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The recumbent mythical beast scratching its ear with his rear leg, all wrapped around by his sinuous tail, applied paper labelLength: 2.5cmPROPERTY FROM THE DIANA M. STAINOW COLLECTION (1926 - 2019) Please note lots 16 – 54, Stainow Collection to be sold at no reserve清注意拍品16 號至54號 斯坦諾收藏 均為無底價起拍 DIANA M. STAINOW 收藏 私人財產(1926-2019)Originally a native of Boston, in her youth she studied painting and drawing at the School of the Museum of Fine Arts, Boston. In 1954, she married Gregory Stainow and had three children, where they lived in Paris until their divorce in 1979. After some ‘itinerant’ years where she lived amongst other places London, Paris and Hong Kong, she devoted herself to collecting art, writing, further travel and family. As an artist she travelled the world bringing home treasures to incorporate into her paintings, with a particular interest in non-Western Culture, particularly Chinese and Celtic art.(An extract taken from The Boston Globe 19th October 2019.) 黛安娜 斯坦諾 波士頓人,年輕時曾在波士頓美術博物館學院學習繪畫. 1954 年,她與格雷戈里· 斯泰諾結婚,育有三個孩子,後來居住在巴黎,直到 1979 年離婚,在倫敦.巴黎和香港等地都有 居所,由於對藝術的熱愛 她致力於收藏藝術品,寫作,以及熱愛旅行和家庭.作為一名藝術家,她周遊世界,將所見所藏珍寶 融入她的畫作 中,同時也對非西方文化特別感興趣,尤其是對中國和凱爾特藝術.居所，由於對藝術的熱愛 她致力於收藏藝術品、寫作，以及熱 愛旅行和家庭。作為一名藝術家，她周遊世界，將所見所藏珍寶融入她的畫作中，同時也對非西方文化特別感興趣，尤其是對 中國和凱爾特藝術。TO BE SOLD WITHOUT RESERVE無底價起拍Condition ReportIn good condition. The stone with a ‘waxy’ polish. The label now missing.

The sleeping recumbent bird with its head resting on its archaistic wings, the underside of the stone with a russet inclusion, applied paper labelLength: 4.5cmPROPERTY FROM THE DIANA M. STAINOW COLLECTION (1926 - 2019) Please note lots 16 – 54, Stainow Collection to be sold at no reserve清注意拍品16 號至54號 斯坦諾收藏 均為無底價起拍 DIANA M. STAINOW 收藏 私人財產(1926-2019)Originally a native of Boston, in her youth she studied painting and drawing at the School of the Museum of Fine Arts, Boston. In 1954, she married Gregory Stainow and had three children, where they lived in Paris until their divorce in 1979. After some ‘itinerant’ years where she lived amongst other places London, Paris and Hong Kong, she devoted herself to collecting art, writing, further travel and family. As an artist she travelled the world bringing home treasures to incorporate into her paintings, with a particular interest in non-Western Culture, particularly Chinese and Celtic art.(An extract taken from The Boston Globe 19th October 2019.) 黛安娜 斯坦諾 波士頓人,年輕時曾在波士頓美術博物館學院學習繪畫. 1954 年,她與格雷戈里· 斯泰諾結婚,育有三個孩子,後來居住在巴黎,直到 1979 年離婚,在倫敦.巴黎和香港等地都有 居所,由於對藝術的熱愛 她致力於收藏藝術品,寫作,以及熱愛旅行和家庭.作為一名藝術家,她周遊世界,將所見所藏珍寶 融入她的畫作 中,同時也對非西方文化特別感興趣,尤其是對中國和凱爾特藝術.居所，由於對藝術的熱愛 她致力於收藏藝術品、寫作，以及熱 愛旅行和家庭。作為一名藝術家，她周遊世界，將所見所藏珍寶融入她的畫作中，同時也對非西方文化特別感興趣，尤其是對 中國和凱爾特藝術。TO BE SOLD WITHOUT RESERVE無底價起拍Condition ReportThe celadon coloured stone with ‘crushed ice’ and russet inclusions and natural flaw. The jade with a good ‘waxy’ polish overall.

Skilfully carved using the russet outer skin of the pebble for a string of coins Liu Hai carries over his shoulder, the toad beneath him accentuated by the grey-flecked interior of the pebble providing the perfect contrast to the embodiment of wealth, applied paper labelLength 3cmA similar white and black jade carving of Liu Hai was sold at Christie’s New York, Fine Chinese Ceramics and Works of Art, 15th September 2011, lot 1396相似巧雕劉海戲金蟾見 佳士得 紐約 2011年 9月15日拍品1396號。PROPERTY FROM THE DIANA M. STAINOW COLLECTION (1926 - 2019) Please note lots 16 – 54, Stainow Collection to be sold at no reserve清注意拍品16 號至54號 斯坦諾收藏 均為無底價起拍 DIANA M. STAINOW 收藏 私人財產(1926-2019)Originally a native of Boston, in her youth she studied painting and drawing at the School of the Museum of Fine Arts, Boston. In 1954, she married Gregory Stainow and had three children, where they lived in Paris until their divorce in 1979. After some ‘itinerant’ years where she lived amongst other places London, Paris and Hong Kong, she devoted herself to collecting art, writing, further travel and family. As an artist she travelled the world bringing home treasures to incorporate into her paintings, with a particular interest in non-Western Culture, particularly Chinese and Celtic art.(An extract taken from The Boston Globe 19th October 2019.) 黛安娜 斯坦諾 波士頓人,年輕時曾在波士頓美術博物館學院學習繪畫. 1954 年,她與格雷戈里· 斯泰諾結婚,育有三個孩子,後來居住在巴黎,直到 1979 年離婚,在倫敦.巴黎和香港等地都有 居所,由於對藝術的熱愛 她致力於收藏藝術品,寫作,以及熱愛旅行和家庭.作為一名藝術家,她周遊世界,將所見所藏珍寶 融入她的畫作 中,同時也對非西方文化特別感興趣,尤其是對中國和凱爾特藝術.居所，由於對藝術的熱愛 她致力於收藏藝術品、寫作，以及熱 愛旅行和家庭。作為一名藝術家，她周遊世界，將所見所藏珍寶融入她的畫作中，同時也對非西方文化特別感興趣，尤其是對 中國和凱爾特藝術。TO BE SOLD WITHOUT RESERVE無底價起拍Condition ReportThe three colour jade with a good ‘waxy’ polish. Overall in good condition

Length: 7.5cm, together with a duan stone carving of a peach and a mother of pearl fox, (3)PROPERTY FROM THE DIANA M. STAINOW COLLECTION (1926 - 2019) Please note lots 16 – 54, Stainow Collection to be sold at no reserve清注意拍品16 號至54號 斯坦諾收藏 均為無底價起拍 DIANA M. STAINOW 收藏 私人財產(1926-2019)Originally a native of Boston, in her youth she studied painting and drawing at the School of the Museum of Fine Arts, Boston. In 1954, she married Gregory Stainow and had three children, where they lived in Paris until their divorce in 1979. After some ‘itinerant’ years where she lived amongst other places London, Paris and Hong Kong, she devoted herself to collecting art, writing, further travel and family. As an artist she travelled the world bringing home treasures to incorporate into her paintings, with a particular interest in non-Western Culture, particularly Chinese and Celtic art.(An extract taken from The Boston Globe 19th October 2019.) 黛安娜 斯坦諾 波士頓人,年輕時曾在波士頓美術博物館學院學習繪畫. 1954 年,她與格雷戈里· 斯泰諾結婚,育有三個孩子,後來居住在巴黎,直到 1979 年離婚,在倫敦.巴黎和香港等地都有 居所,由於對藝術的熱愛 她致力於收藏藝術品,寫作,以及熱愛旅行和家庭.作為一名藝術家,她周遊世界,將所見所藏珍寶 融入她的畫作 中,同時也對非西方文化特別感興趣,尤其是對中國和凱爾特藝術.居所，由於對藝術的熱愛 她致力於收藏藝術品、寫作，以及熱 愛旅行和家庭。作為一名藝術家，她周遊世界，將所見所藏珍寶融入她的畫作中，同時也對非西方文化特別感興趣，尤其是對 中國和凱爾特藝術。TO BE SOLD WITHOUT RESERVE無底價起拍Condition ReportThe wooden liu hai in good condition.The duan stone peach with natural flaws, and ‘nicks’ to edges.

