We found 41226 price guide item(s) matching your search

Constantine I Follis.  London, AD 307-310. Billon, 23mm, 3.88g. Laureate bust right, IMP CONSTANTINVS P F AVG. Reverse: SOL INVICTO COMITI, Sol standing left, right hand raised and holding globe in left hand. T F in field. PLN in ex. Ref: RCV 16046. With old ticket.

An early 20th century glass light fitting of spherical globe form, with printed floral spray decoration and gilt brass finial. Height 30cm.

An oak revolving table bookcase, with label inscribed 'The Globe-Wernicke Co. Limited, Office & Library Furnishers, London', early 20th century, height 36.5cm, width 30cm, depth 31cm

A late George III printed horizon ring from a globe, with calender months and signs of the zodiac, total diameter 43cm, internal diameter 31cm.

Mid 20thC fibreglass ball or globe chair on swivel base -Eero Aarnio ?

A drinks cabinet in the form of a terrestrial globe, on casters, 93cmH

Retro Globe Light Shades

A late 19th century terrestrial globe library timepiece, The Empire Clock, patent 19460, a printed gores, the horizon ring engraved with chapter of Roman numerals, orrery type indicator, the brass base with fluted pillar, 30cm high, c.1900

A library model, of a terrestrial globe, turned softwood frame, 26cm high

The British Empire Exhibition 1924 - a gilt brass inkwell, by Goldsmiths & Silversmiths Company, Regent Street, London, cast as a globe supported upon four recumbent lions, hinged cover, 9cm wide, c.1924

A 19th Century glass decanter, circa 1851, probably George Bacchus & Co, of globe and shaft form and cased in opal over uranium green and cut with a diamond pattern, with conforming hollow blown ball stopper, height 24.cm.

An early 20th Century continental glass musical decanter, circa 1910-1920, the globe and shaft body cut with strawberry diamonds within larger diamonds with fluted neck, fitted to the underside with a musical mechanism playing Sweet Hearts on Parade and Wedding Bells, with radial cut mushroom form stopper, height 24.5cm.

A 19th Century glass decanter, circa 1860-1870, of globe and shaft form with applied angular handle, the main body cut with a repeat pattern of a roundel with diamond centre and radiating fans, with fluted neck and lapidary ball stopper, height 26.5cm.

An early 20th Century glass decanter, circa 1880-1890, of globe and shaft form, the body engraved with fruiting vines below a fluted neck, with conforming hollow blown and star cut ball stopper, height 27cm.

A mid 20th Century clear crystal decanter, of globe and shaft form, the body heavily cut with bands of faceted squares below a hexagonal facet cut neck, complete with a Miller's & Patent hinge stopper, the silver plated ring mount stamped Elkington and Miller's Patent, height 30cm.

