We found 41221 price guide item(s) matching your search

An Art Deco figural table lamp, circa 1930, in the manner of Lorenzl, modelled as a nude female poised on one leg, holding the dished fitting above her head (to support a globe shade, not present), in silvered art metal, raised on a marble plinth base, unsigned, 47cm high

A 'GLOBE WERNICKE' GLAZED FIVE SECTIONAL BOOKCASE, with lower drawer, approximate size width 86cm x depth 30cm x height 180cm (sd, extra section for spares, no glass, etc)

'GLOBE WERNICKE' STYLE OAK GLAZED TWO SECTION BOOKCASE, (lower door glass has been replaced with hardboard)

An oak glazed Globe Wernicke four tier bookcase with ivorine plaque to each section (H152 x W87 x D31cm)

An oak Globe Wernicke style six section glazed bookcase (H207xW87xD32cm)

Bronze Table Figure – study of Atlas supporting the world (no globe), 5.5”h

An oak Globe-Wernicke style four-section bookcase on square supports, height 142cm.

A late Victorian cut glass globe Scent Flask with silver cover, Birmingham, 1898, and a silver oblong cigarette box.

Bernard Rooke (b.1938) five pieces of cast stoneware: comprising a vase of tapering form moulded with leaves on a blue green ground, a cylindrical vase with wavy and linear abstract designs and a jar and cover with an owl amongst foliage, marked with initials or impressed Rooke, together with another of slab form supporting a ribbed globe under flown blue green glazes and a small goblet, [cracked].

Two Moore Bros. porcelain comports: one modelled with a cherub astride a dolphin supporting a bowl with lotus leaves and blooms, the companion with a cherub on a rustic mound supporting a bowl adorned with blackberries, both on circular Greek Key bases, captioned 'globe' backstamps, 26 and 24 cm high, [the later base with crack and some stain].

Two Moore Bros. porcelain centrepiece vases: one of flattened circular form on a scroll base applied with flowers and foliage, the companion with bowl and naturalistic multi necked vase on a scrolling platform base applied with flowers and foliage, the former marked Moore Bros. the latter with 'globe' backstamp, 14.5 and 14 cm high, [some loss to the former].

Seven small Moore Bros. porcelain vases: comprising a single, double and triple vase and four in the form of cactus, four with 'globe' backstamps, tallest 8 cm high, [glue repair to one, some small loss].

A cane ware pie dish and cover: of oval form the exterior of the dish moulded with an encircling band of wheat beneath a crimped border, the cover with a globe artichoke knop, the interior glazed, 28 cm long, [cover cracked].

Two graduating Wedgwood cane ware pie dishes and covers: of oval form the dishes applied with a band of fruiting vine between crimped borders, the covers modelled with flowers, foliage and a cauliflower knop and the smaller with asparagus spears and globe artichoke, impressed Wedgwood Etruria and Wedgwood, 26 and 22 cm long respectively, [the former cover possibly matched].

A Globe Wernicke oak sectional bookcase. W87cm D39cm H130cm.