The smoky opaque stone carved with a seated mythical beast, 6cm, together with a green quartz drum, with gilt-metal mounts (2)Provenance: Purchased from Honeychurch Antiques Ltd, 19th March 1987於1987年3月19日購自香港古董商HoneychurchPROPERTY FROM THE DIANA M. STAINOW COLLECTION (1926 - 2019) Please note lots 16 – 54, Stainow Collection to be sold at no reserve清注意拍品16 號至54號 斯坦諾收藏 均為無底價起拍 DIANA M. STAINOW 收藏 私人財產(1926-2019)Originally a native of Boston, in her youth she studied painting and drawing at the School of the Museum of Fine Arts, Boston. In 1954, she married Gregory Stainow and had three children, where they lived in Paris until their divorce in 1979. After some ‘itinerant’ years where she lived amongst other places London, Paris and Hong Kong, she devoted herself to collecting art, writing, further travel and family. As an artist she travelled the world bringing home treasures to incorporate into her paintings, with a particular interest in non-Western Culture, particularly Chinese and Celtic art.(An extract taken from The Boston Globe 19th October 2019.) 黛安娜 斯坦諾 波士頓人,年輕時曾在波士頓美術博物館學院學習繪畫. 1954 年,她與格雷戈里· 斯泰諾結婚,育有三個孩子,後來居住在巴黎,直到 1979 年離婚,在倫敦.巴黎和香港等地都有 居所,由於對藝術的熱愛 她致力於收藏藝術品,寫作,以及熱愛旅行和家庭.作為一名藝術家,她周遊世界,將所見所藏珍寶 融入她的畫作 中,同時也對非西方文化特別感興趣,尤其是對中國和凱爾特藝術.居所，由於對藝術的熱愛 她致力於收藏藝術品、寫作，以及熱 愛旅行和家庭。作為一名藝術家，她周遊世界，將所見所藏珍寶融入她的畫作中，同時也對非西方文化特別感興趣，尤其是對 中國和凱爾特藝術。TO BE SOLD WITHOUT RESERVE無底價起拍Condition ReportThe seal with a few minor chips to the front edge.The green drum, with signs of overall surface wear, minor nicks to edges.

Cast in the form of sinuous dragon-like mythical beasts, terminating in a goose neck hook, traces of original gilding and malachite encrustation together with three other bronze animal plaques (4)Length: 11cmProvenance: The belt hook from Kevorkian, Art d’Orient et de L’Islam, Paris來源：購自巴黎古董商KevorkianPROPERTY FROM THE DIANA M. STAINOW COLLECTION (1926 - 2019) Please note lots 16 – 54, Stainow Collection to be sold at no reserve清注意拍品16 號至54號 斯坦諾收藏 均為無底價起拍 DIANA M. STAINOW 收藏 私人財產(1926-2019)Originally a native of Boston, in her youth she studied painting and drawing at the School of the Museum of Fine Arts, Boston. In 1954, she married Gregory Stainow and had three children, where they lived in Paris until their divorce in 1979. After some ‘itinerant’ years where she lived amongst other places London, Paris and Hong Kong, she devoted herself to collecting art, writing, further travel and family. As an artist she travelled the world bringing home treasures to incorporate into her paintings, with a particular interest in non-Western Culture, particularly Chinese and Celtic art.(An extract taken from The Boston Globe 19th October 2019.) 黛安娜 斯坦諾 波士頓人,年輕時曾在波士頓美術博物館學院學習繪畫. 1954 年,她與格雷戈里· 斯泰諾結婚,育有三個孩子,後來居住在巴黎,直到 1979 年離婚,在倫敦.巴黎和香港等地都有 居所,由於對藝術的熱愛 她致力於收藏藝術品,寫作,以及熱愛旅行和家庭.作為一名藝術家,她周遊世界,將所見所藏珍寶 融入她的畫作 中,同時也對非西方文化特別感興趣,尤其是對中國和凱爾特藝術.居所，由於對藝術的熱愛 她致力於收藏藝術品、寫作，以及熱 愛旅行和家庭。作為一名藝術家，她周遊世界，將所見所藏珍寶融入她的畫作中，同時也對非西方文化特別感興趣，尤其是對 中國和凱爾特藝術。TO BE SOLD WITHOUT RESERVE無底價起拍Condition ReportThe belt hook: the goose neck slightly compressed and pushed to one side, traces of malachite encrustation, small area of flaking to reverse.The other three pieces all with some form of malachite encrustation, generally in good condition.

Of cylindrical form, supported on three moulded feet in the form of bears, the sides moulded in high-relief with taotie masks with rings and a frieze of galloping animals, including tigers, huntsman on horseback, the domed lid in the form of a stylised mountain range, with further figures and animals, all covered in a rich green glaze, with traces of iridescence, spur marks to cover and base, cover restored, applied paper labelHeight: 23cmDiameter: 19.5cmProvenance: purchased from J.J. Lally & Co., New York, 3rd June 1994, invoice available來源：於1994年7月3日購自於紐約古董商J.J. LallyPROPERTY FROM THE DIANA M. STAINOW COLLECTION (1926 - 2019) Please note lots 16 – 54, Stainow Collection to be sold at no reserve清注意拍品16 號至54號 斯坦諾收藏 均為無底價起拍 DIANA M. STAINOW 收藏 私人財產(1926-2019)Originally a native of Boston, in her youth she studied painting and drawing at the School of the Museum of Fine Arts, Boston. In 1954, she married Gregory Stainow and had three children, where they lived in Paris until their divorce in 1979. After some ‘itinerant’ years where she lived amongst other places London, Paris and Hong Kong, she devoted herself to collecting art, writing, further travel and family. As an artist she travelled the world bringing home treasures to incorporate into her paintings, with a particular interest in non-Western Culture, particularly Chinese and Celtic art.(An extract taken from The Boston Globe 19th October 2019.) 黛安娜 斯坦諾 波士頓人,年輕時曾在波士頓美術博物館學院學習繪畫. 1954 年,她與格雷戈里· 斯泰諾結婚,育有三個孩子,後來居住在巴黎,直到 1979 年離婚,在倫敦.巴黎和香港等地都有 居所,由於對藝術的熱愛 她致力於收藏藝術品,寫作,以及熱愛旅行和家庭.作為一名藝術家,她周遊世界,將所見所藏珍寶 融入她的畫作 中,同時也對非西方文化特別感興趣,尤其是對中國和凱爾特藝術.居所，由於對藝術的熱愛 她致力於收藏藝術品、寫作，以及熱 愛旅行和家庭。作為一名藝術家，她周遊世界，將所見所藏珍寶融入她的畫作中，同時也對非西方文化特別感興趣，尤其是對 中國和凱爾特藝術。TO BE SOLD WITHOUT RESERVE無底價起拍Condition ReportOverall a good attractive example of this type with Lally provenance. Crisp relief-moulded decoration. The cover has been broken into three pieces and well restored, more visible to the red buff body to the interior. Two small areas of glaze loss to the rim, approx 1cm each. The stilt marks visible where the cover was supported during firing.The censer has one bear foot broken where it meets the body and re-stuck. A small area of glaze loss, the Lally label stuck on it to partially obscure the break. Otherwise general iridescence, mud and minor frits and crazing to the glaze. The stilt marks evident to the rim, some wear/fritting to the rim interior. See additional light of day photos.

