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World globe on a wooden base, total H: 12 cm. UK P&P Group 3 (£30+VAT for the first lot and £8+VAT for subsequent lots)

A Globemaster 12" terrestrial globe. [W]

A small desk top globe in a wooden frame

Ca. AD 1800 - 1900.A large Ottoman celestial globe made predominantly of brass and inlaid with silver. The centre of the globe is crossed with graduated equatorial and ecliptic bands detailing the 48 constellations and inscribed alongside with their names in Arabic, the globe is marked with five stars and dots that represent the constellations. For similar see: Islamicate Celestial globes, their history, construction and use, 1985, fig.85. Size: 190mm x 150mm; Weight: 1.5kgProvenance: Private UK collection; previously acquired on the Holland art market in the 1990s.

A giltwood framed wall Mirror in George III style, the frame decorated with foliate swags and bows, W 55 cm x H 105 cm, together with a pair of complimentary gilt metal wall Lustres, with decorative bow decoration, W 28 cm x H 20 cm x D 13 cm, and a large antique marble and gilt metal chandeliers Globe / Shade(4)

A 19th century gilt metal novelty inkwell, in the form of a globe on stand, with a hinged lid, 21cm high

Antique terrestrial globe with inset compass

Johnston's Physical political mid century globe on wooden block stand, 12inch diameter, approx. H 35cm

Globe Wernicke - Mid Century oak bookcase having three graduating bookshelves with sliding glass shelves. Measures 120 x 86cm.

Globe Wernicke - Mid Century oak bookcase having three graduating bookshelves with sliding glass shelves. Measures 120 x 86cm.

A Rand McNally World Portrait Globe terrestrial globe on a turned wooden base, approx 53cms high.

Assorted items including a Gibsons 3 in 1 travel game set and a John Lewis metal globe jigsaw puzzle and a pair of Bresser binoculars **PLEASE NOTE THIS LOT IS NOT ELIGIBLE FOR IN-HOUSE POSTING AND PACKING**

An Italian style terrestrial globe cocktail trolley/cabinet

ERNST LUDWIG KIRCHNER (1880-1938)Liebespaar pencil on paper34.3 x 44.5cm (13 1/2 x 17 1/2in).Executed in 1908Footnotes:The work is listed in the Ernst Ludwig Kirchner Archives, Wichtrach/Bern.ProvenanceThe artist's estate. Dr & Mrs Gervais Collection, Zurich and Lyon, no. KLM 25.Christian Anton Laely Collection, Davos and Paris (acquired by 1938).Buchholz Gallery (Curt Valentin), New York, (possibly) no. 15445. L. Roy Blumenthal Collection, New York; his estate sale, Sotheby's, New York, 27 May 1976, lot 248.Private collection, US.Gail Forrest, Illinois.Private collection, US (acquired from the above on 9 December 1997).As a founding member of the Dresden based 'Die Brücke' group of artists in June 1905, Ernst Ludwig Kirchner was undoubtedly one of the most integral and prolific proponents of German Expressionism and among Germany's most important twentieth century artists.Signalled by the present work's date and the patterned blanket seen under the figures, Liebespaar hails from the much sought after Dresden years of the Brücke group, at a time when Kirchner's studio was a frequent haunt for the artists and their friends. Members of the social circle did not so much model there but rejected Germany's strict social constraints by engaging in hedonism and embracing sexual freedom as a liberated group. Nudity was common and the artists devoured the naturality of the scenes, capturing the fluidity of the human form in motion - the subject of their complete focus. Often noted in his writing, Kirchner was also particularly invested in the importance of drawing as a record of artistic experience. This lends the studio drawings, such as the present work, a particular intimacy and atmosphere of the moment, which is rendered by a simplified line.The mysterious collection of Dr Gervais appears in the provenance for a great number of works on paper by Kirchner and he is noted as one of the artist's most prolific collectors, amassing over 500 prints and drawings by the artist. His handwritten, systematic inscription appears on these works, beginning with 'K', referring to 'Kirchner'; the subsequent letters denote the details of the sheet and the numbers refer to their place in the series. Some examples include 'KZ - Kirchner Zeichnung (drawing)' and 'KFH - Kirchner Farbholzschnitt (coloured woodcut)'. The present work's 'KLM' is yet to be identified.Long an unknown entity, it is now widely believed that the Gervais Collection was in fact an invention of Kirchner's final student, Christian Anton Laely (1913-1992), who worked with the artist in Davos from 1935 until Kirchner committed suicide in 1938. Despite his tutor's death, Laely remained in contact with Kirchner's wife, Erna Schilling, and the artist's estate. His invention of the Gervais Collection likely came as a method of circumnavigating the freezing of assets during the war, allowing the continued sale of works to collectors in Germany. Works by Kirchner from his collection are now in some of the most prominent private and public collections across the globe.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Semi precious stone desk Globe on stand [32cm high]