Yiannis SPYROPOULOSGreek, 1912-1990Path through the villageoil on canvas laid down on cardboardsigned lower right36.5 x 25 cmPROVENANCEThe Greek Sale, 13 Dec 2005, Bonhams, London, lot 103private collection, Athens Yiannis Spyropoulos was born at Pylos, Messinia in 1912.In 1930 he enrolled at The School of Fine Arts, Athens, where he studied painting under Umbertos Argyros, Spyros Vikatos and Epaminondas Thomopoulos.In 1938 Spyropoulos won the First Prize in a competition organised by The Academy of Athens, which was a scholarship to study in Western Europe. He chose to go to Paris where he attended École Supérieure des Beaux Arts, Colarossi and Julian free academies.Spyropoulos' painting Anafiotika is one of five works with which he represented Greece in the 1958 Guggenheim Prize International Competition, New York.In 1959 he was among eight Greek artists selected to represent Greek art in eight American cities. Abstraction being prominent among the works represented. Spyropoulos, amongst other artists, represented Greece in the 1960 Venice Biennale and won the Unesco Prize with Italian artist Antonio Music. The Unesco Prize put Spyropoulos into the international limelight and at the start of an international career.Between 1960 and 1975 he held many solo exhibitions around the globe. In 1960 and 1963 at World House Galleries, New York. In 1960 at Galleria Gian Ferrari, Milan. In 1962 at Portland Art Museum, Oregon / Roswell Museum and Art Center, New Mexico / Neue Galerie im Kunstlerhaus, Munich / Institute of Art History, Mainz / Krannert Art Museum, University of Illinois. In 1963 at Jerrold Morris International Gallery, Toronto / Theater der Stadt Lunen, Westphalia, Germany. In 1964 at the prestigious Documenta III, Kassel, Germany / Sheafer Art Gallery, Grimmel College, Iowa / Fränkische Galerie der Stadt Nürnberg / Galerie des Deux Mondes, TWA Flight Center, J.F. Kennedy Airport, New York. In 1965 at David Jones Art Gallery, Sydney, Australia and Galerie Arnaud, Paris. In 1966 at The Israel National Museum, Jerusalem. In 1969 at the National Collection of Fine Arts, the Smithsonian Institution, Washington, D.C.He was named Commander of the Royal Order of the Phoenix in 1966.His work can be found in The National Gallery of Greece, The Municipal Gallery of Athens, The Municipal Gallery of Rhodes, The Leventis Gallery, The Averoff Gallery, The Solomon R. Guggenheim Museum, New York, National art Gallery, Toronto, Musée D’Art Moderne, Paris, Musée D’Art Moderne, Brussels and many other public and private collections.

LEVON BISS - ONE LOVE - UMBRO - a collection of 27 professional photographic prints by Levon Biss (each signed and stamped) for Umbro's One Love advertising campaign. Levon Biss is an award winning sports and portrait photographer based in London. Levon has been shooting for top advertising and editorial titles for fifteen years and continues to produce imagery for global brands such as Apple, Adidas, Mastercard, Nike, O2 and Carlsberg. In 2006 Levon published his first book on global soccer titled “One Love”. The project took two years to produce and includes images from 28 countries over six continents. An exhibition of the work subsequently toured the globe for two years and has been viewed by well over a million people.

LEVON BISS - ONE LOVE - UMBRO - a collection of 27 professional photographic prints Levon Biss (each signed and stamped) for Umbro's One Love advertising campaign. Levon Biss is an award winning sports and portrait photographer based in London. Levon has been shooting for top advertising and editorial titles for fifteen years and continues to produce imagery for global brands such as Apple, Adidas, Mastercard, Nike, O2 and Carlsberg. In 2006 Levon published his first book on global soccer titled “One Love”. The project took two years to produce and includes images from 28 countries over six continents. An exhibition of the work subsequently toured the globe for two years and has been viewed by well over a million people.

19th century AD. A rectangular glass panel with allegorical subjects 'Geologie' and 'Zoologie' depicted in Renaissance costume seated on a bench; Geologie shown sculpting a globe in his lap, Zoologie with turtle and a skeleton allowing a bird to land on his finger; 'RS' monogram on a ring to the left corner. 624 grams, 29 x 22cm (11 1/2 x 8 3/4"). Property of a Sussex lady; acquired before 1990. . Fine condition.

641-643 AD. Constantinople mint. Obv: DN CONSTANTINUS PP AVG legend with bust facing with long beard and moustache, wearing crown and chlamys, holding cross on globe. Rev: VICTORIA AVGU legend and officina letter, cross potent on three steps; mintmark CONOB below. Sear 956. 4.50 grams. . . Extremely fine.

310-312 AD. London mint. Obv: CONSTANTINVS P F AVG legend with laureate and cuirassed bust right. Rev: COMITI AVGG NN legend with Sol standing left, holding globe and whip, star in right field; mintmark PLN in exergue. RIC VI London 153. 4.77 grams. . . Extremely fine.