Decorated with six panels containing alternating designs of narcissus, covered in a pale blue glaze, 18.5cm, together with a Jianyao bowl, modern (2)Compare an identical Qingbai bowl, sold at Christie’s New York, from the Collection of Nathan L. Halpern, 21st September 2004, lot 227, provenance S. Marchant & Son, London相似影清印花卉紋盌見 2004年9月21日，紐約佳士得拍品227號，Marchant & Son舊藏。PROPERTY FROM THE DIANA M. STAINOW COLLECTION (1926 - 2019) Please note lots 16 – 54, Stainow Collection to be sold at no reserve清注意拍品16 號至54號 斯坦諾收藏 均為無底價起拍 DIANA M. STAINOW 收藏 私人財產(1926-2019)Originally a native of Boston, in her youth she studied painting and drawing at the School of the Museum of Fine Arts, Boston. In 1954, she married Gregory Stainow and had three children, where they lived in Paris until their divorce in 1979. After some ‘itinerant’ years where she lived amongst other places London, Paris and Hong Kong, she devoted herself to collecting art, writing, further travel and family. As an artist she travelled the world bringing home treasures to incorporate into her paintings, with a particular interest in non-Western Culture, particularly Chinese and Celtic art.(An extract taken from The Boston Globe 19th October 2019.) 黛安娜 斯坦諾 波士頓人,年輕時曾在波士頓美術博物館學院學習繪畫. 1954 年,她與格雷戈里· 斯泰諾結婚,育有三個孩子,後來居住在巴黎,直到 1979 年離婚,在倫敦.巴黎和香港等地都有 居所,由於對藝術的熱愛 她致力於收藏藝術品,寫作,以及熱愛旅行和家庭.作為一名藝術家,她周遊世界,將所見所藏珍寶 融入她的畫作 中,同時也對非西方文化特別感興趣,尤其是對中國和凱爾特藝術.居所，由於對藝術的熱愛 她致力於收藏藝術品、寫作，以及熱 愛旅行和家庭。作為一名藝術家，她周遊世界，將所見所藏珍寶融入她的畫作中，同時也對非西方文化特別感興趣，尤其是對 中國和凱爾特藝術。TO BE SOLD WITHOUT RESERVE無底價起拍Condition ReportOverall in good condition. Some minor surface scratches to the glaze, three slightly rubbed spots to the interior of the bowl. One iron spot to the interior. 

The conical bowl covered in a running russet and black glaze falling short of the foot, exposing the unglazed purplish-brown bodyHeight: 6cmDiameter: 12.5cmPROPERTY FROM THE DIANA M. STAINOW COLLECTION (1926 - 2019) Please note lots 16 – 54, Stainow Collection to be sold at no reserve清注意拍品16 號至54號 斯坦諾收藏 均為無底價起拍 DIANA M. STAINOW 收藏 私人財產(1926-2019)Originally a native of Boston, in her youth she studied painting and drawing at the School of the Museum of Fine Arts, Boston. In 1954, she married Gregory Stainow and had three children, where they lived in Paris until their divorce in 1979. After some ‘itinerant’ years where she lived amongst other places London, Paris and Hong Kong, she devoted herself to collecting art, writing, further travel and family. As an artist she travelled the world bringing home treasures to incorporate into her paintings, with a particular interest in non-Western Culture, particularly Chinese and Celtic art.(An extract taken from The Boston Globe 19th October 2019.) 黛安娜 斯坦諾 波士頓人,年輕時曾在波士頓美術博物館學院學習繪畫. 1954 年,她與格雷戈里· 斯泰諾結婚,育有三個孩子,後來居住在巴黎,直到 1979 年離婚,在倫敦.巴黎和香港等地都有 居所,由於對藝術的熱愛 她致力於收藏藝術品,寫作,以及熱愛旅行和家庭.作為一名藝術家,她周遊世界,將所見所藏珍寶 融入她的畫作 中,同時也對非西方文化特別感興趣,尤其是對中國和凱爾特藝術.居所，由於對藝術的熱愛 她致力於收藏藝術品、寫作，以及熱 愛旅行和家庭。作為一名藝術家，她周遊世界，將所見所藏珍寶融入她的畫作中，同時也對非西方文化特別感興趣，尤其是對 中國和凱爾特藝術。TO BE SOLD WITHOUT RESERVE無底價起拍Condition ReportThe bowl overall in good condition with some minor surface scratches to the exterior. The interior with several burst air bubbles to the pool with associated glaze lines running away from the centre. A good example of its type. Please see the natural light photos taken outside to appreciate its full beauty.

The conical bowl covered inside and out in a russet and olive-black glaze falling short of the foot, exposing the unglazed purplish brown bodyHeight: 5cm Diameter: 12cmPROPERTY FROM THE DIANA M. STAINOW COLLECTION (1926 - 2019) Please note lots 16 – 54, Stainow Collection to be sold at no reserve清注意拍品16 號至54號 斯坦諾收藏 均為無底價起拍 DIANA M. STAINOW 收藏 私人財產(1926-2019)Originally a native of Boston, in her youth she studied painting and drawing at the School of the Museum of Fine Arts, Boston. In 1954, she married Gregory Stainow and had three children, where they lived in Paris until their divorce in 1979. After some ‘itinerant’ years where she lived amongst other places London, Paris and Hong Kong, she devoted herself to collecting art, writing, further travel and family. As an artist she travelled the world bringing home treasures to incorporate into her paintings, with a particular interest in non-Western Culture, particularly Chinese and Celtic art.(An extract taken from The Boston Globe 19th October 2019.) 黛安娜 斯坦諾 波士頓人,年輕時曾在波士頓美術博物館學院學習繪畫. 1954 年,她與格雷戈里· 斯泰諾結婚,育有三個孩子,後來居住在巴黎,直到 1979 年離婚,在倫敦.巴黎和香港等地都有 居所,由於對藝術的熱愛 她致力於收藏藝術品,寫作,以及熱愛旅行和家庭.作為一名藝術家,她周遊世界,將所見所藏珍寶 融入她的畫作 中,同時也對非西方文化特別感興趣,尤其是對中國和凱爾特藝術.居所，由於對藝術的熱愛 她致力於收藏藝術品、寫作，以及熱 愛旅行和家庭。作為一名藝術家，她周遊世界，將所見所藏珍寶融入她的畫作中，同時也對非西方文化特別感興趣，尤其是對 中國和凱爾特藝術。TO BE SOLD WITHOUT RESERVE無底價起拍Condition ReportThe Jianyao bowl with some fine irregular crazing to the interior of the bowl and surface scratches, otherwise in good condition.

The conical bowl covered in a running russet and olive-black glaze falling short of the foot, exposing the unglazed purplish brown body, together with another similar bowl (2)Height: 5cm Diameter: 12cmPROPERTY FROM THE DIANA M. STAINOW COLLECTION (1926 - 2019) Please note lots 16 – 54, Stainow Collection to be sold at no reserve清注意拍品16 號至54號 斯坦諾收藏 均為無底價起拍 DIANA M. STAINOW 收藏 私人財產(1926-2019)Originally a native of Boston, in her youth she studied painting and drawing at the School of the Museum of Fine Arts, Boston. In 1954, she married Gregory Stainow and had three children, where they lived in Paris until their divorce in 1979. After some ‘itinerant’ years where she lived amongst other places London, Paris and Hong Kong, she devoted herself to collecting art, writing, further travel and family. As an artist she travelled the world bringing home treasures to incorporate into her paintings, with a particular interest in non-Western Culture, particularly Chinese and Celtic art.(An extract taken from The Boston Globe 19th October 2019.) 黛安娜 斯坦諾 波士頓人,年輕時曾在波士頓美術博物館學院學習繪畫. 1954 年,她與格雷戈里· 斯泰諾結婚,育有三個孩子,後來居住在巴黎,直到 1979 年離婚,在倫敦.巴黎和香港等地都有 居所,由於對藝術的熱愛 她致力於收藏藝術品,寫作,以及熱愛旅行和家庭.作為一名藝術家,她周遊世界,將所見所藏珍寶 融入她的畫作 中,同時也對非西方文化特別感興趣,尤其是對中國和凱爾特藝術.居所，由於對藝術的熱愛 她致力於收藏藝術品、寫作，以及熱 愛旅行和家庭。作為一名藝術家，她周遊世界，將所見所藏珍寶融入她的畫作中，同時也對非西方文化特別感興趣，尤其是對 中國和凱爾特藝術。TO BE SOLD WITHOUT RESERVE無底價起拍Condition ReportJianyao bowl, (main bowl online and catalogue image)Overall in good condition, an irregular glaze running around the pool of the bowl to the interior.Second bowl: predominantly russet brown, with olive-black centre. Please note there is a third bowl in this lot which is modern, and in good condition.

