We found 41226 price guide item(s) matching your search

Gillray (James) The Plumb-pudding in danger: -or- State Epicures taking un Petit Souper, etching with hand-colouring, on wove paper without watermark, sheet 257 x 358 mm (10 x 14 in), trimmed to or just within the platemark, some toning to extremities of sheet, minor spotting, published by Hannah Humphrey, 1805Literature:BM Satires 10371⁂ The most famous of all Gillray's satirical caricatures, if not the most famous of all political cartoons. Napoleon Bonaparte and William Pitt face each other across a steaming 'plum-pudding' globe, both intent on carving themselves a substantial portion of the world.

Gillray (James) The Giant-Factotum amusing himself, etching with original hand-colouring, on wove paper without watermark, a number of people identified in pencil within the lower margin, sheet 352 x 250 mm (13 7/8 x 9 7/8 in), trimmed to or just within the platemark, some minor toning to edges of the sheet, pencil inscriptions verso, unframed, published by Hannah Humphrey, 1797Literature:BM Satires 8980⁂ Pitt arrogantly bestrides the Speaker's chair, towering high above the galleries of the House. He plays cup (or rather spike) and ball with the globe, on which 'France' is disproportionately large, the British Isles small and obscure. [BM]

A Royal Geographic carved Geographical Society World clock, with rotating terrestrial globe within a gilt metal chassis, on an ebonised moulded wooden base with Royal Geographical Society plaque, 22.5 (square) x 27cms high.

'Twelve Planispheres: Forming a Guide to the Stars for Every Night of the Year', London, Taylor & Walton, 1846, 12 double page engraved plates as called for, preceded by title page, introduction and monthly tables, original cloth, printed paper label to front cover, inner joints split, leaves loose, with four late 19th/early 20th Century pencil sketches of stars/night sky loosely inserted; plus John Cary: 'The names and situations of the constellations : to which are added, the names of the principal stars therein, as laid down on Cary's new celestial globes; also an explanation of the equation table, given on his terrestrial globe', London, Andrew Wilson, 1816, stereotype edition, 21,[3]pp, original stitched paper wraps; plus John Claridge: 'The Shepherd of Banbury's Rules, to Judge of the Changes of the Weather', London, Thomas Hurst, 1827, new edition, original cloth backed boards, printed paper labels to front and rear covers (3)

A METAL FIGURE modelled as a bearded man in robes holding a globe, possibly Columbus, 45cm high Condition Report : age related patination/wear and tear Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.

The Modern Traveller - a property description, geographical, historical and topographical of the various countries of the globe - Russia, 1 vol. London 1825 with map, calf

An early 20th century printed tin miniature globe, raised on a turned bone stand, overall height 7.5cm, globe diameter 4.5cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

An early 20th century oak two-section leaded glazed Globe Wernicke bookcase, height 106cm, width 87cm, depth 38cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

A 1990-91 Primetime Emmy award for outstanding leading actor, won by John Gielgud as Haverford Downs in Summer's Lease, height 39cm, together with a 1989 Golden Globe, won by John Gielgud for 'Best Performance by an actor in a mini-series' in War and Remembrance, height 21cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

Ermsy Erms (British)Crime!, 2012Screen PrintSigned and numbered 02/50 in pencil29 x 42 cm (11 x 16 in)Ermsy aka Ermone is English graffiti artist and graphic designer, now living and working in Paris. Beginning graffiti in 1991, he's been painting walls across the globe ever since, in countries such as Colombia, Brazil, Argentina, Australia, Canada and many more. After several successful gallery shows and commissions, Erms continues to produce illustrations, canvas and prints, as well as continuing to work in the city streets.  Erms paints for graffiti crews FMB (UK), PBG (Lithuanie) and TT (Paris).

China Mike (British) Untitled, 2007 Giclee Print Signed dated and numbered 53/150 in pencil 43 x 60 cm (17 x 23.5 in) Mike Carr, aka China Mike is a British artist whose illustrative style became a trademark in Bristol and would be adapted by many. He has exhibited with galleries around the globe, and his paintings and printed works are represented in the private collections of art enthusiasts worldwide.