Stehlampe "Globe 2000", Entwurf Frank Ligtelijn (1933 - 1996), Ausführung RAAK, Mid Century, Niederlande, 1970er Jahre, kugelförmiger Schirm in Opalglas auf verstellbarem Schaft über dreipassigem Fuß, unterseitig bez. "RAAK", H. 122 - 151 cm, Elektrik ungeprüft

Polished hardstone terrestrial table globe, gimbal mounted on gilt metal stand, H50cm, boxed

Brass table top globe armillary sphere, H26cm

Four Coalport Characters The Snowman figures, comprising The Finishing Touch, Hug For Mum, The Hug and The Special Gift, and The Snowman & Father Christmas Line Dancing Snow Globe, all without boxes

20th century Phillips terrestrial globe, raised on turned ebonised base, H54cm

Blot a Prouard of Paris, a French mantle spelter clock modelled as two classical style figures supporting a zodiac globe, the chapter ring with gilt and enamelled Roman numeral indices, raised on a mahogany base (h- 49cm, w- 37.5cm)

A cast-iron electric ceiling light fitting, Gothic in style with five branches, together with a Victorian twin wick oil lamp, complete with chimney, no globe.

A selection of vintage Hard Rock Café merchandise, for various cities, including: an Atlantic City baseball cap, with a globe embroidered to the front surrounded by the phrase ‘Save The Planet Love All Serve All’; a London bomber jacket, in blue and lilac; an Amsterdam leather jacket, in black and red; and other items.

A antique Moroccan style hanging lamp and an antiques glass globe ceiling light, shipping unavailable

An Orrefors Clear Glass Vase, engraved with a stag and deer, signed indistinct and numbered, 19cm high, a studio glass globe vase signed Milene Biot, Moser style amber flash bowl, Franklin Mint "The Golden Vase of Bast" etc. (one tray)

Glossy figure of a boy wearing a hat that displays the Gemini symbol while sitting on a globe displaying the word Gemini and holding twins. Lladro backstamp. This item has its original box. The box dimensions are 12.6"L x 7.6"W x 5.75"H. Artist: Salvador DebonIssued: 1995-1997Dimensions: 3.25"L x 3.6"W x 9.75"HManufacturer: LladroCountry of Origin: SpainCondition: Age related wear.

Lovely enameled footed globe with gilt accents on handles and bordering designs. Paneled design of Cinderella and her carriage. Reverse has commemorative information. Music box plays A Dream is a Wish your Heart Makes. Lid is adorned with red pillow and glass slipper. Disney backstamp. Issued: c. 2000Dimensions: 4.5"L x 3.25"W x 4.75"HManufacturer: DisneyCountry of Origin: United StatesCondition: Age related wear.

Glossy figure of a girl holding a scale, wearing a hat with the Libra symbol and standing on a globe that is marked Libra. Lladro backstamp. Artist: Salvador DebonIssued: 1995-1997Dimensions: 3.5"L x 4"W x 12.2"HManufacturer: LladroCountry of Origin: SpainCondition: Age related wear.