963-969 AD. Constantinople mint. Obv: +IhSUS XPISTUS NICA legend and star, cross crosslet on globe on two steps, in the centre of which is a four-lobed medallion containing facing crowned bust of Nicephorus with short beard, wearing loros, all within triple border interspersed with eight globes. Rev: + nICHF’ En XW AVTOCRAT’ EVSEb’ bASILEVS RWMAIW’ legend in five lines, cross of dots above and below, all within triple border interspersed with eight globes. DOC 6; Sear 1781. 2.27 grams. . [No Reserve]. Good very fine.

963-969 AD. Constantinople mint. Obv: +IhSUS XPISTUS NICA legend and star, cross crosslet on globe on two steps, in the centre of which is a four-lobed medallion containing facing crowned bust of Nicephorus with short beard, wearing loros, all within triple border interspersed with eight globes. Rev: + nICHF’ En XW AVTOCRAT’ EVSEb’ bASILEVS RWMAIW’ legend in five lines, cross of dots above and below, all within triple border interspersed with eight globes. DOC 6; Sear 1781. 2.26 grams. . [No Reserve]. Good very fine.

963-969 AD. Constantinople mint. Obv: +IhSUS XPISTUS NICA legend and star with cross crosslet on globe on two steps, in the centre of which is a four-lobed medallion containing facing crowned bust of Nicephorus with short beard, wearing loros, all within triple border interspersed with eight globes. Rev: + nICHF’ En XW AVTOCRAT’ EVSEb’ bASILEVS RWMAIW’ legend in five lines, cross of dots above and below, all within triple border interspersed with eight globes. DOC 6; SB 1781. 2.82 grams. . Ex CNG sale 373, lot 744. [No Reserve]. Extremely fine, pierced.

18-16 BC. Colonia Patricia mint. Obv: bare head right, bankers marks to left and right. Rev: AVGVSTVS beneath capricorn left, holding globe with rudder between front hooves, cornucopia on its shoulder. RIC 128; RSC 21; BMC 346; Sear 1592 variant (capricorn left"). 3.57 grams. . With dealer ticket. . Good very fine; reverse off centre. Scarce.

388-395 AD, 353-355 AD and 383-388 AD. Theodosius I, Trier mint: reverse of Roma seated left on cuirass, holding Victory on globe and inverted spear with mintmark TRPS. Constantius II, Arles mint, votive (year 30), officina letter P, S or T and CON. Magnus Maximus, Trier mint: reverse of Roma seated left on cuirass, holding globe and inverted spear with mintmark TRPS. RIC IX Trier 94b/106a/RIC VIII Arles 207/253; Sear 17934/RIC IX Trier 84b; RSC 20a; Sear 20644. 5.13 grams total. . [3, No Reserve]. Very fine.

1068-1071 AD. Constantinople mint. Obv: +RWMAN EVDOKIA legend with Christ standing facing on footstool, wearing nimbus cross, and crowing Romanus on left and Eudocia on right, both standing facing, wearing loros and holding cross on globe between them, IC-XC to upper centre left and right. Rev: KWN MX AND legend with Michael in centre, Constantius on left and Andronicus on right, all standing facing, all beardless and wearing loros; Michael holding labarum and akakia, his brothers each hold a cross on globe and akakia, dotted exergual band below. BMC 2; Sear 1861. 4.36 grams. . . Good very fine.

3rd-2nd century BC. A gold hoop ring with figure of a child with hands on hips, sash across chest with granule decoration, standing on a globe; to the top and bottom of the figure a flower set with garnet. 2.34 grams, 20.64mm overall, 17.90mm internal diameter (approximate size British P, USA 7 3/4, Europe 16.23, Japan 16) (1"). Property of a London gentleman; acquired before 1995. . Very fine condition. A large wearable size.

A silver charm bracelet, the curb link bracelet with heart clasp and containing 13 charms, including a car, wishing well, globe, monkey and more, approx 2.8ozt

176-177 AD and 198-200 AD. Marcus Aurelius. Rome mint. Reverse of TR POT XXXI IMP VIII COS III PP with Fides standing left, holding globe and aquila. Septimius Severus. Reverse of IOVI CONSERVATORI with Jupiter seated left, holding Victory and sceptre. RIC 374; RSC 945 (see wildwinds.com, this coin) // RIC 130; RSC 237. 6.03 grams total. . [No Reserve].