Of deeply potted form, the interior decorated in a stripped rich russet glaze radiating from the centre, against olive-black, the exterior with a mottled running glaze, falling short of the foot rim, exposing the buff off-white body Height: 9.5cm Diameter: 19cm PROPERTY FROM THE DIANA M. STAINOW COLLECTION (1926 - 2019) Please note lots 16 – 54, Stainow Collection to be sold at no reserve清注意拍品16 號至54號 斯坦諾收藏 均為無底價起拍 DIANA M. STAINOW 收藏 私人財產(1926-2019) Originally a native of Boston, in her youth she studied painting and drawing at the School of the Museum of Fine Arts, Boston. In 1954, she married Gregory Stainow and had three children, where they lived in Paris until their divorce in 1979. After some ‘itinerant’ years where she lived amongst other places London, Paris and Hong Kong, she devoted herself to collecting art, writing, further travel and family. As an artist she travelled the world bringing home treasures to incorporate into her paintings, with a particular interest in non-Western Culture, particularly Chinese and Celtic art. (An extract taken from The Boston Globe 19th October 2019.) 黛安娜 斯坦諾 波士頓人,年輕時曾在波士頓美術博物館學院學習繪畫. 1954 年,她與格雷戈里· 斯泰諾結婚,育有三個孩子,後來居住在巴黎,直到 1979 年離婚,在倫敦.巴黎和香港等地都有 居所 ,由於對藝術的熱愛 她致力於收藏藝術品,寫作,以及熱愛旅行和家庭.作為一名藝術家,她周遊世界,將所見所藏珍寶 融入她的畫作 中,同時也對非西方文化特別感興趣,尤其是對中國和凱爾特藝術.居所，由於對藝術的熱愛 她致力於收藏藝術品、寫作，以及熱 愛旅行和家庭。作為一名藝術家，她周遊世界，將所見所藏珍寶融入她的畫作中，同時也對非西方文化特別感興趣，尤其是對 中國和凱爾特藝術。 TO BE SOLD WITHOUT RESERVE 無底價起拍Condition ReportThe Cizhou bowl presents well, with an attractive running glaze. A burst bubble to the interior, and minor firing faults, the glaze to the rim well-crazed, two of which run from the rim into a hairline across the glaze, approx 2cm.

The recumbent tiger with a shaped oval panel to its back, decorated with broad brush strokes in ochre, black and russet on a cream ground, the base unglazed, stencilled collection number 52200 to the baseLength: 33cmHeight: 9cmA similar tiger-form pillow, is illustrated by Jiena Huo in Fire and Earth: Chinese Ceramics (3500 B.C. - 1400 A.D.) in the Museum of East Asian Art, Cologne, 2008, p 187, no. 147, where it is dated Jin Dynasty, 12th century. The author notes that this type of pillow is probably from Changzhi, in Shanxi, where other pillows of this type have been found. This type of pillows were believed to protect against evil and to have helped women give birth to sons相似磁州窯虎枕見霍潔娜《火與土：中國早期陶瓷》科隆東亞藝術博物館 2008年，圖147 ，頁187。其作者認為此類型虎枕產於山西長治，用於保佑孕婦生得男孩不受邪惡侵擾。Another similar Cizhou tiger pillow was sold at Christie’s New York, 13th September, 2014 lot 835, Masterpieces of Cizhou Ware: The Linyushanren Collection另一相似虎枕見紐約佳士得2014年9月13日拍品835號。PROPERTY FROM THE DIANA M. STAINOW COLLECTION (1926 - 2019) Please note lots 16 – 54, Stainow Collection to be sold at no reserve清注意拍品16 號至54號 斯坦諾收藏 均為無底價起拍 DIANA M. STAINOW 收藏 私人財產(1926-2019)Originally a native of Boston, in her youth she studied painting and drawing at the School of the Museum of Fine Arts, Boston. In 1954, she married Gregory Stainow and had three children, where they lived in Paris until their divorce in 1979. After some ‘itinerant’ years where she lived amongst other places London, Paris and Hong Kong, she devoted herself to collecting art, writing, further travel and family. As an artist she travelled the world bringing home treasures to incorporate into her paintings, with a particular interest in non-Western Culture, particularly Chinese and Celtic art.(An extract taken from The Boston Globe 19th October 2019.) 黛安娜 斯坦諾 波士頓人,年輕時曾在波士頓美術博物館學院學習繪畫. 1954 年,她與格雷戈里· 斯泰諾結婚,育有三個孩子,後來居住在巴黎,直到 1979 年離婚,在倫敦.巴黎和香港等地都有 居所,由於對藝術的熱愛 她致力於收藏藝術品,寫作,以及熱愛旅行和家庭.作為一名藝術家,她周遊世界,將所見所藏珍寶 融入她的畫作 中,同時也對非西方文化特別感興趣,尤其是對中國和凱爾特藝術.居所，由於對藝術的熱愛 她致力於收藏藝術品、寫作，以及熱 愛旅行和家庭。作為一名藝術家，她周遊世界，將所見所藏珍寶融入她的畫作中，同時也對非西方文化特別感興趣，尤其是對 中國和凱爾特藝術。TO BE SOLD WITHOUT RESERVE無底價起拍Condition ReportOverall the tiger pillow is in good condition for its age. The base with a cleaned area and a number ‘52800' written in black ink. The cream pillow section well crazed, with a y-shaped hairline confined within this area, approx 10cm long. The left eye of the tiger with some glaze loss, revealing the buff body. Now patinated, overall the glaze finely crazed, with some discolouration. An area of glaze loss by the tigers front left paw, approx. 2.5cm, where it meets the base. 

Woven with a ferocious four-clawed dragon against a dark blue ground, framed and glazed in Perspex, some repairThe image: 38cm by 44cmOverall: 55cm by 60cmFor a similar kesi dragon panel, see Emblems of the Empire, Selections from the Mactaggart Art Collection, John E. Vollmer & Jacqueline Simcox, The University of Alberta Press, 2009, page 143, cat. no. 2005.5.221.相似龍紋緙絲見John E. Vollmer & Jacqueline Simcox著《Emblems of the Empire, Selections from the Mactaggart Art Collection》，阿爾伯塔大學出版，2009年圖2005.5.221，頁143。PROPERTY FROM THE DIANA M. STAINOW COLLECTION (1926 - 2019) Please note lots 16 – 54, Stainow Collection to be sold at no reserve清注意拍品16 號至54號 斯坦諾收藏 均為無底價起拍 DIANA M. STAINOW 收藏 私人財產(1926-2019)Originally a native of Boston, in her youth she studied painting and drawing at the School of the Museum of Fine Arts, Boston. In 1954, she married Gregory Stainow and had three children, where they lived in Paris until their divorce in 1979. After some ‘itinerant’ years where she lived amongst other places London, Paris and Hong Kong, she devoted herself to collecting art, writing, further travel and family. As an artist she travelled the world bringing home treasures to incorporate into her paintings, with a particular interest in non-Western Culture, particularly Chinese and Celtic art.(An extract taken from The Boston Globe 19th October 2019.) 黛安娜 斯坦諾 波士頓人,年輕時曾在波士頓美術博物館學院學習繪畫. 1954 年,她與格雷戈里· 斯泰諾結婚,育有三個孩子,後來居住在巴黎,直到 1979 年離婚,在倫敦.巴黎和香港等地都有 居所,由於對藝術的熱愛 她致力於收藏藝術品,寫作,以及熱愛旅行和家庭.作為一名藝術家,她周遊世界,將所見所藏珍寶 融入她的畫作 中,同時也對非西方文化特別感興趣,尤其是對中國和凱爾特藝術.居所，由於對藝術的熱愛 她致力於收藏藝術品、寫作，以及熱 愛旅行和家庭。作為一名藝術家，她周遊世界，將所見所藏珍寶融入她的畫作中，同時也對非西方文化特別感興趣，尤其是對 中國和凱爾特藝術。TO BE SOLD WITHOUT RESERVE無底價起拍Condition ReportPlease bear in mind this is a fragment from a larger composition. The colours of the silk are bright and attractive, see the natural light photos. There is one small dark stain to a dragon scale, evident in catalogue photo. A 3cm by 5cm patch of dark blue silk to bottom left corner. Some irregular darns along the bottom edge backed by dark blue silk. A central darn to dragons left jaw.  Mounted on a pale cream silk mount, encased in Perspex and ready to hang.