Mudwig (British b. 1980) That’s All Folks, 2008 Giclee print Signed and numbered 16/50 in pencil with gallery blind stamp (Pictures on Walls) 50 x 70 cm (19 x 27 in) Daniel Sparkes-(Mudwig) (Born England-1980) works out of the Comic Abstraction genre; by applying visual interventions to found imagery with his dark painted and drawn motifs that stylistically falter between the worlds of Dr Seuss, Philip Guston and bunker architecture. Through his depictions of, what he calls, ‘Spoof Monuments’ the artist creates a thematic oddball merger in oil paint and graphite. By traversing a stylistic void between 16th century Dutch still life painting and early Disney cartoon background, he composes visions of historically unhinged shrines to paradoxical cultures.  His comic character subjects, with facial features misplaced, are abstracted and fused into warped statue-esque forms adorned in esoteric symbolism. Sparkes cut his teeth as Müdwig in the Bristol street art scene during the 00’s, gaining recognition for his playful spraypaint-subverted advertising billboards (his ‘Müdverts’) and his graffiti work as part of the Wet Shame Krew. His early gallery work saw him continue this idea of editing existing imagery by painting directly onto found photographs, often from such mundane sources as cookery books, pet grooming magazines and old copies of National Geographic. His surreal post-apocalyptic Dr ‘Seussian’ additions saw him welcomed into the folds of the Comic Abstraction movement.In his distinctive visual world, modern trademarks become primitive hieroglyphs and forest dwellers become two-dimensional mossy-facades as the line between object and character is blurred, amalgamated to form dilapidated totems. Viewing Sparkes’ painterly oils creates within the viewer a strange dichotomy, the feeling of not wanting to inspect too closely (for fear of what one might find) while simultaneously being drawn to the recognisable. Both comical and disturbing in an unsettling yet comforting world, one in which both Seuss and Guston might feel right at home. His gallows subversion induces an arcane, yet a awkwardly recognisable visual language that simultaneously warps the recognisable and blurs the distinction between the character- totem, & its landscape. Sparkes has been nominated for the prestigious Jerwood drawing prize, and the ING Discerning Eye. He has created artwork for brands such as Nike, Medicom, Givenchy and Warp Records and exhibited extensively across the globe. Sparkes is currently based in Cornwall, England.

Mudwig (British b. 1980) Pluto's Licking 2008 Giclee print Signed and numbered 35/50 in pencil with gallery blind stamp (Pictures on Walls) 50 x 70 cm (19 x 27 in) Daniel Sparkes-(Mudwig) (Born England-1980) works out of the Comic Abstraction genre; by applying visual interventions to found imagery with his dark painted and drawn motifs that stylistically falter between the worlds of Dr Seuss, Philip Guston and bunker architecture. Through his depictions of, what he calls, ‘Spoof Monuments’ the artist creates a thematic oddball merger in oil paint and graphite. By traversing a stylistic void between 16th century Dutch still life painting and early Disney cartoon background, he composes visions of historically unhinged shrines to paradoxical cultures.  His comic character subjects, with facial features misplaced, are abstracted and fused into warped statue-esque forms adorned in esoteric symbolism. Sparkes cut his teeth as Müdwig in the Bristol street art scene during the 00’s, gaining recognition for his playful spraypaint-subverted advertising billboards (his ‘Müdverts’) and his graffiti work as part of the Wet Shame Krew. His early gallery work saw him continue this idea of editing existing imagery by painting directly onto found photographs, often from such mundane sources as cookery books, pet grooming magazines and old copies of National Geographic. His surreal post-apocalyptic Dr ‘Seussian’ additions saw him welcomed into the folds of the Comic Abstraction movement.In his distinctive visual world, modern trademarks become primitive hieroglyphs and forest dwellers become two-dimensional mossy-facades as the line between object and character is blurred, amalgamated to form dilapidated totems. Viewing Sparkes’ painterly oils creates within the viewer a strange dichotomy, the feeling of not wanting to inspect too closely (for fear of what one might find) while simultaneously being drawn to the recognisable. Both comical and disturbing in an unsettling yet comforting world, one in which both Seuss and Guston might feel right at home. His gallows subversion induces an arcane, yet a awkwardly recognisable visual language that simultaneously warps the recognisable and blurs the distinction between the character- totem, & its landscape. Sparkes has been nominated for the prestigious Jerwood drawing prize, and the ING Discerning Eye. He has created artwork for brands such as Nike, Medicom, Givenchy and Warp Records and exhibited extensively across the globe. Sparkes is currently based in Cornwall, England.