392-395 AD. Milan mint. Obv: DN EVGENIVS PF AVG legend with pearl diademed, draped and cuirassed bust right. Rev: VIRTVS RO-MANORVM legend with Roma seated left on cuirass, holding Victory on globe and inverted spear formed of dots; mintmark MDPS in exergue. RIC IX Milan 32c; Sear 20689. 0.91 grams. . . Extremely fine, small flan. Rare.

963-969 AD. Constantinople mint. Obv: +IhSUS XPISTUS NICA legend and star, cross crosslet on globe on two steps, in the centre of which is a four-lobed medallion containing facing crowned bust of Nicephorus with short beard, wearing loros, all within triple border interspersed with eight globes. Rev: + nICHF’ En XW AVTOCRAT’ EVSEb’ bASILEVS RWMAIW’ legend in five lines, cross of dots above and below, all within triple border interspersed with eight globes. DOC 6; Sear 1781. 2.84 grams. . [No Reserve]. Very fine

582-602 AD. Constantinople mint. Obv: D N MAVRC TIb PP AVI legend with cuirassed bust facing wearing plumed helmet, holding cross on globe. Rev: VICTORIA AVGG legend and officina letter epsilon, angel standing facing, holding long, P-headed cross and cross on globe; mintmark CONOB in exergue. DOC I 5a; Sear 478. 4.34 grams. . . Near extremely fine.

319 AD. Thessalonica mint. Obv: DN FL IVL CRISPVS NOB CAES legend with laureate and cuirassed bust right. Rev: VIRT EXERC legend with Sol, raising right hand and holding globe in left, standing half-left above the plan of a Roman camp; mintmark TS dot delta dot below. RIC VII 69; Sear 16831 variant (officina"). 2.37 grams. . . Good very fine; some tooling on reverse.

461-465 AD. Uncertain mint, with contemporary loop attached. Obv: D N LIBIVS SEVERVS P F AVG legend with rosette-diademed, draped and cuirassed bust right. Rev: VICTORIA AVGGG legend with emperor standing, foot on human-headed snake, holding cross-headed staff and stylized Victory on globe; R - A at sides; COMOB in exergue. RIC X 3754; MEC 174; see Sear 21596-21600 variant. 4.47 grams. . . Extremely fine; some scuffs. Rare.

46 BC. Obv: ROMA behind helmeted and draped bust of Roma right. Rev: cornucopia on globe between sceptre and rudder; T CARISI below, all within laurel wreath. Carisia 4; Crawford 464/3a; Sydenham 984; Sear 448. 3.71 grams. . Ex Roma, sale 28, lot 390 (with lot ticket"). [No Reserve]. Near extremely fine.

36 BC. Copia (Lyons), Gaul mint. Obv: IMP CAESAR DIVI F DIVI IVLI legend around heads of Julius Caesar, laureate, left and Octavian, bare-headed, right, back to back with palm branch between them. Rev: prow of galley right, star superimposed on globe and a meta (racing chariot turning post) above; COPIA below. RPC 515; Cohen 8; Giard, Lyon 7; De La Tour 4669; SNG Cop 689; SGI 150. 18.99 grams. . With dealer ticket. . Very fine. Rare.

76-75 BC. Obv: GPR above bearded bust of the Genius of the Roman people right, sceptre over his shoulder. Rev: EX-SC legend to left and right of wreathed and filleted sceptre, globe and rudder; CN LEN Q in exergue. Cornelia 54; Syd. 752; Cr393/1a; Sear 323. 3.33 grams. . Found Shropshire, UK. [No Reserve]. Very fine.

602-610 AD. Constantinople mint. Obv: dN FOCAS PERP AV legend with draped and cuirassed facing bust, wearing crown without pendilia, holding cross on globe. Rev: VICTORIA AVGU legend and officina letter with Victory standing facing, holding P-headed staff and cross on globe; mintmark CONOB in exergue. DOC II 10e; MIB II 9; Sear 620. 4.39 grams. . [No Reserve]. Very fine.

