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Lot 130

Large gemstone globe on brass stand

Lot 1289

An armillary globe (22)

Lot 381

A quantity of various sundry glass and china to include a pair of world globe bookends, a wooden table lamp, terracotta utensil jars, Eastern mirror with floral decoration, burr wood trinket box etc.

Lot 170

A Replogle 16inch terrestrial globe on tripod stand height 97cm.

Lot 364

NINE BOXES OF ASSORTED SUNDRIES, to include a Miranda camera stand, a box of sea shells, a Coopers of Stortford record player with built in speakers, grey leather briefcase, men's leather belts and wallets, a box of artificial fruit, box of ties, playing cards, a globe, a Canon AF7 Sureshot camera, an Agfa video recorder, a boxed The Poti rally illuminated map magnifier, an unused porcelain bird feeder, a Route 66 Cri Ta Bear, a Walt Disney World 'Safari Minnie Mouse', etc (s.d) (9 boxes + loose)

Lot 390

SIX BOXES AND LOOSE CERAMICS AND GLASSWARES, to include six boxed Willow Hall Teapot Collection novelty teapots in the form of buildings, a boxed Leonardo Knight teapot, a Portmeirion 'Portmeirion Rose' globe vase, a diamond shaped Rubian Art Pottery teapot and matching jug, a marigold carnival glass bowl with a purple centre, sixteen pieces of gold lustre tea wares by various makers, etc (6 boxes + loose) (sd)

Lot 20

Medals, Great Britain, George III (1760-1820), Queen Charlotte, Coronation 1761, the official silver medal, by Lorenz Natter, draped bust r., hair held by beaded ribbon, signed L.N. F, rev. Fame flies above Queen and crowns her, globe and altar to right, legend on ribband, QVAESITVM MERITIS, (Eimer 696), NEF

Lot 147

TERRESTRIAL GLOBE DRINKS CABINET, 71cm W x 107cm H, antique style with rotating drinks compartment.

Lot 64

Gary Oldman signed Harry Potter 10x8 colour photo. Gary Leonard Oldman (born 21 March 1958) is an English actor and filmmaker. Known for his versatility and intense acting style, he has received various accolades, including an Academy Award, a Golden Globe Award, and three British Academy Film Awards. His films have grossed over $11 billion worldwide, making him one of the highest-grossing actors of all time. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

Lot 2255

The Grange Goathland - Metal globe sundial depicting Atlas holding the world, H91cm

Lot 229

An early 20th Century bronze figure depicting Hermes / Mercury. The figure modelled in typical stance raised on globe base above black marble plinth. Measures approx; 27cm tall.

Lot 272

A large 19th Century carved wood religious ecclesiastical altar top Corpus Christi INRI plaque to top with skull & globe to base. The crucifix raised on pedestal base. Painted faux wood burl grain finish. Measures approx; 53cm x 13cm x 9cm.

Lot 45

A 19th Century hand carved wooden figurine depicting the Greek God Atlas. Carved in the traditional depiction holding globe above head raised on stepped canted square base. Remains of polychrome decoration present. Measures approx; 19cm tall.

Lot 217

TWO GLOBE WERNICKE STACKING BOOKCASE SECTIONS,56cm high, 86cm wide, 29cm deep

Lot 229

FOUR PLATED CIGARETTE BOXES,along with other plated items and a globe

Lot 332

RETRO TERRESTRIAL GLOBE/DRINKS TROLLEY,94cm high

Lot 309

A Thorens Swiss Musical Box Playing on Four Aires, together with a 19th century Welsh leather-bound bible and a reproduction American desk globe (3)

Lot 1283

A Philips New Commercial Terrestrial Globe, raised on a cast iron tripod base, 52cm

Lot 7336

A collection of 1970's/80's chromed metal tubular lights with glass globe shades, approximate 10 intact and eight others

Lot 7383

A set of six globe lights with three half chromed shades, three clear and chromed fittings