Mudwig (British b. 1980) Dogmatix Best Chum, 2008 Giclee print Signed and numbered 29/50 in pencil with gallery blind stamp (Pictures on Walls) 50 x 70 cm (19 x 27 in) Daniel Sparkes-(Mudwig) (Born England-1980) works out of the Comic Abstraction genre; by applying visual interventions to found imagery with his dark painted and drawn motifs that stylistically falter between the worlds of Dr Seuss, Philip Guston and bunker architecture. Through his depictions of, what he calls, ‘Spoof Monuments’ the artist creates a thematic oddball merger in oil paint and graphite. By traversing a stylistic void between 16th century Dutch still life painting and early Disney cartoon background, he composes visions of historically unhinged shrines to paradoxical cultures.  His comic character subjects, with facial features misplaced, are abstracted and fused into warped statue-esque forms adorned in esoteric symbolism. Sparkes cut his teeth as Müdwig in the Bristol street art scene during the 00’s, gaining recognition for his playful spraypaint-subverted advertising billboards (his ‘Müdverts’) and his graffiti work as part of the Wet Shame Krew. His early gallery work saw him continue this idea of editing existing imagery by painting directly onto found photographs, often from such mundane sources as cookery books, pet grooming magazines and old copies of National Geographic. His surreal post-apocalyptic Dr ‘Seussian’ additions saw him welcomed into the folds of the Comic Abstraction movement.In his distinctive visual world, modern trademarks become primitive hieroglyphs and forest dwellers become two-dimensional mossy-facades as the line between object and character is blurred, amalgamated to form dilapidated totems. Viewing Sparkes’ painterly oils creates within the viewer a strange dichotomy, the feeling of not wanting to inspect too closely (for fear of what one might find) while simultaneously being drawn to the recognisable. Both comical and disturbing in an unsettling yet comforting world, one in which both Seuss and Guston might feel right at home. His gallows subversion induces an arcane, yet a awkwardly recognisable visual language that simultaneously warps the recognisable and blurs the distinction between the character- totem, & its landscape. Sparkes has been nominated for the prestigious Jerwood drawing prize, and the ING Discerning Eye. He has created artwork for brands such as Nike, Medicom, Givenchy and Warp Records and exhibited extensively across the globe. Sparkes is currently based in Cornwall, England.

Ermsy Erms (British) Spray and Pray, 2012 Screen Print Signed and numbered 28/30 in pencil 29 x 42 cm (11 x 16 in) Ermsy aka Ermone is English graffiti artist and graphic designer, now living and working in Paris. Beginning graffiti in 1991, he's been painting walls across the globe ever since, in countries such as Colombia, Brazil, Argentina, Australia, Canada and many more.  After several successful gallery shows and commissions, Erms continues to produce illustrations, canvas and prints, as well as continuing to work in the city streets.  Erms paints for graffiti crews FMB (UK), PBG (Lithuanie) and TT (Paris).

WiseTwo (Kenyan)Queen Like Sheba, 2021Mixed media on canvasSigned and dated in marker to the verso71 x 151 cm (36 x 59.5 in)Bhupi Jethwa who is widely recognised as WiseTwo, is a Kenyan Multi-Disciplinary Artist. His journey into the world of street art and graffiti started in the streets of Nairobi, mainly in the high density areas of Kibera and Jericho. The name WiseTwo was self-given, a breakdown from the word wisdom but still humble hence the two, in reference to “not everyone can be the Wise One.” WiseTwo’s artworks adorn massive wall spaces across the globe, some paintings are held in private collections and others in intimate site-specific locations. Today his artwork can be found in several private and public collections including: Converse Head Offices in Mexico City, Mexico, Jomo Kenyatta International Airport, Nairobi, Kenya, Michael Goldstein Law Offices, Los Angeles, California, USA, United Nations, Zurich, Switzerland, United Nations Environmental Programme (UNEP), Nairobi, Kenya.

A large Toy Story 1990s vintage snow globe, musical, in original box

‘Globe Baby’ DEP bisque head doll, German circa 1910, with weighted brown glass eyes, open mouth, upper teeth and original blonde wig, on a five piece composition body with painted black socks and brown shoes, wearing a white cotton dress with lace and pink ribbons, matching bonnet and underclothes, 8” (20cm) tall, Condition report: Tops of both arms have been restored.