The colourful woven silk panel with elements of gold thread, depicting two cranes amongst, peaches, pomegranates, peonies, asters and lingzhi fungus, within rocks and cloud scrolls, reserved against a rich red ground, associated border stripes, framed and glazed in PerspexThe image: 86cm by 60cmOverall: 69cm by 100cmFor a similar late Ming Dynasty kesi panel, see Chinese Textiles: Ten Centuries of Masterpieces from the Met Collection, August 15, 2015 - June 19, 2016, The Metropolitan Museum of Art, New York, The Seymour Fund, 1960 (60.1)相似明代緙絲見圖錄《Chinese Textiles: Ten Centuries of Masterpieces from the Met Collection August 15, 2015 - June 19, 2016》紐約大都會博物館 1960年PROPERTY FROM THE DIANA M. STAINOW COLLECTION (1926 - 2019) Please note lots 16 – 54, Stainow Collection to be sold at no reserve清注意拍品16 號至54號 斯坦諾收藏 均為無底價起拍 DIANA M. STAINOW 收藏 私人財產(1926-2019)Originally a native of Boston, in her youth she studied painting and drawing at the School of the Museum of Fine Arts, Boston. In 1954, she married Gregory Stainow and had three children, where they lived in Paris until their divorce in 1979. After some ‘itinerant’ years where she lived amongst other places London, Paris and Hong Kong, she devoted herself to collecting art, writing, further travel and family. As an artist she travelled the world bringing home treasures to incorporate into her paintings, with a particular interest in non-Western Culture, particularly Chinese and Celtic art.(An extract taken from The Boston Globe 19th October 2019.) 黛安娜 斯坦諾 波士頓人,年輕時曾在波士頓美術博物館學院學習繪畫. 1954 年,她與格雷戈里· 斯泰諾結婚,育有三個孩子,後來居住在巴黎,直到 1979 年離婚,在倫敦.巴黎和香港等地都有 居所,由於對藝術的熱愛 她致力於收藏藝術品,寫作,以及熱愛旅行和家庭.作為一名藝術家,她周遊世界,將所見所藏珍寶 融入她的畫作 中,同時也對非西方文化特別感興趣,尤其是對中國和凱爾特藝術.居所，由於對藝術的熱愛 她致力於收藏藝術品、寫作，以及熱 愛旅行和家庭。作為一名藝術家，她周遊世界，將所見所藏珍寶融入她的畫作中，同時也對非西方文化特別感興趣，尤其是對 中國和凱爾特藝術。TO BE SOLD WITHOUT RESERVE無底價起拍Condition ReportPlease bear in mind this is a fragment from a larger composition, see the comparable mentioned in the footnote.  As one can see from the natural light photos the colours are attractive, the border panels may be from another hanging and have been overlaid. There are some darns and patches missing but these are not so noticeable as they have been backed by matching fabric. It has been professionally mounted and backed in Perspex and is ready to hang.

With a rectangular green field and crimson and gilt border, mounted on a stretcherDimensions: 214cm by 95cm overallProvenance: from Palembang, Sumatra, Indonesia來源：舊港，蘇門答臘，印度尼西亞PROPERTY FROM THE DIANA M. STAINOW COLLECTION (1926 - 2019) Please note lots 16 – 54, Stainow Collection to be sold at no reserve清注意拍品16 號至54號 斯坦諾收藏 均為無底價起拍 DIANA M. STAINOW 收藏 私人財產(1926-2019)Originally a native of Boston, in her youth she studied painting and drawing at the School of the Museum of Fine Arts, Boston. In 1954, she married Gregory Stainow and had three children, where they lived in Paris until their divorce in 1979. After some ‘itinerant’ years where she lived amongst other places London, Paris and Hong Kong, she devoted herself to collecting art, writing, further travel and family. As an artist she travelled the world bringing home treasures to incorporate into her paintings, with a particular interest in non-Western Culture, particularly Chinese and Celtic art.(An extract taken from The Boston Globe 19th October 2019.) 黛安娜 斯坦諾 波士頓人,年輕時曾在波士頓美術博物館學院學習繪畫. 1954 年,她與格雷戈里· 斯泰諾結婚,育有三個孩子,後來居住在巴黎,直到 1979 年離婚,在倫敦.巴黎和香港等地都有 居所,由於對藝術的熱愛 她致力於收藏藝術品,寫作,以及熱愛旅行和家庭.作為一名藝術家,她周遊世界,將所見所藏珍寶 融入她的畫作 中,同時也對非西方文化特別感興趣,尤其是對中國和凱爾特藝術.居所，由於對藝術的熱愛 她致力於收藏藝術品、寫作，以及熱 愛旅行和家庭。作為一名藝術家，她周遊世界，將所見所藏珍寶融入她的畫作中，同時也對非西方文化特別感興趣，尤其是對 中國和凱爾特藝術。TO BE SOLD WITHOUT RESERVE無底價起拍Condition ReportFinely woven with silk and gold thread, mounted on a board, ready for hanging. Some discolouration to the green silk, minor holes, and stains. Some darning to the end panels claret ground.  Some holes, losses to selvedge. Please see natural light of day photos

KRISHNA AND RADHA OBSERVING GOPIS CELEBRATING IN THE RAINBUNDI, RAJASTHAN, NORTH WEST INDIA, CIRCA 1800With opaque pigments heightened in gold, on paper, framed and glazedThe image: 28cm by 20cm, 38cm by 29cm overallProvenance: Purchased from Michael & Henrietta Spink, 1992PROPERTY FROM THE DIANA M. STAINOW COLLECTION (1926 - 2019) Please note lots 16 – 54, Stainow Collection to be sold at no reserve清注意拍品16 號至54號 斯坦諾收藏 均為無底價起拍 DIANA M. STAINOW 收藏 私人財產(1926-2019)Originally a native of Boston, in her youth she studied painting and drawing at the School of the Museum of Fine Arts, Boston. In 1954, she married Gregory Stainow and had three children, where they lived in Paris until their divorce in 1979. After some ‘itinerant’ years where she lived amongst other places London, Paris and Hong Kong, she devoted herself to collecting art, writing, further travel and family. As an artist she travelled the world bringing home treasures to incorporate into her paintings, with a particular interest in non-Western Culture, particularly Chinese and Celtic art.(An extract taken from The Boston Globe 19th October 2019.) 黛安娜 斯坦諾 波士頓人,年輕時曾在波士頓美術博物館學院學習繪畫. 1954 年,她與格雷戈里· 斯泰諾結婚,育有三個孩子,後來居住在巴黎,直到 1979 年離婚,在倫敦.巴黎和香港等地都有 居所,由於對藝術的熱愛 她致力於收藏藝術品,寫作,以及熱愛旅行和家庭.作為一名藝術家,她周遊世界,將所見所藏珍寶 融入她的畫作 中,同時也對非西方文化特別感興趣,尤其是對中國和凱爾特藝術.居所，由於對藝術的熱愛 她致力於收藏藝術品、寫作，以及熱 愛旅行和家庭。作為一名藝術家，她周遊世界，將所見所藏珍寶融入她的畫作中，同時也對非西方文化特別感興趣，尤其是對 中國和凱爾特藝術。TO BE SOLD WITHOUT RESERVE無底價起拍Condition ReportOverall in good condition. Not inspected out of its frame. A very fine crackle is evident to the red painted margin.

KAKUBHA RAGINI SIROKI, RAJASTHAN, NORTH WEST INDIA, CIRCA 1650A woman stands with a peacock, symbol of passion and love, framed and glazed, applied paper labelThe image: 20cm by 14cm, 35cm by 25cm overallProvenance: Purchased from Doris Weiner Gallery, New York, 17th September 1997PROPERTY FROM THE DIANA M. STAINOW COLLECTION (1926 - 2019) Please note lots 16 – 54, Stainow Collection to be sold at no reserve清注意拍品16 號至54號 斯坦諾收藏 均為無底價起拍 DIANA M. STAINOW 收藏 私人財產(1926-2019)Originally a native of Boston, in her youth she studied painting and drawing at the School of the Museum of Fine Arts, Boston. In 1954, she married Gregory Stainow and had three children, where they lived in Paris until their divorce in 1979. After some ‘itinerant’ years where she lived amongst other places London, Paris and Hong Kong, she devoted herself to collecting art, writing, further travel and family. As an artist she travelled the world bringing home treasures to incorporate into her paintings, with a particular interest in non-Western Culture, particularly Chinese and Celtic art.(An extract taken from The Boston Globe 19th October 2019.) 黛安娜 斯坦諾 波士頓人,年輕時曾在波士頓美術博物館學院學習繪畫. 1954 年,她與格雷戈里· 斯泰諾結婚,育有三個孩子,後來居住在巴黎,直到 1979 年離婚,在倫敦.巴黎和香港等地都有 居所,由於對藝術的熱愛 她致力於收藏藝術品,寫作,以及熱愛旅行和家庭.作為一名藝術家,她周遊世界,將所見所藏珍寶 融入她的畫作 中,同時也對非西方文化特別感興趣,尤其是對中國和凱爾特藝術.居所，由於對藝術的熱愛 她致力於收藏藝術品、寫作，以及熱 愛旅行和家庭。作為一名藝術家，她周遊世界，將所見所藏珍寶融入她的畫作中，同時也對非西方文化特別感興趣，尤其是對 中國和凱爾特藝術。TO BE SOLD WITHOUT RESERVE無底價起拍Condition ReportOverall the colours of this painting are good and bright. Although there is some loss of pigments to the two trees. Nicely framed, not inspected out of the frame. Applied gallery label to reverse.