Lot 7113

A studio pottery raku glaze vase of globe form with impressed potters mark to base, 14cm

Lot 898

A collection of seventeen Hummel porcelain figures. Including Merry Wanderer in sizes, For Father, Postman, Mountaineer, Chimney Sweep, Shepards Boy, Home From Market, The Cat Meow, Globe Trotter and Little Hiker amongst others. (17)

Lot 1198

An Edwardian globe form decanter with facet cut neck and star decoration to body - sold with a pair of Bohemian crystal wine glasses

Lot 1238

A vintage Lotus Pottery Stoke Gabriel table lamp of globe form with typical floral decoration - sold with another similar of tapering form

Lot 1280

A quantity of Belleek porcelain comprising Second Period teapot of typical shell moulded globe form with applied coral form handle and finial and lustre glaze finish with green highlighting, a Second Period three footed teapot stand and three First Period cups and saucers 

Lot 69

PETER LAYTON London Glass Studios, a glass sculpture "Globe (Ebbitde)", signed, height 17cmVery good condition, no chips or cracks.

Lot 109

A mid 20th Century Soholm lamp base of globe and shaft form designed by Einar Johansen, the body glazed in blue with a tubed leaf motif, impressed mark, height 33cm (including fittings).

Lot 200

A large 20th Century Sommerso glass vase, possibly Italian Murano, the compressed globe and shaft form cased in clear crystal over a tonal pink and magenta core with spiral red canes around the base, unmarked, height 35cm.

Lot 379

A later 20th Century Window Globe by Pauline Solven, of spherical form with flat polished rim decorated with stylised patchwork windows in tones of opal, amethyst, blue and amber, raised to a small hand made clear glass stand, signed and dated 1988, height 21cm. N.B - Donated by Pauline Solven and Harry Cowdy

Lot 380

A later 20th Century Window Globe, by Pauline Solven, of spherical form with flat polished rim decorated with stylised patchwork windows in tones of opal, amethyst, brown, blue and green, together with a small handmade glass stand, signed and dated 1988, height 17cm.NB - Donated by Pauline Solven

Lot 49

A pair of 19th Century Royal Worcester parian vases of globe and shaft form decorated with a band of roses to the body and forget-me-nots to the neck, blue printed mark to the base, height 25.5cm

Lot 516

A 19th Century Terrestrial Globe by J Lebeque & Co of segmented form on a turned ebonised beech stand incorporating a thermometer, height 60cm, S/D.

Lot 18

Dutch musical tall case clock, 18th c., Johannes Van Wyk, Amsterdam. The brass dial is engraved with a profusion of scrolling foliage. The engraved silvered chapter ring with Roman numerals signed Johannes van Wyk Amsterdam, foliate pierced hands and subsidiary seconds, apertures for date and moonphase with delicate Classical inspired illustrations. With twelve bells, and the hour strike on a separate bell. The case is burlwood veneered with marquetry decoration, and rests on four claw and ball feet. With a bell top surmounted by a gilt bronze figure of Atlas holding a polychromed globe, flanked by two gilt bronze winged figures. The lenticle decorated with a gilt bronze figure with an hourglass, surrounded by elaborate scrolling decoration.Provenance: Charles Kengen Antiquairs, Amsterdam; distinguished private collection, Minnesota.Height: 108 in x width: 25 1/2 in x depth: 14 in.

Lot 107

This wonderful 19th century astrolabe has 5 rings around a globe. On the outermost ring are the astrological signs, the second ring bears the names of celestial bodies, on the middle ring the names of the months are written in Arabic. The ring after that has several repeating patterns and the inner most ring has the Arabic letters on it. The celestial globe at the center is engraved with ecliptic and equatorial rings, the constellations are depicted by various beasts and figures and some objects, some with text. The Astrolabe has a diameter of 42 cm and is dated 1882 / 1883 AD at the top and is in very good condition.