Dated 1744 AD. Mexico mint. Obv: crowned arms with M over F left and 4 right with PHILIP V D G HISPAN ET IND REX legend. Rev: crowned globe between pillars with VLTRAQUE VNUN legend and date. KM# 94; A&H 8544. 13.63 grams. . [No Reserve]. Good very fine.

963-969 AD. Constantinople mint. Obv: +IhSUS XPISTUS NICA legend and star, cross crosslet on globe on two steps, in the centre of which is a four-lobed medallion containing facing crowned bust of Nicephorus with short beard, wearing loros, all within triple border interspersed with eight globes. Rev: + nICHF’ En XW AVTOCRAT’ EVSEb’ bASILEVS RWMAIW’ legend in five lines, cross of dots above and below, all within triple border interspersed with eight globes. DOC 6; Sear 1781. 2.26 grams. . [No Reserve]. Good very fine.

161 AD. Rome mint. Obv: IMP L AVREL VERVS AVG legend with bare head right. Rev: PROV DEOR TR P COS II legend with Providentia standing left, holding globe and cornucopia. RIC 463 (Aurelius); BMCRE 35; RSC 144; Sear -. 3.31 grams. . Ex Kunst und Münzen 11, 6 December 1973, lot 57. . Near extremley fine

1059-1067 AD. Constantinople mint. Obv: IhS XIS REX REGNANTINM legend with Christ seated facing on throne with upright arms, holding book of Gospels and raising right hand. Rev: +KWN RACL O DOVKAC legend with Constantine, bearded and crowned, wearing jewelled robe, standing facing on low footstool, holding labarum and cross on globe. BMC 1-3; DO 1a; Sear 1847. 4.39 grams. . . Near extremely fine.

668-685 AD. Constantinople mint. Obv: DN CONSTANTIUS PP AV legend with pearl-diademed, draped and cuirassed bust right. Rev: VICTORIA AVGUS legend with cross potent on globe; mintmark CONOB below. DOC 17; BMC 19-22; MIB 16B; Sear 1162. 1.54 grams. . . Extremely fine.

12-11 BC. Lyons mint. Obv: AVGVSTVS DIVI F legend with bare head right. Rev: IMP XI legend beneath capricorn right, holding globe with front legs. RIC 174; BMC 465; Paris 1403; RSC 147. 3.77 grams. . . Good very fine.

76-75 BC. Rome mint. Obv: GPR (Genius of the People of Rome) above the bearded, draped bust of Genius right. Rev: EX-SC and C N LEN Q legend above and beneath wreathed and filleted sceptre, globe and rudder. Sydenham 752, Crawford 393/1a; Cornelia 54; Sear 323. 3.80 grams. . [No Reserve]. Very fine.

240 AD. Rome mint. Obv: IMP GORDIANVS PIVS FEL AVG legend with laureate, draped and cuirassed bust right. Rev: PM TR P IIII COS II PP legend with Emperor standing right in military dress, holding transverse spear and globe; S-C across fields. RIC 306a; Sear 8731. 17.03 grams. . . Extremely fine.

392-395 AD. Trier mint. Obv: DN EVGENIVS PF AVG legend with pearl diademed, draped and cuirassed bust right. Rev: VIRTVS RO-MANORVM legend with Roma seated left on cuirass, holding Victory on globe and inverted spear without barb; mintmark TRPS in exergue. RIC IX Trier 106d; RSC 14; Bachofen-Voetter 2769; Sear 20688. 1.13 grams. . . Good very fine, small flan. Scarce.

272-274 AD. Serdica mint. Obv: IMP AVRELIANVS AVG legend with radiate, cuirassed bust right. Rev: ORIENS AVG legend with Sol walking left, treading down one of two captives, holding globe, right hand raised; mintmark XXIS in exergue. RIC V-1, 279; Sear 11572. 4.69 grams. . . Extremely fine.

After 147 AD. Rome mint. Obv: DIVA FAVSTINA legend with bust right. Rev: AETERNITAS legend with Providentia standing left, holding globe and grasping veil; S - C a sides. RIC 1106; BMC 1502; Sear 4610. 26.40 grams. . . Good very fine. Scarce.