(GARLAND OF MUSICAL MODES): VASANT RAGNI ORCHHA, MALWA, CENTRAL INDIA, CIRCA 1645With opaque pigments, on paper, with a central nobleman flanked by four female musicians, framed and glazedThe image: 22cm by 15cm, 54cm by 41cm overallPROPERTY FROM THE DIANA M. STAINOW COLLECTION (1926 - 2019) Please note lots 16 – 54, Stainow Collection to be sold at no reserve清注意拍品16 號至54號 斯坦諾收藏 均為無底價起拍 DIANA M. STAINOW 收藏 私人財產(1926-2019)Originally a native of Boston, in her youth she studied painting and drawing at the School of the Museum of Fine Arts, Boston. In 1954, she married Gregory Stainow and had three children, where they lived in Paris until their divorce in 1979. After some ‘itinerant’ years where she lived amongst other places London, Paris and Hong Kong, she devoted herself to collecting art, writing, further travel and family. As an artist she travelled the world bringing home treasures to incorporate into her paintings, with a particular interest in non-Western Culture, particularly Chinese and Celtic art.(An extract taken from The Boston Globe 19th October 2019.) 黛安娜 斯坦諾 波士頓人,年輕時曾在波士頓美術博物館學院學習繪畫. 1954 年,她與格雷戈里· 斯泰諾結婚,育有三個孩子,後來居住在巴黎,直到 1979 年離婚,在倫敦.巴黎和香港等地都有 居所,由於對藝術的熱愛 她致力於收藏藝術品,寫作,以及熱愛旅行和家庭.作為一名藝術家,她周遊世界,將所見所藏珍寶 融入她的畫作 中,同時也對非西方文化特別感興趣,尤其是對中國和凱爾特藝術.居所，由於對藝術的熱愛 她致力於收藏藝術品、寫作，以及熱 愛旅行和家庭。作為一名藝術家，她周遊世界，將所見所藏珍寶融入她的畫作中，同時也對非西方文化特別感興趣，尤其是對 中國和凱爾特藝術。TO BE SOLD WITHOUT RESERVE無底價起拍Condition ReportThe painting not inspected out of the frame. Framed and glazed. As one can see from the mounting, it is a fragment, reduced along each margin and a couple of small tears. The colours overall bright and attractive. Some small losses to pigment, in particular the dark blue ground colour.

Modelled standing, with a caparisoned howdah on its back, rectangular base, its details picked out in ochre and natural pigments, some damage and repairHeight: 63cmLength: 36cmProvenance: Purchased from Jonathan Tucker & Antonia Tozer October 2005來源：2005年購於古董商Jonathan Tucker & Antonia Tozer。PROPERTY FROM THE DIANA M. STAINOW COLLECTION (1926 - 2019) Please note lots 16 – 54, Stainow Collection to be sold at no reserve清注意拍品16 號至54號 斯坦諾收藏 均為無底價起拍 DIANA M. STAINOW 收藏 私人財產(1926-2019)Originally a native of Boston, in her youth she studied painting and drawing at the School of the Museum of Fine Arts, Boston. In 1954, she married Gregory Stainow and had three children, where they lived in Paris until their divorce in 1979. After some ‘itinerant’ years where she lived amongst other places London, Paris and Hong Kong, she devoted herself to collecting art, writing, further travel and family. As an artist she travelled the world bringing home treasures to incorporate into her paintings, with a particular interest in non-Western Culture, particularly Chinese and Celtic art.(An extract taken from The Boston Globe 19th October 2019.) 黛安娜 斯坦諾 波士頓人,年輕時曾在波士頓美術博物館學院學習繪畫. 1954 年,她與格雷戈里· 斯泰諾結婚,育有三個孩子,後來居住在巴黎,直到 1979 年離婚,在倫敦.巴黎和香港等地都有 居所,由於對藝術的熱愛 她致力於收藏藝術品,寫作,以及熱愛旅行和家庭.作為一名藝術家,她周遊世界,將所見所藏珍寶 融入她的畫作 中,同時也對非西方文化特別感興趣,尤其是對中國和凱爾特藝術.居所，由於對藝術的熱愛 她致力於收藏藝術品、寫作，以及熱 愛旅行和家庭。作為一名藝術家，她周遊世界，將所見所藏珍寶融入她的畫作中，同時也對非西方文化特別感興趣，尤其是對 中國和凱爾特藝術。TO BE SOLD WITHOUT RESERVE無底價起拍Condition ReportSome fractures to legs and trunk, please see additional photographs

Modelled standing on rectangular wooden base, right hand palm raisedHeight: 59cm, 65cm overall including standPROPERTY FROM THE DIANA M. STAINOW COLLECTION (1926 - 2019) Please note lots 16 – 54, Stainow Collection to be sold at no reserve清注意拍品16 號至54號 斯坦諾收藏 均為無底價起拍 DIANA M. STAINOW 收藏 私人財產(1926-2019)Originally a native of Boston, in her youth she studied painting and drawing at the School of the Museum of Fine Arts, Boston. In 1954, she married Gregory Stainow and had three children, where they lived in Paris until their divorce in 1979. After some ‘itinerant’ years where she lived amongst other places London, Paris and Hong Kong, she devoted herself to collecting art, writing, further travel and family. As an artist she travelled the world bringing home treasures to incorporate into her paintings, with a particular interest in non-Western Culture, particularly Chinese and Celtic art.(An extract taken from The Boston Globe 19th October 2019.) 黛安娜 斯坦諾 波士頓人,年輕時曾在波士頓美術博物館學院學習繪畫. 1954 年,她與格雷戈里· 斯泰諾結婚,育有三個孩子,後來居住在巴黎,直到 1979 年離婚,在倫敦.巴黎和香港等地都有 居所,由於對藝術的熱愛 她致力於收藏藝術品,寫作,以及熱愛旅行和家庭.作為一名藝術家,她周遊世界,將所見所藏珍寶 融入她的畫作 中,同時也對非西方文化特別感興趣,尤其是對中國和凱爾特藝術.居所，由於對藝術的熱愛 她致力於收藏藝術品、寫作，以及熱 愛旅行和家庭。作為一名藝術家，她周遊世界，將所見所藏珍寶融入她的畫作中，同時也對非西方文化特別感興趣，尤其是對 中國和凱爾特藝術。TO BE SOLD WITHOUT RESERVE無底價起拍Condition ReportA grey schist fragment, mounted on ebonised stand. The left hand sleeve, broken off and poorly glued back. Two lead plugs to the rear of the fragment. Please see additional photographs

Seated crossed legged in Bhumisparsha mudra, ‘touching the earth’, highlighted in gilt, some losses and minor damageHeight: 85cmPROPERTY FROM THE DIANA M. STAINOW COLLECTION (1926 - 2019) Please note lots 16 – 54, Stainow Collection to be sold at no reserve清注意拍品16 號至54號 斯坦諾收藏 均為無底價起拍 DIANA M. STAINOW 收藏 私人財產(1926-2019)Originally a native of Boston, in her youth she studied painting and drawing at the School of the Museum of Fine Arts, Boston. In 1954, she married Gregory Stainow and had three children, where they lived in Paris until their divorce in 1979. After some ‘itinerant’ years where she lived amongst other places London, Paris and Hong Kong, she devoted herself to collecting art, writing, further travel and family. As an artist she travelled the world bringing home treasures to incorporate into her paintings, with a particular interest in non-Western Culture, particularly Chinese and Celtic art.(An extract taken from The Boston Globe 19th October 2019.) 黛安娜 斯坦諾 波士頓人,年輕時曾在波士頓美術博物館學院學習繪畫. 1954 年,她與格雷戈里· 斯泰諾結婚,育有三個孩子,後來居住在巴黎,直到 1979 年離婚,在倫敦.巴黎和香港等地都有 居所,由於對藝術的熱愛 她致力於收藏藝術品,寫作,以及熱愛旅行和家庭.作為一名藝術家,她周遊世界,將所見所藏珍寶 融入她的畫作 中,同時也對非西方文化特別感興趣,尤其是對中國和凱爾特藝術.居所，由於對藝術的熱愛 她致力於收藏藝術品、寫作，以及熱 愛旅行和家庭。作為一名藝術家，她周遊世界，將所見所藏珍寶融入她的畫作中，同時也對非西方文化特別感興趣，尤其是對 中國和凱爾特藝術。TO BE SOLD WITHOUT RESERVE無底價起拍Condition ReportThe finial to the head of the buddha a later wooden replacement, painted in black with traces of gilding, likewise the elements of the crown are all wooden replacements, painted in black and gilt. The left hand ear has been broken off and re-stuck where it meets the mandala and shoulder. Both mandala’s later wooden replacements. The base and interior is hollow, with strengthening wooden elements to interior.