Peter Paul Rubens (1577-1640) und Werkstatt, zug.Virtus und Fortuna triumphieren über die Wolllust DES BACCHUSÖl auf Leinwand. Doubliert.145 x 170 cm.In barockisierendem bronzierten Rahmen.In der Komposition in Form eines Rhombus stellt der Maler die Figurengruppe in einer besonders vom Lichteinfall begünstigten Weise hervor: Es sind die Virtus mit ihrem Helm mit Federbusch und die schräg vor ihr auf der Weltenkugel mit einem Ruder und wehendem Velum sitzende Fortuna. Die beiden allegorischen Figuren reichen sich die Hand. Ihnen wird ein Lorbeerkranz und ein Zepter überreicht von einem Genius mit von Früchten gefülltem metallisch schimmerndem Füllhorn, der wiederum von zwei geflügelten Puttowesen überfangen wird. Sein Knie, sowie das der Virtus ruht auf dem Rücken des die Rhombusform komplettierenden in gewagter und doch gekonnt ausgeführter Verkürzung wiedergegebenen Bacchus, den wir gut aus anderen Gemälden von Rubens und seiner Werkstatt kennen – sein trunkener Körper liegt bäuchlings auf dem Boden, die Ursache seiner Trunkenheit und der damit verbundenen unkontrollierten Wollust, nämlich ein metallisches antikisierendes Trinkgefäß, liegt ebenfalls auf dem Boden am unteren Bildrand, von seinen Fingern noch umkrallt. Besonders die Figurengruppe von Virtus und Fortuna ist uns wohl bekannt aus einem Gemälde, das im Museo Nacional de Bellas Artes in Buenos Aires, Argentinien (Inv.Nr. 8629) verwahrt wird und die beiden Figuren seitenverkehrt wiedergibt (siehe Vergleichsabb.). Seitenrichtig wiederum ist eine Werkstattarbeit im Musée Grobet Labadié in Marseille zu nennen, das jedoch einen geflügelten Mann und eine Frau zusätzlich zeigt, die nach der behelmten Figur zu greifen sucht – Michael Jaffé bezeichnete das Gemälde als „Allegorie der guten Regierung“, Erwin Panofsky erkannte die beiden weiblichen Hauptfiguren als Fortuna und Virtus. Eine ähnliche Ikonografie kennen wir etwa aus einer Allegorie mit Blick auf die Zitadelle in Antwerpen aus dem Jahre 1634 im Musée des Beaux-Arts in Besançon. Komplizierte verkürzte Figuren sind im Werk des Rubens und seiner Werkstatt keine Seltenheit und werden gern für ein dramatisches Schicksal erleidende Figuren wie etwa „Der gefesselte Prometheus“ („Prometheus Bound“) im Philadelphia Museum of Art (Inv.Nr. W1950-3-1) verwendet, wodurch die an den Betrachterraum angrenzende Figur – wie hier der Bacchus – eine optimale Einleitung in das Seh- und Empfindungserlebnis durch den Betrachter bietet. Das hier angebotene Gemälde ist von hoher Qualität und zeigt mit seiner fleischigen Körperlichkeit, der geschlossenen geschickten Komposition und dem Rubensschen Kolorit eine große Nähe zu dem wohl größten nordalpinen Barockmaler und seiner Werkstatt. (†)Anmerkung:Die rechte Rückenfigur ist eine etwas im Uhrzeigersinn nach rechts gedrehte Variante der rechten Rückenfigur in „Die Auffindung des kleinen Erichthonios“ von 1616 von Peter Paul Rubens, die in den Sammlungen des Fürsten von und zu Liechtenstein, Vaduz/Wien aufbewahrt ist und mit 218 x 317 cm noch größer ist, als das hier angebotene qualitätvolle Gemälde.Bezüglich der weiblichen Figur mit Helm vergleiche auch das Gemälde „Tod und Sieg des römischen Konsuls Decius Mus“ von 1616/1617. Rubens verwendete solche häufig in seinen Gemälden und variierte vergoldete Akzente, Federaufsätze und Aufsatzfiguren. Meist sind es Adler, im hier vorliegenden Gemälde eine Schlange. Auch hinsichtlich der entblößten Brust und des Erdballmotivs, der Schnürung der Sandalen durch rote Bänder und das rote Gewand insgesamt, lassen sich die Virtusfiguren gut vergleichen. Literatur:Vgl. Johann Kräftner (Hrsg.), Vorbild Rubens. Liechtenstein Museum Wien, München 2004. (1291418)Peter Paul Rubens (1577–1640)and workshop, attributedVIRTUS AND FORTUNA TRIUMPH OVER THE LUST OF BACCHUSOil on canvas. Relined. 145 x 170 cm.In Baroque-style bronzed frame. The artist focuses on a group of illuminated figures in this rhombus-shaped composition. They are the goddesses Virtus with a plume helmet and Fortuna sitting on a globe diagonally in front of her with an oar and blowing cloth. The figural group of Virtus and Fortuna are particularly known from a painting held at the Museo Nacional de Bellas Artes in Buenos Aires, Argentina (inv. no. 8629) which shows the two figures inverted (see comparative ill.).Complicated, foreshortened figures are not uncommon in Rubens’ oeuvre and his workshop and are often used for figures suffering a dramatic fate such as “Prometheus Bound” in the Philadelphia Museum of Art (inv. no. W1950-3-1), whereby the figure nearest the viewer – like Bacchus in this lot – offers an ideal introduction to the viewer’s visual and sensory experience. The painting offered here is of high-quality and with its fleshy physicality, skilful closed composition, and its typical Rubens-like colouration, it shows a great proximity to the probably greatest north Alpine Baroque painter and his workshop. (†)Notes:cf. The figure on the right with its back turned is a variant of the figure in “The Discovery of little Erichthonius” from 1616 by Peter Paul Rubens from the collections of the Prince of Liechtenstein, Vaduz/ Vienna and measuring 218 x 317 cm it is even bigger than the high-quality painting on offer for sale here.Regarding the female figure with helmet, compare the painting “Death and Victory of the Roman Consul Decius Mus” from 1616/1617. Rubens often used these in his paintings and varied gilt accents, feather attachments and applied figures. They are mostly eagles, but it is a snake in the present painting. Literature:cf. Johann Kräftner (ed.), Vorbild Rubens, Liechtenstein Museum Wien, Munich 2004.