Lot 111

A beautiful brass globe on a stand. The globe is handmade and decorated with Arabic and floral designs. The origin of the globe is the Middle East, probably Syria and it is from the late 19th or early 20th century. The globe is 25 cm high and 30 cm wide.The brass globe was once part of the collection of dr. Joseph Touma collection in the US.

Lot 84

AFTER THE ANTIQUE- A BRONZE FIGURE OF ATLAS NOW FITTED AS A LAMP PROBABLY ITALIAN, EARLY 19TH CENTURY AND LATERWith later gilt metal sliding candle holder, red and yellow decorated Tôle Peinte shade figure and marble base 25.5cm high, 68.5cm high overallCondition Report: This is not (and has never been) wired for electricity, the one socket that can be seen is for a candle - there is wax and deposits where this has been used for this intended purpose. There are no fitments for bulbs.The shade and supporting arm appear to be later as per the description, the figure was probably a sculpture in its own right before the fittings were added, there is a plugged hole to the top of the neck where the globe would have sat previously.The figure is solidly and securely on the marble baseThe gilt metal with signs of wear, discolouration to gilding, the tinware shade with knocks, scratches, losses, wearPlease refer to additional images for visual reference to conditionCondition Report Disclaimer

Lot 1041

An old globe on stand. Est. £30 - £50.

Lot 126

Wood (Captain George). The Subaltern Officer: A Narrative, 1st edition, London: Septimus Prowett, 1825, half title, engraved mounted frontispiece on india paper, subscribers list, repaired tear to p.7, a little minor spotting, recent burgundy half morocco gilt, 8vo, large paper copy, small 4to, together with [Blakiston, John]. Twelve Years' Military Adventure in Three Quarters of the Globe: or, memoirs of an officer who served in the armies of His Majesty and of the East India Company, between the years 1802 and 1814, in which are contained the campaigns of the Duke of Wellington in India, and his last in Spain and the South of France, 2 volumes, 1st edition, London: Henry Colburn, 1829, half title to volume I, occasional light spotting, later red half morocco by Morrell, joints slightly rubbed, 8vo, plus Patterson (John). The Adventures of Captain John Patterson, with notices of the Officers, &c. of the 50th, or Queen's Own Regiment from 1807 to 1821, 1st edition, London: T. & W. Boone, 1837, 8 pp. catalogue at end, occasional minor soiling, top edge gilt, later red half morocco by Wood, London, 8vo, with George Wood's The Battle of Waterloo, 11th edition, enlarged and corrected, 1852 QTY: (5)

Lot 199

* Map Caricature. Parker (John). A Stoppage to a Stride over the Globe, 1803, a watercolour depicting Napoleon bestride a globe containing a rudimentary map of Europe, but facing a belligerent 'John Bull' with his hand on a map of 'Old England', signed and dated by the artist to the lower right, slight staining, one long repaired closed tear, 350 x 265 mm, framed and glazedQTY: (1)NOTE:A patriotic and jingoistic caricature; very reminiscent of James Gillray's Fighting for the Dunghill - John Bull settling Buonaparte, originally published in 1798.

Lot 302

Apianus (Petrus). Cosmographia. Antwerp: Arnold Berckmann, 1540, 62 leaves, large globe woodcut to title-page, historiated initials, 51 woodcut illustrations and diagrams, 5 with volvelles (some moving parts slightly creased, lacking moving parts of 3 volvelles: folios XIv, XXIXr (small part present), XLVr), printer's device to last leaf verso, (?)18th-century manuscript additions to endpapers, early ownership inscription of Gabriel de Collan and later library stamp of Abbey of St Victor, Paris, to title-page, a few scattered marginalia, staining to upper gutter margins touching text throughout, some black ink staining to fore-edges, contemporary mottled calf, gilt-decorated spine, joints cracked, some wear with slight loss to spine ends and corners, 4to (220 x 155 mm)QTY: (1)NOTE:Sabin 1745. This third Latin edition, edited by Apianus's student Gemma Frisius (1508-1555), contains the latter's account of Peru. The work describes the discovery of America by its namesake, Amerigo Vespucci, in 1497 [Fo. XXXI]. The woodcut illustrations demonstrate the astronomical, cartological, mathematical and geographical concepts discussed in the treatise.