Seated crossed legged in Bhumisparsha mudra, ‘touching the earth’, with gilt and applied mirrored decoration, dedication cover missing to reverse, some lossesHeight: 113cmPROPERTY FROM THE DIANA M. STAINOW COLLECTION (1926 - 2019) Please note lots 16 – 54, Stainow Collection to be sold at no reserve清注意拍品16 號至54號 斯坦諾收藏 均為無底價起拍 DIANA M. STAINOW 收藏 私人財產(1926-2019)Originally a native of Boston, in her youth she studied painting and drawing at the School of the Museum of Fine Arts, Boston. In 1954, she married Gregory Stainow and had three children, where they lived in Paris until their divorce in 1979. After some ‘itinerant’ years where she lived amongst other places London, Paris and Hong Kong, she devoted herself to collecting art, writing, further travel and family. As an artist she travelled the world bringing home treasures to incorporate into her paintings, with a particular interest in non-Western Culture, particularly Chinese and Celtic art.(An extract taken from The Boston Globe 19th October 2019.) 黛安娜 斯坦諾 波士頓人,年輕時曾在波士頓美術博物館學院學習繪畫. 1954 年,她與格雷戈里· 斯泰諾結婚,育有三個孩子,後來居住在巴黎,直到 1979 年離婚,在倫敦.巴黎和香港等地都有 居所,由於對藝術的熱愛 她致力於收藏藝術品,寫作,以及熱愛旅行和家庭.作為一名藝術家,她周遊世界,將所見所藏珍寶 融入她的畫作 中,同時也對非西方文化特別感興趣,尤其是對中國和凱爾特藝術.居所，由於對藝術的熱愛 她致力於收藏藝術品、寫作，以及熱 愛旅行和家庭。作為一名藝術家，她周遊世界，將所見所藏珍寶融入她的畫作中，同時也對非西方文化特別感興趣，尤其是對 中國和凱爾特藝術。TO BE SOLD WITHOUT RESERVE無底價起拍Condition ReportOverall an impressive and evocative work of art. The dedication panel and contents removed and missing, applied paper label to reverse, ‘Burmese wooden Buddha, 18th Century’ Top finial, the crown elements and mandala all appear to be later replacements, some damage to this, one element broken and detached, one re-glued. Mirrored inserts, some damaged and missing, loss of elements to lacquer and some shrinkage around the body. Please refer to additional photographs for guidance. Weight 24.65 kg, depth of base 31cm, width 53cm.

Antique tin plate revolving globe, Reliable series, made in England, height 20cm

A Philips British Empire globe on black wood stand and solitaire board and folding leather draughts box and marbles (qty)

An early 20th century Globe Wernicke sectional bookcase, with two glazed sections above a cupboard base 134 x 106 x 44cm

A George Cram classic globe

James Bond Globe-Trotter leather items- Luggage tag celebrating 50 years of 007 (7cm x 16cm), Moneypenny x Globe Trotter leather iPad Sleeve in Navy (26cm x 18cm)- With Certificate of Authenticity.

A Swiss late 18th century gold chatelaine, the central glazed gold plaque containing a hair-tied wheat sheaf, suspending two similar pierced globe-form miniature fob seals, each mounted with a citrine or amethyst and a two-colour gold watch key, 24cm and a late 18th century gold chatelaine formed with faceted gold plated beads and clear glass faceted beads with two conforming glass bead tassels and a watch key mounted with a faceted rock crystal with gold mounts, 26cm

A yellow metal globe pendant, with engraved and textured design, approximate diameter 18 mm, unmarked.Condition report: 9g

A mixed lot including bras shell cases, globe money box, silver plate, cod bottle and wooden folding book end.

A French late 19th century/early 20th century ormolu mounted bois satine, fruitwood and stained sycamore marquetry commodeafter the original commode by Jean-Henri RiesenerOf breakfront D-shaped outline, the moulded marble top above two long triple panelled drawers, the central panel inlaid sans traverse with a Neoclassical ewer, a basket overflowing with fruit, flowers and ribbon-tied garden implements and an urn, flanked by two smaller flowerhead-embedded trelliswork panels inlaid sans traverse, the panels mounted with one putto emblematic of Justice and the other putto emblematic of Temperance, surmounted by a ribbon-tied entwined laurel branch and sunburst mount centred with an Apollo mask, over an apron mounted with a central globe with three fleur du lys, interspersed by four ormolu caryatids modelled as Mars, Hercules, Prudence and Temperance, each bowed end door with rosette embedded trelliswork inlay and each mounted with ribbon-tied floral swags and two different military trophies, enclosing two shelves, on four stiff-leaf and acanthus mounted tapering supports and sabots, 207cm wide x 79cm deep x 99cm high, (81in wide x 31in deep x 38 1/2in high)Footnotes:The design of the offered lot closely follows a commode supplied in 1775 by Jean-Henri Riesener (1734-1806) to Louis XVI and Marie Antoinette. This original was made for the Chambre de Roi at Versailles and was intended to replace a model executed by Antoine-Robert Gaudreaux (1680-1746) and Jaques Caffieri (1678-1755) in 1739, the latter having been previously provided for the Royal Bedchamber during the reign of Louis XV. The central panel on Riesener's commode was inlaid with the cyphers of Louis XVI and Marie Antoinette which, following the start of the Revolution in 1789, was replaced with a pastoral scene, also evident on the present example. This highly important and influential piece of 18th century cabinet making is now housed in the Musee Conde, Chateau de Chantilly.A number of virtually identical commodes to the offered lot have sold at auction. Most notably these include; a pair which sold Christie's, London, 22 March 2001, The 19th Century Interior, lot 283; one Christie's, London, 1 October 2002, 19th Century Furniture, lot 7; an example sold Christie's, London, 20 March 2003, Important 19th Century Furniture, lot 91; another pair Sotheby's, London, 27 April 2010, Fine Furniture, lot 151; a single comparable was purchased Christie's, New York, 17 & 18 October 2012, 500 Years Decorative Arts Europe, lot 159; and a further model sold Bonhams, San Francisco, 18 May 2015, The Collector's Cabinet; European Furniture and Decorative Arts, lot 1357. More recently a commode of this type sold Bonhams, New Bond Street, 16 October 2019, The Contents of a 19th Century Baltic Villa, lot 12.This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

Sir Alan Ayckbourn: A Group of Theatre Posters for Plays written by Alan Ayckbourn,1972-1979,eight posters including The Norman Conquests (Globe Theatre, Shaftesbury, 1974), Absent Friends (Garrick Theatre, 1975), and Confusions (Apollo Theatre, 1976), each framed and glazed, each 21 1/4in x 14in (54cm x 35.5cm) framed, (8)For further information on this lot please visit Bonhams.com

Sir Tom Stoppard: A Sunday Globe newspaper Model for Night and Day, A First Night Gift for Diana Rigg,1978,ceramic model of a stack of Sunday Globe newspapers with the headline 'Author Thanks Night and Day Company', dated 8th November 1978, signed F. Hewlett to one side, numbered 5/16, accompanied by a provenance certificate, 6 1/2in x 5in x 2 1/4in (16.5cm x 12.5cm x 6cm)Footnotes:The present gift was likely commissioned by Tom Stoppard to give to each cast member, to celebrate the Opening Night of Night and Day at the Phoenix Theatre, London.For further information on this lot please visit Bonhams.com