Paar Globen: Erd- und Himmelsglobus von Charles Dien (Kosmograph, 8 Rue des Beaux-Arts in Paris), 1809 – 1870Höhe: je ca. 42 cm.Durchmesser: je ca. 46 cm.Globen: Paris, Mitte 19. Jahrhundert, um 1849. Standfüße: Paris, Mitte 18. Jahrhundert, um 1740-1750.Geschnitzte und vergoldete Standfüße, vergoldete Bronze, bedrucktes Papier. Erd- und Himmelsglobus. Erdglobus mit der Beschriftung „Globe Classique / nouvelle édition par Ch. Dien / médaille d‘argent / revu en 1849 / Sauret-Andriveau / successeurs / rue des Beaux-arts 8“. Der zugehörige Himmelsglobus beschriftet „Dressé par Ch. Dien / Paris / Sauret-Andriveau succ / rue des Beaux-Arts 8“. Der Globenmacher und Kartograph Charles Dien (1809-1870) arbeitete in der Rue des Beaux Arts 8, Paris. Beide Globen in aufwändig gestalteten dreibeinigen Louis XV-Ständern mit Rokoko-Profilen, Blütenschnitzereien und volutierenden Füßen, die durch einen dreiseitigen Mittelsteg verbunden sind. Äquatorialabdeckplatte in Messing mit Longitudinalskalierung und Himmelrichtung graviert, darauf jeweils ein aufmontierter kleiner Kompass mit Glasabdeckung. Die Gestelle fein geschnitzt und vergoldet. Die Globen partiell berieben.Anmerkung: Der bedeutende Kosmograph Charles Dien wurde am 9. Februar 1809 in Paris geboren und ist ebenda am 29. November 1870 gestorben. Dien hat sich intensiv mit der Konstruktion von Himmelskugeln beschäftigt und hat dieser Kunst durch die Erfindung von Hilfslinien parallel zum Äquator sowie den Ersatz von Metallgloben durch Papiergloben zu entscheidendem Fortschritte verholfen. (12918214) (11)A pair of globes: earth and selestical globes by Charles Dien (cosmograph, 8 rue des Beaux-Arts in Paris), 1809 – 1870Height: ca. 42 cm each.Diameter: ca. 46 cm each.Globes: Paris, mid-19th century, ca. 1849.Stands: Paris, mid-18th century, ca. 1740-1750.A pair of an earth and a celestial globe. The etched map of earth is signed and inscribed by the manufacturer. The stands are finely carved and gilt. Globes rubbed in places.

Lee Meriwether 16x12 approx Catwoman mounted signature piece includes signed album page and a fantastic colour photo in her role as Catwoman . Lee Ann Meriwether (born May 27, 1935) is an American actress, former model, and the winner of the Miss America 1955 pageant. She has appeared in many films and television shows and is perhaps best known for her role as Betty Jones, Buddy Ebsen's secretary and daughter-in-law in the 1970s crime drama Barnaby Jones. The role earned her two Golden Globe Award nominations in 1975 and 1976, and an Emmy Award nomination in 1977. She is also known for her portrayal of Catwoman, replacing Julie Newmar in the film version of Batman (1966), and for a co-starring role on the science fiction series The Time Tunnel. Meriwether had a recurring role as Ruth Martin on the daytime soap opera All My Children until the end of the series in September 2011. Good condition Est.

Judy Garland 20x15 approx mounted signature piece includes signed album page and a fantastic black and white photo of the Hollywood icon. Frances Ethel Gumm (June 10, 1922 - June 22, 1969), best known by her stage name Judy Garland, was an American actress, singer, dancer and vaudevillian. With a career spanning 45 years, she attained international stardom as an actress in both musical and dramatic roles, as a recording artist, and on the concert stage. Renowned for her versatility, she received an Academy Juvenile Award, a Golden Globe Award, and a Special Tony Award. Garland was the first woman to win the Grammy Award for Album of the Year, which she won for her 1961 live recording titled Judy at Carnegie Hall. Good condition Est.