A miniature Dolls House Globe on turned stand, German circa 1900, lithographed globe and black painted wooden base, 2 ¼” (5.5cm) high.

A mineral terrestrial globe with inset abalone in a brass coloured stand with compass uniting 3 lower stretchers. Location: RAB

A mineral terrestrial globe in a brass coloured stand with compass uniting 3 lower stretchers. Location: RAB

A mineral terrestrial globe with inset mother of pearl and abalone in a brass coloured stand with compass uniting 3 lower stretchers. Location: RAB

A mixed lot to include an art deco glass lamp base with shade, two enamel bread bins, and a small Fucashun toy globe Location:

Suite of Escutcheon 1/12th scale Georgian Study Dolls house furniture, large breakfront bookcase with pedestal top, shelves, drawers below with sides cupboards, 7 ½” (19cm) tall, writing desk with green leather top, circular side table with opening drawers, red upholstered armchair, folding ladder chair and two chairs together with a magazine rack by Dennis Jenvey, unmarked globe on stand and games table, various ornaments and accessories, (lot).

A vintage 'News of the World' tinplate sign, 1920s-30s, the dark blue and white 'News of the World' lettering bordering an image of the globe, with the strapline 'The World's Best Sunday Paper Net Sale Exceeds 3,000,000 Copies Per Issue', 14¼in. (36.2cm.) diameter, within a red painted wooden frame.

Two vintage mid-century suitcases, comprising a two piece trunk and a Globe Trotter. (2). *

A small engraved and inked globe shaped bone compass, dia. 4cm.

MOTORING, vintage milk glass petrol pump display globe "Shellmex", 43cm height, damaged base rim

MOTORING, a vintage milk glass Shell petrol pump display globe, 45cm

2 CARTONS OF MISC ITEMS INCL; A GLOBE, A FIRE ALARM BELL, SODA SYPHON, ALARM CLOCKS & OTHER BRIC-A-BRAC

A ROYAL GEOGRAPHICAL SOCIETY MILLENNIUM CLOCK having a rotating cobalt blue glass globe and moon within gold plated axis above a silvered Roman chapter raised on four simulated marble columns enclosing an eight-day spring driven movement with lever escapement on square maple base with digital clock aperture, presented under a glass dome31.5cm highIn excellent condition, working correctly with no damage or losses. the dome is also in good condition with no chips or cracks. We cannot guarantee mechanical parts or functionality.

AN EARLY 20TH CENTURY 3" TERRESTRIAL POCKET GLOBE mounted in a card case - missing lid9.3cm diameter including case The globe is in very good unrestored condition with no dents, tears or stains.

A 20TH CENTURY EASTERN SCIENCE SUPPLY 8” CELESTIAL GLOBE with cast iron and bronze stand - stamped Eastern Science Supply Co. P.O.Box 1414, Boston, Mass, U.S.A.33cm high 27cm wide There are very minor losses to the surface of the globe (see images). The frame is in very good original unrestored condition.

A 19th century Globe de Mariee with original black lacquer base and gilt pressed metal decoration interior, H46cm, L28cm, W18cm

Gaywood, Richard -- Der lachende Demokrit und der weinende Heraklit. Radierung nach Rembrandt. 24,5 x 32 cm. Turner (New Hollstein, Hollar rejected) R14 I (von II), Alexander Globe: Peter Stent, London printseller, a catalogue raisonné of his engraved plates and books, 9 Vancouver, 1985, S. 119, Nr. 423 I (von II). Wz. Bekröntes Fleur-de-lis Wappen mit angehängten Buchstaben. Die Figur des Mannes links folgt einem Porträt Rembrandts, das sich heute unter dem Titel „Der lachende Mann“ im Mauritshuis in Den Haag befindet (Inv. Nr. 598). Der flehende, weinende Mann rechts hingegen findet sich als kniender, reuiger Judas in Rembrandts Gemälde „Judas bringt die 30 Silberlinge zurück“ wieder (Privatsammlung). Rembrandts Schüler Jan van Vliet fertigte um 1634 Radierungen von beiden Köpfen an, die Teil einer Serie von sechs "Tronies" sind. Hier finden beide Figuren in einer Interpretation von Robert Gaywood als die griechischen Philosophen Heraklit und Demokrit zusammen, die zwar zu unterschiedlichen Zeiten lebten, aber seit der Antike in der Literatur und Kunst miteinander verbunden sind. Lukian von Samosata sah Heraklit als „weinenden Philosophen“, der die Torheit der Menschen beklagt habe, im Gegensatz zu Demokrit als dem über die menschliche Ignoranz „lachenden Philosophen“. Die künstlerische Tradition dieses dichotomen Paares wurde in der Renaissance von Donato Bramante wiederbelebt und wurde in den Niederlanden im frühen siebzehnten Jahrhundert als eine Erweiterung des Vanitas-Themas populär. Fälschlicherweise wurde der Druck lange Zeit - wie auch der zweite Druckzustand verrät -Wencelaus Hollar zugeschrieben. - Vor der Hinzufügung des Namens "W. Hollar scup.". Ganz ausgezeichneter Druck, kräftiger Druck rechts und links mit der Plattenkante, oben auf diese geschnitten unten mit Spuren derselben. Geglättete vertikale Mittelfalte, schwache Stockfleckchen, Rostfleckchen, die linke untere Ecke mit schwacher Knickspur, oben rechts Bleistiftannotation, verso kleine Montierungsreste, sonst sehr schön. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.