Diana Rigg: A Golden Globe® Nomination Certificate for The Hospital,1972,presented by the Hollywood Foreign Press Association, to Diana Rigg for Best Supporting Actress for The Hospital, framed, accompanied by a provenance certificate, 9in x 11 1/4in (23m x 28.5cm) framedThis lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Sir Alan Ayckbourn: An original painting gifted to Michael Codron for the Globe Theatre performances of The Norman Conquests,circa 1975,watercolour and collage on paper, titled A Tribute Et Greetings To Ye Great Globe Itself - King Michael [Codron] The Good, signed by numerous members of the cast and production team to the borders, framed and glazed, 14 1/2in x 33 3/4in (37cm x 86cm)Footnotes:The Norman Conquests is a comic trilogy written by Alan Ayckbourn in 1973. Following a successful West End run led to a Broadway transfer in 1975, and a series of special performances at the Globe Theatre. The original West End cast included Tom Courtenay, Penelope Keith, Felicity Kendal, and Michael Gambon among others. The present artwork was created as a gift to Sir Michael, in celebration of the Globe performances.For further information on this lot please visit Bonhams.com

Philip Le Bas (British, b. 1925): The Criterion Theatre & The Globe Theatre,both oil on panel, each signed P. Le Bas, the Criterion Theatre with the 1971 production Butley written by Simon Gray; the Globe Theatre with the 1972 production of My Fat Friend written by Charles Laurence, each in metallic frame, each 24 3/4in (63cm) square framed, (2)Footnotes:In 1994 the Globe Theatre was renamed the Gielgud Theatre to avoid confusion with Shakespeare's Globe Theatre, which opened in 1997.For further information on this lot please visit Bonhams.com

An early 20th century oak globe wernicke style bookcase, rectangular top above four horizontally glazed doors, 162cm high, 87cm wide, 33cm deep.

A 9ct gold fancy curb link charm bracelet, with 9ct heart padlock and 16 x 9ct charms, including Toby jug, steam locomotive, globe, treasure chest etc, bracelet length 18cm, 62.3g grossNo broken links, settings lightly abraded and slightly worn on high points, a few of the raised balls have small holes, marks clear, end link stamped 9

7 white glass globe light shades

Globe Wernicke mahogany cased three tier glazed sectional bookcase (def) 125cm high x 86cm wide x 32cm deep Condition Report: Available upon request

Globe Wernicke oak cased three tier sectional bookcase with single drawer, 105cm high x 87cm wide x 29cm deep Condition Report: Available upon request

A modern terrestrial globe, on turned stand with metal axis, 97cm high.

GLOBE-TROTTER X JAMES BOND NO TIME TO DIE CHECK-IN TRAVEL SUITCASE74cm high x 48cm wide x 26cm deep, with a keyA Globe-Trotter 007 Vulcanised Fibreboard Check-In Trolley Case, part of the new collaboration. Designed to celebrate the upcoming launch of the 25th Bond film. Established in 1897, Globe-Trotter suitcases and travel accessories are handcrafted in Hertfordshire, England by highly skilled artisans using original manufacturing methods and machinery that date back to the Victorian era. The No Time To Die cases are made to order from panels of vulcanised fibreboard: a unique material invented in Britain during the 1850s that is as strong as leather and as light as aluminium. Each sheet is moulded into shape using a method patented by the company in 1901, while the case’s black leather corners are moulded on Victorian press machines over a period of five days to ensure optimum strength and form.Condition report: Overall in very good condition with the smallest scuffs and mark in the odd area,  commensurate with use and age. Some dirt and dust. Both with keys attached. 

GLOBE-TROTTER X JAMES BOND NO TIME TO DIE CHECK-IN TRAVEL SUITCASE74cm high x 48cm wide x 26cm deep, with a keyA Globe-Trotter 007 Vulcanised Fibreboard Check-In Trolley Case, part of the new collaboration. Designed to celebrate the upcoming launch of the 25th Bond film. Established in 1897, Globe-Trotter suitcases and travel accessories are handcrafted in Hertfordshire, England by highly skilled artisans using original manufacturing methods and machinery that date back to the Victorian era. The No Time To Die cases are made to order from panels of vulcanised fibreboard: a unique material invented in Britain during the 1850s that is as strong as leather and as light as aluminium. Each sheet is moulded into shape using a method patented by the company in 1901, while the case’s black leather corners are moulded on Victorian press machines over a period of five days to ensure optimum strength and form.RRP - £2220 Condition report:In like new condition

A box of items including a Spode Preston Guild Merchant Bowl 1992 bowl with box, a blue and white pedestal cake stand, a pair of boxed Royal Crown Derby vases, snow globe and a cloisonne apple.

A Derby figure emblematic of Europe from the 'Four Quarters of the Globe' c.1770modelled as a crowned child holding an orb and sceptre, at her feet a white horse and various objects relating to the Arts and warfareheight 14 cm.Condition: Sceptre absent, otherwise in good condition. No apparent restoration. or damages

A late Victorian part suite of diamond cut table glasscomprising a pair of shaft and globe decanters and stoppers, a claret jug, a small jug, eight red, four white, six sherry, five port, one liqueur two water beakers and eight finger bowls, (qty)first height 19 cmCondition: Claret jug has a small chip to foot. One red slightly smaller probably matched. one white with a small chip to rim. One pudding with a small chip to rim. One port matched another with a slight chip to rim

A pair of Whitefriars Spanish cut tri-form decanters and stoppers designed by Harry Powell c.1910 and selection of 19th century and later decanters and other glassto include a Georgian triple ring mallet shaped decanter and stopper, a Regency cut glass spirit decanter and stopper, a pair of small Prussian shaped triple ring neck guest decanters, (lacking stoppers), both engraved J, a similar double ring decanter, a slice cut triple ring guest decanter and stopper c.1830, a rinser, a Victorian shaft and globe decanter and stopper with acid etched decoration and a pedestal bowl, (qty)first height 26 cm.Condition: pair with numbered stoppers and bodies. Chip to ring of mallet shaped decanter and stopper associated. Double ring guest decanter with a chip to rim.

A globe made of glass on a marble base and made in France. (28 x 23 cm)

A collection of 2 globe-bar cabinets. The second half of the 20th century. (92 x 57 cm)

CHARLES HORNER; a Globe Wernicke Co Ltd of London oak three drawer filing cabinet with sliding platforms beneath each drawer, height 123cm, width 37cm, depth 65cm.

MEISSEN; a late 19th century figure of Catherine the Great, painted marks to base, height 22cm.Additional InformationThere are restorations throughout noticeably to the sceptre, orb and crown, also to the tree stump upper section at the back, her feet, the ears of the horse, both legs of the horse (one with recent break glue repair) also restoration to the book and the globe, the horses legs and some of the encrusted flowers around this.

DERBY; a late 18th century figure of a seated female with a set of dividers on a globe, unmarked, height 16.5cm.Additional InformationExtensive restoration to the flowing headress, also her left hand, right hand and the globe, also some restoration to the base.

HALCYON DAYS; seven assorted enamel pill boxes including The Globe on stand, a Christmas Bauble, a heart shaped example, also further modern trinket boxes including modern Limoges example.

A reproduction globe drink's cabinet, with printed decoration to the exterior and interior, raised on barley twist columns, height 105cm.  Additional InformationLifting and losses to the applied decoration, knocks scuffs and wear throughout. 

A wall hanging antique style metal globe map of the world, 109 x 82cm and a selection of American menus

A selection of vintage children's books, a globe etc

Map Retro Globe Drinks Cabinet A Mobile Cabinet With Unique Graphics All Over In An Old Map Style, The Cabinet Opens To Reveal Three Compartments Which Can Hold Up To Four Wine Bottles And Up To Twelve Glasses, Keeping Everything Safely And Discreetly Stored Away, As Well As Giving You Something To Impress Your Guests When You Reveal The Contents Dimater Φ44.2 X 88H cm

Globe drink mini-bar double deck design  The upper hemisphere can be opened for holding bottles, wine glasses, champagne flutes, tumblers Product Dimension: Ф61 x 93H (cm) Globe Diameter Inner: 33 cm Globe Diameter Outer: 45 cm Bottom Plate size: Φ57.4 x 1.3T (cm)