A gem set globe in a gilt metal stand, together with porcelain figures of ladies

Natural History: A Very Rare Collection of World Seashells, by repute collected by HMS Challenger, 1872-1876, an interesting and rare to find collection outside of any institution and or museum, a large collection of various World seashells collected by the crew of H.M.S. Challenger while circumnavigating the globe between 1872-1876, housed within a period double door collectors cabinet, the doors opening to reveal eight various sized drawers with indexed individual compartments, all shells with attached data labels, including a small handwritten ledger documenting specimens in full, with locations noted, cabinet size 66.5cm by 37.5cm by 68cmWe know more about the surface of the moon than about the ocean floor. Scientists estimate that 91 percent of life under the sea hasn’t been discovered yet and more than 80 percent of the ocean has never been explored. What we do know about the ocean makes it almost more mysterious. It’s an alien landscape, complete with undersea mountain ranges and trenches deeper than Mount Everest is tall, home to a glorious nightmare carnival of weird, often glowing animals. And most of what we know has only come to light in the last 150 years, starting with the expedition of HMS Challenger. From 1872 to 1876, the 200-foot-long warship was repurposed as a floating lab for the world’s first large-scale oceanographic expedition, circumnavigating the globe and dredging up samples of never-before-seen creatures from the ocean floor. The Challenger explorers brought to light thousands of new species and revealed the oceans to be a place of startling depths and untold wonders. Scientists today still rely on the Challenger findings to study everything from seashells to climate change.Condition report: There is a 31 page documented book which states specimens and locations collected, i have added as many images as possible but unfortunately all cannot be uploaded due to file space, if required please contact me via email and i will where possible forward via email request.

vintage chad valley tin globe

Emma Thompson signed and dedicated 6x4 inch colour photograph, inscribed for Paul with love. One of Britains most acclaimed actresses, she is the recipient of numerous accolades, including two Academy Awards, two Golden Globe Awards, two British Academy Film Awards, a British Academy Television Award, and a Primetime Emmy Award. Good condition Est.

Hill Street Blues, Daniel J. Travanti 16x12 inch signed and mounted colour presentation photograph. Travanti played police captain Frank Furillo in the television drama series Hill Street Blues, 1981-1987, for which he received a Golden Globe Award and two consecutive Primetime Emmy Awards from many nominations. Good condition Est.

Kim Hunter signed 6x4 inch black and white vintage photo. Kim Hunter, born Janet Cole; November 12, 1922 - September 11, 2002, was an American film, theatre, and television actress. She won both an Academy Award and a Golden Globe Award, each as Best Supporting Actress, for her performance as Stella Kowalski in the 1951 film A Streetcar Named Desire. Decades later, she was nominated for a Daytime Emmy Award for her work on the soap opera The Edge of Night. She also portrayed the character of chimpanzee Zira in the first three instalments of the original film adaptation Planet of the Apes. Good condition Est.

A REPLOGLE 12 INCH DIAMETER GLOBE WORLD CLASSIC SERIES

A CHAD VALLEY CHILDREN'S GLOBE

A LIGHT UP GLOBE, WORKING AT TIME OF LOTTING BUT NO WARRANTY

An early 20thC Phillips 14'' terrestrial globe, number 2615, showing the principle steamship routes with distances in nautical miles and principle transcontinental railways, printed in Great Britain by George Phillip & Son Ltd, 32 Fleet Street, London, on a turned oak column and circular base, with three feet, 63cm high overall.

Etched blown glass globe on wooden plinth, H: 16 cm. P&P Group 2 (£18+VAT for the first lot and £3+VAT for subsequent lots)

A vintage 'Reliable Series' tin globe, height 20cm.

An oak Globe Wernicke five section bookcase, fitted single drawer to base, 88cm wide, 177cm high

Royal Worcester 'The First Royal Worcester Father Christmas' figurine sculpted by Scott Thomas, limited edition 202/4950 with COA. Together with a John Humphreys pottery Staffordshire first edition Dewars Santa Clause character jug, together with a Past Times Christmas Sweethearts water globe in original box and a Royal Doulton 'A Well-Earned Break' collectors plate. (4) (B.P. 21% + VAT) No obvious damage. 