Miniature Globe, with meridians, engraved continents and inscriptions, in arched wooden box, 19th century, globe diameter 5 cm, total height 9 cm

Vintage suitcases and trunks, including Globe Trotters, all with much wear, buy as seen

Quantity of collectables including metal wares, trays, brass, globe etc, see images

Personal Items of Joachim von Ribbentrop, consisting of an original napkin from the personal dinner service of the head of the Reichsminister of Foreign Affairs, being a white linen example with beautifully embroidered insignia of the German Diplomatic service the down winged Political eagle and swastika over globe within oakleaves wreath. Accompanied by a dinner service knife with the Ribbentrop family crest raised to the stem and a calling card for Frau von Ribbentrop. All in good condition. Many of the items from the leading members of the Third Reich were treasured souvenirs sought by American GI’s in 1945.

WW2 German Kriegsmarine Auxiliary Cruiser War Badge by C E Juncker, superb example of an un-marked (type 2) C E Juncker made Auxiliary Cruiser war badge which retains nearly all of the original gilt wash finish to the award. Silvered globe which remains in excellent condition with single rivet to the reverse. Complete with the original pin and catch fixing. Excellent example.

An Elizabeth II Bailiwick of Guernsey The Year 2000 gilt one pound coin, reverse with hands supporting the globe.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

CELINE LOUIS FERDINAND: (1894-1961) French Novelist. Known as Celine, his real name being Destouches, a controversial writer because of his anti-Semitism. A very good and lengthy A.L.S., with his initials `L.F.D´, four pages, folio, n.p, the 27th, n.d., to his brother Marcel, in French. Celine states in part `Oui sans doute Joulon is an admirable poet, mais lui globe-trotter acharné, s'il était venu nous voir depuis 5 ans, je l'aurais affranchi de bien des salades qui m'ont fait un tort énorme. Les malentendus, bevues, ignorances, naïvetés, mirages, miraculages, blablas, soigneusement entretenus, tu le sais, c'est pire que tout. Ça bat la campagne. A la fin on se retrouve couvert d'une légende de merde si bien épaisse qu'il y a plus qu'à te foutre à la fosse ! Et sans Te Deum!...´ ("Yes, no doubt Joulon is an admirable poet, but he is a relentless globetrotter, if he had come to see us 5 years ago, I would have freed him from many salads which have done me enormous harm. Misunderstandings, blunders, ignorance, naivety, mirages, miracles, blablas, carefully maintained, you know, it's worse than anything… At the end we find ourselves covered with a caption of shit so thick that there is more than to through you in the pit! And without Te Deum!...") a lengthy letter referring to a woman `an adorable fairy`, also to the Liberation, and saying before concluding `… j'ai pas de recours, je suis hors la loi !... Vive la mobilisation générale, l'amnistie générale, la bombe générale ! ça fera sortir les taupes des trous…´ ("…I have no recourse, I am outside the law!... Long live to the general mobilization, to the general amnesty, to the general bomb! it will get the moles out of the holes…") A letter of very interesting content. Small overall age wear and creasing, with few small tears to edges and a small repair to the second page edge. G 