Newspapers - two interesting folios of periodicals, early 19th - first half 20th century, many chronicling events regarding Napoleon Bonaparte and the aftermath of The Napoleonic Wars, various titles, including The Courier, August 29th 1815; The Globe, January 11th 1819, etc

Cartography - an early 20th century educational terrestrial globe, by George Philips & Son (London), mounted for display, 28cm high overall

A 16th century style desk-top terrestrial globe, 50.5cm high

Cartography - an early 20th century educational 9" terrestrial globe, by George Philips & Son (London), mounted for display, 36cm high overall

Cartography - an early 20th century educational 12" terrestrial globe, by George Philips & Son (London), mounted for display, 54cm high overall

Cartography - a French terrestrial globe, by Delamarche, Paris 1838, mounted on a marble plinth, 13.5cm high overall

Voyages.- "Blind Traveller".- Holman (James) A Voyage Round the World, including Travels in Africa, Asia, Australasia, America, etc. etc., 4 vol., first edition, half-titles to tall but vol. 4, portrait frontispiece, 21 lithographs (3 folding) and 1 folding map, advertisement leaf at beginning vol. 1, ink signature of Ellen Holman dated 1857 at beginning each vol., manuscript notes on author loosely inserted, scattered spotting and staining, original cloth, slight bumping to corners and extremities, 8vo, 1834-35.   *** James Holman (1786-1857) totally lost his sight at the age of 25 whilst working as a member of the Royal Navy after contracting an illness whilst off the coast of the Americas in 1810. Despite his blindness he rejected a quiet, sedate lifestyle in England in order to pursue learning and travel around the world. As such in 1832, Holman became the first blind person to circumnavigate the globe.

Antique French polychrome Samac angel with globe. E. Bertraux Paris. Circa 1900. Size: H 61 cm. In good condition.

Mahogany globe. After antique example. Globe with lithography on paper. Second half 20th century. Dimensions: 52 x 43 cm. In good condition.

Royal Doulton Bunnykins. Fun on the Water snow globe and Hold Tight music box. With boxes.

An Early 20th Century Terrestrial Globe. Made in France. 54cm

Pascall’s Confectionery and Chocolates. An Early 20th Century shops display cabinet. O.C. Hawkes LTD. Globe Works Birmingham. 46x24x62.5cm

A globe on stand. 90cm (2)

Globe Wernicke - early 20th century mahogany three-tier stacking library bookcase, three glazed sections enclosed by hinged and sliding doors, interior with transfer label, raised on cabriole front supportsDimensions: Height: 120cm  Length/Width: 87cm  Depth/Diameter: 30cm

Early 20th century Globe Wernicke design stacking walnut bookcase, fitted with four sections each with two leaded glass doors, raised on turned feetDimensions: Height: 125cm  Length/Width: 89cm  Depth/Diameter: 27cm

4 good globe paperweight watches

A vintage toy & plastic toy globe

Registration No: BF 9569 Chassis No: 5951904 MOT: ExemptRestored with Recovery Truck body-styleDesirable Ruckstell rear axle, Warford gearbox, Rocky Mountain brakes, and running on coil and ignitionStarting readily and running very well during the recent photography sessionOffered from a small private collection with several Model TsIntroduced in 1917, the Ford Model TT remained in production for a decade. Rated at 1-ton, for load-carrying purposes, the newcomer utilised a longer, heavier gauge chassis than its Model T passenger car sibling but the same torquey 2.9-litre four-cylinder engine and epicyclic transmission. The commercial variant also featured a stronger worm drive and crown wheel back axle and heavier-duty suspension. Initially available in chassis-only guise, the Model TT could be had with a factory body from 1924 onwards. A formidable workhorse that proved its worth in all corners of the globe, the indomitable Ford has been credited with inspiring America’s love for the pick-up truck.Manufactured in 1925, the Model TT offered is believed to have been supplied new to the United States of America. Residing in America for over 95 years, the Model TT was imported onto British shores in 2021 by the vendor as an addition to his small private collection, which includes several Model Ts. Finished in Maroon paintwork with Black wings and bonnet, the TT has a complementary Black interior upholstery. Subject to significant restoration and improvement work since being purchased by the vendor, the Truck has been converted to recovery style with a bespoke winch and has had extensive restoration works to the bodywork and cab. Benefitting from a Ruckstell rear axle (providing four speeds for Fords), Warford gearbox (which cost some £3,000), Rocky Mountain brakes, and importantly runs on both coil and ignition. Starting readily and running well during the recent photography session, the Ford has been used with local runs and is supplied with a current V5C document. For more information, please contact: Paul Cheetham paul.cheetham@handh.co.uk 07538 667452