AN IMPORTANT DIAMOND 'FEMME FATALE' NECKLACE, BY STEPHEN WEBSTER, CIRCA 2005Designed as a series of graduated scalloped links set with brilliant-cut diamonds, suspending to the front five similarly-set pendants, each centring an octagonal-shaped diamond, the central pendant within a detachable geometric frame pavé-set with brilliant-cut diamonds, mounted in 18K gold, principal diamonds each approximately 2.00cts, 1.00ct, 1.00ct, 0.70ct and 0.70ct, remaining diamonds approximately 9.00cts total, signed Webster, with maker's mark for Stephen Webster, English hallmarks for London 2005, detachable geometric frame, with pendant, length approximately 41cm, detachable frame length 6.2cm**** Please note a detailed description of diamond weights were provided by Stephen Webster's office after the catalogue went to print. These are stated in the condition report.Stephen Webster is a London-based contemporary fine jewellery brand established in 1989. Operating under a Fairtrade Gold license since 2011, sustainability is at the forefront of Webster’s philosophy for his eponymous jewellery creations. He received an MBE in 2013 from HRH The Prince of Wales for his services to the jewellery industry, in recognition of his determination to create daring fine jewellery pieces which prioritise ethics at every step. At the Stephen Webster workshop, all materials used are thoughtfully and responsibly sourced. Having visited various goldmines across the globe, Webster has sought to apply his personal understanding of the working conditions and practices of artisan mining communities to his mission as a jeweller. The jewellery house ensures all their diamonds are sourced from suppliers of the Kimberly Process Certification Scheme, whose sole aim is to maintain the global acquisition of conflict-free diamonds. Stephen Webster strives to set the standard for a new generation of jewellery design and is passionate about the future of British craftsmanship and goldsmithing, actively nurturing emerging talent through his partnership with the British Fashion Council and through his sponsorship of young designers through his in-house mentorship programmes. His designs have been championed by the likes of Dua Lipa, Kate Hudson and Madonna, a big fan of the brand since the early 90’s. Webster’s creations are infused with an element of the rock-and-roll attitude of 1980’s London, where he grew up. Even his contemporary collections incite an attitude of rebellious creativity and stand out in the world of jewellery as pieces which are decidedly avant-garde. In 2015, Webster was named Jewellery Designer of The Year at the 13th annual GEM awards. Condition Report: Please note that the principal diamonds are particularly approximate weights due to collet-settingsPrincipal diamond approx: 2.00cts, estimated colour F/G, estimated clarity VSRemaining four principal diamonds: approx. 1.00ct x 2 and 0.70ct x 2: estimated colour F/G, estimated clarity VSRemaining diamonds: approx. 9.00cts total, estimated colour G/H, estimated clarity VSNormal signs of wear, overall in good conditionTotal gross weight approx. 43.80g******** Please note a detailed description of diamond weights were provided by Stephen Webster's office after the catalogue went to print. These are:Principal diamonds: 2.01cts F/VS2 & 1.02, 1.02, 0.72, 0.67ctPavé-diamonds on necklace: 7.94cts total & on detachable pendant: 2.10ctsTotal weight: 15.48cts

Four loose princess cut small diamonds, total diamond weight approx 0.16ct, along with a silver charm bracelet with padlock clasp and various charms including boot, ball, book, globe etc twelve in total, weight approx 1.44 ozt

A collection of mid-20th century glass ware, to include a Waterford crystal pedestal, a cut glass hanging globe, six engraved highball glasses, 18cm high, a punch ladle, 28cm long, a Murano glass bowl, with aventurine inclusions, a Czech cut glass box and cover, together with a quantity of Murano glass sweets (qty.)Condition report: Chip to the lid of the Czech glass box. Surface wear and scratches to the sweets. Burst air bubble to the base of the Murano bowl.