NANSEN FRIDTJOF: (1861-1930) Norwegian Arctic explorer and polymath, Nobel Peace Prize winner 1922. An excellent, large vintage signed and inscribed sepia 12 x 10 photograph, the image depicting Nansen seated in a full-length profile pose at the desk in his study at Polhogda, the large house which was built to his design in Lysaker. Nansen is surrounded by various possessions including ornately carved chairs, several rows of bookshelves, a globe, marble bust, and with a typewriter and numerous papers on his desk. Signed in fountain pen ink to a clear area at the head of the image, 'Dr. Vaughan Harley, with the kind regards of Fridtjof Nansen'. The photograph (11 x 8.5) is neatly mounted to the original card mount with decorative printed borders. Signed photographs of Nansen of this size are scarce and desirable. Some very light, minor mottling to the image and a few light stains to the mount, otherwise VG Edward Vaughan Harley (1864-1923) British Professor of Pathological Chemistry at London University 1896-1919. Vaughan Harley had previously studied in Paris with Louis Pasteur and Pierre Paul Emile Roux. 

Globe Wernicke four-tier sectional bookcase, 149 cms h. x89cm wide x 33 cms Condition ReportSurface scratches, scuffs and knocks to the wood. Accretions, areas of fading and discolouration. Knob missing on one section. No sign of worm. Scissor mechanism works fine on all sections. Tarnishing and rust to metal banding. General wear and tear.Height of sections top down33cm, 27.5cm, 33.5cm, 56cm incl. baseDepth 32cm

Globe Wernicke five-tier sectional bookcase, 168 cms h. x 86cm wide x 29 cmsCondition ReportSurface scratches, scuffs and knocks to the wood. Accretions, areas of fading and discolouration. Handle missing from drawer. No sign of worm. Scissor mechanism works fine on all sections. Tarnishing and rust to metal banding. General wear and tear.Height of sections top down34.5cm incl. cornice, 27cm, 27cm, 39.5cm, 31.5cm, base 17cmDepth 32cm

Royal Doulton stoneware 'Army Club' cigarettes advertising ashtray, with painted black marks, 14cm high, a Don Jones (1936-2019) for Winchcombe pottery stoneware bottle-shaped vase in cream glaze, impressed seal marks, a turquoise glazed studio pottery vase, a Regency cut glass boat-shaped salt on lemon squeezer base, two engraved wine glasses with faceted notched cut stems, a small tear-shaped glass vessel and a 19th century globe-shaped decanter engraved with ferns Condition ReportArmy club ashtray with surface marks, accretions, crazing throughout. Crack to rim of ashtray bowl.  General wear and tear.

An original poster / window card advertising a performance in October 1964 at the Globe, Stockton with Billy J Kramer, The Ronettes, Yardbirds. Measures approx 10 x 15". Printed by Electric (Modern) Printing Co. Ltd, Manchester.

Postcards, Entertainment, a mixed age collection of 38 cards of theatre and circus entertainers, also giants, midgets etc inc. Globe Trotters, large people (Kolossal - Geschwister), flying lady, Kosaks, Luna Park Paris midgets, female horn blowers, Admiral Liriton and Betty Larsson (midgets), Princess Elisabeth (midget), Les Andreu (acrobatics), high diver, lady playing piano with her feet, 1935 photo of group of midgets, xylophone player etc (poor/gd)

This & the following 24 lots are part of a large private collection of genuine designer items purchased by a photographic model on her travels around the globe. Salvatore Ferragamo a tan leather and vinyl clutch bag with a short strap (unused vg)

Photographs of Marilyn Monroe, Sharon Tate and Dorothy Lamour, Globe Photos N.Y. and Pictorial London press stamps verso.

A Globe Wernicke three-tier corner stacking twin-section bookcase fitted with drawers beneath.

Rath political globe.