Lot 92

The three versions of Carvosso's poster designs for the 1966 World Cup, printed by McCorquodale & Co Ltd, the first being the poster deemed to be the official tournament poster designed with the mascot World Cup Willie kicking the ball into the air; the second poster featuring the globe, a football, the Jules Rimet Trophy and the World Cup insignia; the third featuring the host cities and featuring a football rosette design, all 50.5 by 31.5cm., all with some degree of marks and stains and minor paper tears, all rolled

Lot 613

A 19th century miniature 1.25-inch terrestrial globe c.1840applied with twelve hand coloured print gores with outlined continents with annotations, on a brass axis, in original fitted black caseheight 4cm.,.Condition:Varnish has uniformly yellowed. A few small chips flaking to varnish in a few areas, this has not damaged the printed paper surface. Minor scuffs to case.

Lot 97

A Locke & Co Worcester bowl, c1900, 21cm diam, printed globe mark and miscellaneous ceramics, to include Royal Crown Derby, Masons ironstone Chartreuse wares, a 1920's coloured glass applique biscuit barrel, etc As a lot in good condition. Locke bowl with small chip on rim

Lot 1033

GLOBE WERNICKE; AN OAK FOUR SECTION BOOKCASE87cm wide; 31cm deep; 137cm high

Lot 375

HUSUN STAR GLOBE, BY HENRY HUGHES & SON, LONDON EARLY 20TH CENTURY 7in. globe with paper maker's label, brass meridian and horizon rings, housed in a stained pine caseDimensions:Case 27cm square

Lot 953

GLOBE WERNICKE; AN OAK FOUR SECTION BOOKCASE87cm wide; 27cm deep; 142cm high

Lot 973

GLOBE WERNICKE; AN OAK THREE SECTION BOOKCASE87cm wide; 31cm deep; 115cm high

Lot 993

GLOBE WERNICKE; AN OAK THREE SECTION BOOKCASE87cm wide; 31cm deep; 120cm highCondition report: Yes, it does break down into 3 sections - base, middle and top. 

Lot 363

Pre WW2 Royal Marines Other Ranks Tunicblack woollen, single breasted tunic.  High red collar with yellow edge piping and embroidery globe badges.  Yellow braid Guards pattern cuffs.  Yellow cord shoulder straps.   Brass, KC Royal Marine badge.  Cotton lining with stamped date "20/2/39" and owner's details.  

Lot 261

A small hardstone globe of the world Condition Report:Available upon request

Lot 348

A Globe Wernicke bookcase, 85cm wide

Lot 1

Zara Matthews Mesh (Study-Blue), 2022 Gesso and Pigment on Watercolour Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About Zara Matthews is an artist working in Painting, Printmaking and Photography. She lives and works in London and has also spent considerable amounts of time living and working in Italy and France. Since the mid-1980's Matthews has shown extensively in the UK, and also Europe and USA. Her current work concentrates on the auras of objects, and their sense of presence and history. Education Zara Matthews studied at Goldsmiths College from 1979 - 1980, Kingston Polytechnic from 1980 - 1983 and The Royal College of Art from 1997 - 1999. Select Exhibitions/Awards Most recently in 2022 Zara Matthews has been invited to show in 'Small is Beautiful', Flowers Gallery, Cork Street, She has had a 3 person show titled (RE)Configured at The Mall Galleries, and exhibited in the Royal Academy Summer Exhibition 2022. She was long-listed for Future Now - 125 Artist from The Aesthetica Art Prize 2021, selected for 100 Contemporary Artists, Aesthetica Magazine 2020, shortlisted for The Trinity Buoy Wharf Drawing Prize in 2019, and nominated for The 6th Max Mara Art Prize for Women 2016-17. She was awarded The Wapping Project Berlin Residency in 2015 and during 2023 she has been invited to spend 2 months on an artist residency in Pouch Cove, Newfoundland, Canada. Statement about AOAP Submitted Artwork The 4 postcards are small studies for larger paintings that depict, or include, the stretchy netting often used to protect fruit, including papayas. These polystyrene sleeves protect vulnerable fruit as they travel around the globe, but are a single use plastic that damages the planet.   Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising.        