DEWER, Thomas R - A Ramble Round the Globe : well illustrated, org. pictorial cloth, 8vo, Chatto & Windus, 1894. With - Doyle, A. Conan, The Great Boer War, 5 maps one repaired on verso, org. cloth stained faded on spine inner joints weak, 8vo, Toronto, 1901. With 3 others.(5)

CONDER, Josiah (et al) - The Modern Traveller; a description of the various countries of the globe : 33 volume set, maps, plates, half red morocco a touch rubbed at the extremities, pretty marbled endpapers, small 8vo, printed for James Douglas (and others), circa 1830s.(33)

GLOBE WERNICKE THREE SECTION STACKING BOOKCASE with top cover and base stand, 126cms H, 87cms W, 29cms D

A tray of costume jewellery, Russian dolls, pocket lighter, compact desk clock, table lighter in the form of a globe

A globe drinks trolley

A Mid 20th Century Brass and Wooden Standard Lamp with Coloured Globe Shade, 120cm high

A Four Tier Globe Wernicke Bookcase, 86cm wide and 142cm high

4 boxed globes, 5.5” high – Edition Atlas globe, Insight Guides Stargazer Globe, Insight Guides Antique Globe and Insight Guides Silver Globe

Celestial globe on swivel stand 15” high x 13” diameter

Trade cards, Globe Polish, 7 early advertising cards, six diecut, Britannia, Lord Mayor's Coachman, boy & girl, cats in mirror, kittens with drum & Union Jack & Parrot & kittens. Sold with fold-over calendar card for 1898 (1 diecut card with slight back damage, gen gd) (7)

Trade cards, 7 early UK advertising cards, Globe Polish, two cards, one with 1898 calendar, Hudson's Soap (2 different), Cerebos Salt, Geo. Mason & Co 'Boma' fluid beef & St Ivel mechanical card (vg) (7)

Modern clock and globe

Vintage Globe

A George III mahogany crossbanded and satinwood strung 8-day longcase clock by Thomas Armstrong, Cheltenham, circa 1820, swan neck pediment with brass foliage inlay, mounted with brass globe finials, above an arch painted dial of foliage and game birds, 14inch inch dial, Arabic numerals, subsidiary seconds dial, twin 8-day wind up keyholes, date aperture, the arched door flanked by turned brass top columns, over a moulded edge arched door enclosing two weights, flanked by turned brass top columns, the base raised on bracket feet. 239cm H

A George III mahogany crossbanded 8-day longcase clock, circa 1820, three brass mounted hawk on globe finials, flanked by a scrolling swan neck broken pediment, above an arched hood, enclosing a painted dial of female figures in country scene, Roman numerals, subsidiary seconds dial with Arabic numerals and date aperture, inscribed as Westons, Newark, flanked by brass capped twisted pillars, arched crossbanded trunk door and case with conforming skirted base. 223cm H

A George III oak, satinwood and olivewood crossbanded 8-day longcase clock by D Hastings, Alnwick, circa 1770, scrolling swan neck pediment inlaid with foliage brass decoration, centred with a brass eagle on globe finial, over arch glazed hood enclosing with a 12 and a quarter inch brass dial, mounted foliage spandrels and silver chapter, engraved with makers name, Roman numerals and Arabic minute numerals, subsidiary dial, twin 8-day keyholes, flanked by brass top fluted columns, above a moulded panel door with shell decorated satinwood strung throughout, enclosing a pendulum and two weights with keys, flanked by quarter fluted columns, moulded plinth apron, raised on ogee feet. 237cm H x 47cm W x 23cm D

An Edwardian rosewood and satinwood strung corner mirror back display shelves, circa 1905, a Sheraton Revival, carved foliage fretwork mounted with finials, over two bow form shelves on a inverted shape shelves, flanked by finial tops on satinwood strung decoration of an urn, on a base with a satinwood decorated frieze on turned columns, two shelves with an inner bow shaped gallery shelf, raised on trio bracket feet and two other globe feet. 203cm H x 63cm W x 40cm D

Victorian painted globe oil lamp

An oak Globe Wernicke bookcase with four sections, top and base. Each section with The Globe Wernicke Co Ltd label. With original back boards. W:87cm x D:27cm x H:141cm

A contemporary 12 inch globe, Replogle, World Class Series, on a turned wood stand

A world globe

An oak Globe Wernicke style sectional bookcase

A TERRESTIAL GLOBE DRINKS TROLLEY, the top lifting to reveal a fitted interior painted with a stylised constellation map, on four barley twist supports and casters, width 73cm diameter x height 100cm

A NEW AND UNBOXED GLOBE BAR, supplied by VidaXL.com, Sku number 60774