Globe Wernicke two section glazed bookcase

Phillips 13.5in Challenge globe on standPaper is discoloured and some small losses.The gold has been re-painted on metal stand

GLOBE DRINKS CABINET

Philipp Cella Papierglobus Privilegirter pneumatisch portativer Erdglobus. 12 1/2 Fuss Bayer. im Umfang, nebst Erläuterungen Massstab &c. München [1831]. - Sehr seltener aufblasbarer Papierglobus - Nach der Erfindung von Pocock verbessert und herausgegeben von Philipp Cella - In dieser Erhaltung sehr seltenes Exemplar Der Nürnberger Kaufmann Philipp Cella (geb. 1790, Sterbedatum unbekannt) war 16 Jahre in England, darunter in Bristol, tätig, wo er Pococks aufblasbaren Globus kennenlernte. Nach eigenen Angaben verbesserte er diesen und erhielt 1830 das königlich-bayerische Druckprivileg. Sein Globus verzeichnet u. a. die Reisen von 11 Entdeckern, darunter Cook (1771, 1772 und 1778), Clerk (1779) und Gore (1780). Zudem ist der Ort der Meuterei von der Bounty (1788) eingezeichnet. Um den Nordpol befindet sich ein Kreis mit Sternzeichen, im Titel befindet sich eine große Wappendarstellung. Der Globus wurde ursprünglich entweder aufgehängt und mithilfe eines Blasebalgs aufgeblasen, oder durch eine Prozedur in Form gebracht, die durchaus einiges Geschick erforderte: 'Man nimmt den Globus .. beym Reife, der die Oeffnung am Südpole bildet, und schüttelt ihn seiner ganzen Länge nach auseinander. Nun hält man den Reif vertikal und schwingt mit der rechten Hand gegen die linke, den Globus horizontal durch die Luft, ergreift den Reif sogleich mit der linken Hand und schwingt ihn ebenso wieder zurück u. s. w., wodurch die Luft in die Oeffnung eindringt und die Falten ausdehnen. Dieses horizontale Durchführen durch die Luft .. kann fünf bis sechsmal wiederholt werden, bis man endlich .. dem Globus so einen geschickten Schwung zu geben sucht, daß .. die Oeffnung zu Boden fällt, und das Knöpfchen am Nordpole oben sich befindet. Bei diesem Knöpfchen hebt man jetzt den Globus .. läßt ihn fallen, hebt ihn wieder u. s. f. Bei mehrmaliger Wiederholung pumpt sich die Luft durch die Oeffnung von selbst nach und nach dergestalt ein, daß der Globus gefüllt auf dem Boden steht.' (Erläuterungen, S. 3-4). Auch in nicht aufgeblasenem Zustand läßt sich der Globus verwenden, indem man ihn in der Länge auslegt und die einzelnen Segmente wie Buchseiten umblättert. Das Maßband kann am Nordpol angebracht werden, wodurch es den Meridianring ersetzt. EINBAND: Gefalteter Globus in Orig.-Papp-Schachtel (21,5 : 21,5 : 10 cm) mit rundem montierten gestochenen Deckelschild mit Wappen und 2 kleinen Globen und Orig.-Broschur 19,5 : 12,5 cm. - ILLUSTRATION: Grenzkolorierte Lithographie auf englischem Seidenpapier in 12 Segmenten, Durchmesser ca. 115 cm. An der Südpolkappe befindet sich eine Öffnung (Durchmesser 12,5 cm) und ein Ventil-Papierschlauch mit großer Öffnung. Zudem mit 1 Maßband für Breiten- und Längengrade, am Nordpol applizierbar, sowie 1 Ziehharmonika-Blasebalg und 1 zugehörigen Textheft von A. Klein. - KOLLATION: Textheft: 1 Bl. 15 S. LITERATUR: Fauser, Globen 68. - Engelmann I, 68. - Tooley, Mapmakers I, 249. Dabei: C. Abel-Klinger , Gebrauchsanweisung der künstlichen Erd- und Himmels-Kugeln für Schulen und Liebhaber. 6. Auflage. Nürnberg, W. Tümmel o. J. (1845). Interims-Broschur. 8vo. 29 S. - Mittig durchgeh. mit Knickspur, erste 2 Bll. und Umschlag mit Eckknick. Rare inflatable globe by Ph. Cella that is a development of George Pocock's prototype, with additional tracks of voyages from Magellan to Cook. Lithograph with outline color on English silkpaper, in 12 mounted gores, the South Pole with mounted tube to blow the air into the globe. In orig. cardboard box incl. an instruction book (by A. Klein), tape measure and accordeon bellows. - Partly more creased, only on the paper clasp at the south pole with small tear. A very rare example of the unusual globe in this condition. - 1 addition (instructions for use by C. Abel-Klinger). Dieses Objekt wird regel- oder differenzbesteuert angeboten.

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