John Kingerlee (b.1936)Grid - Kilcatherine (2007) oil on board signed, titled & dated 2007 on reverse 25.40 x 61cm (10 x 24in) Provenance: Private Collection Picked for USA tour 'John Kingerlee' by former New York Times art critic William Zimmer which exhibited in sixteen cities across the US between 2007 and 2010. Grid Kilcatherine toured American museums for three years as part of a major John Kingerlee retrospective. The grid series represents the summation of this distinguished artist's career, appealing to major collectors and critics across the globe. The series began in 1996 following a trip to the ancient burial mound of Tara near the River Boyne in County Meath, Ireland. The experience gave Kingerlee a profound sense of ancient power and our ancestors' attempts to preserve an awareness of this within the landscape. Eventually the artist distilled these thoughts and feelings into an innovative group of landscape paintings that became known as the grids, in which he adapted the cellular web of the Cubists and applied it to timeless elemental settings. The grids have also been dubbed pneumas, from the ancient Greek word for breath or, when used in a religious context, spirit or soul. For the ancient Greek philosopher Anaximenes, pneuma was the primary substance from which all things are made. In the hands of the painter, oil pigment is the medium from which his subject must be brought to life, and Kingerlee's approach with his rows of dissolving 'plaques' stresses both repetition and coherence. His fundamental belief is that all things in the universe are linked, they are parts of an overriding unity, hence in a work such as the present one there is a strong sense of continuation into infinity: the breadth and depth of the composition are not limited by the confines of the picture frame. The multi-layered surfaces of the grids are themselves evocative of geological or archaeological strata, with the upper 'crust' hiding numerous earlier manifestations of the painting (some in bright primary colours), whilst at the same time respecting that evolution by allowing the textured build-up of pigment to push through the upper skin. The process of accumulation and reduction to which each grid is subjected is a metaphor for the processes of nature - birth, growth, germination, disintegration, and regeneration. The artist is acutely aware of these cycles, living as he has done on the exposed west coast of Ireland for over thirty-five years, observing the weathering effects of wind and the erosion of the coast by heavy seas. The light too changes constantly in this primordial setting, revealing and concealing, the very edge of the land intensifying one's awareness of it as the eye is drawn by the huge dome of the sky. In Kilcatherine Grid two rows of five plaques seem to hang suspended in pale blue space. Each one could be a landscape or seascape in its own right, some even evoke suggestions of faces through the smears of paint and the drier accretions of impasto. Dissolution and break-up are, however, held in check by a sense of order that is manifested in the artist's reliance on symmetry and balance. The spaces between the plaques form a row of four linked crosses, their edges blurred to a greater or lesser extent so as to suggest that this colour not only separates but also forms a background to the plaques, like stones projecting above the surface of the sea or clouds scattered across the sky - each element animated, of course, by pneuma. Jonathan Benington, October 2016

2 Retro Big Ben Clocks, 2 Murano Glass Ashtrays , 2 pieses of Jersey Pottery , Trustee Saving Bank Globe Money Box & 1 Travel Clock by Swiza

A GLOBE WERNICKE STYLE THREE SECTIONED OAK BOOKCASE 86.5cm wide x 115cm high

A PAIR OF MAHOGANY GLOBE WERNICKE STYLE BOOKCASES with architectural decoration 90cm wide x 170cm high

A CASSINI'S MODEL PAPER GLOBE, in original packing and unused together with a small group of ephemera to include JCB publicity literature

A GLOBE WERNICKE FOUR GLAZED SECTIONAL BOOKCASE, 86cm wide x 160cm high

A GLOBE WERNICKE STYLE FOUR SECTIONAL OAK BOOKCASE with lower drawer, 86cm wide x 134cm high

DRINKS CABINET, Terrestrial globe form with hinged top, 95cm x 73cm D.

GLOBE WERNICKE 3 TIER BOOKCASE. 44.5ins tall, 34ins long, 12ins deep, wooden 3 tier stacking bookcase with glass fronts. (Buyer to collect) NR

Selection of various pocket watch movements and dials including Globe Watch Co. Waltham Traveller etc.