Registration No: GF 5087Chassis No: 46163MOT: ExemptSupplied new by Col. Sorrel to 'Montmorensie' and subsequently the property of J.M. Carrick, J. Montgomerie, A.R. Gooda, R.J. Rickards, D.E. Crowther and the vendorOriginal chassis, engine and transaxle. Front axle understood to be of Molsheim manufacture but no number discernedDecidedly elegant Weymann coachworkThere is no doubt ‘La Petite Royale’ succeeded where ‘(La Grande) Royale’ failed in terms of cementing Bugatti’s status as a luxury motorcar manufacturer; little wonder then that the model was reputedly among Ettore’s favourites. Le Patron would surely have approved of this particular example – chassis 46163 – too on the basis that it sports a scaled-down version of the magnificent semi-panelled Weymann Coach body which adorned his personal Type 41 ‘Royale’ when it won the 1929 Grand Prix d'Honneur Concours d'Elegance complete with ‘letterbox’ windscreen, kick-forward A-pillar, D-back and asymmetric rear windows. Invoiced to UK concessionaire Colonel Sorrel on 7th January 1930 for the princely sum of FF63,000 (including FF2,570 of extra fittings), the two-door Fixed Head was delivered a month later. Issued with the London number plate ‘GF 5087’ on April 2nd 1930, the Type 46’s first owner is simply recorded as ‘Montmorensie’ who we presume to have been the artist Sir Miles Fletcher de Montmorency, 17th Baronet Morres of Knockagh. Deriving an income from his Irish estates but residing in the English Capital, de Montmorency seemingly kept the four-seater until 1939/1940 when it was bought by Rodney Clarke Esq. for a mere £30! The co-founder of renowned Bugatti and Maserati specialists Continental Cars (and later Connaught), Clarke believed chassis 46163 to have been the Type 46 that he loaned to Cecil Clutton and Laurence Pomeroy for a test drive which was subsequently written-up in the April 1942 issue of Motor Sport magazine. Hand- and typewritten correspondence on file also reveals that ‘GF 5087’ was the car in which Pamela Clarke ‘missed being born by five minutes’ during 1943.Migrating to Scotland thereafter, the close-coupled four-seater belonged to J.M. Carrick Esq. of Coldstream, Berwick and then John Montgomerie Esq of Castle Douglas. The latter acquired it in 1954 and as the proprietor of James Gordon (Engineers) Ltd set about a ‘chassis up, body off’ restoration. Amazingly, much of the work is chronicled via a series of accompanying black and white photographs. Done on a piecemeal basis, the project had yet to be completed when Robert Prosser (acting on behalf of Robert Gooda Esq.) tracked the Bugatti to Castle Douglas during 1973. In two minds about selling, Montgomerie asked what he felt was an overly ambitious £4,000 for chassis 46163 and was somewhat taken aback to be pretty much handed a deposit there and then. Custodian for less than a year, Mr Gooda had the Type 46 re-registered as ‘GF 5087’ but apparently did little else prior to his premature demise. Advertised for £6,500 in the Thursday February 21st 1974 issue of Exchange & Mart, the Bugatti had in fact changed hands earlier that month being bought by R.J. Rickards Esq. Entering into correspondence with Mr Montgomerie, Mr Rickards received a wealth of information about the mechanical overhaul and was even sent the water pump. The engine is the original factory-fitted unit and is clearly stamped with the numbers ‘79’ and ‘195’. The former is the actual engine number, while the latter is the assembly number (and not that of a correct-type replacement, as had been previously posited). Mr Rickards would own the Bugatti for no less than thirty years during which time he repaired the ash frame, had the fabric panelling renewed in Blue by coachbuilder I. Wilkinson & Son of Derby and retrimmed the interior etc but, like his predecessors, did not finish it. Sold to its previous keeper Douglas Crowther Esq via the agency of Gavin McGuire Fine Automobiles in 2004, the Type 46 was further improved with all six of its alloy wheels being expensively refurbished before entering the current ownership a decade later.An automotive engineer by profession whose career took him all over the globe on various troubleshooting and project management missions, the vendor has had a lifelong passion for motorcars. Inspired by a petrolhead stepfather and racing driver mother, he has undertaken numerous restorations over the years and still has a 1932 Alvis which has been in his family since new. As well as completely rewiring the Weymann Coach including rejuvenating the ignition system (no mean feat given the lack of available information on the twin-plug set-up), he has had the instruments restored and the interior trim completed. Thought to have begun life with Marchal lighting, ‘GF 5087’ switched over to Scintilla components early in its life (the fuse box and horn are marked Scintilla too). More original than many surviving Bugattis, chassis 46163 has recently been inspected by the marque historian and Honorary Registrar of the Bugatti Owners’ Club, Mark Morris. Keen to be as authentic as possible in his endeavours, the seller has persisted with the Smith-Bariquand carburettor and reinstated the full-length running boards (a task made easier by the presence of the factory mounting holes). The ‘Metro Fully Flush Sliding Roof’ remains in situ and operational. Although a going concern, ‘GF 5087’ has yet to be run-in and / or de-bugged since the completion of its protracted, seven-decade, refurbishment. Housed within an engine-turned aluminium panel, the Jaegar instruments encompass a 150kmh speedometer and zeroed odometer.Aesthetics are subjective but we consider chassis 46163 to be among the most attractive Type 46s to have survived. Our sentiments being presaged by Cecil Clutton in Motor Sport eighty-two years ago: ‘This particular car is undoubtedly one of the most handsome ever, as is universally agreed by all beholders . . . The body is a two-door, four-light Weymann, with a large travelling trunk behind. The wheels are of the aluminium type. Some 5-litres are rather “lumps” in appearance, but this one is essentially “sleek.” An overall height of only 5’ 3”, as against a wheelbase of no less than 11’ 6”, largely contributes to the exceptionally fine appearance’. The potential jewel in many a collection and a fabulous opportunity for Bugattistes everywhere, this glorious ‘Petite Royale’ is offered for sale with V5C Registration Document, history file, Mark Morris report and spare block (which was purchased from marque specialist ‘Ivan Dutton’ on a ‘just in case / you never know’ basis).For more information, please contact:Damian Jonesdamian.jones@handh.co.uk07855 493737