Lot 153

Heath Kane Rich Enough To Be Batman - Queen 57, 2022 Acrylic and Screenprint on Paper Signed recto, further signed verso 15 x 10cm (5¾ x 3¾ in.) About   Heath Kane is an Australian artist, based in the UK. Heath is synonymous with creating bold, striking, often lurid art. He embeds subtle, subversive themes that encourage a political or social conversation. Heath's approach to art has always been driven by the practice of design thinking: combining his experience in commercial art with the origins of pop-art. Heath focuses on creating simple, iconic and memorable pieces that have a strong narrative. Heath has collaborated with Wired Magazine and Saatchi Art, and has partnered with Penguin Books to create the last published covers of George Orwell's most famous books. Heath exhibits his work in solo shows all around the globe, and his originals and prints frequently appear in leading galleries worldwide.   Select Exhibitions/Awards   Statement about AOAP Submitted Artwork   Rich Enough to be Batman? This is the question that inspired Rich Enough to be Batman - the international best-selling collection. The print, depicting the Queen wearing a Batman mask provokes a pressing question about wealth and social contribution, through the idea that with enough money anyone can be a superhero. The idea for the collection originated from The Sunday Times Rich List. Is it necessary to parade wealth around like a badge of honour? Or really, does it just amplify how little most of society have. The conversation about wealth and social contribution is more relevant now than ever. We're emerging from a global pandemic where the rich have got richer and poverty seems to be at an all-time high. In a world where wealth has become concentrated into the hands of the ultra-elite, the question remains: how rich do you need to be before you become Batman? Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising

Lot 154

Heath Kane Rich Enough To Be Batman - Queen 57 Stripes, 2022 Acrylic and Screenprint on Paper Signed recto, further signed verso 15 x 10cm (5¾ x 3¾ in.) About   Heath Kane is an Australian artist, based in the UK. Heath is synonymous with creating bold, striking, often lurid art. He embeds subtle, subversive themes that encourage a political or social conversation. Heath's approach to art has always been driven by the practice of design thinking: combining his experience in commercial art with the origins of pop-art. Heath focuses on creating simple, iconic and memorable pieces that have a strong narrative. Heath has collaborated with Wired Magazine and Saatchi Art, and has partnered with Penguin Books to create the last published covers of George Orwell's most famous books. Heath exhibits his work in solo shows all around the globe, and his originals and prints frequently appear in leading galleries worldwide.   Select Exhibitions/Awards   Statement about AOAP Submitted Artwork   Rich Enough to be Batman? This is the question that inspired Rich Enough to be Batman - the international best-selling collection. The print, depicting the Queen wearing a Batman mask provokes a pressing question about wealth and social contribution, through the idea that with enough money anyone can be a superhero. The idea for the collection originated from The Sunday Times Rich List. Is it necessary to parade wealth around like a badge of honour? Or really, does it just amplify how little most of society have. The conversation about wealth and social contribution is more relevant now than ever. We're emerging from a global pandemic where the rich have got richer and poverty seems to be at an all-time high. In a world where wealth has become concentrated into the hands of the ultra-elite, the question remains: how rich do you need to be before you become Batman? Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising

