家，紹興人。丁輔之是一著名的畫家、書法家、印章雕刻家，其作品經常於蘇富比與佳士得上出現。1904年丁輔之與王禔、葉銘、吳隱共同創辦西泠印社。 品相：狀況良好至極好，有舊磨損，蟲孔，摺痕，邊緣有水漬，角落有輕微損失。尺寸：39.2 x 49.9 厘米 乾隆是雍正的四子。 他非常崇拜祖父康熙皇帝。直到今天，一些歷史學家還在爭辯說，康熙任雍正為繼任者，只是因為乾隆是他最喜歡的孫子。 據說，康熙是中國歷代皇帝中最有遠見卓識的皇帝之一，他在乾隆幼小時發現他在領導力方面的獨特才能。 儘管在中國乃至全球的主要博物館都可以看到弘歷的御筆，但在中國以外的地方找到乾隆御筆還是很少見。 乾隆除了是一位狂熱的藝術品收藏家外，還是一位才華橫溢的詩人和書法家，經常將自己的作品贈與他的大臣，代表著極大的榮譽。 文獻比較: 正中央的“乾隆御筆”印曾被記錄在郭福祥的《故宮博物院藏清代帝后璽印譜——乾隆卷一》第二冊，第15頁。印尺寸為44 x 46 毫米 (高x 寬)，斗方上的印與畫冊裏一致。由於刻印後不久就記錄在冊，多年來一直使用所以會造成與記錄中的值微小差異，可以忽略不計。 拍賣結果比較：一對乾隆御筆行書挂軸見紐約佳士得 Fine Chinese Paintings 拍場2019年9月 10日lot 2, 售價USD 50,000, ；一件御筆條幅見香港蘇富比 Fine Classical Chinese Paintings 拍場2018年10月1日 lot 2606, 售價HKD 625,000. ；一件四字楷書條幅見香港蘇富比Fine Classical Chinese Paintings 拍場2015年10月5 日 lot 1137, 售價HKD 3,680,000, ；一輻二字行書條幅，嚴重損壞，見倫敦邦瀚斯Fine Chinese Art 拍場2018年5月17日 lot 76, 售價GBP 23,750.
Lot 262
Chapbooks.- Costume (The), Manners and Peculiarities of Different Inhabitants of The Globe, hand-coloured engraved illustrations, juvenile pencil drawings to verso, previous owner's pencil and ink signatures, publisher's advertisements at end, contemporary morocco-backed boards, defective spine extremities, rubbed and worn, 1821 § Mamma's Present of Pictures, engraved title and illustrations, this edition without text, original printed paper wrappers, n.d. § [Dodgson (Charles Lutwidge)] "Lewis Carroll". Eight or Nine Wise Words about Letter-Writing, advertisements at end, original paper wrappers, Oxford, 1908; and others, including 11 chapbooks from the Buds and Blossoms series in hand-painted floral wrappers and housed in a contemporary portfolio, v.s. (5)
Lot 2711
A Jacobean revival oak console table, a 19th century incorporating early oak, rectangular top with arch carving to the frieze, serpentine apron, raised on turned globe supports, united with stretchers. Height 77cm, Width 151cm, Depth 46cm. Condition Report:In good condition , signs of scuffs and scratches to the top, panels refitted.
Lot 2801
A set of four (or two pair of) Ecclesiastical brass church stands, in the manner of Hardman & Co, half globe top on turned support above twisted columns, raised on a bell shape based with fretwork decoration. 85cm HProvenance:Convent of St Mary's Abbey, Colwich. This Item is Located at St Mary's AbbeyCondition Report:Good overall condition in need of cleaning.
Lot 2809
An Edwardian mahogany serving trolley, circa 1905, rectangular form mounted with turned globe finials, over turned supports, three tier shelves, raised on supports on brass castors. 83cm H x 53cm W x 33cm DCondition Report:Good overall condition with no obvious signs of damage or restoration.
Lot 453
Nelson of Market Deeping. A George III oak and cross banded long case clock, the painted break arch dial bearing Arabic numerals, the hands formed as eagles atop a globe, subsidiary seconds dial, eight day two train movement with bell strike, the case hood with broken arch pediment, and fluted columns, trunk with quarter fluted pilasters, raised on a plain base and bracket feet, with pendulum, weights and key, 215cm high. (AF)
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