Hawking, Stephen, A Brief History of Time, 1988, Hawking, Stephen, A Brief History of Time From the Big Bang to Black Holes... Introduction by Carl Sagan Illustrations by Ron Miller, Bantam Press, 1st ed. 1988, with original dust jacket, Stephen W. Hawking (1942-2018) was a brilliant theoretical physicist and cosmologist who captivated the world with his groundbreaking ideas and indomitable spirit. Diagnosed with amyotrophic lateral sclerosis (ALS) at just 21, Hawking was given only a few years to live, yet he defied this prognosis and went on to become one of the most influential scientists of our time. His work on black holes and the nature of the universe revolutionized our understanding of the cosmos. Despite his physical limitations, he communicated his profound insights with clarity and wit, especially through his bestselling book "A Brief History of Time." Stephen Hawking's "A Brief History of Time" is a remarkable book that opened up the mysteries of the universe to millions of readers. Published in 1988, it broke down the complexities of the cosmos into digestible pieces, making subjects like the Big Bang, black holes, and the nature of time understandable and fascinating. This book's importance lies in its ability to make science accessible and engaging, inspiring people from all walks of life to ponder the big questions about our existence. Key points in the book include an exploration of the universe's origins and ultimate fate, a discussion on the unification of the fundamental forces of nature, and the ongoing quest for a "theory of everything." Hawking's approachable writing style and his knack for simplifying complicated ideas helped demystify science, igniting curiosity and wonder in readers around the globe.

Collection of 3 Early Books, including: Desiderii Erasmi Roterodami Colloquia Nunc emendatiora (Now more corrected), published Apud Jodocum Janssonium Amstelodami (Amsterdam) 1651, The title page features a detailed engraving of a globe resting on clouds, symbolizing the worldly and humanistic aspects of Erasmus' works, Latin, Αἱ τοῦ Ἀνακρέοντος ᾠδαί (The Odes of Anacreon), Sappho and Erinna, published Apud R. Fleming & P. Neill Edinburgh MDCCLXV (1765), The title page features Greek script, printed in a straightforward, clear typographic style typical of mid-18th century publications. This 1765 edition of "The Odes of Anacreon," also including works by Sappho and Erinna, presenting a collection of ancient Greek lyric poetry. Georgii Buchanani Scoti Poemata Quae Extant, Editio Postrema (Latest Edition), published Ex officina Elzeviriana, Lugduni Batavorum (Leiden, Netherlands), MDCXXXVIII (1638), The title page features an elaborate engraving of George Buchanan framed by cherubs, highlighting the Renaissance humanist theme. It is printed by the Elzevir press, known for their elegant and compact editions of classical texts, "Georgii Buchanani Scoti Poemata Quae Extant" represents the complete extant poems of George Buchanan, a leading figure of the Scottish Renaissance