Lot 155

Heath Kane Rich Enough To Be Batman - Queen 68 Acrylic and Screenprint on Paper Signed recto, further signed verso 15 x 10cm (5¾ x 3¾ in.) About   Heath Kane is an Australian artist, based in the UK. Heath is synonymous with creating bold, striking, often lurid art. He embeds subtle, subversive themes that encourage a political or social conversation. Heath's approach to art has always been driven by the practice of design thinking: combining his experience in commercial art with the origins of pop-art. Heath focuses on creating simple, iconic and memorable pieces that have a strong narrative. Heath has collaborated with Wired Magazine and Saatchi Art, and has partnered with Penguin Books to create the last published covers of George Orwell's most famous books. Heath exhibits his work in solo shows all around the globe, and his originals and prints frequently appear in leading galleries worldwide.   Select Exhibitions/Awards   Statement about AOAP Submitted Artwork   Rich Enough to be Batman? This is the question that inspired Rich Enough to be Batman - the international best-selling collection. The print, depicting the Queen wearing a Batman mask provokes a pressing question about wealth and social contribution, through the idea that with enough money anyone can be a superhero. The idea for the collection originated from The Sunday Times Rich List. Is it necessary to parade wealth around like a badge of honour? Or really, does it just amplify how little most of society have. The conversation about wealth and social contribution is more relevant now than ever. We're emerging from a global pandemic where the rich have got richer and poverty seems to be at an all-time high. In a world where wealth has become concentrated into the hands of the ultra-elite, the question remains: how rich do you need to be before you become Batman? Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising

Lot 156

Heath Kane Rich Enough To Be Batman - Queen 68 Stripes, 2022 Acrylic and Screenprint on Paper Signed recto, further signed verso 15 x 10cm (5¾ x 3¾ in.) About   Heath Kane is an Australian artist, based in the UK. Heath is synonymous with creating bold, striking, often lurid art. He embeds subtle, subversive themes that encourage a political or social conversation. Heath's approach to art has always been driven by the practice of design thinking: combining his experience in commercial art with the origins of pop-art. Heath focuses on creating simple, iconic and memorable pieces that have a strong narrative. Heath has collaborated with Wired Magazine and Saatchi Art, and has partnered with Penguin Books to create the last published covers of George Orwell's most famous books. Heath exhibits his work in solo shows all around the globe, and his originals and prints frequently appear in leading galleries worldwide.   Select Exhibitions/Awards   Statement about AOAP Submitted Artwork   Rich Enough to be Batman? This is the question that inspired Rich Enough to be Batman - the international best-selling collection. The print, depicting the Queen wearing a Batman mask provokes a pressing question about wealth and social contribution, through the idea that with enough money anyone can be a superhero. The idea for the collection originated from The Sunday Times Rich List. Is it necessary to parade wealth around like a badge of honour? Or really, does it just amplify how little most of society have. The conversation about wealth and social contribution is more relevant now than ever. We're emerging from a global pandemic where the rich have got richer and poverty seems to be at an all-time high. In a world where wealth has become concentrated into the hands of the ultra-elite, the question remains: how rich do you need to be before you become Batman? Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising

Lot 2

Zara Matthews Mesh (Study-Dark Blue), 2022 Gesso and Pigment on Watercolour Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About Zara Matthews is an artist working in Painting, Printmaking and Photography. She lives and works in London and has also spent considerable amounts of time living and working in Italy and France. Since the mid-1980's Matthews has shown extensively in the UK, and also Europe and USA. Her current work concentrates on the auras of objects, and their sense of presence and history. Education Zara Matthews studied at Goldsmiths College from 1979 - 1980, Kingston Polytechnic from 1980 - 1983 and The Royal College of Art from 1997 - 1999. Select Exhibitions/Awards Most recently in 2022 Zara Matthews has been invited to show in 'Small is Beautiful', Flowers Gallery, Cork Street, She has had a 3 person show titled (RE)Configured at The Mall Galleries, and exhibited in the Royal Academy Summer Exhibition 2022. She was long-listed for Future Now - 125 Artist from The Aesthetica Art Prize 2021, selected for 100 Contemporary Artists, Aesthetica Magazine 2020, shortlisted for The Trinity Buoy Wharf Drawing Prize in 2019, and nominated for The 6th Max Mara Art Prize for Women 2016-17. She was awarded The Wapping Project Berlin Residency in 2015 and during 2023 she has been invited to spend 2 months on an artist residency in Pouch Cove, Newfoundland, Canada. Statement about AOAP Submitted Artwork The 4 postcards are small studies for larger paintings that depict, or include, the stretchy netting often used to protect fruit, including papayas. These polystyrene sleeves protect vulnerable fruit as they travel around the globe, but are a single use plastic that damages the planet.   Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising.      

Lot 3

Zara Matthews Mesh (Study-Orange), 2022 Gesso and Pigment on Cartridge Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About Zara Matthews is an artist working in Painting, Printmaking and Photography. She lives and works in London and has also spent considerable amounts of time living and working in Italy and France. Since the mid-1980's Matthews has shown extensively in the UK, and also Europe and USA. Her current work concentrates on the auras of objects, and their sense of presence and history. Education Zara Matthews studied at Goldsmiths College from 1979 - 1980, Kingston Polytechnic from 1980 - 1983 and The Royal College of Art from 1997 - 1999. Select Exhibitions/Awards Most recently in 2022 Zara Matthews has been invited to show in 'Small is Beautiful', Flowers Gallery, Cork Street, She has had a 3 person show titled (RE)Configured at The Mall Galleries, and exhibited in the Royal Academy Summer Exhibition 2022. She was long-listed for Future Now - 125 Artist from The Aesthetica Art Prize 2021, selected for 100 Contemporary Artists, Aesthetica Magazine 2020, shortlisted for The Trinity Buoy Wharf Drawing Prize in 2019, and nominated for The 6th Max Mara Art Prize for Women 2016-17. She was awarded The Wapping Project Berlin Residency in 2015 and during 2023 she has been invited to spend 2 months on an artist residency in Pouch Cove, Newfoundland, Canada. Statement about AOAP Submitted Artwork The 4 postcards are small studies for larger paintings that depict, or include, the stretchy netting often used to protect fruit, including papayas. These polystyrene sleeves protect vulnerable fruit as they travel around the globe, but are a single use plastic that damages the planet.   Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising.  

Lot 4

Zara Matthews Mesh (Study-Pink), 2022 Gesso and Pigment on Cartridge Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About Zara Matthews is an artist working in Painting, Printmaking and Photography. She lives and works in London and has also spent considerable amounts of time living and working in Italy and France. Since the mid-1980's Matthews has shown extensively in the UK, and also Europe and USA. Her current work concentrates on the auras of objects, and their sense of presence and history. Education Zara Matthews studied at Goldsmiths College from 1979 - 1980, Kingston Polytechnic from 1980 - 1983 and The Royal College of Art from 1997 - 1999. Select Exhibitions/Awards Most recently in 2022 Zara Matthews has been invited to show in 'Small is Beautiful', Flowers Gallery, Cork Street, She has had a 3 person show titled (RE)Configured at The Mall Galleries, and exhibited in the Royal Academy Summer Exhibition 2022. She was long-listed for Future Now - 125 Artist from The Aesthetica Art Prize 2021, selected for 100 Contemporary Artists, Aesthetica Magazine 2020, shortlisted for The Trinity Buoy Wharf Drawing Prize in 2019, and nominated for The 6th Max Mara Art Prize for Women 2016-17. She was awarded The Wapping Project Berlin Residency in 2015 and during 2023 she has been invited to spend 2 months on an artist residency in Pouch Cove, Newfoundland, Canada. Statement about AOAP Submitted Artwork The 4 postcards are small studies for larger paintings that depict, or include, the stretchy netting often used to protect fruit, including papayas. These polystyrene sleeves protect vulnerable fruit as they travel around the globe, but are a single use plastic that damages the planet.   Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising.    

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