County of Wilts, Cased Set of Avoirdupois Globe Weights, English, c.1900, engraved 'COUNTY OF WILTS' 28lb Avoir' & 'COUNTY OF WILTS' 14lb Avoir' in a polished mahogany case with steel strapping, and a brass plaque engraved 'COUNTY OF WILTS, DE GRAVE & CO LONDON; CASE 35.5CM WIDE Footnote: this set of weights was specially made to be used by the weights and measures department to calibrate any of the inspector's weights that were to be taken out on site. These weights are fitted with a screw cap with adjusting cavity below to the base. A feature only used on working standard weights.

Set of 7 Avoirdupois Globe Wights, English, dated 1903, engraved 'COUNTY OF HEREFORD, 2726, Avery Birmingham' with multiple exchequer marks, weights 56lb, 28lb, 14lb, 7lb, 4lb, 2lb, 1lb Footnote: this set of weights was specially made to be used by the weights and measures department to calibrate any of the inspector's weights that were to be taken out on site. These weights are fitted with a screw cap with adjusting cavity below to the base. A feature only used on working standard weights.

City of Birmingham, Set of 5 Avoirdupois Globe Wights, English, dated 1903, engraved 'CITY OF BIRMINGHAM W & T Avery Birmingham' with multiple exchequer marks, weights 56lb, 28lb, 14lb, 7lb, 4lb, Footnote: this set of weights was specially made to be used by the weights and measures department to calibrate any of the inspector's weights that were to be taken out on site. These weights are fitted with a screw cap with adjusting cavity below to the base. A feature only used on working standard weights.

Part Set of Avoirdupois Globe Wights, English, Exchequer marks for 1901, engraved 'DE GRAVE & Co Ltd LONDON' with 3 globe weights engeved 'COUNTY OF WILTS, 2626' and a set of small flat weights with some engraved 'COUNTY OF WILTS, 2626' with some period replacement weights

The Royal Geographical Society World Clock was designed by the British watchmaker Richard Good, with the globe being able to view time in all parts of the world. The circular fifteen jewel eight-day movement with lever escapment regulated by sprung balance driving a rotating silverd annular twenty-four hour Roman numeral 'sidereal' chapter, set within a cavetto moulded brass drum incorporating knurled winding knob and glazed collar for the chapter ring and fixed pierced hour hand, surmounted by a 5.5 inch globe annotated in gilt with land masses outlined and countries labelled together with time zones clockwise from Greenwich meridian set within a square brass horizon plate divided for minutes and raised on four faceted uprights. H27.5cm x 22.2cm square.

A mid 20th century oak Globe Wernicke style two tier sectional bookcase; an elm wall shelf; oak drop-leaf Dining table, (3).

Mixed brassware and metalware to include scale weights, a pair of candlesticks, miniature items made from coins to include a globe, penny farthing, a small copper cauldron and other items Location:If there is no condition report shown, please request

A reproduction Fina glass oil globe, with lamp base, 23 cm highLocation:If there is no condition report shown, please request

A mid 20th century Philips Challenge Globe, on a wooden stand, 46cm hLocation:If there is no condition report shown, please request

ARTHUR WILLIAM DEVIS (BRITISH 1762-1822) A DOUBLE PORTRAIT OF TWO BOYS, ONE POINTING TO INDIA ON A GLOBE: A DOUBLE PORTRAIT OF TWO BOYS, PRACTICING ARCHERY Oil on canvas, a pair The former inscribed `Miss Kensington No.106' (on the reverse of the frame); and the latter inscribed `Miss Kensington No.105' (on the reverse of the frame) Each 79.4 x 56.5cm (31¼ x 22 in.) (2)Provenance: Private collection, UK Philips, Son & Neale, 1st December 1969, lot 30 Richard Green, London Dr Norman PowerArthur William Devis inherited his talent from his father, the portrait painter Arthur Devis (1712-1787). He led an adventurous life and in 1782 was `appointed Draftsman by a private committee of the East India Company to pursue a voyage around the world' (2) aboard the Antelope. He was wounded by arrows in New Guinea and shipwrecked off the Palau Islands in the Pacific. Devis reached Calcutta in 1785, hoping to make his fortune as a portrait painter. Handsome, charming and generous, he plunged into the extravagant, febrile world of Calcutta society, where East India Company officials lived with all the elegance of Europe and the glamour of the East. One of Devis's first sitters was the Governor-General of Bengal, Warren Hastings and he went on to paint Marquess Cornwallis Receiving the Hostage Prince of Mysore before Seringapatam: and The Finding of the body of Tippoo Sahib, The Sultan of Mysore. Devis returned to England in 1795, intending to publish his series of twenty-six paintings of Indian Manufacturers. He built up his reputation as a portrait painter, often executing commissions for families with connections to India. He became renowned for portraits of children: his gentle, warm personality put them at their ease. Sydney Pavière, Devis's biographer, comments: 'That he was fond of little children cannot be doubted. He painted them so lovingly and well' (3) . This can be seen in the present pair of portraits of four brothers. The elder pair stand in an interior with a table globe and the younger of the two boys' points to India, making clear the family's connection with that country. The elder boys, engaged in learning about the world, have the gravity of approaching manhood. Their young brothers live still in a world of outdoor play and sunlight. They are depicted practicing archery in the shade of a huge tree, the vastness of which suggests the tropics and is similar to the Banyan Tree in Devis's portrait of Colin Shakespeare, of the Bengal Civil Service (4). Both portraits are inscribed `Miss Kensington' on the reverse of the frames. It is possible that the boys are members of the Kensington family who are recorded in Madras in the early nineteenth century. For example, Henry Kensington (d.1825) began his career as a Writer (or clerk, the first rung of an East India Company career) in 1808 and rose to be Registrar to the Provincial Court, Southern Division by 1822 . There may well have been earlier generations of the family living in India. Devis visited Madras in 1793. 1. Sydney H Pavière, The Devis Family of Painters, Leigh-on-Sea 1950, p.102 2 Ibid p.104 3 Ibid p.113 4 Ibid p.114, no.134, plate 46 Condition Report: Framed measurements: 91 x 71 cm The portrait of boys practicing archery: The canvas is relined and presents a very subtle craquelure, which is hardly noticeable. UV light reveals various retouches yet mostly subtle. Starting from the boy on the left, the are restorations next to the right leg, a patch of retouching in the background just to to his left, of about 1.5 cm in diameter; further retouching near the right section of the bow, and very subtle targeted retouching to the white frilled collar, on the lip, and to the right of the hair; there also seems to be some reinforcing on his right eyebrow. The boy on the right, on the other hand, has a few retouches on the hand, and small, hardly noticeable retouching near the eye, and on the locks of hair to the left. Further retouching is present on the left border, and various restorations are present in the foliage to the right border. To conclude, a suable varnish covers the whole surface. The portrait of boys pointing to India: The canvas is relined, and presents a subtle, and hardly noticeable, craquelure across the whole surface. UV light reveals a few minor retouches. Starting from the boy on the left, there are some dotted restorations on the hand pointing to the globe, a few on the legs, while a thin 7 cm long retouch is situated diagonally to the left of to the froward leg. In addition, there might be some white paint restoration, which though does not fluoresce, on the stockings. The boy on the right instead presents a few retouches on the stocking, and a few, yet hardly noticeable and visible restorations on the hair and nose. To conclude, a 0.5 cm long retouching is present on he left of the boy's head. Further scattered retouches are present in the background, most notably near the brooders. Condition Report Disclaimer

Five assorted Georgian and later mallet/globe and shaft cut-glass decanters, various sizes.PROVENANCE: The Graham Smith Retirement Auction - 50 years in the Antiques Trade.